Since 2001, Caroline Libresco has been Senior Programmer for the Sundance Film Festival, where she selects features in all sections, focusing on documentary and international, and acts as conduit between artists and industry. She serves on the leadership team for Sundance’s new Creative Producing Initiative. Previously, she was an executive at ITVS, the San Francisco Film Festival, and the SF Jewish Film Festival. She produced the award-winning documentary, SUNSET STORY; the featurette BARRIER DEVICE; associate-produced the HBO documentary CAT DANCERS; and was developing producer on THE GRACE LEE PROJECT. She co-wrote and produced FANCI’S PERSUASION, directed by Charles Herman-Wurmfeld. Caroline founded “Planet Cinema,” annually presenting an environmental sidebar at the Seattle Film Festival. She serves as consultant to Harvard’s Center for Public Leadership and U.S. Delegate for the Zurich Film Festival. Caroline holds a B.A. from Oberlin College, an M.A. in History of Religion from Harvard, and an M.F.A. from UCLA Film School.

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Amy Villarejo joined the Cornell faculty in 1997, after receiving her AB from Bryn Mawr and Ph.D. from the University of Pittsburgh. During graduate school, she published her first book, a monograph on the 1933 film Queen Christina (British Film Institute Publishing, 1995, co-authored with Marcia Landy). At Cornell, she holds a joint appointment as professor in the Department of Theatre, Film & Dance (of which she is currently chair) and the Feminist, Gender, & Sexuality Studies Program (which she directed from 2004-2007). She has published widely, including a book on film and cultural studies (Keyframes, Routledge, 2001), on queer documentary (Lesbian Rule, Duke University Press, 2003), and an introduction to the discipline of cinema and media studies, Film Studies: The Basics (Routledge, 2007), currently being revised for its second edition. More recently, she is co-editor of a special issue of GLQ, "Queer Marxism," and author of a forthcoming monograph on television, Ethereal Queer (Duke University Press).
 

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Patricia White, Chair and President
Professor and Chair of Film and Media Studies, Swarthmore College

Patricia White is Professor and Chair of Film and Media Studies at Swarthmore College, where she teaches Feminist Film and Media Studies among other courses. She was an intern and later a staff member at Women Make Movies. She's the author of Uninvited: Classical Hollywood Cinema and Lesbian Representability, and the co-author with Timothy Corrigan of The Film Experience, and she's published many book chapters and essays in such journals as Screen and Cinema Journal. Critical Visions in Film Theory, co-edited with Timothy Corrigan and Meta Mazaj, is forthcoming. She is writing a book on global women's feature filmmaking in the twenty-first century. She is a member of the editorial collective of Camera Obscura, the leading journal of feminism, media, and culture.

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Tania Yuki 
VP of Advertiser Solutions at Visible World and Founder of wimLink

Tania is a digital media specialist who began her career as a filmmaker and media attorney, and specialized in film finance and development as well as documentary and feature film productions. After working in film for several years however, she was seduced by digital and went on to run an online video content network as head of acquisitions and has also lead product management for comScore's Video Metrix, the world's leading online video ratings service. Currently, she runs the Ad Solutions group with TV ad targeting company Visible World, and advises small to mid sized companies on their social media strategy.

Debra Zimmerman, Ex Officio, Executive Director, Women Make Movies 

Debra Zimmerman has been the Executive Director of Women Make Movies, a non-profit NY based film organization that supports women filmmakers, since 1983. During her tenure it has grown into the largest distributor of films by and about women in the world and our internationally recognized Production Assistance Program has helped hundreds of women get their films made. Films from WMM programs win prizes regularly at the Sundance Film Festivals and been nominated or won Academy Awards for the last eight years in a row.

She is in great demand around the world as a speaker on independent film distribution, marketing and financing as well as on women's film. She has keynoted conferences and spoken on panels, including the Women’s Film History Conference at the University of Sunderland in 2011 and at the 2011 Visible Evidence Conference at NYU and the 2012 Society for Cinema and Media Studies Conference at Boston University. She lectures regularly at universities across the United States, including Harvard, Smith College, Bryn Mawr, Vassar, UCLA and others. Zimmerman has moderated panels and given master classes at the Sundance Film Festival, MIPDOC and Reel Screen as well as film festivals in Europe, Africa, Asia and South America. Zimmerman has been closely affiliated with the International Documentary Film Festival (IDFA) as the co-host of the Talk of the Day and as a tutor for their Summer Film Academy. In addition, she has mentored filmmakers at the Ex-Oriente Film Workshop in Vienna and for many years at the National Alliance of Latino Independent Producers’ (NALIP) Academy. She was the co-curator of the 2011 Documentary Fortnight at the Museum of Modern Art in NYC and is the recipient of the 2012 Loren Arbus Award for Those Who Take Action & Effact Change, the IMPACT Award from the Sarasota Film Festival and is the 2103 Doc Mogul from the Hot Docs International Film Festival in Toronto, Canada.

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