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Don't Ask Why
Pakistan/Germany, 1999, 58 minutes, Color, VHS, Subtitled
Order No. W01729
Anousheh lives with her strict Muslim parents and two brothers in Karachi, Pakistan. At 17, she is at an age where daughters are usually married off. But Anousheh wants to study and refuses to accept the restrictions her religion and culture have imposed on her personal freedom. It causes conflict with her mother and lengthy discussions with her father. Her desire to be 'as free as her brothers' is drawing her close to the Islamic political party, Jamaat-i-Islami which, although dominated by men, promises the liberating power of Islam for both men and women. The film, by Sabiha Sumar, one of the few independent filmmakers in Pakistan, follows Anousheh as she struggles to realise her dreams and cope with her share of disappointment. It is a beautifully realized and rare portrait of girls in South Asia and their relationship to Islam at the beginning of the 21st century.
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Also available as part of the "Girls Around the World" series – six half hour documentaries on girls from Peru, Pakistan, Europe and Africa for $395.
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AWARDS, FESTIVALS, & SCREENINGS

- Mumbai (Bombay) Documentary Film Festival
- Munich Documentary Film Festival
- Sheffield International Documentary Festival
- South Asian Film Festival, NY
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QUOTES

“Lively, exciting and eminently watchable: a rare quality in an era when sometimes mere video recordings pass for great documentaries. Sumar's film takes us on a journey into the life of a 17-year-old girl from an Urdu-speaking Muslim family in Karachi. The film, based on the diary of Anousheh, provides us a rare glimpse of the dreams, aspirations and fears of a young girl growing up in a largely conservative, patriarchal society.”
Pratik Joshi
Federation of Film Societies in India
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RELATED LINKS

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Native Visions: Through the Eyes of Indigenous Women
This powerful collection of native voices features two films from the
acclaimed Mohawk director Tracey Deer including CLUB NATIVE
and the coming-of-age documentary MOHAWK GIRLS. Also included is the
critical and heartbreaking tale of aboriginal femicide FINDING DAWN, as
well as the spirited and vibrant Southwestern artists’ film, THE DESERT IS
NO LADY, and the highly provocative identity piece NAVAJO TALKING PICTURE.
More details.
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