A Thousand Girls Like Me

The story of a young Afghan woman’s brave fight for justice after experiencing years of abuse at the hands of her father.

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SYNOPSIS

A THOUSAND GIRLS LIKE ME is an awe-inspiring vérité documentary that tells the story of a young Afghan woman’s brave fight to seek justice and protect her children after experiencing years of abuse at the hands of her father.

Khatera Golzad’s father physically and sexually abused her for more than thirteen years, and after several aborted pregnancies, she gave birth to a daughter and a son. Despite her many attempts to file charges, neither the Afghan police nor the legal system helped her. In 2014, she appeared on national television to publicly accuse her father, finally succeeding in bringing her case to court despite threats from male relatives and judges who labelled her a liar.

Shedding light on the broken Afghan judicial system and the women it seldom protects, A THOUSAND GIRLS LIKE ME is the story of one woman’s battle against cultural, familial, and legal pressures as she embarks on a mission to set a positive example for her daughter and other girls like her. In a country where the systematic abuse of girls is rarely discussed, Afghan filmmaker Sahra Mani’s film is ultimately a story of bravery, love, hope and resilience.

PRESS

"The raw, heartbreaking film shows the double threat of a broken judicial system and ingrained oppressive and sexist attitudes. But the uplifting ending offers a glimmer of hope."

The New York Times

"A gripping look at sexual and physical abuse, incest and societal restrictions upon women in Afghanistan"

Medium

"An extraordinary film."

The Guardian

SCREENING HIGHLIGHTS AND AWARDS

Sedona Film Festival, Best Foreign Documentary
Full Frame Film Festival, Winner, Center for Documentary Studies Filmmaker Award
One World Media, Feature Documentary Award

International Documentary Film Festival Amsterdam (IDFA)
Full Frame Documentary Film Festival
HotDocs- International Premiere
Sheffield Doc Festival
Human Right Watch Festival

ABOUT FILMMAKER(S)

Sahra Mani

Sahra Mosawi-Mani is an award-winning documentary filmmaker, university lecturer, and founder of Afghanistan Documentary House. She began working in media in 2001 with the goal of using media as a catalyst for good. She received a Masters degree in documentary filmmaking from University of the Arts London and has since focused on creating documentaries about her own country Afghanistan. Her films include Kaloo School (2013), Beyond the Burka (2014), and A Thousand Girls Like Me (2018). (08/18)

Subject Areas

Child Abuse Criminal Justice Family Relations Human Rights Islam Law Middle East Sexual Assault Violence Against Women Young Women

After the Rape

In 2002, Mukhtar Mai, a rural Pakistani woman from a remote part of the Punjab, was gang-raped by order of her tribal council as punishment for her younger brother’s alleged relationship with a woman from another clan. Instead of committing suicide or living in shame, Mukhtar spoke out, fighting for justice in the Pakistani courts—making world headlines. Further defying custom, she started two schools for girls in her village and a crisis center for abused women. Mukhtar, who had never learned to read but knew the Koran by heart, realized that only a change in mentality could break brutal, archaic traditions and social codes. Her story, included in the bestseller “Half the Sky” by Nicholas D. Kristof and Sheryl WuDunn, and the subject of Mukhtar’s own memoir, “In the Name of Honor”, has inspired women across the globe. Revealing the progress and fruits of Mukhtar’s labor, this powerful documentary tracks the school’s profound impact on the girls and families of Meerwala and shows how the crisis center empowers women seeking its help. An important look inside Pakistan, where the impact of Islamic fundamentalism is revealed and how women are fighting its oppressive and violent impact.

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Enemies of Happiness

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Pink Saris

“A girl’s life is cruel...A woman’s life is very cruel,” notes Sampat Pal, the complex protagonist at the center of PINK SARIS, internationally acclaimed director Kim Longinotto’s latest foray into the lives of extraordinary women (SISTERS IN LAW, DIVORCE IRANIAN STYLE, ROUGH AUNTIES). Sampat should know – like many others she was married as a young girl into a family which made her work hard and beat her often. But unusually, she fought back, leaving her in-laws and eventually becoming famous as a champion for beleaguered women throughout Uttar Pradesh, many of whom find their way to her doorstep. Like Rekha, a fourteen year old Untouchable, who is three months pregnant and homeless – unable to marry her unborn child’s father because of her low caste. Fifteen year old Renu's husband from an arranged marriage has abandoned her, her father-in-law has been raping her and she's threatening to throw herself under a train. Both young women, frightened and desperate, reach out for their only hope: Sampat Pal and her Gulabi Gang, Northern India’s women vigilantes in pink. PINK SARIS is an unflinching and often amusing look at these unlikely political activists and their charismatic leader; in extraordinary scenes, we watch Sampat launch herself into the centre of family dramas, witnessed by scores of spectators, convinced her mediation is the best path for these vulnerable girls. Her partner Babuji, who has watched Sampat change over the years, is less certain...

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Invoking Justice

In Southern India, family disputes are settled by Jamaats—all male bodies which apply Islamic Sharia law to cases without allowing women to be present, even to defend themselves. Recognizing this fundamental inequity, a group of women in 2004 established a women’s Jamaat, which soon became a network of 12,000 members spread over 12 districts. Despite enormous resistance, they have been able to settle more than 8,000 cases to date, ranging from divorce to wife beating to brutal murders and more. Award-winning filmmaker Deepa Dhanraj (SOMETHING LIKE A WAR) follows several cases, shining a light on how the women’s Jamaat has acquired power through both communal education and the leaders’ persistent, tenacious and compassionate investigation of the crimes. In astonishing scenes we watch the Jamaat meetings, where women often shout over each other about the most difficult facets of their personal lives. Above all, the women’s Jamaat exists to hold their male counterparts and local police to account, and to reform a profoundly corrupt system which allows men to take refuge in the most extreme interpretation of the Qur’an to justify violence towards women.

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Salma

When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma’s salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village. As with her other work (PINK SARIS, ROUGH AUNTIES, SISTERS IN LAW), master documentarian Kim Longinotto trains her camera on an iconoclastic woman. Salma’s extraordinary story is one of courage and resilience. Salma has hopes for a different life for the next generation of girls, but as she witnesses, familial ties run deep, and change happens very slowly. SALMA helps us understand why the goal of global education of girls is one the most critical areas of empowerment and development of women worldwide.

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Primas

Two teenage cousins in Argentina come of age together, overcoming the heinous acts of violence that interrupted their childhoods.

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