While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
SEEDS
SEEDS is an ethnographic portrait of a centennial African-American farm in Thomasville, Georgia. Using lyrical black and white imagery this meditative film examines the decline of generational black farmers and the significance of owning land.
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Wisdom Gone Wild
WISDOM GONE WILD is an intimate documentary presenting a new look at dementia and caregiving. Rather than a portrait of loss, dementia is seen as a wisdom that has “gone wild.”
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FLANA (formerly WOMEN OF MY LIFE)
Born in the home of a Baghdad midwife, director Zahraa is a witness to violence against women from girlhood. In a cinematic journey she interrogates the past in search of her missing friend and confronts lifelong fears and nightmares as she works with other women to imagine a better future.
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Vena Aquatica
In a tender mosaic of El Salvador, women reveal the joys and perils of their lives, deeply bonded with water and land. Vena Acuática is shaped by the relationships among women who defend a landscape haunted by environmental negligence and forced migration.
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None of This Matters
Struggling filmmaker Shaina Feinberg travels to Maine to interview trailblazing TV director and teacher Joan Darling. Over years of filming, Shaina uncovers Joan’s final storytelling wish and enlists her former mentees and collaborators to fulfill it, only to find the 90-year-old legend has a few plot twists of her own.
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Untitled Women and Mushrooms Film
Lis and Juli are unlikely heroes: instead of weapons or shields, they carry baskets to collect mushrooms. These indigenous foragers and scientists lead this immersive docu-sci fi journey through Mexico’s forests to unveil secrets from the Queendom — the world of fungi and those whose lives intertwine with it.
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Bad Girl Marcia Tucker
After being fired from NYC's Whitney Museum for her radical exhibitions, feminist curator Marcia Tucker founded the New Museum in 1977 to champion marginalized artists. Through rare archive and insight from today's artworld rebels, BAD GIRL MARCIA TUCKER traces Marcia's defiant legacy – offering a blueprint for resistance in the face of contemporary threats to art, artists, and art institutions.
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Made in Ethiopia
Flamboyant Chinese businesswoman Motto needs every bit of mettle and charm she can muster to drive forward the biggest Chinese industrial park in Ethiopia. Having staked their future on the promise of industrialization, Ethiopian farmer Workinesh and factory worker Beti - like their country - find themselves at a crossroads.
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Miles to Go Before She Sleeps
YANG, an idealistic schoolteacher, is on a mission to stop the slaughtering of dogs in provinces where canine consumption is glorified as a cultural tradition. While a contentious animal protection law makes its way through the courts, she investigates with steely determination why countless pets are disappearing from their homes.
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The Kids Are Not Alright
The Kids Are Not Alright is an intimate portrait of trauma following three families’ journeys as they work to shed light on the devastating impacts of the Troubled Teen Industry, pursue healing in the absence of justice, and fight to hold abusers accountable.
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The Mask That Grins And Lies
The Mask that Grins and Lies is a meditative documentary feature that uncovers the intergenerational silence shrouding black women’s mental illness.
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KILLFACE
KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter.
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The Dead Zone
Every day, half a million forgotten Americans languish in THE DEAD ZONE, the limbo between arrest and conviction. Innocent people die in jail and can be held for years because of the profit motivated pretrial detention system. But four extraordinary people are trying to offer a blueprint for change.
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ithaka
This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
The campaign to free Julian Assange takes on intimate dimensions in this documentary portrait of an father's fight to save his son.
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Fencing for the Edge
FENCING FOR THE EDGE follows the emotional and physical journeys of two girls’ teams as they compete in the world’s largest high school fencing league.
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I Brought You Into This World
"I Brought You Into This World" is an intimate, character-driven documentary following three pregnant Black individuals of varying gender identities as they navigate pregnancy in a post-Roe America. The film exposes the profound impact of political and social conditions on maternal healthcare, revealing deep racial and gender disparities.
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