While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Wittig, Yes!
More than 50 years ago, Monique Wittig, acclaimed writer, theorist, and lesbian feminist icon, dared to envision a world beyond gender. Told by her lifelong partner Sande Zeig, Wittig, Yes! unveils the synthesis of Wittig's public and private personas, tracing the origins of her groundbreaking theories.
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It's Not Who I Am
Women are going to jail and prison at rates that have increased by 700% since 1980, a rate 50% higher than men. When they are released, they have expectations of starting life anew, however, in their re-entry journey, they are often confronted with an unforgiving society.
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THE COST
The truth about Alice Munro emerged only after her death. For her daughter Andrea, the story is not about legacy or outrage, but about what happens when everyone knows and nothing changes.
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Erica Deuso: The Good Neighbor Mayor
When a trans mayor is elected in a swing state, the first 30 days in office reveal how quickly progress can be challenged—and defended.
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Jennifer, 42
Based on a real case, JENNIFER, 42 tells the harrowing true story of the life and murder of Jennifer Magnano. Voiced by her three children, and told through animation, JENNIFER, 42 reveals the true nature of domestic violence and a woman's life and death battle for freedom.
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Roots of Resilience
ROOTS OF RESILIENCE profiles two communities devoted to Northern temperate rainforests, linked by latitude. The film weaves an urgent race to protect the world’s largest temperate rainforest, with rewilders awakening long lost forests. From the Pacific to the Atlantic, these stories invite a new relationship with forests that sustain us.
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How to Build a Library
Two tenacious Kenyan women are transforming a dilapidated, junk-filled library in downtown Nairobi. But first they must work with local government, raise several million dollars for the rebuild, and confront the ghosts of a problematic colonial history still trapped within the library walls.
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Take Me Home
Anna, a 38-year-old Korean adoptee with a cognitive disability, cares for her aging parents in a fragile balance of meeting each others’ needs. When a Florida heat wave shatters their family and Anna’s routine, her future is uncertain - until she creates a world where she can thrive.
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Eat Bitter
Against the backdrop of civil war in the poverty-stricken Central African Republic, a Chinese construction manager and a local African laborer work on opposite ends of the spectrum to construct a sparkling new bank. As deadlines loom, unexpected twists threaten their jobs, relationships, and plans for a better life.
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Peace For Nina
Peace for Nina follows the journey of a Ukrainian mother as she seeks justice for the unlawful killing of her son by a Russian mercenary. A survivor’s tale of grief, courage and hope.
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Untitled Rajie Cook documentary
Rajie Cook designed the visual symbols used to navigate our world, but had to find his own way through his Palestinian identity. As his pioneering designs achieved worldwide acclaim, his visual art confronted the often-ignored suffering of his lineage. Cook's life journey was the arc of a first generation American
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Game On
GAME ON is a feature-length character-driven documentary about BAFTA-winning game designer Brenda Romero. In the last thirty pioneering years, Brenda has contributed to nearly fifty game titles, developing innovative video and board games in a male-dominated environment. Can she sustain video game gold?
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Firelighters: Fire Is Medicine
Our relationship with fire is out of balance, leading to catastrophic wildfires. FIRELIGHTERS follows Yurok, Karuk, and Hoopa burning rights activists as they share their knowledge and provide solutions to this global problem.
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Here, the Silence is Heard
Gabriela's family escaped the Chilean dictatorship when her grandfather's life was in serious danger. 50 years later, Gabriela, who has inherited the trauma despite her being raised in Spain, returns to reopen the doors of the home they left behind.
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256,000 Miles From Home
On July 1, 2019, four former unaccompanied child refugees, now between 83 and 92 years old, arrive in Vienna, Austria, to begin a trip retracing the route they took 80 years ago, as Kindertransport children, traveling alone, without parents, fleeing to save their lives.
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We Are Volcanoes
Undisclosed project. Please contact filmmaking team for more information.
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