While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Postmortem
POSTMORTEM, a hybrid documentary film and theater project, is a boundary-pushing crime drama about a girl who didn’t tell her childhood secret—and the woman she becomes, who does.
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Feu de Lune
Bobia, a rural village in Côte d’Ivoire, keeps a buried secret. The war has one memory, and it is three generations long. In a place where history is carried through stories, the memory of this largely erased war survives through children’s dreams, adult silences, and a mother’s nightly bedtime tales.
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Extreme Animal Transport
What does it take to move wild animals across international borders? Every move has a story. We follow the journey to a new life.
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Bought/Broken
“Bought/Broken” is an interactive experience that examines the relationships and violence of abuse through the lens of objects bought, broken and repaired, evoking memories through objects and exploring the idea of gain and loss. I have been compositing the experiences and stories of domestic violence survivors.
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#WhileBlack
Witnesses who filmed the deaths of George Floyd, Philando Castile, and others, step forward in this ground-breaking documentary about the police brutality videos igniting global movements. Few realize how witnesses must battle online trolls, surveillance firms, and exploitative social media platforms turning their pain into profit.
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Dis-Ease
For centuries, the “war on disease” has been a metaphor we live and die by. But what if it weren’t a war?
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Myself When I Am Real
Set in the year 2000, MYSELF WHEN I AM REAL is an experimental short film about a working mother and her teenage daughter who struggle to make friends and find belonging in a small Wisconsin town. It explores otherness, identity, and assimilation from the contrasting perspectives of childhood and adulthood.
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Normal Isn't Real: Succeeding with Learning Disabilities & ADHD
Dave, Audrey, Nicole and LeDerick share their unique paths to success as young adults who have successfully met and managed the challenges that come with LD/ADHD.
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A Double Life
The filmmaker goes on a journey of discovery to unravel the mystery of her uncle’s past as a civil rights activist lawyer and political fugitive and his alleged involvement in an alleged prison escape attempt which left six people dead, his 13 years as a political fugitive and his return in 1984 to stand trial and gain his acquittal in 1986, returning to his legal aid work after 15 years. The film presents a multi-layered portrait of a turbulent era and the role of one individual seeking justice for others and later for himself.
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Dépôt-Vente
After moving to a new country for love, a filmmaker creates a loving portrait of a Beirut thrift shop that embodies the spirit of her home in Lebanon.
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Untitled NY Dance Film
A raw, cinematic, experimental dance film, that features New York’s avant guard arts scene, and encapsulates the life a New York artist through a mash up of original choreography, music, verite documentary, and magical realism.
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Gowanus Current
Gowanus Current is a documentary feature film about a neighborhood asking what is truly valuable in their community, and who gets to decide.
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The Boy and the Suit of Lights
Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
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Fencing for the Edge
FENCING FOR THE EDGE follows the emotional and physical journeys of two girls’ teams as they compete in the world’s largest high school fencing league.
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FLANA (formerly WOMEN OF MY LIFE)
Born in the home of a Baghdad midwife, director Zahraa is a witness to violence against women from girlhood. In a cinematic journey she interrogates the past in search of her missing friend and confronts lifelong fears and nightmares as she works with other women to imagine a better future.
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1946: THE MISTRANSLATION THAT SHIFTED CULTURE
A journey which unveils the mystery of how theology, history, culture, and politics led to a Biblical mistranslation, the man who tried to stop it, and the impassioned academic crusade of the LGBTQIA+ Christian community-driven to discover the truth.
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The Hammer
Disabling a military aircraft with a hammer is madness. Doing it twice is divine.
This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
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