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Who’s Going to Pay for These Donuts, Anyway?
A film by Janice Tanaka
1992, 58 minutes, Color, VHS
Order No. W99307
A brilliant collage of interviews, family photographs, archival footage and personal narration, this videotape documents Japanese American video artist Janice Tanaka’s search for her father after a 40 year separation. The two reunited when Tanaka found her father living in a halfway house for the mentally ill. Telling the moving story of her search as well as what she discovered about history, cultural identity, memory and family, WHO'S GOING TO PAY FOR THESE DONUTS, ANYWAY? is a rare look at connections between racism and mental illness.



AWARDS, FESTIVALS, & SCREENINGS

  • Whitney Biennial

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QUOTES

    “Forces us to examine our notions of family and our illusions of tolerance for other cultures and for the mentally ill.”
    Christine McDonald
    Multicultural Review

    “A powerful exploration of the psychic consequences of the camp experience.”
    Richard Oyama
    Hokubei Mainichi

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Native Visions: Through the Eyes of Indigenous Women

This powerful collection of native voices features two films from the acclaimed Mohawk director Tracey Deer including CLUB NATIVE and the coming-of-age documentary MOHAWK GIRLS. Also included is the critical and heartbreaking tale of aboriginal femicide FINDING DAWN, as well as the spirited and vibrant Southwestern artists’ film, THE DESERT IS NO LADY, and the highly provocative identity piece NAVAJO TALKING PICTURE. More details.



© Women Make Movies, 2005
Women Make Movies is a multicultural, multiracial, non-profit media arts organization which facilitiates the production, promotion, distribution, and exhibition of independent films and videotapes by and about women. contact us