Distribution and Digital Assets Manager
Originally a child of New York, Amy moved out to San Francisco to pursue her degree in Radio and Television from San Francisco State University. She spent several years in the Bay Area working as a freelance audio engineer with notable clients such as ON24 media, Crescendo Studios, and Hungry Mind productions. She also worked as a digital media associate for the international nonprofit Women’s Intercultural Network, furthering her passion for social justice and her commitment to promoting women in media. She returned to New York and after a stint with the New York Philharmonic, joined WMM. When not behind a mixing board, Amy enjoys cooking, homebrewing, and exploring Brooklyn with her partner.
Director of Finance and Administration
Eliza joined Women Make Movies in 2018 after almost a decade working in contemporary arts organizations. Previously, she worked for Performa as the General Manager, steering the organization through its most successful biennial – Performa 17. Prior to working at Performa, she spent seven years with the Institute of Contemporary Art (Philadelphia) as an Administrative Manager, helping to grow and restructure the administration department and steer several strategic development projects. She has a BA in Fine Arts from Saint Joseph’s University (Philadelphia) focusing on both studio art and art history, as well as graduate degrees from the University of Pennsylvania that include a certificate in Non-Profit Administration and an MS in Non-Profit Leadership. Her graduate work focused on strengthening Philadelphia-area art non-profit organizations and optimizing their impact in the community. Prior to moving to New York in 2017, Eliza was also an independent curator for a collective named NAPOLEON, curating contemporary art exhibitions and public programs. She has participated multiple grant funding programs for PA-based foundations, undergraduate arts advisory panels at Maryland Institute College of Art and Pratt Institute, has consulted for both art and non-art based, young non-profits, and is a 2018 NYFA Emerging Leader.
Director of Distribution & Acquisition
Kristen Fitzpatrick is the Director of Acquisition & Exhibition at Women Make Movies, where she programs the global exhibition of WMM’s collection of over 500 films and is also responsible for the acquisition of the organization’s new releases as well as their festival, marketing and outreach plans. Kristen has been on numerous film festival juries around the world and spoken on numerous panels focusing on distribution, promotional strategies and impact campaigns for social justice documentary. She was recently on the board of NewFest, and was also a long-term member of the selection committee for the New York International Asian Film Festival. Kristen currently serves annually as a judge for the Student Academy Awards (The Academy of Motion Picture Arts and Sciences), is a judge for the Northeast Emmys, and was recognized as an Emerging Leader by the National Alliance for Media Arts and Culture (NAMAC). Kristen also guest curates an ongoing film series in Brooklyn, where she lives with her Chihuahua, has an ongoing love affair with film and New York City, and spends a considerable amount of time deliberating about how documentary film & feminism really can change the world.
Director, Production Assistance Program
Barbara oversees the Production Assistance Program and handles broadcast and digital sales for Women Make Movies. As a producer Barbara’s films have been included in numerous film festivals and been broadcast on PBS, the Documentary Channel and Showtime. Prior to producing independently, she spent five years at Showtime Networks Inc. where she was a Director of Original Programming. In addition, Barbara was previously a consultant for Women Make Movies as well as an Administrator and Special Projects Manager for Philanthropy Advisors where she worked with organizations such as the Charles Evans Hughes Memorial Foundation and the Anonymous Was A Woman Award. She is currently a board member of Women in the Arts and Media Coalition.
A native of southern New Jersey, Kelly moved to New York in August 2001 and soon after began working with Women Make Movies. Originally hired as a work study intern, she served in many departments, eventually settling down and collaborating primarily with the marketing team. After several years away, she was thrilled to return as the Web Consultant. Kelly is a graduate of The School of Visual Arts, with a degree in Film and Video, and is also the creator of many short films and video projects. Aside from web consulting, Kelly also works as a video editor and a sound technician. Prior to that, she was a content editor for a major media research company. She lives with her husband and pet turtle in Brooklyn.
Finance and Office Coordinator
Rena joined WMM as the Finance and Office Coordinator in 2016. In addition to her years of financial and administrative experience, she volunteers at numerous film festivals including NYFF and DOC NYC, and has worked in Tribeca Immersive, the virtual reality showcase for the Tribeca Film Festival. She also serves on the Screening Committee for Rooftop Films. She previously served as the Membership Coordinator for Coney Island USA, and was also the Director of Fundraising and Finance for the NYC Chapter of the Younger Women’s Task Force. As a former board member for YWTF, she helped to plan and execute events for local organizations including Girls Educational & Mentoring Services (GEMS). Rena has a BA in Communication Arts from Ramapo College as well as a Professional Certificate in Accounting from NYU’s School of Professional Studies. She lives with her spouse in Chinatown/LES.
Director of Marketing and Communications
As the Director of Marketing and Communications for Women Make Movies, Judith is responsible for the promotion of the organization’s film collection, programs, and mission to support diverse women filmmakers. Before joining WMM, she worked for over ten years as the Director of Marketing and Outreach for First Run Features. In addition to her work in distribution, Judith has produced narrative and documentary films which have screened at festivals including SXSW, DOC NYC and more. She has served on screening committees for the Sarasota Film Festival and Chicken & Egg Pictures, and has been a film industry consultant for New York Foundation for the Arts. Judith graduated with a bachelor’s degree from Vassar College and also has a master’s degree in Cinema Studies from NYU.
Executive Assistant & Program Coordinator
Colleen is the assistant to Executive Director Debra Zimmerman, helps facilitate screenings for films in the distribution program and manages the WMM intern program. Originally hailing from Michigan, Colleen moved to NYC in 2008 to pursue a career in the arts, first exploring the world of off-Broadway at the historic Cherry Lane Theatre. After a wonderful time there, she decided to go back to school to study her first passion – film. While finishing up her Master’s Degree in Film Studies at CUNY Graduate Center, Colleen excitedly accepted an internship position at WMM and was eventually asked to join the staff. She is thrilled to be working with a feminist organization that not only aids in the production of current film projects, but also acts as a living & ever-growing archive for female directors with its vast distribution catalog. When not at WMM, Colleen enjoys exploring her East Village neighborhood, in particular its plethora of great movie theaters and music venues, and taking too many pictures of her two cats.
Senior Coordinator, Production Assistance Program
Laura is excited to be a part of the Production Assistance Program at Women Make Movies. She graduated with a degree in Art History from Florida State University where she centered her thesis around the iconography of the New Woman. Since then, she has been fortunate to find consistent opportunities in the arts and humanities. Before joining Women Make Movies, she worked with artist Alison Cornyn on various projects, including Incorrigibles — a transmedia project that shares the stories of youth justice involved girls in the US over the last 100 years. She has devoted her career to supporting storytellers and artists, and admires WMM’s commitment to diverse female voices and points of view. Laura was born and raised in Miami and has been living in Bed-Stuy for the last year. She came to New York for the abundance of opportunities in the art and culture scene, and stayed for the supportive community of friends she has created. Also, the food.
Debra Zimmerman has been the Executive Director of Women Make Movies since 1983. During her tenure it has grown into the largest distributor of films by and about women in the world. WMM’s internationally recognized Production Assistance Program has helped thousands of women get their films made. Films from WMM programs have been nominated or won Academy Awards for the ten of the last eleven years, including recent documentary award winner, Citizen Four.
She is in great demand around the world as a speaker on independent film distribution, marketing and financing as well as on women’s cinema. She has moderated panels and given master classes at the Sundance and Toronto Film Festival’s IDA’s Getting Real conference as well as other events in Europe, Africa, Asia and South America. She has keynoted conferences and spoken on panels, including the Women’s Film History Conference at the University of Sunderland, Visible Evidence Conference at NYU and the Society for Cinema and Media Studies Conference at Boston University. She lectures regularly at universities across the United States, including Harvard, Smith College, Bryn Mawr, UCLA and others.
Zimmerman has been closely affiliated with the as the co-host of the Talk of the Day and as a tutor for their Summer Film Academy. She has been on the juries of festivals around the world including the Abu Dhabi Film Festival, International Documentary Film Festival of Amterdam (IDFA), the Cartagena Film Festival (FICCI), and the One World Human Rights Film Festival in Prague among others. In addition, she has mentored filmmakers at the Ex-Oriente Film Workshop in Vienna, the Sheffield DocuFest and for many years at the National Alliance of Latino Independent Producers’ (NALIP) Academy. She sits on the Board of Directors of Cinema Tropical, a resource for Latino independent filmmakers and on the Advisory Board of the Center for Social Media at American University. She is the recipient of numerous awards including the New York Women in Film and Television’s Loreen Arbus Changemaker Award, the Athena Award and Hot Doc’s 2013 Doc Mogul Award, given to those who “over the course of their career has made an essential contribution to the creative vitality of the documentary industry, both in his or her country or abroad.” Zimmerman was appointed the Laurie Chair in Women’s Studies at Douglass Residential College at Rutgers University and taught there in 2014-15.
Nicole is a Partner at Reavis Parent Lehrer LLP where she specializes in entertainment, intellectual property and employment law. Nicole is also Head of Business Affairs at Engel Entertainment, Inc., a New York City based film and television production company. Nicole counsels filmmakers, producers and feature film and television production companies in connection with issues ranging from film financing, rights acquisition, production agreements, exploitation of ancillary rights, content licensing, clearance, distribution and an array of related matters. Nicole serves as production counsel and negotiates theatrical, broadcast and home video distribution deals for many film and television productions. She also represents commercial photographers as well as directors, performers, writers and others in the arts and entertainment industries. Nicole regularly lectures and writes on legal issues in the arts and media. She has appeared on panels at SXSW, Slamdance, The Hamptons International Film Festival, The World Congress of Science and Factual Producers, Napa Valley Film Festival, IFP and RealScreen, among other festivals and conferences. Nicole works with WMM and other organizations (like NYWIFT) to provide relevant and topical information to filmmakers and counsels and supports filmmakers in the WMM fiscal sponsorship and distribution programs, and has participated in workshops sponsored by WMM for its filmmakers.
Ms. Materre’s professional background spans more than 25 years experience as film producer, writer, arts administrator, distribution/marketing specialist, film programmer and college professor. She is currently an Assistant Professor of Media Studies and Film at The New School, and Associate Dean of The New School for Public Engagement School of Undergraduate Studies. Her critically acclaimed film series, Creatively Speaking, featuring work by and about people and women of color, is now in its 17th year. In Fall 2012 the series will premiere at its new location, My Image Studios (MIST) Cinemas in Harlem. Ms. Materre is also an independent media consultant, advising filmmakers and organizations on fundraising, distribution, marketing, and exhibition strategies. Selected client list includes: Julie Dash, Heidi Ewing and Rachel Grady, Channel Thirteen, Stanley Nelson, Thomas Allen Harris, Barbara Rick, Kim Longinotto, and Third World Newsreel, to name a few. Ms. Materre is a former member of the Board of Directors of New York Women in Film and Television, and a recipient of The Pen and Brush Society, Accomplished Women in the Arts Award.
Director of Programming & Policy, International Documentary Association (IDA)
Claire Aguilar was appointed Director of Programming & Policy at IDA (International Documentary Association) in February 2017. She oversees IDA’s professional development, education, mentorship and training initiatives. Aguilar works in tandem with IDA’s Filmmaker Services team and the recently announced Enterprise Documentary Fund to build a suite of support services for documentary makers. In addition, she sets strategy around IDA’s policy and advocacy work supporting filmmakers around a range of issues. Aguilar serves as the primary programmer for IDA’s biennial “Getting Real” conference, which will take place in September 2018. She is the former Director of Programming and Industry Engagement at Sheffield Doc/Fest, one of the leading festivals for documentary and digital media where she curated and directed the film program for Doc/Fest 2015 and 2016, programming over 350 films and working with over 200 filmmakers and media creators, including Michael Moore, DA Pennebaker and Chris Hegedus, Tilda Swinton, Ken Loach, and a retrospective of films by Chantal Akerman. At the Independent Television Service (ITVS), she served as Vice President of Programming and Executive Content Advisor, working on program content and strategy for the organization, including commissioning programming from international and U.S. independent producers. She co-curated the Emmy and Peabody awarded series Independent Lens, PBS’s prominent showcase of independently produced films. She has shepherded award-winning films to public television, including The Interrupters, The Invisible War, At Berkeley, The House I Live In, Goodbye Solo, Detropia, Waltz with Bashir and Last Train Home. She served on the Editorial board of the international public television series Why Democracy? She has served as a programming consultant and panelist for the Ford Foundation, the Corporation for Public Broadcasting, the Rockefeller Foundation, The National Endowment for the Arts, the Pew Fellowships in the Arts and many other media and funding organizations. She is Vice President of the Board of Women Make Movies, and serves on the Executive boards of Firelight Media, the European Documentary Network (EDN) and the Why Foundation.
Director/Producer, Naked Eye Productions, Ltd.
From cinema vérité to impressionistic documentaries, Tina DiFeliciantonio’s critically acclaimed work has been screened and broadcast in countries throughout the world. Along with her partner Jane C. Wagner, she has tackled a wide range of subjects—social justice, human rights, teenage sexuality, child abuse, sustainable energy, art, science and ethics—garnering dozens of top honors, such as two National Emmy Awards and two Sundance Film Festival Awards, including the Grand Jury Prize.
DiFeliciantonio began her professional career after graduating from Stanford University’s Master’s Film Program, where she made her directing debut with the student Academy Award-winning LIVING WITH AIDS, which was the first film on the subject to be broadcast on PBS. Over the years, her intellectual and creative collaboration partnership with Wagner has matured into a dynamic partnership that is sustained by a shared vision and passion for storytelling. Having worked in countries throughout the world, including Senegal, Abu Dhabi, Bangladesh, India, Japan, China and Turkey, their films have been aired on P.O.V., Sundance Channel, Showtime, HBO, TLC, MTV, SyFy, USA Networks and foreign television. Support for their work has come from organizations that include the MacArthur Foundation, Rockefeller Foundation, NEA, NEH, ITVS, AFI, and Sundance.
In addition to serving on the board of directors of media non-profits, DiFeliciantonio enjoys jurying film festivals, participating on funding panels and guest lecturing. She is actively involved in community service in New York City and is the co-parent of an active ten-year-old boy named Luca.
Professor of Film and Media Studies, Swarthmore College
Patricia White is Professor of Film and Media Studies at Swarthmore College, where she teaches Feminist Film and Media Studies and World Cinema among other courses. She was an intern and later a staff member at Women Make Movies in the 1980s and recently completed a term as board chair. She’s the author of Women’s Cinema/World Cinema; Uninvited: Classical Hollywood Cinema and Lesbian Representability, and the co-author with Timothy Corrigan of The Film Experience: An Introduction and co-editor, with Corrigan and Meta Mazaj, of Critical Visions in Film Theory. She’s published numerous book chapters on gender and sexuality in cinema and essays in journals including Screen and Cinema Journal. A longtime member of the editorial collective of Camera Obscura, the leading journal of feminism, media, and culture, she now serves on its advisory board, as well as on the editorial board of Film Quarterly.
Pamela A. Aguilar
Senior Director of Programming and Development for PBS
Pamela A. Aguilar is Senior Director of Programming and Development for PBS. In this role she identifies, develops and oversees the production of original Primetime content across various genres: history, science, nature, arts & culture and independent film. She works closely with Latino Public Broadcasting, to co-curate the nationally broadcast documentary series, VOCES and with co-producing partners like VOX Entertainment and the BBC; and with producing member stations like WGBH, WNET and TPT.
Her latest project, No Passport Required with Chef Marcus Samuelsson (VOX), is a multi-platform docu-series that celebrates America’s diverse cultures. Other credits include, Big Pacific, narrated by Daniel Dae Kim (NHNZ), The Wonders of Mexico, narrated by Anthony Mendez, 9 Months That Made You (BBC), and Going to War (VULCAN).
Prior to joining PBS, she worked as a writer/producer/director creating innovative content in the areas of science, history, social justice, and pop-culture. Her credits include, America by the Numbers, about the impact of America’s changing demographics, The Graduates/Los Graduados, about the high school dropout crisis, and Between Two Plates, a satirical Telenovela she created, on healthy eating for the WIC Nutrition Program. She began her career in TV commercial production where she worked on top brand-named client advertising campaigns.
Pamela serves on the board of Women Make Movies and NALIP’s Diverse Women in Media Advisory Committee; a graduate of The New School University in New York City, she hails from the Golden State of California.
Kisha Imani Cameron
PHead of Content, 4thMVMT
Kisha Imani Cameron is a long-time creative professional with an extensive background in screenplay & artist development. Currently the Head of Content at 4thMVMT, an organization focused on the development of the whole person through personal-development, business management training, health & wellness, and supportive services. Previously, Ms. Cameron served as Chief Talent Development Officer & COO of Ghetto Film School, and Consultant of Scripted Programs for the Tribeca Film Institute. She was an Associate Producer on SOMETIMES IN APRIL, the HBO film based on true events surrounding the 1994 genocide in Rwanda; and on Spike Lee’s controversial film, BAMBOOZLED. She cultivated her experience in studio development as an executive at New Line Cinema under Mike DeLuca, and later Walden Media. Kisha holds a BFA in Film Production from NYU’s Tisch School of the Arts. As president of her production company Completion Films, Ms. Cameron for 10 years had a first look producing deal with Focus Features. With then CEO James Schamus, she created and ran the FOCUS FEATURES AFRICA FIRST SHORT FILM PROGRAM as Executive Director. With over 25 completed films, AFRICA FIRST is the most successful film program of it’s kind. Since it’s inception, filmmakers who have participated in Africa First have gone on to be be globally recognized as the most promising, innovative and noteworthy young African filmmakers. Notable examples include Rungano Nyoni, I AM NOT A WITCH (Cannes Film Festival); Daouda Coulibaly, WULU (New Directors/New Films), and Jenna Bass, HIGH FANTASY (Toronto Int’l Film Festival).
A long-time champion of diversity of all kinds in entertainment, Ms. Cameron passionately works in the artist development space as coach and trainer via the Visionary Legacy Project. She has led artist development workshops for South Africa’s ATFT, Film Independent and Chicken & Egg. Ms. Cameron received her coaching training from the renowned Coaches Training Institute (CTI).
Margery Somers Foster Center & Women’s Studies Librarian
Interim Media Librarian, Rutgers, the State University of New Jersey, Mabel Smith Douglass Library
Kayo Denda is the Head of the Margery Somers Foster Center and Women’s Studies Librarian at Rutgers University Libraries. She is the liaison librarian to the Women’s and Gender Studies Department, Institute for Women’s Leadership, Institute for Research on Women, Center for Women’s Global Leadership, and Douglass Residential College. Her research interests range from women’s and gender issues to migration and diaspora, in particular movements of people, migrant communities and resettlement. Denda has been involved in a number of projects centered on Japanese-American community that settled in New Jersey to work at the Seabrook Farms, after their internment experience during the WWII. One of Kayo Denda’s main interests is to provide access and discovery to invisible collections. She led efforts in creating the CWGL: Center for Women’s Global Leadership Poster Collection, a digital collection of 292 posters published by 166 international women’s activist groups based in 24 countries between 1990 and 2005 and collected by Rutgers, Center for Women’s Global Leadership. This project received the “Significant Achievement Award in Women’s Studies Librarianship” from ALA/ACRL/Women and Gender Studies Section in 2012. Her theoretical research in providing access to interdisciplinary resources is demonstrated in the essay “Beyond Subject Headings: A Structured Information Retrieval Tool for Interdisciplinary Fields” published in Library Resources & Technical Services. The article received the Research Award from NJLA’s College and University Section in 2006. Denda is also a co-author of the book Douglass Century: Transformation of the Women’s College at Rutgers University that will be published by Rutgers University Press in 2018.
Director, OffCenter Films
Guillemet has worked in key positions in the film industry for twenty-five years. For over fifteen years she served as Vice President of the Sundance Institute and Co-Director of the Sundance Film Festival. At the 2000 Sundance Film Festival, she launched and directed the Documentary Film Program and its ” House of Docs” to provide support to documentary filmmakers. She also initiated the Gen-Y Studio, a program designed to nurture student filmmakers. In 2002, she founded the Utah Film Center bringing the world of film to local audience, emphasizing social content and artistic excellence. From 2002 – 2007, Guillemet was the Director of the Miami International Film Festival, showcasing the most important selection of Ibero-American Cinema in North America. She led the Festival through an astounding five-year period of growth including the creation of the Miami Encuentros, a program to help emerging Ibero-American producers. In the last six years Guillemet has worked as an executive consultant for various international festivals including the Dominican Republic Global Film Festival, the Costa Rica International Film Festival as Program Director, and the Middle East International Film Festival, the Bahamas International Film Festival, and ESAV, the Marrakech School of Film and Design supporting new Arabic cinema. Over the years Guillemet has assisted many documentary filmmakers during their creative process and in the production of their films, as well as in their distribution strategies.Throughout her career, Guillemet has been a dedicated arts activist. She serves on national boards of a number of arts organizations. She has also served on funding panel for the National Endowment for the Arts and the Rolex Foundation, and as a juror and panelist for international festivals. In 2005 she received the decoration, Chevalier des Arts et des Lettres from the French Minister of Culture.
VP, Documentary Films, National Geographic
Ryan Harrington is the Vice President of Documentary Films at National Geographic. Previous positions include Executive Producer of Feature Documentary at Pulse Films, Acting Director of Industry Programs for Hot Docs, and Director of Docs and Specials for Discovery Communications, where he commissioned and acquired feature docs for numerous platforms. Harrington served as the Vice President of Artist Programs for Tribeca Film Institute, where he launched many of their worldwide granting and filmmaker support initiatives. He also managed production at A&E IndieFilms, where he championed numerous high-profile feature docs. He is an Emmy, PGA and IDA-nominated producer as well as a frequent panelist, speaker, jurist, and go-to expert at industry events around the world.
Director, Documentary Film Program and Fund, Sundance Institute
Tabitha Jackson was appointed Director of the Documentary Film Program (DFP) at the Sundance Institute in late 2013. The DFP is dedicated to supporting nonfiction filmmakers worldwide in the production of cinematic documentaries that tell compelling stories, push the boundaries of the form, or address contemporary issues including social justice and human rights. In supporting such work, the DFP encourages the diverse exchange of ideas by artists as a critical pathway to developing an open society. Recent films supported by the DFP include The Square ,The Genius of Marian, and The Invisible War.
With over 20 years experience in the field, Jackson most recently served as Commissioning Editor for Arts, at the UK’s Channel 4 Television, where she supported and championed the alternative voice, and sought to find fresh ways of storytelling. Commissions included: Mark Cousins’ 15 part odyssey “The Story of Film”, Clio Barnard’s formally innovative verbatim cinema doc “The Arbor”, Bart Layton’s documentary thriller “The Imposter”, and most recently, the Sundance award-winning Nick Cave film, “20,000 Days on Earth”. Prior to joining Channel 4, Jackson made films in both the UK and US about identity, history, and social justice. Awards for her work include a News and Documentary Emmy for Rx for Survival: A Global Health Challenge and the Royal Television Society Award and UNESCO Gold Award for Motherland – A Genetic Journey. ve voice, and sought to find fresh ways of storytelling. Commissions included: Mark Cousins’ 15 part odyssey “The Story of Film”, Clio Barnard’s formally innovative verbatim cinema doc “The Arbor”, Bart Layton’s documentary thriller “The Imposter”, and most recently, the Sundance award-winning Nick Cave film, “20,000 Days on Earth”. Prior to joining Channel 4, Jackson made films in both the UK and US about identity, history, and social justice. Awards for her work include a News and Documentary Emmy for Rx for Survival: A Global Health Challenge and the Royal Television Society Award and UNESCO Gold Award for Motherland – A Genetic Journey.
Producer & Engagement/Communications Strategist
Neyda Martinez is a producer and independent strategic communications and cultural consultant with over 15 years of experience. While working full-time she completed graduate studies at Columbia University’s School of International and Public Affairs earning an MPA in 2008. She’s served clients such as Hachette Book Group USA, NYC’s Mayor’s Office of Adult Education, and Pernod-Ricard, a former sponsor of the Latin Grammy’s who sought her expertise in strategy, marketing and communications. Most recently, she concluded her tenure as Director of National Engagement for PBS’ documentary special, LATINO AMERICANS. In 2004, she conceived the music and humanities project, HABANA/HARLEM®. Five years later, Neyda created The New Audience Project™ to engage Latina women as cultural ambassadors and participate as consultants and micro-entrepreneurs in the cultural economy. The initiative garnered a highly coveted Rockefeller Cultural Innovation Fund Award for the pilot’s host organization, Teatro Circulo. She is also the producer of the independent film, LUCKY, www.luckythedocumentary.com. She volunteers on committees for the Metropolitan Museum of Art and Uprose and serves on the national board of directors for The Association of American Cultures, as well as for the Bronx-based dance company, Pepatian. An active cultural advocate and leader, she nurtures the next generation with hands-on mentoring. Her contributions have been recognized by El Diario-La Prensa’s Mujer Destacada campaign (2002); BeingLatino.com (2012); Senator Peralta and the Latin American Intercultural Alliance (2013); and Ford Motor Company’s Mujer Legendaria campaign. (2013).
Director of Digital Content and Strategy, billmoyers.com
Theresa oversees content for BillMoyers.com, and oversees the planning and execution of Bill Moyers’ social media strategy. She is an award-winning web producer and editor whose work has been featured on PBS Online and TIME.com. Previously, she was the vice president of digital content and strategy at POV, a documentary film series on PBS. Under her leadership, POV was one of PBS.org’s top 25 program sites. She developed new strategies for informing and engaging the public online, earning the site critical acclaim and numerous accolades, including the Webby Award, the Online News Association Award for General Excellence, the Knight-Batten Award for Innovative Journalism and the Parent’s Choice Award.
Co-Executive Director, ArtBuilt
Filmmaker and Producer
Esther Robinson is an award winning filmmaker and producer. Her critically acclaimed directorial debut “A Walk into the Sea: Danny Williams and The Warhol Factory” took top prizes at The Berlin, Tribeca and Chicago film festivals and is currently in international theatrical release. Other producing projects include the film Home Page (by acclaimed filmmaker Doug Block), the digital satellite release of The Last Broadcast to 5 cities, the award winning PBS series Alive From Off Center and serving as the Director of Film/Video and Performing Arts for the Creative Capital Foundation (1999-2006). Additionally, Esther has a philanthropy consulting practice (clients include The Ford Foundation, Chicken and Egg Pictures and The Fledgling Fund), is a technical advisor on the “Shifting Sands – Art, Culture and Neighborhood Change” initiative (this initiative recognizes neighborhood-based arts and cultural organizations as unique stakeholders in poor neighborhoods experiencing economic and demographic shifts and is funded by the Ford Foundation and managed by Partners for Livable Communities) and she is the founder of ArtHome a non-profit business that helps artists and their communities build assets and equity through financial literacy and home-ownership. Esther has a film and television degree from NYU’s Tisch School of the Arts.
Ex Officio, Executive Director, Women Make Movies
Debra Zimmerman has been the Executive Director of Women Make Movies, a non-profit NY based film organization that supports women filmmakers, since 1983. During her tenure it has grown into the largest distributor of films by and about women in the world. WMM’s internationally recognized Production Assistance Program has helped hundreds of women get their films made. Films from WMM programs have been nominated or won Academy Awards for the last eight years.
She is in great demand around the world as a speaker on independent film distribution, marketing and financing as well as on women’s film. She has moderated panels and given master classes at the Sundance Film Festival, MIPDOC and Reel Screen as well as film festivals in Europe, Africa, Asia and South America. Zimmerman has been closely affiliated with the International Documentary Film Festival (IDFA) as the co-host of the Talk of the Day and as a tutor for their Summer Film Academy. She has been on the juries of festivals around the world including the Abu Dhabi Film Festival, the Cartagena Film Festival (FICCI), and the Leipzig International Documentary Film Festival, among others. In addition, she has mentored filmmakers at the Ex-Oriente Film Workshop in Vienna, the Sheffield DocuFest and for many years at the National Alliance of Latino Independent Producers’ (NALIP) Academy. She sits on the Board of Directors of Cinema Tropical, a resource for Latino independent filmmakers and on the Advisory Board of the Center for Social Media at American University. She is the recipient of New York Women in Film and Television’s Loreen Arbus Award and Hot Doc’s 2013 Doc Mogul Award, given to those who “over the course of their career has made an essential contribution to the creative vitality of the documentary industry, both in his or her country or abroad.”