While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Recovery City
Recovery City is an intimate, unflinching portrait of four bold women who refuse to let themselves or their community give in to the stigma and despair of addiction.
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House No.7
After escaping their conservative societies, three women, rent rooms in an old Damascene house in Damascus, Syria, where they manage to create a safe space isolated from the madness of the post-war era. But soon the girls start facing many threats, thus protecting their fragile space becomes a challenge.
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We Are Volcanoes
Undisclosed project. Please contact filmmaking team for more information.
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ithaka
This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
The campaign to free Julian Assange takes on intimate dimensions in this documentary portrait of an father's fight to save his son.
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Rubbish: The Queer Kingdom of Leilah Babirye
The decade-long story of a queer artist-activist from Uganda transforming discarded rubbish into visions of liberation.
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SEEDS
SEEDS is an ethnographic portrait of a centennial African-American farm in Thomasville, Georgia. Using lyrical black and white imagery this meditative film examines the decline of generational black farmers and the significance of owning land.
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Girl Island: The Sandy Stone Story
How does a nice, quiet Jewish boy born in New Jersey in 1936 become a sound engineer for Jimi Hendrix, a lesbian separatist, the founder of Trans Studies, and the Goddess of Cyberspace?
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None of This Matters
Struggling filmmaker Shaina Feinberg travels to Maine to interview trailblazing TV director and teacher Joan Darling. Over years of filming, Shaina uncovers Joan’s final storytelling wish and enlists her former mentees and collaborators to fulfill it, only to find the 90-year-old legend has a few plot twists of her own.
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Anne Sexton:
Tell Me Your Answer True
She loved life and yearned for death. Anne Sexton, the Pulitzer Prize-winning writer, ‘one of the most important American poets of her generation’ was encouraged to write as an antidote to her open struggle with social convention, mental illness, and suicidal ideation. For the first time, a film follows the paths of this fascinating woman poet.
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Vena Aquatica
In a tender mosaic of El Salvador, women reveal the joys and perils of their lives, deeply bonded with water and land. Vena Acuática is shaped by the relationships among women who defend a landscape haunted by environmental negligence and forced migration.
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Paper City
Paper City tells the story of three survivors of the 1945 fire-bombing of Tokyo as they launch one final campaign to leave behind a record of this forgotten tragedy—before the last of them passes away.
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Home Court
HOME COURT traces the ascent of Ashley Chea, a basketball prodigy whose life intensifies amid recruitment, injury, and triumph throughout her high school years.
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WOMEN OF STEEL
1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
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Bought/Broken
“Bought/Broken” is an interactive experience that examines the relationships and violence of abuse through the lens of objects bought, broken and repaired, evoking memories through objects and exploring the idea of gain and loss. I have been compositing the experiences and stories of domestic violence survivors.
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Reproductive Choices: Revisiting La Operacion
A documentary challenging the long-held belief that the U.S. government forced Puerto Rican women to be sterilized; the truth is more complex and examining the evidence from the women themselves casts a whole new light on this story.
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Nuns vs. The Vatican
A former nun breaks her silence to expose the Church’s most celebrated priest and a system built to protect power at any cost.
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