While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Myself When I Am Real
Set in the year 2000, MYSELF WHEN I AM REAL is an experimental short film about a working mother and her teenage daughter who struggle to make friends and find belonging in a small Wisconsin town. It explores otherness, identity, and assimilation from the contrasting perspectives of childhood and adulthood.
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The Gender Project
What defines biological sex — science or society? Through immersion in the lives of people who defy simplistic gender labels, The Gender Project uses bold cinematic language to confront the dichotomy of gender, exploding binary myths with scientific, historical, and cultural revelations.
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Most Dangerous Women: Women of the West
A documentary short featuring women changemakers working to create a more just world. In the film, contemporary leaders in the U.S. West reflect on the early legacy of visible women in the region, as well as the challenges they and their peers face today, and their hopes for the future.
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Recovery City
Recovery City is an intimate, unflinching portrait of four bold women who refuse to let themselves or their community give in to the stigma and despair of addiction.
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the bomb
the bomb is a critically acclaimed immersive film, music, and art installation that puts viewers in the center of the story of nuclear weapons. It explores their immense power, their perverse allure, and the inherent danger at the very heart of them. An installation version of the bomb is currently touring museums, galleries, film festivals, and academic institutions.
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The Rabbis' Intifada
Why is a group of Orthodox rabbis supporting Palestinians and calling for Israel's dismantlement? An American Jewish woman struggles to unravel the mystery of their activism.
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No Human Involved
NO HUMAN INVOLVED: a woman is destroyed by a 27-month prison sentence for prostitution in Arizona, the tenacity of those who fight for justice in her name.
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WOMEN OF STEEL
1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
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I Love Bed-Stuy
Like many American neighborhoods, Bedford-Stuyvesant is quickly gentrifying, losing access to its own culture, history and residents. In this vibrant hybrid documentary, a budding fictional love story is the silver lining, as real-life residents’ fight to save a historical building becomes a microcosm for a deeper look into 3rd wave
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River of Grass
A time-traveling guide channeled by the land recounts the Everglades’ violent past and warns of Florida's precarious future. Told through Miami journalist Marjory Stoneman Douglas's The Everglades: River of Grass (1947), the film explores how Florida’s vulnerability to climate change is historically rooted in the Everglades’ ongoing legacies of settler colonialism.
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*holds you tight*
A lonely night watchman develops a relationship with an AI chatbot, transforming his worldview and challenging his perception of identity and reality.
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The Boy and the Suit of Lights
Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
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Impossible Town
When her father dies unexpectedly, Dr. Ayne Amjad is thrust to the helm of a decades-long struggle to aid a southern West Virginia town beset by cancer-causing chemicals.
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The Other Gaza
Gaza is a war zone. But it’s also the birthplace of Wafa Jamil, and the home of her family. The Other Gaza shows how daily life in Gaza really is, with sorrow and joy existing side-by side. For the audience to understand, as well as her young daughter Leia.
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Roots of Resilience
ROOTS OF RESILIENCE profiles two communities devoted to Northern temperate rainforests, linked by latitude. The film weaves an urgent race to protect the world’s largest temperate rainforest, with rewilders awakening long lost forests. From the Pacific to the Atlantic, these stories invite a new relationship with forests that sustain us.
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One Night in Tantura
Director, Hala Gabriel, a Palestinian refugee from Syria, uncovers the hidden story of internment camps, massacres, cover-ups and atrocities from victims and perpetrators in a journey of exploration to understand why she was born a refugee.
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Karuara, People of the River
A film about spiritual beings that live in the Amazons’ rivers, and an indigenous community’s struggle to save these sacred water guardians.
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Rubbish: The Queer Kingdom of Leilah Babirye
The decade-long story of a queer artist-activist from Uganda transforming discarded rubbish into visions of liberation.
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