New Releases

Pre-order now -- Release date: October 24, 2022 Dissecting one of the most influential platforms of the contemporary social media landscape, TIKTOK, BOOM., directed by CODED BIAS filmmaker Shalini Kantayya, examines the algorithmic, socio-political, economic, and cultural influences and impact of the history-making app.

By sharing three women’s intimately personal stories, DYING TO DIVORCE takes viewers into the heart of Turkey’s gender-based violence crisis and the recent political events that have severely eroded democratic freedoms.

MAESTRA (2012) MAESTRAS VOLUNTARIAS (2022) Two films tell the courageous history of the first Volunteer Teachers in Cuba and the women who laid the groundwork for a massive National Literacy Campaign that would teach more than 707,000 Cubans how to read and write. 

An animated reimagining of the life of Annah, a 13-year-old Javanese girl brought to France in 1893 to serve as a maid and model to the famous painter Paul Gauguin. 

International award-winning Innu writer and poet Joséphine Bacon, a meditation on interconnectedness, and an anti-colonialist story about revitalizing Indigenous languages.

Peabody Award winner and Emmy nominated THE JUDGE provides rare insight into Shari’a law, an often-misunderstood legal framework for Muslims, told through the eyes of the first woman judge to be appointed to the Middle East’s religious courts.

In this BAFTA award-winning film, two-time Emmy and Peabody award-winning filmmaker Deeyah Khan examines the erosion of reproductive rights in the United States, foregrounding the stories of those often forgotten in this ‘war’ who nonetheless find themselves on its frontline: impoverished women and women of color.

Tired of watching local government ignore their communities’ interests, five diverse female activists decide to run for municipal office in Denver — one of the fastest gentrifying cities in the U.S.

Against the backdrop of a Midwestern state battling industrial decline, an opioid epidemic, and rising incarceration rates, APART offers an intimate portrait of three women who return home from prison and rebuild their lives after being separated from their children for years.

FANNIE LOU HAMER’S AMERICA is a portrait of Mississippi sharecropper-turned-human-rights-activist, Fannie Lou Hamer, one of the Civil Rights Movement’s greatest leaders.

In this Peabody Award-winning exposé,  director  Deeyah  Khan uses her uniquely intimate filming style to investigate the  rise in anti-Muslim hate crimes in the  U.S. 

Offering a window into the experience of Chinese migration to Cuba, HAVANA DIVAS follows two Cantonese opera singers who perform for decades in Cuba before, and during, Fidel Castro’s revolution.

Filmed as the U.S. planned for its September 2021 withdrawal of troops, IN THE RUMBLING BELLY OF MOTHERLAND documents an inspiring female-led news agency in Kabul, Afghanistan.

A grave warning of how far state control of women’s bodies can go, FLY SO FAR follows Teodora Vásquez, who was sentenced to thirty years in a Salvadorean prison after she suffered a stillbirth.

An evocative audiovisual meditation on the experience of Mexican immigrants living and working in rural America.

An intimate and inspiring  portrait of  Rep. Barbara Lee (D-CA), a champion of civil rights and the lone vote in opposition of the broad authorization of military force following the September 11th  attacks. 

Kendra Mylnechuk Potter, a Native woman adopted into a white family, reconnects with her Native identity and begins to view herself as a living legacy of U.S. assimilationist policy.

Told from the point of view of women advocating for accountability and change, this compelling documentary by USC Graduate Mishal Mahmud examines the sexual assault scandal at the University of Southern California, detailing crimes committed by former gynecologist Dr. George Tyndall and exposing the active cover-up on the part of the administration.

In 1932, Celine Navarro was buried alive by her own community in Northern California. This is an attempt to uncover the real story, revealing Navarro’s feminism and resistance in a time when neither was embraced, as well as the silences that haunt Filipino-American communities to this day.

Nice Chinese Girls Don’t is a portrait of Kitty Tsui -- an iconic Asian American lesbian, poet, artist, activist, writer, and bodybuilder who came of age in the early days of the Women’s Liberation Movement in San Francisco.

STATELESS, the new film from the critically acclaimed filmmaker of American Promise, looks at the complex politics of immigration and race in the Dominican Republic and Haiti, using a combination of magical realism and hidden camera techniques.

Told through a deeply personal lens, this film explores sexual assault and trauma – and how these experiences intersect with race, class, and sexual orientation – with complexity and sensitivity. 

When MIT Media Lab researcher Joy Buolamwini discovers that many facial recognition technologies misclassify women and darker-skinned faces, she delves into an investigation of widespread bias in algorithms.

Filmed over seven years with extraordinary access and intimate accounts from currently and formerly incarcerated people, this Emmy-winning documentary exposes a pattern of illegal sterilizations, modern-day eugenics and reproductive injustice in California prisons.

PAULETTE follows the historic campaign of Paulette Jordan, the first Native American candidate – as well as the first woman -- to win the Idaho Primary for Governor.

WITHOUT A WHISPER - KONNON:KWE is the untold story of the profound influence of Indigenous women on the beginning of the women’s rights movement in the United States.

BLACK FEMINIST explores the double-edged sword of racial and gender oppression that Black Women face in America.

A 28 minute educational version is also available, email [email protected] for details. THE R-WORD is an intimate look at the history of the word ‘retard(ed),’ cultural representation, and the challenges and triumphs of people living with intellectual and developmental disabilities.

At the Philadelphia abortion helpline, counselors field nonstop calls from women and teens who are seeking to end a pregnancy but can’t afford to, illustrating how economic stigma and cruel laws determine who has access to abortion in America.

Native American survivors of sexual assault fight to restore personal and tribal sovereignty against the backdrop of an ongoing legacy of violent colonization.

WAGING CHANGE shines a light on an American struggle hidden in plain sight: the women-led movement to end the federal tipped minimum wage for restaurant workers.