A film by Assia Boundaoui

US | 2018 | 87 minutes |

In the Arab-American neighborhood outside of Chicago where journalist and filmmaker Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers tens of thousands of pages of FBI documents that prove her hometown was the subject of one of the largest counter terrorism investigations ever conducted in the U.S. before 9/11, code-named “Operation Vulgar Betrayal.”

With unprecedented access, THE FEELING OF BEING WATCHED weaves the personal and the political as it follows the filmmaker’s examination of why her community-including her own family-fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened and takes the FBI to federal court to compel them to make the records they collected about her community public. In the process, she confronts long-hidden truths about the FBI’s relationship to her community.

THE FEELING OF BEING WATCHED follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.

Switzerland/Germany | 2018 | 101 minutes 

#FEMALE PLEASURE accompanies five extraordinary women around the globe who are fighting to smash patriarchal attitudes and reclaim female sexuality.

The film introduces us to author Deborah Feldman from Brooklyn’s Hasidic community, sex educator Vitika Yadav in India, manga artist Rokudenashiko in Japan, Somali activist Leyla Hussein, and former nun Doris Wagner in Europe, courageous women who are all struggling to end the harmful cultural practices like genital mutilation and the shaming of the female orgasm that lie at the root of rape culture and patriarchy. Not only highlighting the issues that have contributed to the sexual marginalization of women, the film also calls these atrocities, embedded within cultural and religious norms, by their actual names: rape, assault, child trafficking, abuse. We witness these female activists who were taught to be silent confronting the very entities that have oppressed them.

Both an urgent call to action and an empowering plea for self-determined joyful female sexuality, #FEMALE PLEASURE is ultimately an inspiring tool to help women, no matter their cultural or religious background, to reclaim their bodies and celebrate their sexuality without shame or suffering.

US | 2018 | 61 minutes

Denmark/Germany | 2019 | 91 minutes

FALSE CONFESSIONS follows four cases of defense attorney Jane Fisher-Byrialsen, including that of Korey Wise who was only sixteen when he was manipulated into a false confession in the infamous Central Park Jogger case, as she fights to put an end to an institutionalized injustice. Examining the complex tactics law enforcement agencies across the U.S. use to coerce false confessions, the film looks at the psychological aspect of how people end up confessing to crimes they have not committed as well as the consequences of these confessions – for those accused, for their families and for society.

On the heels of the difficult and critically important national conversation sparked by Ava Duvernay’s miniseries about The Central Park Five, FALSE CONFESSIONS is an urgent in-depth look at the dark side of the American justice system that goes even further into investigating the social, racial and legal issues at stake.

US | 2019 | 61 minutes 

WAGING CHANGE shines a light on an American struggle hidden in plain sight: the women-led movement to end the federal tipped minimum wage for restaurant workers.

The majority of people serving food in U.S. restaurants are paid a federal sub-minimum wage of only $2.13 an hour and are forced to depend on tips to feed themselves and their families. Women, who hold two-thirds of all tip-based jobs, are especially affected. Their reliance on tips leads to pervasive gender discrimination, sexual assault, and sexual harassment at the hands of customers, coworkers, and bosses – and leaves them with very little ability to speak up. In addition, sub-minimum wages are also paid to workers with disabilities, incarcerated workers, and teen workers in most states. WAGING CHANGE weaves together the stories of workers struggling to make ends meet with the efforts of Saru Jayaraman and others of One Fair Wage, who faces off against the powerful National Restaurant Association lobby and fights for one fair wage.

Featuring Lily Tomlin, Jane Fonda, Rep. Alexandria Ocasio-Cortez and others who have mobilized support for the movement, WAGING CHANGE reveals the important role consumers have to play in ending this two-tiered wage system which has already been abolished in seven states.

US | 2019 | 14 minutes 

Directed by Aubree Bernier-Clarke
Produced by Shawna Lipton, Pidgeon Pagonis

Activist Pidgeon Pagonis was born intersex, not conforming to standard definitions of male or female, and experienced genital mutilation as a child. Now Pidgeon is fighting the medical establishment, seeking to end medically unnecessary surgeries and human rights abuses on intersex people in the United States and around the world.

An estimated 1.5% of the population is born with intersex traits. While most of these babies are healthy, their bodies are treated as a medical emergency. It is common practice for doctors to perform genital surgeries on intersex infants–often with disastrous results including total loss of genital sensation, lifetime synthetic hormone dependence, and being assigned a gender with which they do not identify. 

Through the story of Pidgeon’s remarkable journey and fight for bodily self-determination, A NORMAL GIRL brings the widely unknown struggles of intersex people to light.

US | 2018 | 98 minutes | 

A film by Lana Lin

THE CANCER JOURNALS REVISITED is prompted by the question of what it means to re-visit and re-vision Black lesbian feminist poet Audre Lorde’s classic 1980 memoir of her breast cancer experience today. At the invitation of filmmaker Lana Lin, who was diagnosed with breast cancer in 2010, twenty-seven writers, artists, activists, health care advocates, and current and former patients recite Lorde’s manifesto aloud on camera, collectively dramatizing it and producing an oration for the screen. The film is both a critical commentary and a poetic reflection upon the precarious conditions of survival within the intimate and politicized public sphere of illness.

US | 2019 | 67 minutes | 

ALL WE’VE GOT is an insightful personal exploration of LGBTQI women’s communities, cultures, and social justice work through the lens of the spaces they create, from bars to bookstores to arts and political hubs.

Social groups rely on physical spaces to meet and build connections, step outside oppressive social structures, avoid policing and violence, share information, provide support, and organize politically. Yet, in the past decade, more than 100 bars, bookstores, art and community spaces where LGBTQI women gather have closed. In ALL WE’VE GOT, filmmaker Alexis Clements travels the country to explore the factors driving the loss of these spaces, understand why some are able to endure, and to search for community among the ones that remain. From a lesbian bar in Oklahoma; to the Esperanza Peace & Justice Center in San Antonio run by queer Latinas; to the WOW Café Theatre in New York; to the public gatherings organized by the Trans Ladies Picnics around the US and beyond; to the Lesbian Herstory Archives in Brooklyn, the film takes us into diverse LGBTQI spaces and shines a light on why having a place to gather matters. Ultimately, ALL WE’VE GOT is a celebration of the history and resilience of the LGBTQI community and the inclusive spaces they make, as well as a call to action to continue building stronger futures for all communities.

US | 2019 | 75 minutes

Beneath the mystique of The Hamptons, among one of the wealthiest zip codes in the U.S., lies the history of the area’s original inhabitants. The Shinnecock Indian Nation were edged off their land over the course of hundreds of years, pushed onto an impoverished reservation, and condemned to watch their sacred burial grounds plowed to make way for mega-mansions and marquee attractions like the exclusive Shinnecock Hills Golf Club–five-time host of the U.S. Open. 

CONSCIENCE POINT tracks this fractured history alongside the path of one woman determined to make a stand: Shinnecock activist Rebecca “Becky” Hill-Genia who, together with other tribal members and allies, has waged a relentless, years-long battle to protect the land and her tribe’s cultural heritage from the ravages of development and displacement. Now both the Shinnecock Nation and town residents face a new challenge; the onslaught of elite newcomers who threaten the very place they intend to cherish.

THERE GOES THE NEIGHBORHOOD intimately follows an extended Black family of View Park-Windsor Hills, California as they experience changes due to gentrification and reflect on their shifting community.

View Park-Windsor Hills is the largest Black middle-class neighborhood in the country. Adele Cadres is a longtime resident and mother of three who gives us insight into the history of the neighborhood. Her eldest daughter Ayana Cadres raises her biracial children with the hopes that they foster the utmost respect and reverence for the Black community she grew up in. Adele’s youngest daughter, Aida, struggles to find an affordable home in the neighborhood due to increasing property value. As the family and other residents reflect on the history and culture of their neighborhood, they debate the issues of maintaining a changing community.

As the national conversation about the housing crisis continues and more and more people are being priced out of the market, THERE GOES THE NEIGHBORHOOD provides intimate access to the families most affected by this growing issue.

Mexico/US | 2018 | 28 minutes |

This intimate and personal documentary follows two women from Ciudad Juárez as they cross the U.S.-Mexico border legally to give birth in Texas, putting their hearts and bodies on the line as they confront harassment at the hands of U.S. border officials.

One million people legally cross the U.S.-Mexico border every day in both directions. Among them are women who cross for the purposes of childbirth. With the threat of obstetrical violence in Mexican hospitals and the desire for natural birth with midwives, Gaby and Luisa make the difficult decision to cross the border to El Paso, seeking a safer future for their children. Even with papers, their journeys are uncertain.

Against the backdrop of oppressive U.S. border policy and growing debates over immigration, these women’s stories of risk, strength, and resilience shed light on the realities and challenges of life on the border.

Afghanistan/Syria/Iraq | 2019 | 72 minutes |

I AM THE REVOLUTION is an empowering portrait of three determined women in the Middle East who are leading the fight for gender equality and freedom.

Politician Selay Ghaffar is one of the most wanted people in the world by the Taliban and yet she still travels through Afghanistan to educate other women about their rights. Rojda Felat is a commander of the Syrian Democratic Army, leading 60,000 troops to defeat ISIS, including freeing their hold on Raqqa and rescuing its people. And Yanar Mohammed, named by the BBC as one of 100 most influential women in the world in 2018, pushes for parliamentary reform in Iraq while running shelters for abused women.

Despite battling seemingly overwhelming obstacles, all three women display resilience, bravery and compassion. I AM THE REVOLUTION challenges the images of veiled, silent women in the Middle East and instead reveals the extraordinary strength of women rising up on the front lines to claim their voice and their rights.

Canada | 2017 | 60 minutes |

FEMINISTA is a lively and inspiring feminist road movie that explores the largely unrecognized yet hugely vibrant pan European feminist movement.

Filmmaker Myriam Fougère joined an international group of young feminists who were traveling across twenty countries – from Turkey to Portugal, by way of the Balkans, to Italy, Spain and Portugal – to make connections and unite forces with other women. She witnessed these determined activists participating in political gatherings, supporting homegrown local feminist struggles, exchanging strategies, and inventing new ways to resist and fight for change. Revealing how feminism is transmitted from one generation to another, FEMINISTA provides a rare glimpse into a widespread feminist groundswell movement, possibly one of the largest and unrecognized mass political movements that is very much alive and well throughout Europe today.

US | 2017 | 17 minutes |

LOVE THE SINNER is a personal documentary exploring the connection between Christianity and homophobia in the wake of the 2016 shooting at Pulse nightclub in Orlando.

Queer filmmaker Jessica Devaney grew up deeply immersed in Evangelical Christianity in Florida. After breaking with her youth as a nationally recognized activist and leader among conservative Evangelicals, Jessica left Florida and didn’t look back. She built a life that took her as far away from home as possible. Over time, her daily life became a progressive echo chamber.

The mass shooting at Pulse was a wakeup call. By avoiding hard conversations with church leadership, had she missed opportunities to challenge homophobia?

LOVE THE SINNER probes our responsibility to face bias in our communities and push for dignity and equality for all.

Canada | 2017 | 83 minutes | 

Nerdy women – the “hidden half” of fan culture – open up about their lives in the world of conventions, video games, and other rife-with-misogyny pop culture touchstones. While geek communities have recently risen to prominence, very little attention is paid to geek women. Filmmaker Gina Hara, struggling with her own geek identity, explores the issue with a cast of women who live geek life up to the hilt: A feminist geek blogger, a convention-trotting cosplayer, a professional gamer, a video-game designer, and a NASA engineer. Through their personal experiences in the rich cultural explosion of nerdom, GEEK GIRLS shows both the exhilaration of newfound community and the ennui of being ostracized. These women, striving in their respective professions and passions, face the cyberbullying, harassment, and sexism that permeate the culture and the industry at large. A rich conversation-starter for any class on Pop Culture and Feminism.

2016 | 82 minutes |

FOOTPRINT takes a dizzying spin around the globe, witnessing population explosions, overconsumption, limited resources, and expert testimony as to what a world straining at its limits can sustain. We spend time with indigenous health workers, activists, and the ordinary people in the Philippines, Mexico, Pakistan and Kenya, women who all challenge the idea that our world can continue to support the weight of humanity’s footprint on it. FOOTPRINT offers unprecedented access to the people on the ground who are all in their unique way challenging the status quo and making us rethink what’s really at stake. There are surprising revelations on who are the players standing in the way of solutions and those pushing for it, without losing sight of the array of possible solutions that open up when we take the time to ask this critical question of how many of us there are in the world and what the Earth can sustain if we are to all live a dignified life.

2016 | 15 minutes |

WHAT HAPPENED TO HER is a forensic exploration of our cultural obsession with images of the dead woman on screen. Interspersing found footage from films and police procedural television shows and one actor’s experience of playing the part of a corpse, the film offers a meditative critique on the trope of the dead female body.

The visual narrative of the genre, one reinforced through its intense and pervasive repetition, is revealed as a highly structured pageant. The experience of physical invasion and exploitation voiced by the actor pierce the fabric of the screened fantasy. The result is recurring and magnetic film cliché laid bare. Essential viewing for Pop Culture, Women’s and Cinema Studies classes.

US | 2017 | 40 minutes |

Three Muslim women share their stories of sexual assault—and, in a deeply personal way, they challenge the stigma that has long suppressed the voice of survivors. Throughout America, many Muslim communities persist in stigmatizing all discussion of sex-related subjects. Even though sexual assault and abuse are widespread, conversations about it are rare—and the pressure for victims and their families to “keep it a secret” helps perpetuate abuse. BREAKING SILENCE takes a radical and humanizing approach to the emotional scars of sexual assault, giving women the space to share their voices without shame. Deepened by the perspectives of Imam Khalid Latif of The Islamic Center at NYU, the film challenges stereotypes and cultural beliefs held by both Muslims and the non-Muslim public. It is indispensable for those dealing with sexual assault and abuse in academic and non- academic settings, courses on Islamic and Middle Eastern Studies and Women’s Studies, and for any discussion of violence against women.

2017 | 27 minutes |

OHERO:KON – UNDER THE HUSK follows two Mohawk girls on their journey to become Mohawk women. Friends since childhood, Kaienkwinehtha and Kasennakohe are members of the traditional community of Akwesasne on the U.S./Canada border. Together, they undertake a four-year rite of passage for adolescents, called Oheró:kon, or “under the husk.” The ceremony had been nearly extinct, a casualty of colonialism and intergenerational trauma; revived in the past decade by two traditional leaders, it has since flourished. Filmmaker Katsitsionni Fox has served as a mentor, or “auntie,” to many youth going through the passage rites. In UNDER THE HUSK, Fox shares two girls’ journey through adolescence, as they rise to the tasks of Oheró:kon, learning traditional practices such as basket making and survival skills as well as contemporary teachings about sexual health and drug and alcohol prevention. UNDER THE HUSK is a personal story of a traditional practice challenging young girls spiritually, mentally, emotionally, and physically, shaping the women they become.

Pakistan | 2017 | 85 minutes |

Pakistani filmmaker Sabiha Sumar’s inspiring and probing documentary explores the complex relationship between India and her native country. Traveling the two nations, Sumar and Indian actress Kalki Koechlin witness radically changing political landscapes, their encounters giving rise to a personal and poetic search to uncover the voices of the silent majority, particularly those of women.

At home, Sumar has candid interviews with Pakistanis from different classes and regions, conversations where she is often the lone woman at the table. In India, Sumar and Koechlin speak with political figures and ordinary people, examining the rise of Hindu fundamentalism. As they despair at the decline of secular thought and the narrowing of expression they see in both nations, they also uncover the shared humanity beyond the divisive political rhetoric.

As nationalism surges in the U.S. and around the globe, AZMAISH is a valuable tool for sparking classroom conversations about intolerance, and also serves as an excellent primer for Americans on the India/Pakistan conflict from a woman’s perspective.

Germany | 2016 | 82 minutes | Color | Russian | Subtitled | Order No. 171203

In rural Siberia, romantic expectations are traditional and practical. The man is the head of the household. The woman takes care of the housekeeping and the children. But filmmaker Olga Delane doesn’t agree. While she was born in this small Siberian village, as a teenager she migrated to Berlin with her family, and 20 years of living in Germany has changed her expectations. SIBERIAN LOVE follows Delane home to her community of birth, where she interviews family and neighbors about their lives and relationships. Amusing and moving, this elegant film paints a picture of a world completely outside of technology, a hard-farming community where life is hard and marriage is sometimes unhappy—but where there are also unexpected paths to joy and family togetherness. Through clashing ideals of modern and traditional womanhood, SIBERIAN LOVE is a fascinating study of a country little known in the US and of a rural community that raises questions about domesticity, gender expectations, domestic abuse, childcare, and romance. Excellent for anthropology, women’s studies, sociology, Russian and Eastern European Studies.

US | 2012 | 55 minutes | 

We are pleased that the critically acclaimed, now classic film, WONDER WOMEN! THE UNTOLD STORY OF AMERICAN SUPERHEROINES is now available in our collection. WONDER WOMEN! traces the fascinating birth, evolution and legacy of Wonder Woman and introduces audiences to a dynamic group of fictional and real-life superheroines fighting for positive role models for girls, both on screen and off.

From the birth of the 1940s comic book heroine, Wonder Woman, to the blockbusters of today, WONDER WOMEN! looks at how popular representations of powerful women often reflect society’s anxieties about strong and healthy women.
 The film goes behind the scenes with actors Lynda Carter (Wonder Woman) and Lindsay Wagner (the Bionic Woman), comic writers and artists, and real-life superheroines such as feminist icon Gloria Steinem, riot grrrl Kathleen Hanna, and others, who offer an enlightening and entertaining counterpoint to the male-dominated superhero genre.

US | 2018 | 60 minutes |

MOTHERTIME is a personal video diary that takes us on a corporeal journey in parenting via a small portable Go-Pro camera. Worn by both mother and child, or left on any surface and turned on and off remotely, the camera over the period of a year and a half captures a real-time, sensorial journey spanning the frenetic to mundane.
 
Set primarily amidst scenes at home, the film explores the whimsical, ordinary, sometimes claustrophobic repeating loops of work and play in daily domestic life. The audience is drawn into the raw and messy reality of the mother-daughter relationship as the markers of toddlerhood become the turning points of the film itself. Early mobility, language acquisition and increasing child independence provide an intimate perspective of the mother–child relationship, intentionally blurring where the mother ends and the child begins.

Like the fictional film, Jeanne Dielman, 23 Commerce Quay, MOTHERTIME explores the boundaries of time and home to invite the viewer to see the labor of motherhood as neither romanticized nor banal, while it plays in the physical and emotional space between mother and child.