WAGING CHANGE shines an urgent light on the female driven movement to end the federal tipped minimum wage of $2.13 for restaurant workers.

Now Available from WMM: WONDER WOMEN! traces the fascinating birth, evolution and legacy of Wonder Woman and introduces audiences to a dynamic group of fictional and real-life superheroines fighting for positive role models for girls, both on screen and off.

MOTHERTIME is a personal video diary that takes us on a corporeal journey in parenting via a small portable Go-Pro camera mounted on the filmmaker and her toddler over the period of a year and a half.

CONSCIENCE POINT unearths a deep clash of values between the Shinnecock Indian Nation and their elite Hamptons neighbors, who have made sacred land their playground.

#FEMALE PLEASURE accompanies five extraordinary women around the globe fighting to reclaim female sexuality.

An eye-opening look at how popular media perpetuates fat hatred that results in cultural bias and discrimination.

A NORMAL GIRL brings the widely unknown struggles of intersex people to light through the story of intersex activist Pidgeon Pagonis.

For more than 40 years, the Lesbian Herstory Archives has combated lesbian invisibility by literally rescuing history from the trash.

Defense attorney Jane Fisher-Byrialsen exposes the dark side of the American justice system

THE CANCER JOURNALS REVISITED is prompted by the question of what it means to re-visit and re-vision Black lesbian feminist poet Audre Lorde’s classic 1980 memoir of her breast cancer experience today. At the invitation of filmmaker Lana Lin, who was diagnosed with breast cancer in 2010, twenty-seven writers, artists, activists, health care advocates, and current and former patients recite Lorde’s manifesto aloud on camera, collectively dramatizing it and producing an oration for the screen. The film is both a critical commentary and a poetic reflection upon the precarious conditions of survival within the intimate and politicized public sphere of illness.

ALL WE’VE GOT is a personal exploration of LGBTQI women’s communities, cultures, and social justice work through the lens of the physical spaces they create, from bars to bookstores to arts and political hubs.

THERE GOES THE NEIGHBORHOOD intimately follows an extended Black family of View Park-Windsor Hills, California as they experience changes due to gentrification and reflect on their shifting community.

An Arab American filmmaker uncovers the story of her community’s surveillance by the FBI long before 9/11

A Portrait of Three Women in Afghanistan, Syria and Iraq Leading the Fight for Gender Equality

COUNCILWOMAN follows the first term of Rhode Island Councilwoman Carmen Castillo as she balances her day job as a hotel housekeeper with the demands of public office.

Seeking a safer future for their children, two women from Ciudad Juárez, risk harassment at the hands of Border Patrol to cross the US-Mexico border legally to give birth in El Paso, Texas.

In the wake of her daughters’ murders, a mother takes a historic lawsuit about police non-enforcement of restraining orders to the Supreme Court.

A fascinating portrait of the persevering French filmmaker, writer, and Holocaust survivor Marceline Loridan-Ivens.

The story of a young Afghan woman’s brave fight for justice after experiencing years of abuse at the hands of her father.

93QUEEN chronicles the creation of the first all-female Hasidic ambulance corps in New York City.

Two teenage cousins in Argentina come of age together, overcoming the heinous acts of violence that interrupted their childhoods.

A former right-wing extremist explores why people join hate groups and what makes them decide to leave.

Muslim filmmaker Deeyah Khan’s Emmy-winning look at the personal and political motivations behind the resurgence of far-right extremism in the U.S.

A portrait of visionary Cuban-American dramatist Maria Irene Fornes and the story of her unexpected collaboration with filmmaker Michelle Memran.

A collective portrait of feminist conversation 40 years ago and today based on letters sent to Ms. Magazine in the 1970s.