In this profoundly personal mixed-media experience inside the ADHD mind, a 35-year-old film student interrogates her past and future, while trying to make sense of this misunderstood disorder.

Dissecting one of the most influential platforms of the contemporary social media landscape, TIKTOK, BOOM., directed by CODED BIAS filmmaker Shalini Kantayya, examines the algorithmic, socio-political, economic, and cultural influences and impact of the history-making app.

By sharing three women’s intimately personal stories, DYING TO DIVORCE takes viewers into the heart of Turkey’s gender-based violence crisis and the recent political events that have severely eroded democratic freedoms.

MAESTRA (2012) MAESTRAS VOLUNTARIAS (2022) Two films tell the courageous history of the first Volunteer Teachers in Cuba and the women who laid the groundwork for a massive National Literacy Campaign that would teach more than 707,000 Cubans how to read and write. 

An animated reimagining of the life of Annah, a 13-year-old Javanese girl brought to France in 1893 to serve as a maid and model to the famous painter Paul Gauguin. 

International award-winning Innu writer and poet Joséphine Bacon, a meditation on interconnectedness, and an anti-colonialist story about revitalizing Indigenous languages.

Peabody Award winner and Emmy nominated THE JUDGE provides rare insight into Shari’a law, an often-misunderstood legal framework for Muslims, told through the eyes of the first woman judge to be appointed to the Middle East’s religious courts.

In this BAFTA award-winning film, two-time Emmy and Peabody award-winning filmmaker Deeyah Khan examines the erosion of reproductive rights in the United States, foregrounding the stories of those often forgotten in this ‘war’ who nonetheless find themselves on its frontline: impoverished women and women of color.

Tired of watching local government ignore their communities’ interests, five diverse female activists decide to run for municipal office in Denver — one of the fastest gentrifying cities in the U.S.

Against the backdrop of a Midwestern state battling industrial decline, an opioid epidemic, and rising incarceration rates, APART offers an intimate portrait of three women who return home from prison and rebuild their lives after being separated from their children for years.

FANNIE LOU HAMER’S AMERICA is a portrait of Mississippi sharecropper-turned-human-rights-activist, Fannie Lou Hamer, one of the Civil Rights Movement’s greatest leaders.

In this Peabody Award-winning exposé,  director  Deeyah  Khan uses her uniquely intimate filming style to investigate the  rise in anti-Muslim hate crimes in the  U.S. 

Offering a window into the experience of Chinese migration to Cuba, HAVANA DIVAS follows two Cantonese opera singers who perform for decades in Cuba before, and during, Fidel Castro’s revolution.

Filmed as the U.S. planned for its September 2021 withdrawal of troops, IN THE RUMBLING BELLY OF MOTHERLAND documents an inspiring female-led news agency in Kabul, Afghanistan.

A grave warning of how far state control of women’s bodies can go, FLY SO FAR follows Teodora Vásquez, who was sentenced to thirty years in a Salvadorean prison after she suffered a stillbirth.

An evocative audiovisual meditation on the experience of Mexican immigrants living and working in rural America.

An intimate and inspiring  portrait of  Rep. Barbara Lee (D-CA), a champion of civil rights and the lone vote in opposition of the broad authorization of military force following the September 11th  attacks. 

Kendra Mylnechuk Potter, a Native woman adopted into a white family, reconnects with her Native identity and begins to view herself as a living legacy of U.S. assimilationist policy.

Told from the point of view of women advocating for accountability and change, this compelling documentary by USC Graduate Mishal Mahmud examines the sexual assault scandal at the University of Southern California, detailing crimes committed by former gynecologist Dr. George Tyndall and exposing the active cover-up on the part of the administration.

In 1932, Celine Navarro was buried alive by her own community in Northern California. This is an attempt to uncover the real story, revealing Navarro’s feminism and resistance in a time when neither was embraced, as well as the silences that haunt Filipino-American communities to this day.