Father's Day
Canada | 2026 | 75 minutes | English/French | Order No. W251325
An intimate exploration of the phenomenon of absent fathers in Black communities, FATHER’S DAY is a meditation on healing, agency, and the possibility of reconciliation across generations.
SYNOPSIS
Through personal reflection and intimate encounters with women in Quebec and Guadeloupe, the film traces the emotional arc of mourning an idealized father and coming to terms with reality. Expanding beyond the personal to examine the social and historical forces that fractured Black families, the film is set in the context of the enduring legacy of slavery and systemic violence. O’Shun struggles to reconcile historical truth with her own lived experience and to imagine what healing can look like today.
FATHER’S DAY balances poetic introspection with cinéma vérité portraits rooted in everyday life. Though grounded in the Black experience, the film speaks to the universality of absent or emotionally unavailable parents, inviting audiences across communities to reflect on inheritance, connection, and the possibility of renewal. While the film does not shy away from pain, it ultimately centers resilience: its protagonists refuse victimhood, choosing action, care, and transformation.
PRESS
“Ayana O'Shun interweaves the perspectives of Black women (including her own) with those of specialists (psychologist, ethnologist, sociologist), making her film a true space for exchange and confrontation, from an original perspective.
SCREENING HIGHLIGHTS AND AWARDS
- Santa Barbara International Film Festival, 2026
- Nouveau Regard, 2025
- AMFB - African Movie Festival in Manitoba, 2025
- Festival vue d’afrique mois d’avril, 2025
- Festival black de montreal, 2025
- Cinestar, 2025
- ADIFF - African Diaspora International Film Festival, 2025
- Cinemania, 2025
- Festival Martinique, 2025
- Festival CINERGIE, 2025
ABOUT FILMMAKER(S)
Ayana O’Shun is a director, screenwriter, producer, and actress whose work has screened at over sixty national and international festivals. Her debut feature documentary, THE MYTH OF THE BLACK WOMAN, won the Magnus-Isacsson Award for Best Film at RIDM and became the highest-grossing documentary in Quebec in 2023. Her films have received multiple international awards, including honors at the Cannes International Pan-African Film Festival, and her NFB short Doctors Without Residency was the platform’s most-watched title for several weeks. As an actress, she has appeared in numerous film and television productions and won Best Actress at the 2024 SDE Gala. Her film credits include François Peloquin's La Fonte des glaces, Ricardo Trogi's Le guide de la famille parfaite and Denys Arcand's La chute de l'empire américain. Her TV credits include Un gars, une fille, District 31, À coeur battant (Radio-Canada /ICI Télé) and Bête noire (Séries Plus). (01/05)
Directing & Writing:
Ayana O’Shun
Production:
Ayana O’Shun with Oshun Productions
In collaboration with Bianca Bellange (Bel Ange Moon Productions)
Line Production: Carmen Garcia
Cinematography: Katerine Giguère
Camera assistance: Ruth Elvire Dejean
Sound: Sylvain Vary
Editing: Alex Bergeron
Additional Editing: Natalie Lamoureux
Sound Design & Mix: Stéphane Carreau, Vincent Cardinal
Music: William Gaboury
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