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Ferry Tales

A film by Katja Esson

2003 | 40 minutes | Color | 16mm/DVD | Order No. 05853

Academy Award Nominee for Best Documentary Short, FERRY TALES exposes a secret world that exists in the powder room of the Staten Island Ferry.

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SYNOPSIS

Academy Award Nominee for Best Documentary Short, FERRY TALES exposes a secret world that exists in the powder room of the Staten Island Ferry--a place that brings together suburban moms and urban dwellers, white-collar and blue-collar, sisters and socialites. For 30 minutes every day, they gather around mirrors to put on their makeup – talking not as wives, mothers, or professionals, but just as themselves. Sassy and honest, they dish on everything from sex scandals to stilettos, family problems to September 11th, leaving stereotypes at the door and surprising viewers with their straight-shooting wisdom.

In broaching such topics as divorce, single motherhood and domestic violence, FERRY TALES goes beyond the surface to show us the realities of life for working women. A rare and honest look at the intersections of race and class, this heartwarming film is also a must have for women’s studies, urban studies and sociology departments. Utterly charming and often outrageous, FERRY TALES gives these unlikely heroines their moment in the spotlight.

PRESS

'Esson's film gives a fantastic glimpse into one of the countless secret sub-cultures of New York. Her brilliant portrayal rethinks class and gender and turns our ideas of the suburban/urban divide on their head...with important lessons for sociology, women's studies, and urban history alike."

K.E. Fleming New York University

“Highly recommended...Absorbing ...a useful addition to collections supporting urban or women’s studies.”

Educational Media Reviews Online

“A delightful microcosm of a diverse group of women…their views of the world, race, relationships, and the challenges and the joys of the working woman in today’s society.”

Meira Blaustein Executive Director, Woodstock Film Festival

“An exploration of a floating community, both transitory and enduring, cliquish and inclusive, performative and insular, this engaging documentary gives new meaning to the notion of the transference of identity…an important contribution to the study of gendered space, racial politics, and urban class dynamics.”

Joseph Boles Dept of Humanities, Arts, and Religion, Northern Arizona University

SCREENING HIGHLIGHTS AND AWARDS

  • Academy Award Nominee for Best Short Doc.
  • Annapolis Film Festival - Honorable Mention
  • Underdog Film Festival - First Place
  • Woodstock Film Festival - Honorable Mention
  • Hot Springs Documentary Film Festival
  • Brooklyn International Film Festival
  • New Orleans Film Festival
  • Rocky Mountain Women's Film Festival
  • Exground Filmfest, Germany - European Premiere
  • Sarasota Film Festival
  • Austin Film Festival
  • Seattle International Film Festival
  • Florida Film Festival
  • Palm Springs International Film Festival
  • Adelaide International Women's Film Festival
  • Frame by Frame Documentary Film Festival
  • Dallas Video Fest

ABOUT FILMMAKER(S)

Katja Esson

Katja Esson is an Academy Award-nominated writer/director based in New York City.

Born and raised in Germany, Esson brings a quirky European sensibility to the distinctively American subjects she chooses. Her documentary short, FERRY TALES, which turns the unlikely setting of the Staten Island Ferry Powder Room into a celebration of sisterhood received an Academy Award®-nomination in 2004 and premiered on HBO.

In 2006, Esson completed HOLE IN THE SKY - THE SCARS OF 9/11 (New York im Schatten der Türme), which premiered on ARD and received the Gold Award at the World Media Festival. A Season of Madness (2006) is a narrative short film based on a short story by best-selling Author Hanan al-Shaykh.

Her documentary, SKYDANCER, is about the Mohawk ironworkers who are responsible for constructing America's cityscape; the film is a provocative examination of Native American life in the 21st century. Other credits include VERTICAL TRAVELER which explores the pioneering spirit of New York City through the metaphoric story of the city's unique relationship with elevators; LATCHING ON about the politics of breastfeeding in America; and "HOOKER, HARLOT, WHORE, about the history of prostitution in Europe. POETRY OF RESILIENCE is about six international poets who have survived - and written about - some of the world's most unspeakable crimes against humanity. The film received a Cinema for Peace Award-nomination during the Berlin Film Festival in 2012. Esson's films have screened at film festivals around the world and been broadcast on HBO, PBS and ARTE among others.

Esson has received grants from the National Endowment for the Arts, New York State Council of the Arts and the Jerome Foundation. She has been nominated for the Rockefeller Media Arts and the USA Artist Fellowships and is a recipient of the the Simons Public Humanities Fellowship.

Esson is currently in production with Cantineros De Cuba, a film that reflects on the story of Cuba, a country undergoing its greatest transformation since 1959. She also has created, written and directed two 5-part series for ARTE: Backroads USA (2013) and American Rivers (2016). (03/19)

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Poetry of Resilience

Academy® Award nominated director Katja Esson’s (FERRY TALES, LATCHING ON) exquisitely made film explores survival, strength and the power of the human heart, body and soul—as expressed through poetry. She highlights six different poets, who individually survived Hiroshima, the Holocaust, China’s Cultural Revolution, the Kurdish Genocide in Iraq, the Rwandan Genocide, and the Iranian Revolution. By summoning the creative voice of poetry to tell stories of survival and witness, each reclaims humanity and dignity in the wake of some of history’s most dehumanizing circumstances. POETRY OF RESILIENCE gives us an intimate look into the language of the soul and brings us closer to understanding the insanity of war and how art will flourish, in spite of any obstacle.This film is recommended for courses in poetry studies, literature, peace and conflict studies and genocide studies.
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Skydancer

Renowned for their balance and skill, six generations of Mohawk men have been leaving their families behind on the reservation to travel to New York City, to work on some of the biggest construction jobs in the world. Jerry McDonald Thundercloud and his colleague Sky shuttle between the hard drinking Brooklyn lodging houses they call home during the week and their rural reservation, a gruelling drive six hours north, where a family weekend awaits. Their wives are only too familiar with the sacrifices that their jobs have upon family life. While the men are away working, the women often struggle to keep their children away from the illegal temptations of this economically deprived area. Through archival documents and interviews, Academy Award®-nominated director Katja Esson (FERRY TALES, LATCHING ON) explores the colorful and at times tragic history of the Mohawk skywalkers, bringing us a nuanced portrait of modern Native American life and a visually stunning story of double lives.
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Latching On

After filmmaker Katja Esson’s sister gave birth in Germany, she was able to breastfeed her baby anywhere and at any time. Returning home to New York, Esson found that breastfeeding was rarely practiced and largely unseen. Academy Award® Nominee Esson (Ferry Tales) turned her quirky eye on the subject and set out to learn why this was so. Her wide-ranging, frequently funny documentary highlights the intersecting economic, social, and cultural forces that have helped replace mother’s milk with formula produced by a billion dollar industry, and reveals the challenges and rewards for women who buck the trend. Latching On draws on lively first-hand accounts from mothers of diverse ethnicities and economic backgrounds, as well as candid observations by pediatricians, healthcare providers, lactation specialists, and the proprietor of New York’s first breastfeeding boutique. Including data about paid maternity leave, hospital post-delivery policies, and workplace accommodations for nursing mothers, the film compares current US practices with standards adopted elsewhere. Tensions around public breastfeeding and "breast is best" promotion campaigns highlight society's perceived interest in regulating women's reproductive behavior, as well as the power of culture to assign sexual and moral meaning to mothers' bodies. Entertaining and insightful, Latching On is an important analysis of the politics of breastfeeding, illuminating the complexities behind a simple, natural act.
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