After studying film history at Yale University, Alexis Krasilovsky embarked on a career as an independent filmmaker and holographer. She later received an MFA in Film/Video from California Institute of the Arts.
Krasilovsky was the first to include the film techniques of zooming and dissolving in a motion picture hologram, CREATED AND CONSUMED BY LIGHT (1975). Her pro-choice hologram, CHILDBIRTH DREAM, was exhibited at the Georges Pompidou Center and other museums and festivals here and abroad.
As head of her own production company - Rafael Film, LLC - Krasilovsky has written, directed and produced numerous documentaries, video-poems and art films, including End of the World, Exile, What Memphis Needs and Blood. Her global documentary feature, WOMEN BEHIND THE CAMERA, won five Best Documentary awards, as well as a Tribute Award for achievement in independent cinema from the San Francisco Women’s Film Festival and a lifetime achievement award from the Gdansk DocFilm Festival.
Meeting other filmmakers at festivals around the world that have screened her work compelled Krasilovsky to think transitionally and transculturally, addressing the perils and pleasures of pastry in PASTRIOLOGY (2013) and LET THEM EAT CAKE (2014) with the help of co-producers and unit producers from Bangladesh, France, India, Japan, Mexico, Peru, the Republic of Guinea, Turkey and other countries.
Alexis Krasilovsky is Professor in the Department of Cinema and Television Arts at California State University, Northridge, where she has taught film production, screenwriting and media theory and criticism.
Krasilovsky is a member of the Alliance of Women Directors, the International Documentary Association, Women in Film, and the Writers Guild of America. (8/14)
A film by Alexis Krasilovsky, 2008, 54 min., Color
Featuring more than 50 camerawomen from around the world, and shot over a period of six years, Shooting Women, by pioneering filmmaker and cine...