An estimated 1.5% of the population is born with intersex traits. While most of these babies are healthy, their bodies are treated as a medical emergency. It is common practice for doctors to perform genital surgeries on intersex infants--often with disastrous results including total loss of genital sensation, lifetime synthetic hormone dependence, and being assigned a gender with which they do not identify.
Through the story of Pidgeon’s remarkable journey and fight for bodily self-determination, A NORMAL GIRL brings the widely unknown struggles of intersex people to light.
"The unique power of A Normal Girl lies in its mystical ability to simultaneously anger you, empower you, and bring you joy. If you only watch one documentary this year, let it be this beautiful film...share it with your children, parents, partners, and medical providers."
"With searing testimony, humor, and fearlessness, this powerful documentary dispels widespread and harmful misconceptions about intersex. By delving into the norms and ideas that drive medical interventions on people with intersex variations, A Normal Girl upends the all-too-common idea that surgically 'normalizing' kids is the answer here."
"A powerful call to action to end non-consensual, medically unnecessary, and high risk infant genital surgeries, A Normal Girl is a must-see documentary that challenges us to view sex, gender, and human rights beyond binaries."
"A Normal Girl is an honest and brave narrative exposing the profound harms suffered by intersex children and their parents at the hands of doctors across the country and the globe and offering hope as the next generation fights for their bodily autonomy and human rights."
"A Normal Girl is a remarkable film that is perfect for teaching in the undergraduate and graduate classroom. In a brief fifteen minutes, the film articulates the experience of so many of us who were born intersex and had unnecessary genital surgeries. It captures the struggle and the achievements of intersex activism, by focusing on the remarkable journey and work of Pidgeon Pagonis, who is both intersex and an activists. What we experience in watching the film is the way in which the rhetoric of normal goes from justifying medical and social violence to becoming something that encompasses all embodiments and genders. The film is not satisfied to critique normality but proposes a new normal, one that recognizes that intersex is beautiful."
"A NORMAL GIRL powerfully illustrates the human impact of unnecessary surgical interventions on intersex infants, as well as the remarkable drive and resilience that intersex activists have shown as they’ve built a community and mobilized to put a stop to the practice."
SCREENING HIGHLIGHTS AND AWARDS
- BFI Flare London LGBTQ+ Film Festival
- American Pavillion Cannes
- Inside Out Toronto LGBT Film Festival
- Sidewalk Film Festival
- Reeling Film Festival
- Cucalorus Festival
- St Louis International Film Festival
- North Carolina Gay and Lesbian Film Festival
- Seattle Queer Film Festival
- Athena Film Festival
Aubree Bernier-Clarke is a non-binary director and cinematographer based in Los Angeles. After spending her teenage years in punk bands in Louisville, KY, Aubree chased her riot grrrl dreams to Portland, OR where, after a stint as Sleater-Kinney's tour nanny, she traded her musical aspirations for celluloid dreams. There, Aubree was mentored by director Lance Bangs and worked as a camera operator on the IFC hit Portlandia. In 2013, she relocated to Los Angeles to participate in AFI's Directing Workshop for Women, through which she developed her first original short, THE NIGHT IS OURS. Aubree is committed to using film to tell diverse stories, often focusing on LGBTQI and social justice issues. She is currently in production on a feature film collaboration with intersex activist Pidgeon Pagonis. Aubree uses she/her and they/them pronouns. (10/19)
Shawna Lipton is Assistant Professor and Chair of Critical Studies, a Critical Theory Master's Program, at the Pacific Northwest College of Art (PNCA) in Portland, Oregon. Shawna received a Ph.D. in Literature and Cultural Theory from the University of Wisconsin-Milwaukee. She is an educator, a public scholar, and a cultural critic. (10/19)
Pidgeon Pagonis has slowly, oftentimes not so quietly risen to visibility in Chicago as not only an activist on behalf of intersex people, but also as a fighter for the recognition of marginalized others in general, regardless of race, sex or gender identity, class or creed. Whether advancing youth advocacy with interACT, producing informational videos that go viral on Buzzfeed, writing for Everyday Feminism or appearing on the cover of National Geographic “Gender Revolution” special issue, Pidgeon has staked out a place at the fore of debates on intersexuality and otherness.
In 2015, they launched a worldwide #intersexstories twitterstorm on Intersex Awareness Day. That same year, they were among 9 LGBTQ Artists honored with a Champion of Change Award from the Obama White House. In 2016, they were featured on the cover of National Geographic’s January issue titled Gender Revolution, launched an intersex-resource YouTube channel, co-founded the group Intersex Justice Project (IJP), introduced an intersex and non-binary art and clothing line (Too Cute to Be Binary), and also made a cameo on Amazon’s Transparent. In 2017, their short documentary THE SON I NEVER HAD premiered at Outfest and won a jury award at NCGLFF. Later that year, their mixed-media installation "Surprise, It's a Baby!"—which challenges our society's obsession with gender reveal parties and binaries—opened at the UIC Gender and Sexuality Center, and they co-led—with fellow members of IJP—multiple #EndIntersexSurgery protests in Chicago and New York City (sign the petition!)
Recently, Pidgeon documented intersex people of color for a new photo series called Physical Record funded by Astraea’s Intersex Human Rights Fund. (10/19)