Ruminating on the difficult nature of representing the past – especially a past that exists outside traditional historic accounts – Tajiri blends interviews, memorabilia, a pilgrimage to the camp where her mother was interned, and the story of her father, who had been drafted pre-Pearl Harbor and returned to find his family’s house removed from its site.
Throughout, she surveys the impact of images (real images, desired images made real, and unrealized dream images). The film draws from a variety of sources: Hollywood spectacle, government propaganda, newsreels, memories of the living, and sprits of the dead, as well as Tajiri’s own intuitions of a place she has never visited, but of which she has a memory. More than simply calling attention to the gaps in the story of the Japanese American internment, this important film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.
“Tajiri approaches her subject like a poet. She weaves together images and allows them to enrich one another in skewed and subtle ways as their resonances slowly emerge.”
“A dense work of found and reconstructed images, a cathartic reworking again and again of history.”
“Tajiri's film ultimately becomes a visual memorial of internment that refuses to consolidate cultural trauma into a coherent historical narrative but that instead bears witness to the trauma of exclusive citizenship and national identity.”
“Argues powerfully for no less than new ways of knowing and remembering.”
“Much documentary work has concentrated on getting the story straight…HISTORY AND MEMORY attempts to see how distortion and story combine to share our recollections.”
“A beautiful and moving autobiographical film…HISTORY AND MEMORY leads to rich discussions about just that, history and memory.”
“One of the highest artistic achievements in any medium ever made by an Asian American.”
SCREENING HIGHLIGHTS AND AWARDS
- Whitney Museum of American Art, Biennial
- Flaherty Film Seminar
- Yamagata Festival, Japan
- New York Asian American Int'l FF
REA TAJIRI is a filmmaker and visual artist who was born in Chicago, Illinois. She earned her BFA and MFA degree from the California Institute of the Arts in post-studio art. Her ground-breaking, award-winning film, digital video and installation work, has been supported by numerous grants, fellowships and artistic residencies, has been exhibited widely in museums, on television and in international film festivals.
Poetic, subtly layered and politically engaged, her work advances the exploration of forgotten histories, multi-generational memory, landscape and the Japanese American experience. Her experimental documentary History and Memory; for Akiko; Takashige, and feature film Strawberry Fields have influenced a generation of filmmakers, leading to their inclusion in Asian American, Cinema Studies, Women’s and Gender Studies curricula in the US.
Her recent multi-site installation project Wataridori-birds of Passage (2018) in Philadelphia mapped and enlivened forgotten traces of local Japanese American history linked in a series of locations around the city. Her feature documentary Lordville (2014) probed the
material and immaterial traces of an upstate New York town’s history. Her current documentary-in-progress is Wisdom Gone Wild. The film chronicles her sixteen year journey of elder care for her mother who had dementia, and illuminates their lifelong passion for the arts and the language of the elders.
Recent honors include: Pew Fellowship in the Arts; Fogo Island Arts Residency; Banff Centre for the Arts, Leighton Studio Residency; Asian Arts Initiative 25th Anniversary Commission; Vice Provost Arts Grant, Temple University.
Honors: Ringleader, True/False Film Festival 2019; Juror, Blackstar Film Festival, Experimental Shorts 2019; Documentary
Shorts, 2018; Juror, AnnArbor Film Festival, 2018, Commission Asian Arts Initiative, 25th Anniversary, 2018; POV Selection Committee, 1996;
Awards: IDA Distinguished Achievement Award, 1992; Best Experimental Video, Atlanta Film Festival, 1992; Jury Prize: New Genres, San Francisco International Film Festival, Grand Prix, Fukuoka Asian International Film Festival 1998,
Grants; Fellowships: Nominee, Herb Alpert Award in the Arts (2019); Pew Project Grant (2018), Center for Asian American Media Documentary Award (2016, 2018), Pew Fellowship (2015), NYFA Fellow (1989, 1999), Rockefeller Intercultural Media Arts Fellow (1992, 1999) , New York State Council for the Arts (1989, 1992, 1998) , National Endowment for the Arts Visual Arts Fellow (1989, 1993), NEA Media Production Grant (1990,1993), Art Matters Inc (1989,1995), ITVS ProductionGrant (1992) ITVS Diversity Development Fund (2016), VP Arts Grant (2014, 2018), Presidents Arts and Humanities Grant (2016, 2017)
Learn more: Wisdom Gone Wild and Rea Tajiri on IMDB (2/20)