Myth of a Black Woman
United States | 2022 | 95 minutes | English | Order No. W251326
THE MYTH OF THE BLACK WOMAN explores the damaging images imposed on Black women, from the hypersexual Jezebel to the lovable Nurse to the “sassy” stereotype, revealing how these myths were engineered — and how Black women are actively reclaiming their identities and narratives today.
SYNOPSIS
Through the voices of 21 Black women — artists, intellectuals, activists, and experts across generations — the film reveals the emotional, professional, and psychological toll of navigating a world built on misrepresentation. Their stories are interwoven with never-before-seen archival material spanning from the 1800s to the present, exposing how these myths were born during slavery and colonialism, then perpetuated through media, science, and popular culture.
Both an act of resistance and reclamation, THE MYTH OF THE BLACK WOMAN challenges audiences to confront the origins of these stereotypes while celebrating the complexity, strength, and diversity of Black womanhood today. Urgent, revelatory, and deeply human, the film reframes history and invites a collective reimagining of representation, identity, and power.
PRESS
The 94-minute feature film aims to demystify the stereotypes and clichés that surround the image of Black women in society.
In this documentary, Ayana O'Shun tackles the decades-long misrepresentation of Black women in Hollywood-led video productions, where they have been dominantly stereotyped as either a hypersexual Jezebel, a lovable caregiver, or an angry Black woman. Weaving the past and present and featuring a diverse group of Black activists, O’Shun meticulously examines the impacts of these stereotypes on Black women and the biases they often face in their lives.
SCREENING HIGHLIGHTS AND AWARDS
- Magnus-Isacsson Award for Best Film at the Montreal International Documentary Festival (RIDM)
- Rencontres Internationales du Documentaire de Montréal (RIDM), 2022
- Reelworld Film Festival de Toronto, 2022
- Festival International Panafricain de Cannes, 2022
- Festival International Écrans Noirs de Yaoundé, 2022
- New York African Diaspora Film Festival, 2022
- Hamilton Black Film Festival, 2023
- CinemAfrica de Stockholm, 2023
- Rendez-Vous Québec Cinéma, 2023
- Tournée des Rendez-Vous Québec Cinéma à Moncton, 2023
- The African Movie Festival in Manitoba, 2023
- Rendez-Vous des Cinémas du Monde de Trois-Rivières, 2023
- Festival International Film Black Montreal dans les Quartiers, 2023
- Cinéma sous les étoiles de Montréal, 2023
- Manifestation culturelle d'Acte d'Amour à Magog, 2023
- Tournée Réseau Plus à travers le Québec, 2023
- Exhibition Culturelle du Centre de Femmes au Luxembourg, 2024
- Berlin: Mois de la Francophonie du Québec à l'étranger, 2024
- Boston: Mois de la Francophonie du Québec à l'étranger, 2024
- Chicago: Mois de la Francophonie du Québec à l'étranger, 2024
- Atlanta: Mois de la Francophonie du Québec à l'étranger, 2024
- Miami: Mois de la Francophonie du Québec à l'étranger, 2024
ABOUT FILMMAKER(S)
Ayana O’Shun is a director, screenwriter, producer, and actress whose work has screened at over sixty national and international festivals. Her debut feature documentary, THE MYTH OF THE BLACK WOMAN, won the Magnus-Isacsson Award for Best Film at RIDM and became the highest-grossing documentary in Quebec in 2023. Her films have received multiple international awards, including honors at the Cannes International Pan-African Film Festival, and her NFB short Doctors Without Residency was the platform’s most-watched title for several weeks. As an actress, she has appeared in numerous film and television productions and won Best Actress at the 2024 SDE Gala. Her film credits include François Peloquin's La Fonte des glaces, Ricardo Trogi's Le guide de la famille parfaite and Denys Arcand's La chute de l'empire américain. Her TV credits include Un gars, une fille, District 31, À coeur battant (Radio-Canada /ICI Télé) and Bête noire (Séries Plus). (01/05)
Credits:
Director/Writer: Ayana O’Shun
Editor: Aline-Sitoé N'Diaye, Natalie Lamoureux
Music: Dominique Fils-Aimé
Cinematography (Image): Bruno Philip, Isabelle Stachtchenko
