US | 2001 | 90 minutes | Color/BW | DVD | English/Romanian/French/Hebrew | Subtitled | Order No. 03782
“This amazing feature…should screen at film schools as an example of personal docu at its best.”
"Vivid, thrilling...a film of ambition and scope...one of the best films of 2001."
"Lusztig's version of the 'facts' unfolds as a sophisticated, poetic reflection on potraiture and historical detective work...Lusztig's film is a long-awaited gift...'Reconstruction' is a necessary 're-writing' of history."
"Far more than a curiosity of family anecdote, the story touches on issues of ideology, racism, freedom, and love - not to mention the nature of filmmaking itself."
”…evokes powerful family relationships and the complex post-communist changes in Eastern Europe.”
“Multi-layered and complex…The film is of interest to those concerned with Eastern European politics and history, women in prison, and media politics.”
SCREENING HIGHLIGHTS AND AWARDS
- Vancouver International Film Festival
- Atlanta Film Festival
- Cleveland International Film Festival
- Singapore International Film Festival
- IDFA Amsterdam International Documentary Festival - FIPRESCI Jury Nomination
- San Francisco International Film Festival - Certificate of Merit
- Boston Society of Film Critics - "Rediscoveries/Discoveries" Award Boston Society of Film Critics - "Rediscoveries/Discoveries" Award
- New England Film Festival - Best Documentary
- Docaviv Documentary Film Festival
- It's All True Sao Paolo Documentary Film Festival
- Documentary Fortnight, Museum of Modern Art, NY
- Boston International Women's Film Festival
- Palic International Film Festival Serbia
- Alpe Adria Cinema Film Festival Italy
- New York Jewish Women Film Festival
Irene Lusztig's film and video work mines old images and technologies for new meanings in order to reframe, recuperate, and reanimate forgotten and neglected histories. Often beginning with rigorous research in archives, her work brings historical materials into conversation with the present day, inviting viewers to explore historical spaces as a way to contemplate larger questions of politics, ideology, and the production of personal, collective, and national memories. Much of her current work is centered on public feminism, language, and histories of women and women’s bodies, including her debut feature Reconstruction (2001) the feature length archival film essay The Motherhood Archives (2013) and the ongoing web-based Worry Box Project (2011). Born in England to Romanian parents, Irene grew up in Boston and has lived in France, Italy, Romania, China, and Russia. Her work has been screened around the world, including at the Berlinale, MoMA, Museum of Fine Arts Boston, Anthology Film Archives, Pacific Film Archive, Flaherty NYC, IDFA Amsterdam, RIDM Montréal, Ambulante, and on television in the US, Europe, and Taiwan. She has received grants from the Massachusetts Foundation for the Humanities, Massachusetts Cultural Council, LEF Foundation, New York State Council for the Arts, and Sustainable Arts Foundation and has been awarded fellowships at the MacDowell Colony, the Flaherty Film Seminar, the Radcliffe Institute for Advanced Study, and Harvard’s Film Study Center. She is the 2016-17 recipient of a Rydell Visual Arts Fellowship and a Fulbright Fellowship in Portugal. She teaches filmmaking at UC Santa Cruz where she is Associate Professor of Film and Digital Media; she lives in the Santa Cruz Mountains. (2/18)