“In SILENT SONG Schogt deftly conjures an elaborate dialogue around issues of memory in its various forms - personal, historical, filmic… [her] rich and nuanced economy of style is brilliantly illustrated here as these meditations lead to the most basic, yet most cogent statements on the nature of memory itself. Perhaps more importantly, Schogt points to the unstable nature of the recorded image, one that history has come to rely on.” - Barbara Goslawski, Independent Film Critic and Curator, Toronto