My Name Is Andrea
A hybrid feature documentary about controversial feminist writer and public intellectual Andrea Dworkin, who offered a revolutionary analysis of male supremacy with iconoclastic flair. Decades before #MeToo, Dworkin called out the pervasiveness of sexism and rape culture, and the ways it impacts every woman’s daily life.
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Myth of the Black Woman
THE MYTH OF THE BLACK WOMAN explores the damaging images imposed on Black women, from the hypersexual Jezebel to the lovable Nurse to the “sassy” stereotype, revealing how these myths were engineered — and how Black women are actively reclaiming their identities and narratives today.
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WINN
This powerful, short documentary exposes the horrifying experience that incarcerated pregnant women endure and documents Pamela Winn's mission to end shackling and ultimately prison birth.
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Maestra and Maestras Voluntarias
MAESTRA (2012)
MAESTRAS VOLUNTARIAS (2022)
Two films tell the courageous history of the first Volunteer Teachers in Cuba and the women who laid the groundwork for a massive National Literacy Campaign that would teach more than 707,000 Cubans how to read and write.
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Fannie Lou Hamer's America
FANNIE LOU HAMER’S AMERICA, winner of Best TV Feature Documentary or miniseries at the IDA Awards, is a portrait of Mississippi sharecropper-turned-human-rights-activist, Fannie Lou Hamer, one of the Civil Rights Movement’s greatest leaders.
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What About China?
Offering a journey into the wealth of China’s traditional architecture while exploring the hinterlands of self and other in their encounter, the film addresses the process of "harmonising" rural China, due to the country's Great Uprooting. It seeks to engage the viewer further by asking: What exactly is disappearing? And how?
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Esther Newton Made Me Gay
A feature documentary about the pathbreaking cultural anthropologist, dog agility enthusiast, and iconic butch lesbian, Esther Newton.
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Fly So Far
A grave warning of how far state control of women’s bodies can go, FLY SO FAR follows Teodora Vásquez, who was sentenced to thirty years in a Salvadorean prison after she suffered a stillbirth.
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TikTok, Boom.
Dissecting one of the most influential platforms of the contemporary social media landscape, TIKTOK, BOOM., directed by CODED BIAS filmmaker Shalini Kantayya, examines the algorithmic, socio-political, economic, and cultural influences and impact of the history-making app.
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Rebel Dykes
REBEL DYKES is a riotous documentary about the explosion that happened when punk met feminism, told through the lives of a gang of lesbians in post-punk, 1980s London.
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Running with My Girls
Tired of watching local government ignore their communities’ interests, five diverse female activists decide to run for municipal office in Denver — one of the fastest gentrifying cities in the U.S.
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In the Rumbling Belly of Motherland
Filmed as the U.S. planned for its September 2021 withdrawal of troops, IN THE RUMBLING BELLY OF MOTHERLAND documents an inspiring female-led news agency in Kabul, Afghanistan.
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Daughter of a Lost Bird
Kendra Mylnechuk Potter, a Native woman adopted into a white family, reconnects with her Native identity and begins to view herself as a living legacy of U.S. assimilationist policy.
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Without a Whisper
WITHOUT A WHISPER - KONNON:KWE is the untold story of the profound influence of Indigenous women on the beginning of the women’s rights movement in the United States.
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Ways of Being Home
An evocative audiovisual meditation on the experience of Mexican immigrants living and working in rural America.
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America's War on Abortion
In this BAFTA award-winning film, two-time Emmy and Peabody award-winning filmmaker Deeyah Khan examines the erosion of reproductive rights in the United States, foregrounding the stories of those often forgotten in this ‘war’ who nonetheless find themselves on its frontline: impoverished women and women of color.
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Sisters Rising
Native American survivors of sexual assault fight to restore personal and tribal sovereignty against the backdrop of an ongoing legacy of violent colonization.
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The R-Word
A 28 minute educational version is also available, email [email protected] for details.
THE R-WORD is an intimate look at the history of the word ‘retard(ed),’ cultural representation, and the challenges and triumphs of people living with intellectual and developmental disabilities.
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Coded Bias
When MIT Media Lab researcher Joy Buolamwini discovers that many facial recognition technologies misclassify women and darker-skinned faces, she delves into an investigation of widespread bias in algorithms.
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Muslim in America
In this Peabody Award-winning exposé, director Deeyah Khan uses her uniquely intimate filming style to investigate the rise in anti-Muslim hate crimes in the U.S.
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