Browse Films

LIVING THINKERS: AN AUTOBIOGRAPHY OF BLACK WOMEN IN THE IVORY TOWER examines the intersection of race, class and gender for Black women professors and administrators working in U.S. colleges and universities today. Through their diverse narratives, from girlhood to the present, Black women from different disciplines share experiences that have shaped them, including segregated schooling as children, and the trials, disappointments and triumphs encountered in Academia. Though more than 100 years have passed since the doors to higher education opened for Black women, their numbers as faculty members are woefully low and for many still, the image of Black women as intellectuals is incomprehensible. And while overtly expressed racism, sexism and discrimination have declined, their presence is often still often unacknowledged. Through frank and sometimes humorous conversations, this documentary interrogates notions of education for girls and women and the stereotypes and traditions that affect the status of Black women both in and out of the Academy. A perfect companion film for any classroom discussion on the intersection of racism, sexism and/or feminism.

When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma’s salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village. As with her other work (PINK SARIS, ROUGH AUNTIES, SISTERS IN LAW), master documentarian Kim Longinotto trains her camera on an iconoclastic woman. Salma’s extraordinary story is one of courage and resilience. Salma has hopes for a different life for the next generation of girls, but as she witnesses, familial ties run deep, and change happens very slowly. SALMA helps us understand why the goal of global education of girls is one the most critical areas of empowerment and development of women worldwide.

Unlike any other, the annual debutante ball in Laredo, Texas is part of a lucrative month-long festival honoring George Washington’s birthday. LAS MARTHAS follows two young women as they prepare for this elaborate rite of passage.

ALICE WALKER: BEAUTY IN TRUTH tells the compelling story of an extraordinary woman. Alice Walker made history as the first black woman to win the Pulitzer Prize for fiction for her groundbreaking novel, The Color Purple. Her early life unfolded in the midst of violent racism and poverty during some of the most turbulent years of profound social and political changes in North American history during the Civil Rights Movement. Mixing powerful archival footage with moving testimonials from friends and colleagues such as Howard Zinn, Angela Y. Davis, Gloria Steinem, Beverly Guy-Sheftall, Quincy Jones, Steven Spielberg and Danny Glover, ALICE WALKER: BEAUTY IN TRUTH offers audiences a penetrating look at the life and art of an artist, intellectual, self-confessed renegade and human rights activist.

Structured as a personal journey of rediscovery by filmmaker Jennifer Lee, this documentary brings the momentous first decade of secondwave feminism vividly to life. Its trajectory starts with the earliest stirrings in 1963 and ends with the movement’s full blossoming in 1970—from the Presidential Commission’s report on widespread discrimination against women and publication of Betty Friedan’s Feminine Mystique up through radical feminists’ takeover of the Statue of Liberty and Friedan’s calls for a women’s strike for equality. A wealth of period footage captures landmark events and the pivotal roles of the National Organization for Women (NOW), the Equal Employment Opportunities Commission (EEOC), the Student Nonviolent Coordinating Committee (SNCC), Redstockings, and other organizations. Thirty-five diverse interviewees, including rank-and-file activists along with well-known feminists Betty Friedan, Frances M. Beale, Gloria Steinem, Robin Morgan, Ti-Grace Atkinson, and others, share memories of the period as well as issues and challenges that still resonate today. A great introduction to Women’s Studies and critical viewing for historians and academics interested in feminism, activism and the Women’s Movement.

Since 2006 when Europe closed its borders, human trafficking has burgeoned in Egypt’s Sinai Desert, where Eritrean asylum seekers and refugees heading north to Israel are kidnapped, held hostage, and tortured by Bedouin smugglers demanding exorbitant ransoms for their freedom. Fleeing an oppressive military dictatorship at home, with a “shoot-to-kill” policy at the border and where only pregnant women are exempted from service, over 300,000 Eritreans have fled their homeland in North Africa. Many of these men, women and children die in Sinai’s torture camps. This powerful documentary intimately follows Swedish-Eritrean journalist Meron Estefanos and her efforts to aid the hostages and their families. From Stockholm she runs a popular online radio show, fielding calls for help from Eritrean victims and their relatives. Her activism takes her to Israel and Egypt’s Sinai Desert to seek the release of a badly abused young woman held captive with her baby and to search for another who disappeared along the Egyptian-Israeli border after her ransom had been paid. Both eloquent and harrowing, SOUND OF TORTURE spotlights one of today’s most underreported human rights violations and the one woman who is making it her mission to create change.

U.S. sexual assault statistics are startling—and have remained unchanged for decades. The latest White House Council on Women and Girls report reveals that nearly one in five women experiences rape or attempted rape in her lifetime. Among college student victims, who have some of the highest rates of sexual assault, just 12 percent report incidents to law enforcement officials. In earlier studies, 15% of sexual assault victims were younger than 13; 93% of juvenile victims knew their attacker. IT WAS RAPE gives human faces and voices to statistics, breaking through the silence, denial and victim blaming that allow an epidemic to thrive. Eight women of different backgrounds, ages and ethnicities relate personal stories of surviving sexual assault in their younger years, as well as their struggles toward healing, empowerment, and finally speaking out. By award-winning feminist author, filmmaker and activist Jennifer Baumgardner, this strikingly relevant documentary will engage all audiences in needed dialogue about the prevalence of sexual assaults in the U.S., at our schools and colleges, and the elements promoting rape culture on and off campus. IT WAS RAPE is a crucial resource for colleges and communities to meaningfully address Title IX issues around sexual violence.

Thulasi, a young Indian woman in her twenties, is literally willing to box her way out of poverty and into a better life. A Dalit or “untouchable” born outside of caste, she rejected her place on society’s lowest rung at an early age and was forced to leave her parents’ home when only 14. Ten years later, despite her impressive record in the ring, ranking 3rd in India’s Light Fly category, Thulasi remains stuck at the bottom, deprived of opportunities she rightly deserves. Despite an uphill battle against sexual harassment, poverty and the pressure to marry, Thulasi refuses to compromise herself and her goals and takes her destiny into her own hands. Filmed during three eventful years, LIGHT FLY, FLY HIGH is a beautifully shot, gripping and inspirational story of a courageous young woman who refuses to be anyone’s victim and ends up a hero of her own making against all odds.

In October 1998, eighteen-year-old Linor Abargil was stabbed and raped while working as a model in Milan. Weeks later she was crowned Israel’s first Miss World. Over the course of five years, director Cecilia Peck (Shut Up & Sing) follows Abargil, on a mission to confront the trauma of her past, including a hunt for other victims of the man who raped her, preventing his parole. Abargil, a poised, magnetic and supremely empathic advocate travels from Hollywood to rape crisis centers, American college campuses and the townships of South Africa to share her story and inspire others to confront shame and to heal. Emmy nominated BRAVE MISS WORLD is a call for justice and a startlingly honest portrayal of how personal tragedy can be transformed into a global awareness campaign against sexual violence. This special edition includes both the theatrical version (88min) and the educational version (60min), which is tightly paced and specifically designed for student audiences. Also included are exclusive bonus scenes, a report by Gloria Allred on a previously unpublished campus rape investigation, survivor testimonials and filmmaker interviews.

Wildly popular at home, Turkish soap operas have taken the world by storm with more than 300 million viewers in 80 countries across the Middle East, North Africa, the Balkans, and Asia. With unprecedented access, KISMET delves into this phenomenon, weaving together excerpts from the major shows including interviews with their talent and the writers, producers and directors behind the scenes—primarily made up of women—and portraits of the everyday viewers in Turkey, Egypt, the United Arab Emirates, Bulgaria, and Greece. Exploring how the serials captivate, inspire and empower women, the film reveals how the soaps impact and break down negative stereotypes and traditional taboos. The soaps openly discuss rape, sexual and domestic violence, child and arranged marriages, and honor killings while also sparking change in gender relationships, activism against sexual abuse, and a wave of divorce across the Middle East. Invaluable for studies in media and popular culture, KISMET discloses how profoundly Turkish soaps penetrate viewers’ social and religious realities while empowering and helping women to transform their lives and strengthen the debate about women’s rights across the region.

This popular documentary from Toronto filmmakers Maya Gallus and Justine Pimlott takes viewers inside the adrenaline-fueled phenomenon of women’s roller derby. With over 1,400 leagues worldwide, it is now the fastest growing women’s sport. DERBY CRAZY LOVE accompanies Montreal’s top team, New Skids on the Block, on its exhilarating journey to regional championships, where they face off in a pitched battle against U.K. powerhouse, London Rollergirls, and reigning world champions, New York’s Gotham Girls. New Skids players and their British and U.S. rivals share stories of being powerful women in traditional sports, along with insights about derby’s recent rebirth, after decades of decline, as a vibrant, original expression of third wave feminism and Amazon-like physicality rooted in punk’s colorful DIY counterculture. Deftly tackling issues of masculinity, femininity, aggression, body image, queer identity and gender norms, this fast-paced yet reflective film captures the spirit of community, inclusiveness, and sisterhood at roller derby’s core today.

There is a group of people in the world today who are more persecuted than anyone else, but they are not political or religious activists. They are girls. Being born a girl means you are more likely to be subjected to violence, disease, poverty and disadvantage than any other group on Earth. In I AM A GIRL, we meet 14-year-old Kimsey from Cambodia, forced to sell her virginity at 12; Aziza from Afghanistan, who will be shot if she goes to school; Breani, a teen living in a ghetto of NYC and dreaming of stardom; Katie from Australia, who is recovering from a suicide attempt; Habiba from Cameroon, betrothed to a man 20 years her senior; and Manu from Papua New Guinea, about to become a mother at 14 following her first sexual encounter. As they come of age in the way their culture dictates, we see remarkable heart-warming stories of resilience, bravery and humor. Nominated for four Australian Academy Awards including Best Documentary and Best Director, I AM A GIRL is an inspirational feature length documentary that paints a clear picture of the reality of what it means to be a girl in the 21st century. I AM A GIRL provides practical and ready-to-use resources for educators to address human rights and social justice issues affecting girls in the classroom. Girl Be Heard Education Guides for I AM A GIRL are three units of 25 total lesson plans aligned with US Common Core Curriculum (grades 9-12), to provide a practical and ready-to-use resource for teachers to address human rights and social justice issues affecting girls around the world. Girl Be Heard Education Guides for I AM A GIRL help teachers bring important human rights topics and a future of gender equality to the classroom. For more information, go to: http://girlbeheard.org/i-am-a-girl-education-guides.

A tale of two sisters living in the shadow of two Chinas, this documentary by award-winning filmmaker Marlo Poras (Mai’s America; Run Granny Run) follows Juma and Latso, young women from one of the world’s last remaining matriarchal societies. Thrust into the worldwide economic downturn after losing jobs in Beijing and left with few options, they return to their remote Himalayan village. But growing exposure to modernity has irreparably altered traditions of the Mosuo, their tiny ethnic miniority, and home is not the same. Determined to keep their family out of poverty, one sister sacrifices her educational dreams and stays home to farm, while the other leaves, trying her luck in the city. The changes test them in unexpected ways. This visually stunning film highlights today’s realities of women’s lives and China’s vast cultural and economic divides while offering rare views of a surviving matriarchy.

Female virginity. The US government has spent 1.5 billion dollars promoting it. It has fetched $750,000 at auction. There is no official medical definition for it. And 50 years after the sexual revolution, it continues to define young women’s morality and self-worth. This hilarious, eye-opening, occasionally alarming documentary uses the filmmaker’s own path out of virginity to explore its continuing value in our otherwise hypersexualized society. Layering vérité interviews and vintage sex-ed films with candid self-reflection and wry narration, Shechter reveals myths, dogmas and misconceptions behind this "precious gift." Sex educators, porn producers, abstinence advocates, and outspoken teens share their own stories of having - or not having - sex. In a culture where "Be sexy, but don’t have sex" is the overwhelming message to young women, the film goes through the looking glass to understand a milestone almost everyone thinks about but no one actually understands.

Evangelical Christians are calling out for a second sexual revolution: chastity! As a counter-movement to the attitudes and practices of contemporary culture, one in eight girls in the U.S. today has vowed to remain "unsoiled" until marriage. But the seven children of Randy and Lisa Wilson, the Colorado Springs founders of the Purity Ball, take the concept one step further. They save even the first kiss for the altar. Following the Wilsons for two years, this impressive documentary observes the family’s life up close as some of their children prepare for their fairytale vision of romance and marriage, and seek out their own prince and princess spouses. As VIRGIN TALES takes in home routines, church services, social gatherings, conventions and purity balls, a broader theme emerges: how the religious right is grooming a young generation of virgins to embody an Evangelically-grounded Utopia in America.

Now Available from WMM: WONDER WOMEN! traces the fascinating birth, evolution and legacy of Wonder Woman and introduces audiences to a dynamic group of fictional and real-life superheroines fighting for positive role models for girls, both on screen and off.

This intimate personal portrait of Ulrike Ottinger, a unique, influential voice in women’s cinema for over four decades, begins at the lakeside city of Constance, where she was born and started her career. Describing key moments in her life, including the impact of student protests in Paris and her move from painting to filmmaking, Kramer traces Ottinger’s artistic development. Excerpts from her films, notably Madame X; Dorian Gray in the Mirror of the Yellow Press; Johana d’Arc of Mongolia; and documentaries shot in Asia (recently released by WMM), explore her luxuriant cinematic style combining fact and fiction in opulent, idiosyncratic images. Interviews with collaborators and friends offer further insights into Ottinger’s singular body of work. A richly rewarding close-up of the woman director who, along with Margarethe von Trotta and Helke Sander, helped launch New German Cinema on world screens, ULRIKE OTTINGER—NOMAD FROM THE LAKE is an indispensable companion for any Ottinger film.

Working as a videographer at weddings in Casablanca, Khadija Harrad is part of the new generation of young, divorced Moroccan women seeking to realize their desires for freedom and independence while honoring their families' wishes. Mother of an 11-year-old son and primary breadwinner for her parents and siblings as well, she navigates daily between the elaborate fantasy world of the parties she films and harassment from her traditionally conservative family, which disapproves of her occupation and wants her only to remarry. CAMERA/WOMAN, shot in vérité style, follows Khadija on the job, at home, and with supportive women friends who are divorced and share similar experiences. As it unveils the issues that confront working-class Muslim women in societies now undergoing profound change, this arresting film reveals that for Khadija, unbowed in the face of overwhelming odds, the camera becomes a liberating force.

A parallel, lesbian-feminist revolution was born out of the women’s and civil rights movements of the 60’s and 70’s. Filmmaker Myriam Fougère takes us on a road trip through the United States and Canada as she revisits the activists of the time who sparked this revolution to define their own culture. As active second-wave feminists, many lesbian women began to recognize that their sexual identity was not acknowledged or embraced by the traditional women’s movement. These artists, musicians, philosophers, and writers sought to establish communities centered exclusively on women where patriarchy simply did not exist. Women-only communities began to flourish in North America and around the world, resulting in a rich and vibrant culture that inspired important lesbian art, literature, and music. Told through photographs, archival footage, and contemporary interviews, Fougère’s film serves not only as a testament to the politics of the era, but also as a living yearbook and virtual reunion of these remarkable women, who laid the groundwork for generations to come.

Closed captioned and audio described DVD available on request. Please email [email protected]

From 1945-73, 1.5 million unmarried young American women, facing enormous social pressures, surrendered babies to adoption. Lacking sex education and easy access to birth control, they were forced into hiding while pregnant and then into “abandoning” their infants. In her latest film, Ann Fessler, Professor of Photography at Rhode Island School of Design, reprises the subject of her award-winning The Girls Who Went Away (National Book Critics Circle; Ballard Book Prize), which Ms. readers named an all-time best feminist book. Drawing on interviews with 100 women, Fessler lets them have their say and brings hidden history to light. We hear only their voices, which detail wrenching experiences against images from vintage newsreel and educational films reinforcing stereotypes of women’s roles following WWII. This gripping documentary will help today’s students grasp what life was like before the sexual and feminist revolutions had fully dawned.