Array
(
[id] => 237
[title] => Divorce Iranian Style
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/divorce-iranian-style
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/divorce-iranian-style/320x-dis_hires.png
[created_at] => Array
(
)
[year_released] => 1998
[text] => Hilarious, tragic, stirring, this fly-on-the-wall look at several weeks in an Iranian divorce court provides a unique window into the intimate circumstances of Iranian women’s lives. Following Jamileh, whose husband beats her; Ziba, a 16-year-old trying to divorce her 38-year-old husband; and Maryam, who is desperately fighting to gain custody of her daughters, this deadpan chronicle showcases the strength, ingenuity, and guile with which they confront biased laws, a Kafaka-esque administrative system, and their husbands’ and families’ rage to gain divorces.
With the barest of commentary, acclaimed director Kim Longinotto turns her cameras on the court and lets it tell its own story. Dispelling images of Iran as a country of war, hostages, and “fatwas”, and Iranian women as passive victims of a terrible system, this film is a subtle, fascinating look at women’s lives in a country which is little known to most Americans. Directed by Kim Longinotto and Ziba Mir-Hosseini, author of MARRIAGE ON TRIAL: A STUDY OF ISLAMIC FAMILY LAW.
[image] => https://www.wmm.com/storage/films/divorce-iranian-style/dis_hires.jpg
)
Divorce Iranian Style
Hilarious, tragic, stirring, this fly-on-the-wall look at several weeks in an Iranian divorce court provides a unique window into the intimate circumstances of Iranian women’s lives. Following Jamileh, whose husband beats her; Ziba, a 16-year-old trying to divorce her 38-year-old husband; and Maryam, who is desperately fighting to gain custody of her daughters, this deadpan chronicle showcases the strength, ingenuity, and guile with which they confront biased laws, a Kafaka-esque administrative system, and their husbands’ and families’ rage to gain divorces.
With the barest of commentary, acclaimed director Kim Longinotto turns her cameras on the court and lets it tell its own story. Dispelling images of Iran as a country of war, hostages, and “fatwas”, and Iranian women as passive victims of a terrible system, this film is a subtle, fascinating look at women’s lives in a country which is little known to most Americans. Directed by Kim Longinotto and Ziba Mir-Hosseini, author of MARRIAGE ON TRIAL: A STUDY OF ISLAMIC FAMILY LAW.
Learn more
Array
(
[id] => 258
[title] => Covered: The Hejab in Cairo, Egypt
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/covered-the-hejab-in-cairo-egypt
[title] => more
)
[created_at] => Array
(
)
[year_released] => 1995
[text] => Just over a decade ago it was hard to find women on the streets of Cairo who veiled, a custom that their forebearers struggled to overthrow at the beginning of the twentieth century. But today, many Muslim women in Egypt wear a head scarf called the hejab, and in more extreme cases they cover their entire faces. This absorbing documentary offers a rare opportunity to examine the restoration of veiling and the reasons for its pervasiveness through the eyes of Egyptian women. In unique interviews with women of different ages and backgrounds, COVERED reveals that Islamic tradition, religious fundamentalism, and growing nationalism are not solely responsible for decisions to wear the hejab. Diverse social, economic and political factors, as well as personal preferences, often play prominent roles. As timely as it is compelling, the film shows how complex causes account for a phenomenon that is poorly understood outside the Muslim world.
[image] => https://www.wmm.com/storage/films/covered-the-hejab-in-cairo-egypt/cbe_covered.jpg
)
Covered: The Hejab in Cairo, Egypt
Just over a decade ago it was hard to find women on the streets of Cairo who veiled, a custom that their forebearers struggled to overthrow at the beginning of the twentieth century. But today, many Muslim women in Egypt wear a head scarf called the hejab, and in more extreme cases they cover their entire faces. This absorbing documentary offers a rare opportunity to examine the restoration of veiling and the reasons for its pervasiveness through the eyes of Egyptian women. In unique interviews with women of different ages and backgrounds, COVERED reveals that Islamic tradition, religious fundamentalism, and growing nationalism are not solely responsible for decisions to wear the hejab. Diverse social, economic and political factors, as well as personal preferences, often play prominent roles. As timely as it is compelling, the film shows how complex causes account for a phenomenon that is poorly understood outside the Muslim world.
Learn more
Array
(
[id] => 332
[title] => For a Place Under the Heavens
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/for-a-place-under-the-heavens
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/for-a-place-under-the-heavens/320x-foplhe_hires.png
[created_at] => Array
(
)
[year_released] => 2003
[text] => Acclaimed director Sabiha Sumar, recent winner of the Golden Leopard at the Locarno International Film Festival for her feature Silent Waters, offers an insightful perspective on Pakistan in this finely crafted personal film. Beginning with the creation of Pakistan in 1947, Sumar traces the relationship of Islam to the state in an effort to understand how women are coping with and surviving the increasing religiosity of civil and political life in her country. Raised in a more secular time, she struggles to comprehend how religious schools have expanded at once unthinkable rates and presents chilling footage of a mother encouraging her toddler to be a martyr when he grows up. Mixing political analysis with interviews with activist colleagues, noted Islamic scholars and Pakistani women who have chosen to embrace fundamentalism, Sumar’s provocative questions dramatically capture the tension between liberal and fundamentalist forces that are shaping life in contemporary Pakistan.
“Less an ethnography than a philosophical and historical inquiry into the meaning of gender within Islam, it provides a witty, incisive, and important reflection on the "parameters" of gender hierarchy and, indeed, the "truth" of law, both secular and religious. Required viewing to understand some of the specific ideological conundrums within the sexual politics in Pakistan.” Joseph Boles, Northern Arizona University
[image] => https://www.wmm.com/storage/films/for-a-place-under-the-heavens/foplhe_hires.jpg
)
For a Place Under the Heavens
Acclaimed director Sabiha Sumar, recent winner of the Golden Leopard at the Locarno International Film Festival for her feature Silent Waters, offers an insightful perspective on Pakistan in this finely crafted personal film. Beginning with the creation of Pakistan in 1947, Sumar traces the relationship of Islam to the state in an effort to understand how women are coping with and surviving the increasing religiosity of civil and political life in her country. Raised in a more secular time, she struggles to comprehend how religious schools have expanded at once unthinkable rates and presents chilling footage of a mother encouraging her toddler to be a martyr when he grows up. Mixing political analysis with interviews with activist colleagues, noted Islamic scholars and Pakistani women who have chosen to embrace fundamentalism, Sumar’s provocative questions dramatically capture the tension between liberal and fundamentalist forces that are shaping life in contemporary Pakistan.
“Less an ethnography than a philosophical and historical inquiry into the meaning of gender within Islam, it provides a witty, incisive, and important reflection on the "parameters" of gender hierarchy and, indeed, the "truth" of law, both secular and religious. Required viewing to understand some of the specific ideological conundrums within the sexual politics in Pakistan.” Joseph Boles, Northern Arizona University
Learn more
Array
(
[id] => 380
[title] => They Call Me Muslim
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/they-call-me-muslim
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/they-call-me-muslim/320x-cbe_muslimcall1.png
[created_at] => Array
(
)
[year_released] => 2006
[text] => In popular Western imagination, a Muslim woman in a veil – or hijab – is a symbol of Islamic oppression. But what does it mean for women’s freedom when a democratic country forbids the wearing of the veil? In this provocative documentary, filmmaker Diana Ferrero portrays the struggle of two women – one in France and one in Iran – to express themselves freely.
In 2004, the French government instituted an "anti-veil law," forbidding Muslim girls from wearing the hijab to school. Samah, a teenager in Paris who, at 14 decided to wear the veil, explains how the law attacks her sense of identity – and does not make her feel liberated. “Who says that freedom is not wearing anything on your head?” she asks. Half a world away in Tehran, “K,” forced to wear the hijab by the Islamic regime, defiantly wears it her own way – and her translucent scarf loosely draped over her hair puts her at risk of arrest. When Ferrero films her at home, K, comfortable in a tank top and shorts, says, “They call me Muslim... But do you see me as a Muslim? What do you have in your mind for a Muslim person?” Beautifully shot and finely crafted, THEY CALL ME MUSLIM highlights how women still must struggle for the right to control their own bodies – not only under theocratic regimes, but also in secular, democratic countries where increasing discrimination against Muslims and sexism intersect.
[image] => https://www.wmm.com/storage/films/they-call-me-muslim/cbe_muslimcall1.jpg
)
They Call Me Muslim
In popular Western imagination, a Muslim woman in a veil – or hijab – is a symbol of Islamic oppression. But what does it mean for women’s freedom when a democratic country forbids the wearing of the veil? In this provocative documentary, filmmaker Diana Ferrero portrays the struggle of two women – one in France and one in Iran – to express themselves freely.
In 2004, the French government instituted an "anti-veil law," forbidding Muslim girls from wearing the hijab to school. Samah, a teenager in Paris who, at 14 decided to wear the veil, explains how the law attacks her sense of identity – and does not make her feel liberated. “Who says that freedom is not wearing anything on your head?” she asks. Half a world away in Tehran, “K,” forced to wear the hijab by the Islamic regime, defiantly wears it her own way – and her translucent scarf loosely draped over her hair puts her at risk of arrest. When Ferrero films her at home, K, comfortable in a tank top and shorts, says, “They call me Muslim... But do you see me as a Muslim? What do you have in your mind for a Muslim person?” Beautifully shot and finely crafted, THEY CALL ME MUSLIM highlights how women still must struggle for the right to control their own bodies – not only under theocratic regimes, but also in secular, democratic countries where increasing discrimination against Muslims and sexism intersect.
Learn more
Array
(
[id] => 439
[title] => Unveiled Views
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/unveiled-views
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/unveiled-views/320x-cbe_ttt5.png
[created_at] => Array
(
)
[year_released] => 2009
[text] => In this revealing documentary five extraordinary women talk about their occupations, aspirations, and the rights and status of women in their Muslim countries. Bosnian Alma Suljevic risks her life daily clearing the landmines near Sarajevo that are war’s deadly legacy, then sells minefield earth in European art galleries so that she can continue her work. Eren Keskin, a longtime human rights activist and lawyer with music conservatory training, fights to change Turkey’s legal practices that perpetuate violence against women. Veteran filmmaker Rakshan Bani-Ehmad, true to her credo that art must “look, observe, and discover”, frequently pushes Iran’s censorship rules to the limit. Surrounded by conflict since childhood, young Afghani writer Moshagan Saadat creates brave, profoundly moving and memorable poems. And renowned Pakistani dancer Nahid Siddiqui, once forced to live outside her homeland when her work was banned, continues to perfect, renew, and teach her art form. Captured by Spanish filmmaker Alba Sotorra, who hitchhiked from Barcelona to Pakistan to shoot UNVEILED VIEWS, these self-portraits of hope, heroism, and pride challenge conventional Western stereotypes about women in the Islamic world.
[image] => https://www.wmm.com/storage/films/unveiled-views/cbe_ttt5.jpg
)
Unveiled Views
In this revealing documentary five extraordinary women talk about their occupations, aspirations, and the rights and status of women in their Muslim countries. Bosnian Alma Suljevic risks her life daily clearing the landmines near Sarajevo that are war’s deadly legacy, then sells minefield earth in European art galleries so that she can continue her work. Eren Keskin, a longtime human rights activist and lawyer with music conservatory training, fights to change Turkey’s legal practices that perpetuate violence against women. Veteran filmmaker Rakshan Bani-Ehmad, true to her credo that art must “look, observe, and discover”, frequently pushes Iran’s censorship rules to the limit. Surrounded by conflict since childhood, young Afghani writer Moshagan Saadat creates brave, profoundly moving and memorable poems. And renowned Pakistani dancer Nahid Siddiqui, once forced to live outside her homeland when her work was banned, continues to perfect, renew, and teach her art form. Captured by Spanish filmmaker Alba Sotorra, who hitchhiked from Barcelona to Pakistan to shoot UNVEILED VIEWS, these self-portraits of hope, heroism, and pride challenge conventional Western stereotypes about women in the Islamic world.
Learn more
Array
(
[id] => 448
[title] => Women of Turkey: Between Islam and Secularism
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/women-of-turkey-between-islam-and-secularism
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/women-of-turkey-between-islam-and-secularism/320x-womenofturkey_hires1.png
[created_at] => Array
(
)
[year_released] => 2006
[text] => In this thought-provoking documentary, veiled and unveiled women explore relationships between Islam and secularism in present-day Turkey, where millions of women, many of them educated and urban, wear the headscarf or hijab. For her survey, filmmaker Naccache, who was born in Turkey and raised in Lebanon, draws on historical footage and individual visits with Turkish women from across the professional spectrum. Among them are the owner of a gallery devoted to Islamic art; a left-wing journalist whose politics stem from her religious convictions; a young intellectual adhering to a spirituality based on no single religion; and the film critic and columnist for a popular online newspaper. Their wide-ranging interviews, which analyze the background and impact of controversial bans on headscarves in universities and civil service, yield fresh perspectives on Turkish women’s integration of Islamic culture and modern lifestyles, as well as their far-reaching achievements and priorities for the future.
[image] => https://www.wmm.com/storage/films/women-of-turkey-between-islam-and-secularism/womenofturkey_hires1.jpg
)
Women of Turkey: Between Islam and Secularism
In this thought-provoking documentary, veiled and unveiled women explore relationships between Islam and secularism in present-day Turkey, where millions of women, many of them educated and urban, wear the headscarf or hijab. For her survey, filmmaker Naccache, who was born in Turkey and raised in Lebanon, draws on historical footage and individual visits with Turkish women from across the professional spectrum. Among them are the owner of a gallery devoted to Islamic art; a left-wing journalist whose politics stem from her religious convictions; a young intellectual adhering to a spirituality based on no single religion; and the film critic and columnist for a popular online newspaper. Their wide-ranging interviews, which analyze the background and impact of controversial bans on headscarves in universities and civil service, yield fresh perspectives on Turkish women’s integration of Islamic culture and modern lifestyles, as well as their far-reaching achievements and priorities for the future.
Learn more
Array
(
[id] => 449
[title] => Mother, Lebanon & Me
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/mother-lebanon-me
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/mother-lebanon-me/320x-motherlebanon_hires1.png
[created_at] => Array
(
)
[year_released] => 2009
[text] => A visually striking meditation on loss and a perceptive political critique, this deeply personal work has two subjects: filmmaker Olga Naccache’s ailing mother and the chaotic country where Naccache was raised. Both fell sick in 1975, the onset of incurable depression for one and a bloody civil war ushering in deep divisions for the other. In this sequel to LEBANON: BITS AND PIECES (1994), Naccache ponders the plight of the country she clearly loves while honoring the mother dear to her.
Her montage draws on conversations with Naccache's mother toward the end of life, along with footage of this beautiful, accomplished woman and ardent secularist in more physically robust times. Stunning scenes of tranquil Beirut and southern Lebanon contrast with close-ups of a nation under siege from within and abroad. Recent interviews with two longtime friends—a leftist teacher of philosophy in a Christian village school and a Shiite Muslim viewing Hezbollah as Lebanon’s only hope—raise crucial questions about the nation’s identity and precarious future.
[image] => https://www.wmm.com/storage/films/mother-lebanon-me/motherlebanon_hires1.jpg
)
Mother, Lebanon & Me
A visually striking meditation on loss and a perceptive political critique, this deeply personal work has two subjects: filmmaker Olga Naccache’s ailing mother and the chaotic country where Naccache was raised. Both fell sick in 1975, the onset of incurable depression for one and a bloody civil war ushering in deep divisions for the other. In this sequel to
LEBANON: BITS AND PIECES (1994), Naccache ponders the plight of the country she clearly loves while honoring the mother dear to her.
Her montage draws on conversations with Naccache's mother toward the end of life, along with footage of this beautiful, accomplished woman and ardent secularist in more physically robust times. Stunning scenes of tranquil Beirut and southern Lebanon contrast with close-ups of a nation under siege from within and abroad. Recent interviews with two longtime friends—a leftist teacher of philosophy in a Christian village school and a Shiite Muslim viewing Hezbollah as Lebanon’s only hope—raise crucial questions about the nation’s identity and precarious future.
Array
(
[id] => 457
[title] => In the Name of the Family
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/in-the-name-of-the-family
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/in-the-name-of-the-family/320x-nameofthefam_hires1.png
[created_at] => Array
(
)
[year_released] => 2010
[text] => Schoolgirl Aqsa Parvez, sisters Amina and Sarah Said, and college student Fauzia Muhammad were all North American teenagers—and victims of premeditated, murderous attacks by male family members. Only Muhammad survived. Emmy® winner Shelley Saywell examines each case in depth in this riveting investigation of "honor killings" of girls in Muslim immigrant families. Not sanctioned by Islam, the brutalization and violence against young women for defying male authority derives from ancient tribal notions of honor and family shame.
As friends and relatives trace escalating tensions leading to the crimes, IN THE NAME OF THE FAMILY explores community reactions to the tragic events. The film also delves into the dual, precarious existence of other young Muslim women struggling to bridge two worlds, along with Muslim women’s efforts to help girls at special risk. With consummate documentary skills and a passion for human rights, Saywell puts a much needed human face on a subject that is all too often silenced or sensationalized in post-9/11 North America.
[image] => https://www.wmm.com/storage/films/in-the-name-of-the-family/nameofthefam_hires1.jpg
)
In the Name of the Family
Schoolgirl Aqsa Parvez, sisters Amina and Sarah Said, and college student Fauzia Muhammad were all North American teenagers—and victims of premeditated, murderous attacks by male family members. Only Muhammad survived. Emmy® winner Shelley Saywell examines each case in depth in this riveting investigation of "honor killings" of girls in Muslim immigrant families. Not sanctioned by Islam, the brutalization and violence against young women for defying male authority derives from ancient tribal notions of honor and family shame.
As friends and relatives trace escalating tensions leading to the crimes, IN THE NAME OF THE FAMILY explores community reactions to the tragic events. The film also delves into the dual, precarious existence of other young Muslim women struggling to bridge two worlds, along with Muslim women’s efforts to help girls at special risk. With consummate documentary skills and a passion for human rights, Saywell puts a much needed human face on a subject that is all too often silenced or sensationalized in post-9/11 North America.
Learn more
Array
(
[id] => 468
[title] => Quest for Honor
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/quest-for-honor
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/quest-for-honor/320x-cbi_quest-for-honor1.png
[created_at] => Array
(
)
[year_released] => 2009
[text] => QUEST FOR HONOR, which premiered at Sundance and was shortlisted for an Academy® Award, investigates the still prevalent practice of honor killing in the Kurdistan region of northern Iraq.
[image] => https://www.wmm.com/storage/films/quest-for-honor/cbi_quest-for-honor1.jpg
)
Quest for Honor
QUEST FOR HONOR, which premiered at Sundance and was shortlisted for an Academy® Award, investigates the still prevalent practice of honor killing in the Kurdistan region of northern Iraq.
Learn more
Array
(
[id] => 478
[title] => Rights & Wrongs
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/rights-wrongs
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/rights-wrongs/320x-randw_hires.png
[created_at] => Array
(
)
[year_released] => 2011
[text] => By returning to the roots of Islam and understanding how societies have found justification for their treatment of women within Islamic sources, this thoughtful and far reaching film is an essential resource that debunks myths about women and Islam. Renowned Muslim feminist scholars and journalists, including Asra Q. Nomani, Mona Eltahawy, Azadeh Moaveni, Dr. Amina Wadud, Dr. Khaled Abou El Fadl and Asma Gull Hasan, detail how from early on very different understandings of the Qur’an lead to vastly different translations, with enormous repercussions for women living in different Islamic societies around the world. The film alternates between the history of Mohammad and issues facing Muslim women today—from the wearing of the veil, to praying in the mosque, and attitudes towards domestic violence and honor killings. It also looks at how feminism works within Islam in the modern era. RIGHTS & WRONGS is indispensable for courses on Islamic and Middle Eastern studies, comparative religion, women’s studies and more.
[image] => https://www.wmm.com/storage/films/rights-wrongs/randw_hires.jpg
)
Rights & Wrongs
By returning to the roots of Islam and understanding how societies have found justification for their treatment of women within Islamic sources, this thoughtful and far reaching film is an essential resource that debunks myths about women and Islam. Renowned Muslim feminist scholars and journalists, including Asra Q. Nomani, Mona Eltahawy, Azadeh Moaveni, Dr. Amina Wadud, Dr. Khaled Abou El Fadl and Asma Gull Hasan, detail how from early on very different understandings of the Qur’an lead to vastly different translations, with enormous repercussions for women living in different Islamic societies around the world. The film alternates between the history of Mohammad and issues facing Muslim women today—from the wearing of the veil, to praying in the mosque, and attitudes towards domestic violence and honor killings. It also looks at how feminism works within Islam in the modern era. RIGHTS & WRONGS is indispensable for courses on Islamic and Middle Eastern studies, comparative religion, women’s studies and more.
Learn more
Array
(
[id] => 480
[title] => The Mosque in Morgantown
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/the-mosque-in-morgantown
[title] => more
)
[created_at] => Array
(
)
[year_released] => 2009
[text] => THE MOSQUE IN MORGANTOWN follows one woman’s campaign for change against extremism in her West Virginia mosque, throwing the community into turmoil and raising questions that cut to the heart of American Islam. When former Wall Street Journal journalist and single mother Asra Q. Nomani returns from working in Pakistan to her hometown mosque in Morgantown, West Virginia, she believes she sees signs of trouble: exclusion of women, intolerance toward non-believers, and suspicion of the West. She finds such signs particularly alarming and determined to halt the ‘slippery slope’ that she maintains leads from Islamic intolerance to violence, she begins a campaign to drag the mosque’s practices into the 21st century, triggering a heated battle between tradition and modernity. Nomani’s activist tactics alienate would-be allies in the mosque, leading many to wonder who most deserves the label of “extremist.” Director Brittany Huckabee takes a balanced view of the tensions dividing this community, exploring both sides from a neutral standpoint. This riveting Emmy® Award nominated film is not only about women’s rights in the mosque but about the struggles of a Muslim community faces as it strives to be a part of American life.
[image] => https://www.wmm.com/storage/films/the-mosque-in-morgantown/cbi_mosmor_hires0.jpg
)
The Mosque in Morgantown
THE MOSQUE IN MORGANTOWN follows one woman’s campaign for change against extremism in her West Virginia mosque, throwing the community into turmoil and raising questions that cut to the heart of American Islam. When former Wall Street Journal journalist and single mother Asra Q. Nomani returns from working in Pakistan to her hometown mosque in Morgantown, West Virginia, she believes she sees signs of trouble: exclusion of women, intolerance toward non-believers, and suspicion of the West. She finds such signs particularly alarming and determined to halt the ‘slippery slope’ that she maintains leads from Islamic intolerance to violence, she begins a campaign to drag the mosque’s practices into the 21st century, triggering a heated battle between tradition and modernity. Nomani’s activist tactics alienate would-be allies in the mosque, leading many to wonder who most deserves the label of “extremist.” Director Brittany Huckabee takes a balanced view of the tensions dividing this community, exploring both sides from a neutral standpoint. This riveting Emmy® Award nominated film is not only about women’s rights in the mosque but about the struggles of a Muslim community faces as it strives to be a part of American life.
Learn more
Array
(
[id] => 482
[title] => Jasad & The Queen of Contradictions
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/jasad-the-queen-of-contradictions
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/jasad-the-queen-of-contradictions/320x-jasad_hires.png
[created_at] => Array
(
)
[year_released] => 2011
[text] => Lebanese poet and writer Joumana Haddad has stirred controversy in the Middle East for having founded Jasad (the Body), an erotic quarterly Arabic-language magazine. Dedicated to the body’s art, science and literature, Jasad is one of the first of its kind in the Arab world and has caused a big debate in the Arabic region not only for its explicit images, erotic articles and essays on sex in Arabic but also for the fact that an Arab woman is behind it all. Despite Beirut’s external appearance of freedom portrayed through its infamous nightlife and women’s stylish and open revealing fashion sense, this is all still taboo.
JASAD & THE QUEEN OF CONTRADICTIONS, by Lebanese director Amanda Homsi-Ottosson, tackles the subject of sexuality in Lebanon, giving insight on the rare use of the Arabic language to discuss sex and erotica. Different views regarding the magazine and sexuality are also given by the head of a women’s rights organization, a sexual health educator and a doctor who performs hymen reconstruction surgeries. Despite the debates, the threats and the lack of funds, one passionate woman shows no sign of slowing down her small steps towards a “sexual revolution” in the Arab world.
[image] => https://www.wmm.com/storage/films/jasad-the-queen-of-contradictions/jasad_hires.jpg
)
Jasad & The Queen of Contradictions
Lebanese poet and writer Joumana Haddad has stirred controversy in the Middle East for having founded Jasad (the Body), an erotic quarterly Arabic-language magazine. Dedicated to the body’s art, science and literature, Jasad is one of the first of its kind in the Arab world and has caused a big debate in the Arabic region not only for its explicit images, erotic articles and essays on sex in Arabic but also for the fact that an Arab woman is behind it all. Despite Beirut’s external appearance of freedom portrayed through its infamous nightlife and women’s stylish and open revealing fashion sense, this is all still taboo.
JASAD & THE QUEEN OF CONTRADICTIONS, by Lebanese director Amanda Homsi-Ottosson, tackles the subject of sexuality in Lebanon, giving insight on the rare use of the Arabic language to discuss sex and erotica. Different views regarding the magazine and sexuality are also given by the head of a women’s rights organization, a sexual health educator and a doctor who performs hymen reconstruction surgeries. Despite the debates, the threats and the lack of funds, one passionate woman shows no sign of slowing down her small steps towards a “sexual revolution” in the Arab world.
Learn more
Array
(
[id] => 491
[title] => Camera/Woman
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/camerawoman
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/camerawoman/320x-camwom_hires.png
[created_at] => Array
(
)
[year_released] => 2012
[text] => Working as a videographer at weddings in Casablanca, Khadija Harrad is part of the new generation of young, divorced Moroccan women seeking to realize their desires for freedom and independence while honoring their families' wishes. Mother of an 11-year-old son and primary breadwinner for her parents and siblings as well, she navigates daily between the elaborate fantasy world of the parties she films and harassment from her traditionally conservative family, which disapproves of her occupation and wants her only to remarry. CAMERA/WOMAN, shot in vérité style, follows Khadija on the job, at home, and with supportive women friends who are divorced and share similar experiences. As it unveils the issues that confront working-class Muslim women in societies now undergoing profound change, this arresting film reveals that for Khadija, unbowed in the face of overwhelming odds, the camera becomes a liberating force.
[image] => https://www.wmm.com/storage/films/camerawoman/camwom_hires.jpg
)
Camera/Woman
Working as a videographer at weddings in Casablanca, Khadija Harrad is part of the new generation of young, divorced Moroccan women seeking to realize their desires for freedom and independence while honoring their families' wishes. Mother of an 11-year-old son and primary breadwinner for her parents and siblings as well, she navigates daily between the elaborate fantasy world of the parties she films and harassment from her traditionally conservative family, which disapproves of her occupation and wants her only to remarry. CAMERA/WOMAN, shot in vérité style, follows Khadija on the job, at home, and with supportive women friends who are divorced and share similar experiences. As it unveils the issues that confront working-class Muslim women in societies now undergoing profound change, this arresting film reveals that for Khadija, unbowed in the face of overwhelming odds, the camera becomes a liberating force.
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Array
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[id] => 512
[title] => Kismet
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[year_released] => 2013
[text] => Wildly popular at home, Turkish soap operas have taken the world by storm with more than 300 million viewers in 80 countries across the Middle East, North Africa, the Balkans, and Asia. With unprecedented access, KISMET delves into this phenomenon, weaving together excerpts from the major shows including interviews with their talent and the writers, producers and directors behind the scenes—primarily made up of women—and portraits of the everyday viewers in Turkey, Egypt, the United Arab Emirates, Bulgaria, and Greece.
Exploring how the serials captivate, inspire and empower women, the film reveals how the soaps impact and break down negative stereotypes and traditional taboos. The soaps openly discuss rape, sexual and domestic violence, child and arranged marriages, and honor killings while also sparking change in gender relationships, activism against sexual abuse, and a wave of divorce across the Middle East. Invaluable for studies in media and popular culture, KISMET discloses how profoundly Turkish soaps penetrate viewers’ social and religious realities while empowering and helping women to transform their lives and strengthen the debate about women’s rights across the region.
[image] => https://www.wmm.com/storage/films/kismet/kismet_hires1.jpg
)
Kismet
Wildly popular at home, Turkish soap operas have taken the world by storm with more than 300 million viewers in 80 countries across the Middle East, North Africa, the Balkans, and Asia. With unprecedented access, KISMET delves into this phenomenon, weaving together excerpts from the major shows including interviews with their talent and the writers, producers and directors behind the scenes—primarily made up of women—and portraits of the everyday viewers in Turkey, Egypt, the United Arab Emirates, Bulgaria, and Greece.
Exploring how the serials captivate, inspire and empower women, the film reveals how the soaps impact and break down negative stereotypes and traditional taboos. The soaps openly discuss rape, sexual and domestic violence, child and arranged marriages, and honor killings while also sparking change in gender relationships, activism against sexual abuse, and a wave of divorce across the Middle East. Invaluable for studies in media and popular culture, KISMET discloses how profoundly Turkish soaps penetrate viewers’ social and religious realities while empowering and helping women to transform their lives and strengthen the debate about women’s rights across the region.
Learn more
Array
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[id] => 528
[title] => Feminism Inshallah: A History Of Arab Feminism
[link] => stdClass Object
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[year_released] => 2014
[text] => The struggle for Muslim women’s emancipation is often portrayed stereotypically as a showdown between Western and Islamic values, but Arab feminism has existed for more than a century. This groundbreaking documentary recounts Arab feminism’s largely unknown story, from its taboo-shattering birth in Egypt by feminist pioneers up through viral Internet campaigns by today’s tech-savvy young activists during the Arab Spring. Moving from Tunisia to Egypt, Algeria, Morocco, Lebanon and Saudi Arabia, filmmaker and author Feriel Ben Mahmoud tracks the progress of Arab women in their long march to assert their full rights and achieve empowerment. Featuring previously unreleased archival footage and exclusive multigenerational interviews, FEMINISM INSHALLAH is an indispensable resource for Women’s Studies, Global Feminism, Middle East and Islamic Studies.
[image] => https://www.wmm.com/storage/films/feminism-inshallah-a-history-of-arab-feminism/cbi_feminisminshallah2.jpg
)
Feminism Inshallah: A History Of Arab Feminism
The struggle for Muslim women’s emancipation is often portrayed stereotypically as a showdown between Western and Islamic values, but Arab feminism has existed for more than a century. This groundbreaking documentary recounts Arab feminism’s largely unknown story, from its taboo-shattering birth in Egypt by feminist pioneers up through viral Internet campaigns by today’s tech-savvy young activists during the Arab Spring. Moving from Tunisia to Egypt, Algeria, Morocco, Lebanon and Saudi Arabia, filmmaker and author Feriel Ben Mahmoud tracks the progress of Arab women in their long march to assert their full rights and achieve empowerment. Featuring previously unreleased archival footage and exclusive multigenerational interviews, FEMINISM INSHALLAH is an indispensable resource for Women’s Studies, Global Feminism, Middle East and Islamic Studies.
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