Elida Schogt  

Elida Schogt is a Toronto-based filmmaker and media artist whose work mines personal experience, challenges story-telling conventions and questions power systems.

Best known for her innovative visual treatment of the collapse of representation in Zyklon Portrait, her internationally-acclaimed short documentary on Holocaust memory, her films have screened at festivals around the world.

She holds an MA in Media Studies from the New School for Social Research, New York and a practice-based PhD in Visual Arts from York University, Toronto. She is currently working on a memoir. (07/19)

Available Title(s):

Elida Schogt Trilogy

A film by Elida Schogt, 2001, 30 min, Color

Elida Schogt’s deeply personal trilogy of short documentaries on Holocaust memory: ZYKLON PORTRAIT (1999), THE WALNUT TREE (2000) and SILENT SONG (2001) have been screened around the globe, garnering numerous awards. This trilogy includes: ZYKLON PORTRAIT, a Holocaust film without Holocaust imagery that combines archival instructional films with family snapshots, home movies, underwater photography, and…

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Silent Song

A film by Elida Schogt, 2001, 6 min,

“In SILENT SONG Schogt deftly conjures an elaborate dialogue around issues of memory in its various forms - personal, historical, filmic… [her] rich and nuanced economy of style is brilliantly illustrated here as these meditations lead to the most basic, yet most cogent statements on the nature of memory itself. Perhaps more importantly, Schogt points…

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The Walnut Tree

A film by Elida Schogt, 2000, 11 min, Color

Through a striking combination of documentary and experimental approaches, THE WALNUT TREE examines Holocaust memory, the family, and the role of photography in history. As its point of departure, the film shows three girls in Dutch costumes posing for their father's camera. This sweet but fleeting moment, made static in a snapshot, is contrasted with…

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Zyklon Portrait

A film by Elida Schogt, 1999, 13 min, Color

A Holocaust film without Holocaust imagery, ZYKLON PORTRAIT combines archival instructional films with family snapshots, home movies, underwater photography, and hand-painted imagery for an expressive exploration of how history and memory are related to one family's loss. "...Elida Schogt's deeply moving portrait of her family's experience during the Holocaust...wisely privileges the subjective response over any…

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