Sir: Just a Normal Guy
2001 | 57 minutes | Color | DVD | Order No. 05865
SIR is an in-depth and humanizing exploration of the challenges, discrimination, and alienation faced by transsexuals. Jay’s conflicted feelings around queer identification are portrayed along with his significant other’s continued identification as lesbian. A much-needed look at FTM transition, the film demonstrates both the fluidity of sexual identification and that love and human resilience can triumph over deep-rooted differences.
“Sir: Just A Normal Guy humanizes many of the issues faced by transgender people in a profound and compelling way. The film helps foster understanding of the reality of transsexual experience, and is a valuable resource for anyone seeking to promote this understanding.”
"One of the most provocative films this year is this diaristic look at FTM transition.”
“A wonderful tool for any courses focusing on the role and definition of gender and sexuality as influenced by societal norms. It fills a particular void in the lack of educational resources regarding the female to male transition.”
“A powerful teaching device for any course interested in clarifying misconceptions about transgenderism and giving students the conceptual tools to understand the debate around gay, lesbian, bisexual, and transgender identities. Definitely a much needed contribution to gender studies classrooms!”
SCREENING HIGHLIGHTS AND AWARDS
- Auckland, Melbourne, Milwaukee, Olympia, Seattle, Semarang, Sydney, Tampa, Vancouver and Winnipeg Lesbian and Gay Film Festivals
- Berkeley Film and Video Festival, Honorable Mention
- Chicago Reeling Film Fest
- First International Queer Arts Festival, Zagreb, Croatia
- IndieFest: The San Francisco Independent Film Festival
- New Festival, The New York Lesbian and Gay Film Festival
- OUTrageous: Santa Barbara LGBT Film Festival
- TrannyFest San Francisco
- Washington, DC Reel Affirmations Film Festival
- Western Psychological Association Convention Film Festival
Melanie has worked in the production of documentaries to some capacity since 1996. Aside from directing, her numerous roles have included that of producer, director of photography, 2nd unit camera, associate producer, and assistant editor. She currently teaches documentary filmmaking at Hunter College, and workshops for professionals at Downtown Community Television. She has also taught at Long Island University/C.W. Post.
Before becoming a filmmaker, Melanie worked actively with human and civil rights groups for a decade, absorbing experiences that would one day become central themes for her films. She has an M.F.A in Film and Media Arts from Temple University and a B.A. in Political Science from the University of Michigan.
Melanie is currently releasing THE POETRY DEAL: A FILM WITH DIANE DI PRIMA, an impressionistic documentary about the life and work of poet Diane di Prima. The first film ever about di Prima, THE POETRY DEAL was made collaboratively with this unique writer. In a visual celebration of poetry, THE POETRY DEAL focuses on themes of artistic integrity, rebellion, and imagination and includes rare archival footage, impressionistic scenes shot in Super8 and 16mm, and interviews with di Prima and her friends and colleagues.
Melanie’s first film, SIR: JUST A NORMAL GUY, premiered at the 2001 New Festival, followed by a worldwide screening at over 30 film festivals and community events. Her short films, RISK (2004), SCHUYLKILL DRAGONS (2003), UNITED STATES OF AUTOMOBILES (2002), and NO SAFE PLACE (2001) all screened at local, national, and international film festivals.
Other independent films in which Melanie has worked on (not in the role of director) include: "The Axe in the Attic" (Dirs. Ed Pincus and Lucia Small, 2007- New York Film Festival); "Stigma" (Dir. Tchaiko Omawale, 2005 - Provincetown Int’l Film Festival); and "Silent Choices" (Dir., Faith Pennick, 2007 - Reel Sisters of the Diaspora Festival).
Melanie is currently developing a new project about wind power in New York City. (3/12)