UK | 2015 | 98 minutes | Color | DVD | Order No. 161168
With unprecedented access, multi-award winning director, Kim Longinotto (SISTERS IN LAW, ROUGH AUNTIES, SALMA) paints a vivid portrait of a community struggling to come to terms with some of its most painful truths and of the extraordinary woman who uses her past to inspire others to survive. With warmth and humor, Brenda gives hope to those who have none in the four magic words she offers up to everyone she meets: “It’s not your fault.”
"Like its subject, this documentary is powerful, honest, and empowering. Bravo."
"Myers-Powell has a fierce wit and forthright intelligence that brightens even the darkest moments of Kim Longinotto's intensely moving documentary."
"The power of DREAMCATCHER…unfolds in cinema vérité style, putting you up close and personal with its subjects and the world they inhabit. See the film."
"Intensely moving...a real-world version of movie-star magnetism…remarkable for the honest, intimate rapport it achieves with highly vulnerable human subjects."
"...a moving portrait of someone who might just qualify for secular sainthood… Longinotto deftly balances character and context, capturing telling moments where subjects reveal themselves in an instant."
"Raw, powerful, and downright inspirational"
"Dreamcatcher is a powerful and harrowing character-led documentary from start to finish."
“Remarkable...calm, non-judgmental and engaging...deeply moving."
"Dreamcatcher, is first and foremost a film about real people."
“Everyone should watch Dreamcatcher… it offers a refreshing, illuminating counterpoint to the standard noise about sex work. It’s not fly-on-the-wall filmmaking, it’s participatory revelation.”
"Astonishing in its intimacy and wrenching in its emotional rawness"
"It's a compelling, harrowing and utterly uplifting story of redemption."
"DREAMCATCHER is raw, gripping and emotionally challenging… masterfully examines the intersections between sexism, racism, and classism, and how these injustices perpetuate the cycle of abuse that leads to violence against women …heart-wrenching and compelling."
"DREAMCATCHER provides intimate insights into the complex drivers and perpetuators of human trafficking and exploitation and is an extremely valuable resource and tool for public health professionals across all sectors."
“Kim Longinotto is one of the most criminally under-appreciated documentarians...an absolutely fantastic documentary that touches on many of the themes and ideas visited in David James’ The Interrupters and Werner Herzog’s Into the Abyss but I think it actually manages to do much better than either of those films."
SCREENING HIGHLIGHTS AND AWARDS
- Sundance Film Festival, Directing Award, World Cinema Documentary
- Zagreb dox Croatia, "My Generation" Award
- San Francisco Film Festival, "Persistence of Vision" Award
- Nordic Docs, Icon Award
- DOC NYC, Robert & Anne Drew Award for Documentary Excellence
- DOC NYC Short List
- Social Impact Media Award, Best Director, Documentary Feature
- Milwaukee Film Festival
- Harare Film Festival
- Reykjavik Film Festival
- Tri Continental Film Festival
- Human Rights Documentary Film Festival
- Montreal International Documentary Festival
- Viennale Film Festival
- Royal Anthropological Institute Film Festival
- DOCVILLE International Documentary Film Festival
- International Documentary Film Festival Munich
- Glasgow Film Festival
- One World International Human Rights Documentary Film Festival
- International Film Festival Rotterdam
- New Zealand International Film Festival
- Jerusalem Film Festival
- Femcine Film Festival
- Sheffield Doc/Fest
- Yamagata Film Festival
- Athena Film Festival
- San Sebastian Human Rights Film Festival
- Zanzibar International Film Festival
- Hot Docs Documentary Film Festival
- Thessaloniki International Film Festival
- Nantucket Film Festival
- Melbourne Film Festival
- Sydney Film Festival
- Vancouver International Film Festival
Kim Longinotto (born 1952) is a British documentary filmmaker, well known for making films that highlight the plight of female victims of oppression or discrimination. Longinotto studied camera and directing at the National Film and Television School in Beaconsfield, England, where she now tutors occasionally.
Longinotto was born to an Italian father and a Welsh mother; her father was a photographer who later went bankrupt. At the age of 10 she was sent to a draconian all-girls boarding school, where she found it hard to make friends due to the mistress forbidding anyone to talk to her for a term after she became lost during a school trip. After a period of homelessness, Longinotto went on to Essex University to study English and European literature and later followed friend and future filmmaker, Nick Broomfield to the National Film and Television School. While studying, she made a documentary about her boarding school that was shown at the London Film Festival, since when she has continued to be a prolific documentary filmmaker.
Longinotto is an observational filmmaker. Observational cinema, also known as direct cinema, free cinema or cinema verite, usually excludes certain documentary techniques such as advanced planning, scripting, staging, narration, lighting, reenactment and interviewing. Longinotto’s unobtrusiveness, which is an important part of observational documentary, gives the women on camera a certain voice and presence that may not have emerged with another documentary genre. She has received a number of awards for her films over the years, including a BAFTA for her documentary PINK SARIS.
Among her more than 20 films, she has followed a teenager struggling to become a wrestling star in 2000’s GAEA GIRLS, challenged the tradition of female genital mutilation in Kenya in 2002’s THE DAY I WILL NEVER FORGET, and told the story of an Indian Muslim woman who smuggled poetry out to the world while locked up by her family in 2013’s SALMA. In 2015's DREAMCATCHER Longinotto looks at the life and work of a former sex worker who rescues Chicago girls from the street.
Her new film SHOOTING THE MAFIA, premiered at the 2019 Sundance Film Festival. (3/19)