Sisters in Law
Cameroon/UK | 2005 | 104 minutes | Color | 35mm/DVD | Pidgin English | Subtitled | Order No. 06894
Winner of the Prix Art et Essai at the Cannes Film Festival, SISTERS IN LAW is the story of two women in Cameroon determined to change their community.
"**** Highly Recommended. Editor's Choice."
“Highly Recommended. Multi-faceted. Refreshing to see [African women] portrayed as powerful, confident and in control of their own destinies.”
“Knocked me flat and earned my tears of shock and joy.”
“One of the best documentaries of all time.”
"POSITIVELY SOARS…Who are these women, and can they please take over the world soon?"
"Illuminating, entertaining... you might start to seriously wonder if there's a way to get [Vera Ngassa] to run for office here in America."
"A triumphal portrait of women taking matters into their own hands."
"The women are so compelling – and the sense of justice so satisfying, I can’t imagine any audience resisting SISTERS IN LAW."
"This is a story of real heroism that will leave you weeping, laughing and singing...My early candidate for breakout feel-good documentary of the year."
"INSPIRATIONAL...A family-court western in which a pair of tart-talking gunslingers...bring justice."
“A well-crafted, focused film …plays like a quiet miracle.”
SCREENING HIGHLIGHTS AND AWARDS
- Cannes Film Festival, Prix Art et Essai
- Cannes Film Festival, Special Mention Europa Cinemas
- Int'l Documentary and Film Festival, Amsterdam, Audience Award
- British Independent Film Awards, Best Doc Nominee
- Women’s Film Critics Circle, Adrienne Shelly Award
- Royal Anthropological Institute FF, Audience Award
- Hawaii Int'l Film Festival, Best Documentary
- The Royal TV Programme Awards, Best Single Doc
- Santa Barbara Film Festival, Social Justice Award
- RAI Film Festival, Oxford, Basil Wright Award
- Grierson Award, Best Doc on Contemporary Issue, UK
- Al-Jazeera TV Festival, Silver Award
- Belfast Film Festival, 1st Maysles Award
- The Tel-Aviv Intl Documentary FF, Best Int'l Film
- Human Rights Nights FF, Italy, Jury Prize
- Commonwealth Film Festival, Audience Award
- Munich Documentary FF, Special Documentary Prize
- 4th Lisbon Int'l Doc FF, "Pobreza Zero" Prize
- Batumi Int’l Film Festival, Best Documentary
- DOCUSUR, Special Jury Mention
- 2008 PBS Independent Lens Audience Award Runner-Up
- Telluride Film Festival
- Montreal International Festival of New Cinema
- Broadcast on Emmy Award®-winning PBS series, Independent Lens
Kim Longinotto (born 1952) is a British documentary filmmaker, well known for making films that highlight the plight of female victims of oppression or discrimination. Longinotto studied camera and directing at the National Film and Television School in Beaconsfield, England, where she now tutors occasionally.
Longinotto was born to an Italian father and a Welsh mother; her father was a photographer who later went bankrupt. At the age of 10 she was sent to a draconian all-girls boarding school, where she found it hard to make friends due to the mistress forbidding anyone to talk to her for a term after she became lost during a school trip. After a period of homelessness, Longinotto went on to Essex University to study English and European literature and later followed friend and future filmmaker, Nick Broomfield to the National Film and Television School. While studying, she made a documentary about her boarding school that was shown at the London Film Festival, since when she has continued to be a prolific documentary filmmaker.
Longinotto is an observational filmmaker. Observational cinema, also known as direct cinema, free cinema or cinema verite, usually excludes certain documentary techniques such as advanced planning, scripting, staging, narration, lighting, reenactment and interviewing. Longinotto’s unobtrusiveness, which is an important part of observational documentary, gives the women on camera a certain voice and presence that may not have emerged with another documentary genre. She has received a number of awards for her films over the years, including a BAFTA for her documentary PINK SARIS.
Among her more than 20 films, she has followed a teenager struggling to become a wrestling star in 2000’s GAEA GIRLS, challenged the tradition of female genital mutilation in Kenya in 2002’s THE DAY I WILL NEVER FORGET, and told the story of an Indian Muslim woman who smuggled poetry out to the world while locked up by her family in 2013’s SALMA. In 2015's DREAMCATCHER Longinotto looks at the life and work of a former sex worker who rescues Chicago girls from the street.
Her new film SHOOTING THE MAFIA, premiered at the 2019 Sundance Film Festival. (3/19)
Florence Ayisi was born in 1962 in Cameroon, Central Africa. She obtained a degree in English from the University of Yaoundé, Cameroon. She moved to the UK for postgraduate studies in Film and Television where she obtained an MA in Producing and Directing, an MA in Theatre and Media Production and a Diploma in Television Production and Journalism.
Florence currently teaches at the International Film School Wales, University of Wales, Newport, U.K. where she’s a Reader in Film Practice. Her teaching and research is underpinned by issues and ideas relating to documentary theory, post-colonial theory, representation, feminism, spectatorship in African Cinema, transnational cinemas, African Diaspora narratives, ethnography as a research method, and in mapping the aesthetic of documentary content. Florence’s research is primarily practice-based. She has made documentary films in Tanzania and Cameroon. An award winning filmmaker, her films portray the affirmative aspects of African life, presenting unique and rare insights into lived experiences and the rich and dynamic cultures. Her films also celebrate the growing emancipation of African women; showing how women’s work and visions are at the vanguard of social and economic development.
Her first feature-length documentary film, SISTERS IN LAW, (2005, co-director) has been screened in over 120 film festivals and has won over 27 prestigious international awards. In 2007, Florence made her second feature-length documentary, Zanzibar Soccer Queens which has been screened on television and at numerous festivals. Florence’s other films include, MY MOTHER: ISANGE (2005, 7 minutes), and OUR WORLD IN ZANZIBAR (2007, 35 minutes). In 2008, Florence was awarded the UK Film Council Breakthrough Brits Award for Film Talent. Her latest film, ART OF THIS PLACE: WOMEN ARTISTS IN CAMEROON (2011) is an intimate documentary portrait of the creative vision and passion of young female artist in contemporary Cameroon. (8/14)