Stateless

A film by Michèle Stephenson

Dominican Republic | 2020 | 96 minutes | Color | DVD | Spanish, Haitian Creole | Subtitled | Order No. W201265 |

STATELESS, from Michèle Stephenson, the critically acclaimed filmmaker of American Promise, looks at the complex politics of immigration and race in the Dominican Republic and Haiti, using a combination of magical realism and hidden camera techniques.

SYNOPSIS

In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, based on anti-black hatred fomented by the Dominican government. Fast-forward to 2013, the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929. The ruling rendered more than 200,000 people stateless, without nationality, identity or a homeland. In this dangerous climate, a young attorney named Rosa Iris mounts a grassroots campaign, challenging electoral corruption and advocating for social justice. Director Michèle Stephenson’s new documentary Stateless traces the complex tributaries of history and present-day politics, as state-sanctioned racism seeps into mundane offices, living room meetings, and street protests. At a time when extremist ideologies are gaining momentum in the U.S. and around the world, STATELESS is a warning of what can happen in a society when racism runs rampant in the government.

Filmed with a chiaroscuro effect and richly imbued with elements of magical realism, STATELESS combines gritty hidden-camera footage with the legend of a young woman fleeing brutal violence to flip the narrative axis, revealing the depths of institutionalized oppression.

PRESS

“Wonderful storytelling.”

The Upcoming

"The covert cinematography one sees throughout STATELESS illustrates the personal risks that subjects like Rosa and Juan Teofilo assume while bringing such stories to light"

POV Magazine

“A chilling and important look at how hate speech can lead to outright violence and a populace that’s fearful of speaking up against outright injustice."

The Gate

"A fascinating, often infuriating work of non-fiction, Stateless is a richly textured piece of filmic revolution."

CriterionCast

“Stateless shows how easily systemic racism and political power can erode a society like a virus... It is a cautionary reminder of how easily one can become a stranger in your own home."

That Shelf

“Stateless is yet another example of the xenophobia and racism that plagues the world.”

Skon Movies

"Stephenson’s nonjudgmental approach, cross-cutting between the two women, exposes the hypocrisy of nationalism, and the toll on those who fight it."

Seventh Row

“Stateless points out universal themes of access to citizenship, migration and systemic racism.”

Toronto Caribbean

"A taut, scarifying portrait of a Haitian population under siege."

The Independent

"Stephenson’s film is confronting and even radical as it points to corruption and systemic abuse."

The Film Experience

"The use of both visual and thematic chiaroscuro beside the folk tale and the use of dramatic editing create a strong narrative that keeps the viewer watching until the very end...highly recommended."

Video Librarian

SCREENING HIGHLIGHTS AND AWARDS

  • Best Feature Documentary, BlackStar Film Festival
  • Special Jury Prize – Canadian Feature, Hot Docs Documentary Film Festival
  • Best Feature Film Audience Award, Boston Latino International Festival
  • Tribeca Film Festival
  • Trinidad and Tobago Film Festival
  • Montreal International Documentary Festival (RIDM)
  • DOC NYC Film Festival
  • DOXA Documentary Film Festival, Vancouver
  • Haiti International Film Festival
  • Toronto Black Film Festival
  • Calgary International Film Festival
  • FIN Atlantic Film Festival
  • Ottowa Black Film Festival
  • Third Horizon Film Festival

ABOUT FILMMAKER(S)

Michèle Stephenson

As co-founding member of the Rada Film Group, filmmaker, artist, and author Michèle Stephenson draws from her Panamanian and Haitian roots and international experience as a human-rights attorney to tell provocative stories in a variety of media that speak to personal and systemic liberation. Her work has appeared on numerous broadcast and web platforms, including PBS, Showtime, and MTV. Her most recent film, American Promise, was nominated for three Emmys, including Best Documentary and Outstanding Coverage of a Current News Story. The film also won the Jury Prize at Sundance, and was selected for the New York Film Festival’s Main Slate Program. Stephenson was recently awarded the Creative Capital Fellowship and the Anonymous Was a Woman Award, as well as the inaugural Chicken & Egg Pictures Breakthrough Filmmaker Award. She is also a 2016 Guggenheim Fellow. Her current feature-documentary work in progress is supported by the National Film Board of Canada and the Sundance Documentary Fund. Her community-engagement accomplishments include the PUMA BritDoc Impact Award for a Film with the Greatest Impact on Society and a Revere Award nomination from the Association of American Publishers. She is a fellow of the Skoll Stories of Change initiative and a member of the Academy of Motion Picture Arts and Science. Her recent book, Promises Kept, written with co-authors Joe Brewster and Hilary Beard, won an NAACP Image Award for Outstanding Literary Work. (1/21)

The NATIONAL FILM BOARD OF CANADA, HUNGRY EYES MEDIA, and RADA FILM GROUP present STATELESS, a film by MICHÈLE STEPHENSON

HISPANIOLA PRODUCTIONS in co-production with The NATIONAL FILM BOARD OF CANADA

Written and Directed by Michèle Stephenson Produced by Jennifer Holness, Lea Marin, Michèle Stephenson Executive Produced by Anita Lee, Joe Brewster, Sudz Sutherland Executive Producer for Black Public Media: Leslie Fields-Cruz Executive Producer for Latino Public Broadcasting: Sandie Viquez Pedlow Featuring Rosa Iris Diendomi-Álvarez, Teofilo Murat, Gladys Feliz Directors of Photography: Alfredo Alcántara, Tito Rodriguez, Naiti Gámez, Nadia Hallgren, Jaime Guerra, Pedro Arnau Bros Santana Edited by Sophie Farkas-Bolla Music Composed by Ben Fox

For a full list of credits, click here.

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