Array
(
[id] => 647
[title] => Belly of the Beast
[link] => stdClass Object
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[url] => https://www.wmm.com/catalog/film/belly-of-the-beast
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/belly-of-the-beast/320x-gi_belly.png
[created_at] => Array
(
)
[year_released] => 2020
[text] => Filmed over seven years with extraordinary access and intimate accounts from currently and formerly incarcerated people, this Emmy-winning documentary exposes a pattern of illegal sterilizations, modern-day eugenics and reproductive injustice in California prisons.
[image] => https://www.wmm.com/storage/films/belly-of-the-beast/gi_belly.jpg
)
Belly of the Beast
Filmed over seven years with extraordinary access and intimate accounts from currently and formerly incarcerated people, this Emmy-winning documentary exposes a pattern of illegal sterilizations, modern-day eugenics and reproductive injustice in California prisons.
Learn more
Array
(
[id] => 679
[title] => A Woman on the Outside
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/a-woman-on-the-outside
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/a-woman-on-the-outside/320x-cbe_A_WOMAN_ON_THE_OUTSIDE_image4.png
[created_at] => Array
(
)
[year_released] => 2022
[text] => A deeply American story about the legacy of mass incarceration. Kristal Bush, who has watched nearly every man in her life disappear into prison, channels her struggle into reuniting other Philadelphia families divided by the correctional system.
[image] => https://www.wmm.com/storage/films/a-woman-on-the-outside/cbe_A_WOMAN_ON_THE_OUTSIDE_image4.jpg
)
A Woman on the Outside
A deeply American story about the legacy of mass incarceration. Kristal Bush, who has watched nearly every man in her life disappear into prison, channels her struggle into reuniting other Philadelphia families divided by the correctional system.
Learn more
Array
(
[id] => 275
[title] => Blind Spot: Murder by Women
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/blind-spot-murder-by-women
[title] => more
)
[created_at] => Array
(
)
[year_released] => 2000
[text] => Because murder by women is still relatively rare--only one out of eight murders in the United States is committed by a woman--women's own stories provide unique insights into the circumstances leading to these violent acts. In this absorbing documentary, intimate one-on-one interviews with six women murderers are combined with re-enactments of their background experience and visual re-creations of their interior lives. Sharing and reflecting on their memories, fantasies, dreams, and anger, the six women candidly describe their actions as perpetrators in detail and address the issue of having taken a life. Interspersed between their separate stories are their individual reflections on coping strategies, and life and relationships in prison. From the Academy and Emmy-award winning filmmakers responsible for DIALOGUES WITH MADWOMEN, BLIND SPOT is a provocative and riveting encounter with throw-away children, out-of-control adults, and the emotional, psychological and spiritual consequences of murder.
[image] => https://www.wmm.com/storage/films/blind-spot-murder-by-women/cbe_blind-spot_catalogbox2.jpg
)
Blind Spot: Murder by Women
Because murder by women is still relatively rare--only one out of eight murders in the United States is committed by a woman--women's own stories provide unique insights into the circumstances leading to these violent acts. In this absorbing documentary, intimate one-on-one interviews with six women murderers are combined with re-enactments of their background experience and visual re-creations of their interior lives. Sharing and reflecting on their memories, fantasies, dreams, and anger, the six women candidly describe their actions as perpetrators in detail and address the issue of having taken a life. Interspersed between their separate stories are their individual reflections on coping strategies, and life and relationships in prison. From the Academy and Emmy-award winning filmmakers responsible for DIALOGUES WITH MADWOMEN, BLIND SPOT is a provocative and riveting encounter with throw-away children, out-of-control adults, and the emotional, psychological and spiritual consequences of murder.
Learn more
Array
(
[id] => 276
[title] => 900 Women
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/900-women
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/900-women/320x-cbe_900women.png
[created_at] => Array
(
)
[year_released] => 2000
[text] => “The Louisiana Correctional Institute is located in the swamps of southern Louisiana in the small town of St. Gabriel. Built in 1970 to house an increasing population of female convicts, today it houses the state's most dangerous female prisoners and often exceeds its population capacity of 900. 75% of these are mothers and one fourth of them are serving sentences of fifteen years or more. The prison compound has a surreal quality; there are no searchlight-capped towers or barbed wire fences. Filmmaker Khadivi delivers a striking, sensitive portrait of life in this deceptively peaceful atmosphere, which is filled with stories of life on the streets, abuse, freedom, childbirth and motherhood. Six women - a grandmother, a young high school student, a pregnant woman, a recovering heroin addict, a prison guard, and the only woman on death row - were brave enough to share their frustrations and hopes. Produced by Academy Award-nominated filmmaker Jonathan Stack ("The Farm").” - Human Rights Watch Film Festival Catalogue
[image] => https://www.wmm.com/storage/films/900-women/cbe_900women.jpg
)
900 Women
“The Louisiana Correctional Institute is located in the swamps of southern Louisiana in the small town of St. Gabriel. Built in 1970 to house an increasing population of female convicts, today it houses the state's most dangerous female prisoners and often exceeds its population capacity of 900. 75% of these are mothers and one fourth of them are serving sentences of fifteen years or more. The prison compound has a surreal quality; there are no searchlight-capped towers or barbed wire fences. Filmmaker Khadivi delivers a striking, sensitive portrait of life in this deceptively peaceful atmosphere, which is filled with stories of life on the streets, abuse, freedom, childbirth and motherhood. Six women - a grandmother, a young high school student, a pregnant woman, a recovering heroin addict, a prison guard, and the only woman on death row - were brave enough to share their frustrations and hopes. Produced by Academy Award-nominated filmmaker Jonathan Stack ("The Farm").” - Human Rights Watch Film Festival Catalogue
Learn more
Array
(
[id] => 377
[title] => I Was a Teenage Feminist
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/i-was-a-teenage-feminist
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/i-was-a-teenage-feminist/320x-TeenFem_hires.png
[created_at] => Array
(
)
[year_released] => 2005
[text] => Why is it that some young, independent, progressive women in today's society feel uncomfortable identifying with the F-word? Join filmmaker Therese Shechter as she takes a funny, moving and very personal journey into the heart of feminism. Armed with a video camera and an irreverent sense of humor, Shechter talks with feminist superstars, rowdy frat boys, liberated Cosmo girls and Radical Cheerleaders, all in her quest to find out whether feminism can still be a source of personal and political power.
In this enlightening documentary, screened worldwide, Shechter hunts down the answers to questions many women are grappling with about their roles and identities in today’s society: Is feminism dead, hibernating, or trapped below the radar? Have the goals of the ‘70s been accomplished or have feminism’s opponents appropriated and denigrated the movement beyond all recognition? If so, how did this happen? Do you have to be political to be a feminist? And do you even have to be female? With home movies clips of Shechter as a budding feminist, archival materials from old health classes, and music by Ani DiFranco, Lavababy, Gina Young, Moxie Starpark and the legendary Helen Reddy, I WAS A TEENAGE FEMINIST redefines the F-Word for a new generation.
[image] => https://www.wmm.com/storage/films/i-was-a-teenage-feminist/TeenFem_hires.jpg
)
I Was a Teenage Feminist
Why is it that some young, independent, progressive women in today's society feel uncomfortable identifying with the F-word? Join filmmaker Therese Shechter as she takes a funny, moving and very personal journey into the heart of feminism. Armed with a video camera and an irreverent sense of humor, Shechter talks with feminist superstars, rowdy frat boys, liberated Cosmo girls and Radical Cheerleaders, all in her quest to find out whether feminism can still be a source of personal and political power.
In this enlightening documentary, screened worldwide, Shechter hunts down the answers to questions many women are grappling with about their roles and identities in today’s society: Is feminism dead, hibernating, or trapped below the radar? Have the goals of the ‘70s been accomplished or have feminism’s opponents appropriated and denigrated the movement beyond all recognition? If so, how did this happen? Do you have to be political to be a feminist? And do you even have to be female? With home movies clips of Shechter as a budding feminist, archival materials from old health classes, and music by Ani DiFranco, Lavababy, Gina Young, Moxie Starpark and the legendary Helen Reddy, I WAS A TEENAGE FEMINIST redefines the F-Word for a new generation.
Learn more
Array
(
[id] => 420
[title] => Sin by Silence
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/sin-by-silence
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/sin-by-silence/320x-SinBySig_HiRes.png
[created_at] => Array
(
)
[year_released] => 2009
[text] => From behind prison walls, a group of extraordinary women are shattering misconceptions of domestic violence. An important film that profiles Convicted Women Against Abuse (CWAA), the US prison system’s first inmate initiated group and led by women, SIN BY SILENCE is an essential resource featuring more than two hours of bonus materials, including interviews with experts on abusive relationships, law enforcement leaders and leaders in faith-based communities about domestic violence, and more.
Created by Brenda Clubine in 1989, CWAA has changed laws for battered women, raised awareness for those on the outside, and educated a system that does not fully comprehend the complexities of domestic abuse. Like many CWAA members, Brenda’s years of inflicted abuse were never fully revealed. But because of CWAA’s work and advocacy, new laws were enacted that now allow incarcerated survivors to challenge their original conviction. With unprecedented access inside the California Institution for Women, this emotionally packed documentary tells the stories of courageous women who have learned from their past, are changing their future, and teaching us how domestic violence affects each and every person.
[image] => https://www.wmm.com/storage/films/sin-by-silence/SinBySig_HiRes.jpg
)
Sin by Silence
From behind prison walls, a group of extraordinary women are shattering misconceptions of domestic violence. An important film that profiles Convicted Women Against Abuse (CWAA), the US prison system’s first inmate initiated group and led by women, SIN BY SILENCE is an essential resource featuring more than two hours of bonus materials, including interviews with experts on abusive relationships, law enforcement leaders and leaders in faith-based communities about domestic violence, and more.
Created by Brenda Clubine in 1989, CWAA has changed laws for battered women, raised awareness for those on the outside, and educated a system that does not fully comprehend the complexities of domestic abuse. Like many CWAA members, Brenda’s years of inflicted abuse were never fully revealed. But because of CWAA’s work and advocacy, new laws were enacted that now allow incarcerated survivors to challenge their original conviction. With unprecedented access inside the California Institution for Women, this emotionally packed documentary tells the stories of courageous women who have learned from their past, are changing their future, and teaching us how domestic violence affects each and every person.
Learn more
Array
(
[id] => 425
[title] => Miss GULAG
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/miss-gulag
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/miss-gulag/320x-Miss_Gulag_4_HIREZ.png
[created_at] => Array
(
)
[year_released] => 2007
[text] => MISS GULAG is a rare look at the lives of the first generation of women to come of age in post-Soviet Russia, where women’s unemployment and incarceration rates are very high. Shot inside a Siberian prison camp and the surrounding countryside, this absorbing documentary traces the individual paths of three young women now at different points in their lives: Tatiana, whose parole hearing and early release are captured on film; Natasha, living in freedom with her family in a remote village; and Yulia, not yet twenty and facing still more prison time. Like their individual circumstances, the shared experience of long jail sentences has made them vigilant about their own destinies. Incarceration and an environment of constant surveillance are harsh, but no less so than life outside. Yet all three women, their families, and loved ones are sustained by hope.
Discovering an Internet item about an annual beauty pageant staged by women inmates of UF91-9, director Maria Yatskova (born in Moscow and living in the US since the age of five) was inspired to make MISS GULAG. The film’s compelling, moving stories of survival shed light on democracy’s darker side and offer a look at the issues facing women in post Soviet Russia.
[image] => https://www.wmm.com/storage/films/miss-gulag/Miss_Gulag_4_HIREZ.jpg
)
Miss GULAG
MISS GULAG is a rare look at the lives of the first generation of women to come of age in post-Soviet Russia, where women’s unemployment and incarceration rates are very high. Shot inside a Siberian prison camp and the surrounding countryside, this absorbing documentary traces the individual paths of three young women now at different points in their lives: Tatiana, whose parole hearing and early release are captured on film; Natasha, living in freedom with her family in a remote village; and Yulia, not yet twenty and facing still more prison time. Like their individual circumstances, the shared experience of long jail sentences has made them vigilant about their own destinies. Incarceration and an environment of constant surveillance are harsh, but no less so than life outside. Yet all three women, their families, and loved ones are sustained by hope.
Discovering an Internet item about an annual beauty pageant staged by women inmates of UF91-9, director Maria Yatskova (born in Moscow and living in the US since the age of five) was inspired to make MISS GULAG. The film’s compelling, moving stories of survival shed light on democracy’s darker side and offer a look at the issues facing women in post Soviet Russia.
Learn more
Array
(
[id] => 438
[title] => THE HERETICS
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/the-heretics
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/the-heretics/320x-gi_HERESIES GROUP SHOT.png
[created_at] => Array
(
)
[year_released] => 2009
[text] => Tracing the influence of the Women’s Movement’s Second Wave on art and life, THE HERETICS is the exhilarating inside story of the New York feminist art collective that produced “Heresies: A Feminist Publication on Art and Politics” (1977-92). In this feature-length documentary, cutting-edge video artist/writer/director Joan Braderman, who joined the group in 1975 as an aspiring filmmaker, charts the collective’s challenges to terms of gender and power and its history as a microcosm of the period’s broader transformations.
On the road with her camera crew from New Mexico to Italy, Braderman reconnects with 28 other group members, including writer/critic Lucy Lippard, architect Susanna Torre, filmmaker Su Friedrich, and artists Ida Applebroog, Mary Miss, Miriam Schapiro, and Cecilia Vicuña. Still funny, smart and sexy, the geographically dispersed participants revisit how and why they came together and the extraordinary times they shared—supporting and exploring women’s art and demanding the right to be heard.
Enlivened by striking digital motion graphics, THE HERETICS intercuts interviews with archival film clips, video and stills from the period, texts and images from “Heresies” magazines, and footage of completed artworks and works-in-progress. An exuberant, multi-layered collage, the film brings the Heresies collective—and its strategies for unlocking the potential in women’s lives—vividly to the screen.
[image] => https://www.wmm.com/storage/films/the-heretics/gi_HERESIES GROUP SHOT.webp
)
THE HERETICS
Tracing the influence of the Women’s Movement’s Second Wave on art and life, THE HERETICS is the exhilarating inside story of the New York feminist art collective that produced “Heresies: A Feminist Publication on Art and Politics” (1977-92). In this feature-length documentary, cutting-edge video artist/writer/director Joan Braderman, who joined the group in 1975 as an aspiring filmmaker, charts the collective’s challenges to terms of gender and power and its history as a microcosm of the period’s broader transformations.
On the road with her camera crew from New Mexico to Italy, Braderman reconnects with 28 other group members, including writer/critic Lucy Lippard, architect Susanna Torre, filmmaker Su Friedrich, and artists Ida Applebroog, Mary Miss, Miriam Schapiro, and Cecilia Vicuña. Still funny, smart and sexy, the geographically dispersed participants revisit how and why they came together and the extraordinary times they shared—supporting and exploring women’s art and demanding the right to be heard.
Enlivened by striking digital motion graphics, THE HERETICS intercuts interviews with archival film clips, video and stills from the period, texts and images from “Heresies” magazines, and footage of completed artworks and works-in-progress. An exuberant, multi-layered collage, the film brings the Heresies collective—and its strategies for unlocking the potential in women’s lives—vividly to the screen.
Learn more
Array
(
[id] => 498
[title] => Mothers of Bedford
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/mothers-of-bedford
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/mothers-of-bedford/320x-mob_hires.png
[created_at] => Array
(
)
[year_released] => 2011
[text] => Women are the fastest-growing U.S. prison population today. Eighty percent are mothers of school-age children. Jenifer McShane's absorbing documentary gives human dimensions to these rarely reported statistics, taking us inside Bedford Hills Correctional Facility, a maximum security prison north of New York City. Shot over four years, MOTHERS OF BEDFORD follows five women - of diverse backgrounds and incarcerated for different reasons- in dual struggles to be engaged in their children's lives and become their better selves. It shows how long-term sentences affect mother-child relationships and how Bedford's innovative Children's Center helps women maintain and improve bonds with children and adult relatives awaiting their return. Whether it be parenting's normal frustrations to celebrating a special day, from both inside and out of the prison walls, this moving film provides unprecedented access to a little known, rarely shown, community of women.
[image] => https://www.wmm.com/storage/films/mothers-of-bedford/mob_hires.jpg
)
Mothers of Bedford
Women are the fastest-growing U.S. prison population today. Eighty percent are mothers of school-age children. Jenifer McShane's absorbing documentary gives human dimensions to these rarely reported statistics, taking us inside Bedford Hills Correctional Facility, a maximum security prison north of New York City. Shot over four years, MOTHERS OF BEDFORD follows five women - of diverse backgrounds and incarcerated for different reasons- in dual struggles to be engaged in their children's lives and become their better selves. It shows how long-term sentences affect mother-child relationships and how Bedford's innovative Children's Center helps women maintain and improve bonds with children and adult relatives awaiting their return. Whether it be parenting's normal frustrations to celebrating a special day, from both inside and out of the prison walls, this moving film provides unprecedented access to a little known, rarely shown, community of women.
Learn more
