OUR CATALOG

Array
(
    [id] => 30
    [title] => Something Like a War
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/something-like-a-war
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/something-like-a-war/320x-cbe_likeawar.png
    [created_at] => Array
        (
        )

    [year_released] => 1991
    [text] => SOMETHING LIKE A WAR is a chilling examination of India’s family planning program from the point of view of the women who are its primary targets.  It traces the history of the family planning program and exposes the cynicism, corruption and brutality which characterizes its implementation.  As the women themselves discuss their status, sexuality, fertility control and health, it is clear that their perceptions are in conflict with those of the program.  SOMETHING LIKE A WAR is an excellent resource for the study of international development and aid, population control, reproductive rights, health and women.
    [image] => https://www.wmm.com/storage/films/something-like-a-war/cbe_likeawar.jpg
)

Array
(
    [id] => 79
    [title] => I Need Your Full Cooperation/Underexposed
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/i-need-your-full-cooperationunderexposed
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/i-need-your-full-cooperationunderexposed/320x-cbi_i-need-your-full-cooperation-3.png
    [created_at] => Array
        (
        )

    [year_released] => 1989
    [text] => In these two compelling films, Kathy High explores the relationship between women’s bodies and the medical institution. Now a classic, I NEED YOUR FULL COOPERATION (1989, 28 mins) is a critical commentary on the patriarchal medical world and the past experimental techniques used to control female sexuality and reproductive capacities. Combining drama and documentary, UNDEREXPOSED: THE TEMPLE OF THE FETUS, (1992, 72 mins) is a savvy and creative documentary probe into the high-tech baby-making market and emerging reproductive technologies.
    [image] => https://www.wmm.com/storage/films/i-need-your-full-cooperationunderexposed/cbi_i-need-your-full-cooperation-3.jpg
)

Array
(
    [id] => 80
    [title] => Underexposed
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/underexposed
            [title] => more
        )

    [created_at] => Array
        (
        )

    [year_released] => 1992
    [text] => Combining drama and documentary, UNDEREXPOSED: THE TEMPLE OF THE FETUS is a savvy and creative probe into high-tech baby-making.  The fictional framework of a TV journalist who unearths the ethical complications associated with new reproductive technologies allows thefilm to present complex documentary information about this issue in a clear and insightful way. From the director of I NEED YOUR FULL COOPERATION.
    [image] => https://www.wmm.com/storage/films/underexposed/cbi_temple.jpg
)

Array
(
    [id] => 94
    [title] => Women's Lives and Choices
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/womens-lives-and-choices
            [title] => more
        )

    [created_at] => Array
        (
        )

    [year_released] => 1995
    [text] => This important and timely series deals with women's health and the social, cultural and economic factors underlying reproductive choices.  VENTRE LIVRE (Ana Luiza Azevedo) paints a grim picture of life for women in Brazil where sterilization and abortion are often the only forms of birth control available. RISHTE (Manjira Datta) explores the practice of male sex preference in India and its ramifications for women. THE DESIRED NUMBER (by the award-winning director of THE BODY BEAUTIFUL Ngozi Onwurah) uses the Ibu Eze ceremony in Nigeria to highlight how family planning issues often conflict with traditional family values.  The series was produced by Daniel Riesenfeld for the John D. and Catherine T. MacArthur Foundation.
    [image] => https://www.wmm.com/storage/films/womens-lives-and-choices/cbi_ventrelivre1.jpg
)

Array
(
    [id] => 99
    [title] => Bringing It All Back Home
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/bringing-it-all-back-home
            [title] => more
        )

    [created_at] => Array
        (
        )

    [year_released] => 1987
    [text] => This fascinating documentary analyzes how the patterns of international capital investment and the exploitation of Third World women workers in free trade zones are being brought home to the First World. Issues discussed include: the internationalization of local economies, the growing schism between the rich and poor and the changing nature of women's work.
    [image] => https://www.wmm.com/storage/films/bringing-it-all-back-home/cbi_bringing-it-all-back-home2-1.jpg
)

Array
(
    [id] => 366
    [title] => Nalini by Day, Nancy by Night
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/nalini-by-day-nancy-by-night
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/nalini-by-day-nancy-by-night/320x-NALINI_hires.png
    [created_at] => Array
        (
        )

    [year_released] => 2005
    [text] => In this insightful documentary, filmmaker Sonali Gulati explores complex issues of globalization, capitalism and identity through a witty and personal account of her journey into India’s call centers. Gulati, herself an Indian immigrant living in the US, explores the fascinating ramifications of outsourcing telephone service jobs to India—including how native telemarketers take on Western names and accents to take calls from the US, UK and Australia. 

A fresh juxtaposition of animation, archival footage, live action shots and narrative work highlight the filmmaker’s presence and reveal the performative aspects of her subjects. With fascinating observations on how call centers affect the Indian culture and economy, NALINI BY DAY, NANCY BY NIGHT raises important questions about the complicated consequences of globalization.
    [image] => https://www.wmm.com/storage/films/nalini-by-day-nancy-by-night/NALINI_hires.jpg
)

Array
(
    [id] => 431
    [title] => Middle of Everywhere
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/middle-of-everywhere
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/middle-of-everywhere/320x-MOE_HiRes1.png
    [created_at] => Array
        (
        )

    [year_released] => 2008
    [text] => South Dakota is America’s heartland—waving cornfields, hard-working farmers, family values and a population of 750,000, the majority of whom identify as conservative and anti-abortion. Native daughter Rebecca Lee returns home in 2006 on the brink of a historic state vote: House Bill 1215 could make South Dakota the first state to outlaw most abortions since Roe vs. Wade passed almost 30 years earlier. In The Middle of Everywhere, Lee discovers the debate to be complex, with both sides claiming compassion for women and the same desire to stop the need for abortion. 

When 1215 fails to pass, Lee sets out to uncover what would make a self-proclaimed pro-life state vote against the very measure that would end most legal abortions. South Dakotans appear conflicted in their beliefs: passing the Pharmacist Refusal Law, allowing pharmacists and doctors the right not to dispense birth control if doing so goes against their religious views, yet voting along pro-choice lines to keep abortion safe and legal. Was the vote a simple misunderstanding of what it means to be pro-choice? Was it a deeply-held resentment against government intrusion into people’s private lives? Whatever the final reason, The Middle of Everywhere reveals that the issue goes beyond the simple choices of being for or against abortion to the much deeper question of what values we hold dear as Americans and as humans beings.
    [image] => https://www.wmm.com/storage/films/middle-of-everywhere/MOE_HiRes1.jpg
)

Array
(
    [id] => 441
    [title] => Pink Saris
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/pink-saris
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/pink-saris/320x-psari_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2010
    [text] => “A girl’s life is cruel...A woman’s life is very cruel,” notes Sampat Pal, the complex protagonist at the center of PINK SARIS, internationally acclaimed director Kim Longinotto’s latest foray into the lives of extraordinary women (SISTERS IN LAW, DIVORCE IRANIAN STYLE, ROUGH AUNTIES). Sampat should know – like many others she was married as a young girl into a family which made her work hard and beat her often. But unusually, she fought back, leaving her in-laws and eventually becoming famous as a champion for beleaguered women throughout Uttar Pradesh, many of whom find their way to her doorstep. Like Rekha, a fourteen year old Untouchable, who is three months pregnant and homeless – unable to marry her unborn child’s father because of her low caste. Fifteen year old Renu's husband from an arranged marriage has abandoned her, her father-in-law has been raping her and she's threatening to throw herself under a train. Both young women, frightened and desperate, reach out for their only hope: Sampat Pal and her Gulabi Gang, Northern India’s women vigilantes in pink. 

PINK SARIS is an unflinching and often amusing look at these unlikely political activists and their charismatic leader; in extraordinary scenes, we watch Sampat launch herself into the centre of family dramas,  witnessed by scores of spectators, convinced her mediation is the best path for these vulnerable girls. Her partner Babuji, who has watched Sampat change over the years, is less certain...
    [image] => https://www.wmm.com/storage/films/pink-saris/psari_hires1.jpg
)

Array
(
    [id] => 488
    [title] => Salma
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/salma
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/salma/320x-salma_hires4.png
    [created_at] => Array
        (
        )

    [year_released] => 2013
    [text] => When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma’s salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village. 

As with her other work (PINK SARIS, ROUGH AUNTIES, SISTERS IN LAW), master documentarian Kim Longinotto trains her camera on an iconoclastic woman. Salma’s extraordinary story is one of courage and resilience. Salma has hopes for a different life for the next generation of girls, but as she witnesses, familial ties run deep, and change happens very slowly. SALMA helps us understand why the goal of global education of girls is one the most critical areas of empowerment and development of women worldwide.
    [image] => https://www.wmm.com/storage/films/salma/salma_hires4.jpg
)

Array
(
    [id] => 567
    [title] => Beautiful Sin
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/beautiful-sin
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/beautiful-sin/320x-cbe_beasin_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2014
    [text] => BEAUTIFUL SIN tells a surprising reproductive rights story, one that resonates from Central America to the United States and beyond. 

What if you desperately wanted a baby, but your country and religion prohibited you from trying the one medical treatment that could help you? In 2000, anti-abortion activists, with the help of the Catholic Church and a U.S. group, won a legal case that banned in vitro fertilization (IVF) in Costa Rica and gave the embryo legal rights, making Costa Rica the only country in the world to outlaw the treatment. BEAUTIFUL SIN tells the decade-long story of three couples struggling with infertility who take the Costa Rican government before an international human rights court to demand the right to use IVF. 

Filmmaker Gabriela Quirós charts the emotional journey of these couples as they contend with infertility and explores the legal ramifications of reproductive rights.  It’s a universal story about what happens when state power and religious ideology clash with the desire to have a child.

Funding for this program was provided by the Corporation for Public Broadcasting.
    [image] => https://www.wmm.com/storage/films/beautiful-sin/cbe_beasin_hires1.jpg
)

Array
(
    [id] => 606
    [title] => Lovesick
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/lovesick
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/lovesick/320x-cbe_LOVSIC_hires5.png
    [created_at] => Array
        (
        )

    [year_released] => 2018
    [text] => A hopeful look at one doctor’s struggle to help HIV+ patients in India find love and meet societal expectations by playing marriage matchmaker.
    [image] => https://www.wmm.com/storage/films/lovesick/cbe_LOVSIC_hires5.jpg
)