Array
(
[id] => 42
[title] => Las Madres: The Mothers of Plaza De Mayo
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/las-madres-the-mothers-of-plaza-de-mayo
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/las-madres-the-mothers-of-plaza-de-mayo/320x-cbe_lasmad_hires1.png
[created_at] => Array
(
)
[year_released] => 1985
[text] => This Academy award-nominated documentary about the Argentinian mothers’ movement to demand to know the fate of 30,000 “disappeared” sons and daughters remains as extraordinarily powerful as when it was first released. As well as giving an understanding of Argentinian history in the ‘70s and ‘80s, LAS MADRES shows the empowerment of women in a society where women are expected to be silent. LAS MADRES provides a banner of hope in the international struggle for human rights.
[image] => https://www.wmm.com/storage/films/las-madres-the-mothers-of-plaza-de-mayo/cbe_lasmad_hires1.jpg
)
Las Madres: The Mothers of Plaza De Mayo
This Academy award-nominated documentary about the Argentinian mothers’ movement to demand to know the fate of 30,000 “disappeared” sons and daughters remains as extraordinarily powerful as when it was first released. As well as giving an understanding of Argentinian history in the ‘70s and ‘80s, LAS MADRES shows the empowerment of women in a society where women are expected to be silent. LAS MADRES provides a banner of hope in the international struggle for human rights.
Learn more
Array
(
[id] => 307
[title] => Señorita Extraviada, Missing Young Woman
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/senorita-extraviada-missing-young-woman
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/senorita-extraviada-missing-young-woman/320x-cbe_senex_hires.png
[created_at] => Array
(
)
[year_released] => 2001
[text] => SENORITA EXTRAVIADA, MISSING YOUNG WOMAN tells the haunting story of the more than 350 kidnapped, raped and murdered young women of Juárez, Mexico.
[image] => https://www.wmm.com/storage/films/senorita-extraviada-missing-young-woman/cbe_senex_hires.jpg
)
Señorita Extraviada, Missing Young Woman
SENORITA EXTRAVIADA, MISSING YOUNG WOMAN tells the haunting story of the more than 350 kidnapped, raped and murdered young women of Juárez, Mexico.
Learn more
Array
(
[id] => 326
[title] => War Takes
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/war-takes
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/war-takes/320x-cbe_wartak_hires.png
[created_at] => Array
(
)
[year_released] => 2002
[text] => With conflicts raging on nearly every continent, war now regularly transcends the battlefield into everyday life - whether its increased security at airports or infringements on personal privacy. In WAR TAKES, Colombian filmmakers Adelaida Trujillo and Patricia Castaño turn the cameras on themselves to portray the tough realities of civil life in the violent, war-ravaged country of Colombia. Partners in an independent media company, they struggle to balance their family, business and political lives: reporting from dangerous parts of the country; managing their company as the economic situation worsens; parenting young children amid threats of violence and kidnapping; and rethinking their political views as war moves closer to the city. The filmmakers skillfully incorporate coverage from local television, archival footage, and narration to provide insightful analysis and historical background - including U.S. involvements in the region. Powerfully intimate and often humorous, their chronicle reveals how life goes on in Colombia - however surreal - against the terrifying backdrop of war.
[image] => https://www.wmm.com/storage/films/war-takes/cbe_wartak_hires.jpg
)
War Takes
With conflicts raging on nearly every continent, war now regularly transcends the battlefield into everyday life - whether its increased security at airports or infringements on personal privacy. In WAR TAKES, Colombian filmmakers Adelaida Trujillo and Patricia Castaño turn the cameras on themselves to portray the tough realities of civil life in the violent, war-ravaged country of Colombia. Partners in an independent media company, they struggle to balance their family, business and political lives: reporting from dangerous parts of the country; managing their company as the economic situation worsens; parenting young children amid threats of violence and kidnapping; and rethinking their political views as war moves closer to the city. The filmmakers skillfully incorporate coverage from local television, archival footage, and narration to provide insightful analysis and historical background - including U.S. involvements in the region. Powerfully intimate and often humorous, their chronicle reveals how life goes on in Colombia - however surreal - against the terrifying backdrop of war.
Learn more
Array
(
[id] => 335
[title] => The Blonds
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/the-blonds
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/the-blonds/320x-cbe_blothe_hires.png
[created_at] => Array
(
)
[year_released] => 2003
[text] => Albertina Carri’s second feature is a look at Argentina’s recent history from the perspective of a generation forced to mourn those of whom they have no recollection. Carri, who lost her parents to Argentina’s brutal military junta when she was three years old, travels through Buenos Aires with her crew to unravel the factual and emotional mysteries of her parents’ life, disappearance and death. Traces of Carri’s family emerge, colored by sharply conflicting perspectives. Who were the Carris? How did they disappear? Were they blonde, brunette, parents, heroes or merely a fiction of those who remember them?
Crossing the line between documentary and fiction filmmaking, Carri enlists an actor, her parents’ former comrades, fading photographs and happy Playmobil dolls to investigate her parents’ untimely end. In the end, merging fact, rumor and imagination, Carri succeeds in reconstructing both her parents' history and her own construction of them. Emotionally fraught and intellectually provocative, THE BLONDS has resonance far beyond the tragic history of Argentina’s dirty war.
[image] => https://www.wmm.com/storage/films/the-blonds/cbe_blothe_hires.jpg
)
The Blonds
Albertina Carri’s second feature is a look at Argentina’s recent history from the perspective of a generation forced to mourn those of whom they have no recollection. Carri, who lost her parents to Argentina’s brutal military junta when she was three years old, travels through Buenos Aires with her crew to unravel the factual and emotional mysteries of her parents’ life, disappearance and death. Traces of Carri’s family emerge, colored by sharply conflicting perspectives. Who were the Carris? How did they disappear? Were they blonde, brunette, parents, heroes or merely a fiction of those who remember them?
Crossing the line between documentary and fiction filmmaking, Carri enlists an actor, her parents’ former comrades, fading photographs and happy Playmobil dolls to investigate her parents’ untimely end. In the end, merging fact, rumor and imagination, Carri succeeds in reconstructing both her parents' history and her own construction of them. Emotionally fraught and intellectually provocative, THE BLONDS has resonance far beyond the tragic history of Argentina’s dirty war.
Learn more
Array
(
[id] => 336
[title] => La Cueca Sola
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/la-cueca-sola
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/la-cueca-sola/320x-lacuso_hires.png
[created_at] => Array
(
)
[year_released] => 2003
[text] => On September 11, 1973, a military coup in Chile brought Augusto Pinochet to power, and over the next 17 years, thousands of women and men were taken from their homes- never to return. Since that time, Chilean women have danced the country’s traditional courtship dance alone, and LA CUECA SOLA has become a symbol of women’s struggle against the dictatorship.
After 30 years in exile, critically acclaimed filmmaker Marilu Mallet returns to Santiago to meet with five Chilean women from three generations who suffered under the dictatorship and have emerged as heroes under democracy. Isabel Allende, Monique Hermosilla, Estela Ortiz, Carolina Toha and Moyenei Valdes all lost a father, a husband, or a friend, but have surmounted their grief to bravely speak out, each in their own way- from political action to vocal performance. Intimate interviews reveal the women’s shocking experiences under the dictatorship, while inspiring footage of their current work highlights their passion to rebuild. Illustrating throughout with a wealth of archival images, Mallet paints a vivid portrait of the country’s painful past and offers insight on Chile’s situation today. Important historically, socially and politically, this moving film expresses both the courage of women and the vitality of a nation.
[image] => https://www.wmm.com/storage/films/la-cueca-sola/lacuso_hires.jpg
)
La Cueca Sola
On September 11, 1973, a military coup in Chile brought Augusto Pinochet to power, and over the next 17 years, thousands of women and men were taken from their homes- never to return. Since that time, Chilean women have danced the country’s traditional courtship dance alone, and LA CUECA SOLA has become a symbol of women’s struggle against the dictatorship.
After 30 years in exile, critically acclaimed filmmaker Marilu Mallet returns to Santiago to meet with five Chilean women from three generations who suffered under the dictatorship and have emerged as heroes under democracy. Isabel Allende, Monique Hermosilla, Estela Ortiz, Carolina Toha and Moyenei Valdes all lost a father, a husband, or a friend, but have surmounted their grief to bravely speak out, each in their own way- from political action to vocal performance. Intimate interviews reveal the women’s shocking experiences under the dictatorship, while inspiring footage of their current work highlights their passion to rebuild. Illustrating throughout with a wealth of archival images, Mallet paints a vivid portrait of the country’s painful past and offers insight on Chile’s situation today. Important historically, socially and politically, this moving film expresses both the courage of women and the vitality of a nation.
Learn more
Array
(
[id] => 364
[title] => Everyone Their Grain of Sand
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/everyone-their-grain-of-sand
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/everyone-their-grain-of-sand/320x-grsand_hires.png
[created_at] => Array
(
)
[year_released] => 2005
[text] => This award-winning documentary reveals the struggles of the citizens of Maclovio Rojas in Tijuana, Mexico as they battle the state government’s attempts to evict them from their homes to make way for multi-national corporations seeking cheap land and labor. Filmmaker Beth Bird followed the fiercely determined residents for three years as they persistently petitioned the state for basic services like running water, electricity and pay for their teachers, only to be met with bureaucratic stonewalling. Eventually, several community leaders are targeted for persecution, and one is arrested while others are forced into hiding.
Balancing these stories of hardship, Bird also captures intimate scenes of daily life in Maclovio Rojas, revealing hard-won triumphs such as the building of a school by hand and the graduation of an elementary school class. This compelling and ultimately inspiring documentary is an eye-opening look at the human cost of globalization and a moving testament to the power of grassroots activism.
[image] => https://www.wmm.com/storage/films/everyone-their-grain-of-sand/grsand_hires.jpg
)
Everyone Their Grain of Sand
This award-winning documentary reveals the struggles of the citizens of Maclovio Rojas in Tijuana, Mexico as they battle the state government’s attempts to evict them from their homes to make way for multi-national corporations seeking cheap land and labor. Filmmaker Beth Bird followed the fiercely determined residents for three years as they persistently petitioned the state for basic services like running water, electricity and pay for their teachers, only to be met with bureaucratic stonewalling. Eventually, several community leaders are targeted for persecution, and one is arrested while others are forced into hiding.
Balancing these stories of hardship, Bird also captures intimate scenes of daily life in Maclovio Rojas, revealing hard-won triumphs such as the building of a school by hand and the graduation of an elementary school class. This compelling and ultimately inspiring documentary is an eye-opening look at the human cost of globalization and a moving testament to the power of grassroots activism.
Learn more
Array
(
[id] => 483
[title] => Maria in Nobody's Land
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/maria-in-nobodys-land
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/maria-in-nobodys-land/320x-cbe_marno_hires2.png
[created_at] => Array
(
)
[year_released] => 2010
[text] => MARIA IN NOBODY'S LAND is an unprecedented and intimate look at the illegal and extremely dangerous journey of three Salvadoran women to the US.
[image] => https://www.wmm.com/storage/films/maria-in-nobodys-land/cbe_marno_hires2.jpg
)
Maria in Nobody's Land
MARIA IN NOBODY'S LAND is an unprecedented and intimate look at the illegal and extremely dangerous journey of three Salvadoran women to the US.
Learn more
Array
(
[id] => 557
[title] => Portraits of a Search
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/portraits-of-a-search
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/portraits-of-a-search/320x-porsea_hires1.png
[created_at] => Array
(
)
[year_released] => 2015
[text] => More than 20,000 people disappeared in Mexico during the horrifically violent war on drugs waged by former President Calderon. With each missing person, a family is left behind in a desperate search to get answers from a government that is suspiciously ambivalent. Putting a human face on the most harrowing of statistics, director Alicia Calderon courageously captures the stories of three mothers - Natividad, Guadalupe, and Margarita - as they search for their children who have gone missing. One mother constantly retraces the last steps of her son, combing empty fields for his body; another travels all the way to Washington, DC, to plead for US intervention; and the last simply tries to forget the emptiness and raise her now-motherless grandson. In one of the most powerful documentaries about the human casualties of the Mexican narco-wars, these women’s stories are among the many that stand for truth and justice for the 26,000 missing people in Mexico today. With their lives now completely devoted to seeking out the truth, they pursue any avenue possible, in the face of an indifferent government which considers their loved ones to be "collateral casualties" of the drug war.
[image] => https://www.wmm.com/storage/films/portraits-of-a-search/porsea_hires1.jpg
)
Portraits of a Search
More than 20,000 people disappeared in Mexico during the horrifically violent war on drugs waged by former President Calderon. With each missing person, a family is left behind in a desperate search to get answers from a government that is suspiciously ambivalent. Putting a human face on the most harrowing of statistics, director Alicia Calderon courageously captures the stories of three mothers - Natividad, Guadalupe, and Margarita - as they search for their children who have gone missing. One mother constantly retraces the last steps of her son, combing empty fields for his body; another travels all the way to Washington, DC, to plead for US intervention; and the last simply tries to forget the emptiness and raise her now-motherless grandson. In one of the most powerful documentaries about the human casualties of the Mexican narco-wars, these women’s stories are among the many that stand for truth and justice for the 26,000 missing people in Mexico today. With their lives now completely devoted to seeking out the truth, they pursue any avenue possible, in the face of an indifferent government which considers their loved ones to be "collateral casualties" of the drug war.
Learn more
Array
(
[id] => 560
[title] => Absences (Ausencias)
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/absences-ausencias
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/absences-ausencias/320x-ABSENCE_hires1.png
[created_at] => Array
(
)
[year_released] => 2015
[text] => ABSENCES, by award winning filmmaker Tatiana Huezo (The Tiniest Place), exposes the ever-intensifying phenomenon of enforced disappearance in Mexico. A boy and his father disappear one morning, snatched off the road by armed men. Left behind, alone with her daughter, Lulu, a victim who refuses to give in, decides to tell the unacceptable story: the unfillable void, the absence of loved ones, the unanswered questions and the suffocating silence. After 5 years, absence has her living in a limbo that gives way to desire, hope and the struggle to find her 9-year old son Brandon and her husband, alive. This hauntingly beautiful short film illuminates the way disappearance affects women, and broadens our awareness on disappearance and its social consequences in Mexico and Central America.
[image] => https://www.wmm.com/storage/films/absences-ausencias/ABSENCE_hires1.jpg
)
Absences (Ausencias)
ABSENCES, by award winning filmmaker Tatiana Huezo (The Tiniest Place), exposes the ever-intensifying phenomenon of enforced disappearance in Mexico. A boy and his father disappear one morning, snatched off the road by armed men. Left behind, alone with her daughter, Lulu, a victim who refuses to give in, decides to tell the unacceptable story: the unfillable void, the absence of loved ones, the unanswered questions and the suffocating silence. After 5 years, absence has her living in a limbo that gives way to desire, hope and the struggle to find her 9-year old son Brandon and her husband, alive. This hauntingly beautiful short film illuminates the way disappearance affects women, and broadens our awareness on disappearance and its social consequences in Mexico and Central America.
Learn more
Array
(
[id] => 561
[title] => The Room of Bones (El Cuarto de los Huesos)
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/the-room-of-bones-el-cuarto-de-los-huesos
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/the-room-of-bones-el-cuarto-de-los-huesos/320x-bones_hires1.png
[created_at] => Array
(
)
[year_released] => 2015
[text] => THE ROOM OF BONES follows the passage of four mothers in the Institute for Legal Medicine as they search for their children’s remains in the midst of three decades of social violence in El Salvador. Across Mexico and Central America, the last twenty years have been plagued by a meteoric and troubling rise in desaparecidos, or missing persons. Mass murder has become all too common, and the identity of the perpetrators remains unknown as the relationship between governments, gangs, and other criminal organizations is shrouded in mystery. As civil and legal systems have failed to thoroughly investigate the crisis, families of victims are left to seek closure and justice on their own. Salvadoran filmmaker Marcela Zamora profiles a group of forensic anthropologists in her home country tasked with the noble but gruesome work of unearthing human remains and matching them with names of desaparecidos. The result is a harrowing portrait of a region in crisis.
[image] => https://www.wmm.com/storage/films/the-room-of-bones-el-cuarto-de-los-huesos/bones_hires1.jpg
)
The Room of Bones (El Cuarto de los Huesos)
THE ROOM OF BONES follows the passage of four mothers in the Institute for Legal Medicine as they search for their children’s remains in the midst of three decades of social violence in El Salvador. Across Mexico and Central America, the last twenty years have been plagued by a meteoric and troubling rise in desaparecidos, or missing persons. Mass murder has become all too common, and the identity of the perpetrators remains unknown as the relationship between governments, gangs, and other criminal organizations is shrouded in mystery. As civil and legal systems have failed to thoroughly investigate the crisis, families of victims are left to seek closure and justice on their own. Salvadoran filmmaker Marcela Zamora profiles a group of forensic anthropologists in her home country tasked with the noble but gruesome work of unearthing human remains and matching them with names of desaparecidos. The result is a harrowing portrait of a region in crisis.
Learn more