Array
(
[id] => 488
[title] => Salma
[link] => stdClass Object
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[url] => https://www.wmm.com/catalog/film/salma
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/salma/320x-salma_hires4.png
[created_at] => Array
(
)
[year_released] => 2013
[text] => When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma’s salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village.
As with her other work (PINK SARIS, ROUGH AUNTIES, SISTERS IN LAW), master documentarian Kim Longinotto trains her camera on an iconoclastic woman. Salma’s extraordinary story is one of courage and resilience. Salma has hopes for a different life for the next generation of girls, but as she witnesses, familial ties run deep, and change happens very slowly. SALMA helps us understand why the goal of global education of girls is one the most critical areas of empowerment and development of women worldwide.
[image] => https://www.wmm.com/storage/films/salma/salma_hires4.jpg
)
Salma
When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma’s salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village.
As with her other work (PINK SARIS, ROUGH AUNTIES, SISTERS IN LAW), master documentarian Kim Longinotto trains her camera on an iconoclastic woman. Salma’s extraordinary story is one of courage and resilience. Salma has hopes for a different life for the next generation of girls, but as she witnesses, familial ties run deep, and change happens very slowly. SALMA helps us understand why the goal of global education of girls is one the most critical areas of empowerment and development of women worldwide.
Learn more
Array
(
[id] => 441
[title] => Pink Saris
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/pink-saris
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/pink-saris/320x-psari_hires1.png
[created_at] => Array
(
)
[year_released] => 2010
[text] => “A girl’s life is cruel...A woman’s life is very cruel,” notes Sampat Pal, the complex protagonist at the center of PINK SARIS, internationally acclaimed director Kim Longinotto’s latest foray into the lives of extraordinary women (SISTERS IN LAW, DIVORCE IRANIAN STYLE, ROUGH AUNTIES). Sampat should know – like many others she was married as a young girl into a family which made her work hard and beat her often. But unusually, she fought back, leaving her in-laws and eventually becoming famous as a champion for beleaguered women throughout Uttar Pradesh, many of whom find their way to her doorstep. Like Rekha, a fourteen year old Untouchable, who is three months pregnant and homeless – unable to marry her unborn child’s father because of her low caste. Fifteen year old Renu's husband from an arranged marriage has abandoned her, her father-in-law has been raping her and she's threatening to throw herself under a train. Both young women, frightened and desperate, reach out for their only hope: Sampat Pal and her Gulabi Gang, Northern India’s women vigilantes in pink.
PINK SARIS is an unflinching and often amusing look at these unlikely political activists and their charismatic leader; in extraordinary scenes, we watch Sampat launch herself into the centre of family dramas, witnessed by scores of spectators, convinced her mediation is the best path for these vulnerable girls. Her partner Babuji, who has watched Sampat change over the years, is less certain...
[image] => https://www.wmm.com/storage/films/pink-saris/psari_hires1.jpg
)
Pink Saris
“A girl’s life is cruel...A woman’s life is very cruel,” notes Sampat Pal, the complex protagonist at the center of PINK SARIS, internationally acclaimed director Kim Longinotto’s latest foray into the lives of extraordinary women (SISTERS IN LAW, DIVORCE IRANIAN STYLE, ROUGH AUNTIES). Sampat should know – like many others she was married as a young girl into a family which made her work hard and beat her often. But unusually, she fought back, leaving her in-laws and eventually becoming famous as a champion for beleaguered women throughout Uttar Pradesh, many of whom find their way to her doorstep. Like Rekha, a fourteen year old Untouchable, who is three months pregnant and homeless – unable to marry her unborn child’s father because of her low caste. Fifteen year old Renu's husband from an arranged marriage has abandoned her, her father-in-law has been raping her and she's threatening to throw herself under a train. Both young women, frightened and desperate, reach out for their only hope: Sampat Pal and her Gulabi Gang, Northern India’s women vigilantes in pink.
PINK SARIS is an unflinching and often amusing look at these unlikely political activists and their charismatic leader; in extraordinary scenes, we watch Sampat launch herself into the centre of family dramas, witnessed by scores of spectators, convinced her mediation is the best path for these vulnerable girls. Her partner Babuji, who has watched Sampat change over the years, is less certain...
Learn more
Array
(
[id] => 407
[title] => Rough Aunties
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/rough-aunties
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/rough-aunties/320x-RAUNT_Signature_hires1.png
[created_at] => Array
(
)
[year_released] => 2008
[text] => Fearless, feisty and resolute, the “Rough Aunties” are a remarkable group of women unwavering in their stand to protect and care for the abused, neglected and forgotten children of Durban, South Africa. This documentary by internationally acclaimed director Kim Longinotto (SISTERS IN LAW, DIVORCE IRANIAN STYLE) follows the outspoken, multiracial cadre of Thuli, Mildred, Sdudla, Eureka and Jackie, as they wage a daily battle against systemic apathy, corruption, and greed to help the most vulnerable and disenfranchised of their communities.
Despite the harsh realities of violence, poverty, and racism in the women’s work at the Bobbi Bear child welfare organization and in the heartaches of their personal lives, the portraits that emerge on screen are filled with grace, wisdom, friendship, and a deeply stirring conviction. Neither politics, nor social or racial divisions stand a chance against the united force of the women. Once again Longinotto has managed to bring us an intimate portrait of change from Africa, this time from post-apartheid South Africa, a nation being transformed with hope and energy into a new democracy.
[image] => https://www.wmm.com/storage/films/rough-aunties/RAUNT_Signature_hires1.jpg
)
Rough Aunties
Fearless, feisty and resolute, the “Rough Aunties” are a remarkable group of women unwavering in their stand to protect and care for the abused, neglected and forgotten children of Durban, South Africa. This documentary by internationally acclaimed director Kim Longinotto (SISTERS IN LAW, DIVORCE IRANIAN STYLE) follows the outspoken, multiracial cadre of Thuli, Mildred, Sdudla, Eureka and Jackie, as they wage a daily battle against systemic apathy, corruption, and greed to help the most vulnerable and disenfranchised of their communities.
Despite the harsh realities of violence, poverty, and racism in the women’s work at the Bobbi Bear child welfare organization and in the heartaches of their personal lives, the portraits that emerge on screen are filled with grace, wisdom, friendship, and a deeply stirring conviction. Neither politics, nor social or racial divisions stand a chance against the united force of the women. Once again Longinotto has managed to bring us an intimate portrait of change from Africa, this time from post-apartheid South Africa, a nation being transformed with hope and energy into a new democracy.
Learn more
Array
(
[id] => 395
[title] => Hold Me Tight, Let Me Go
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/hold-me-tight-let-me-go
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/hold-me-tight-let-me-go/320x-HOLD_hires1.png
[created_at] => Array
(
)
[year_released] => 2007
[text] => Harrowing at one moment and heartwarming the next, HOLD ME TIGHT, LET ME GO is set at England’s Mulberry Bush School, founded by Barbara Dockar-Drysdale who developed unique methods for working with children suffering through severe emotional trauma.
“Longinotto, director of award-winning SISTERS IN LAW, spent a year filming these children, who are prone to sudden, violent outbursts, and their teachers, who display enormous restraint and sensitivity. The children’s problems are real, deep and stubborn — but the long arc of recovery is clear, with hope for these troubled children just over the horizon. Over the course of 30 years, Longinotto has established herself as one of the most prolific and perceptive practitioners of cinema verité. Here, she and her steady, unobtrusive camera capture an intimate and unforgettable tale of the human capacity to hurt and to heal.” – Jason Silverman, True/False Film Festival
[image] => https://www.wmm.com/storage/films/hold-me-tight-let-me-go/HOLD_hires1.jpg
)
Hold Me Tight, Let Me Go
Harrowing at one moment and heartwarming the next, HOLD ME TIGHT, LET ME GO is set at England’s Mulberry Bush School, founded by Barbara Dockar-Drysdale who developed unique methods for working with children suffering through severe emotional trauma.
“Longinotto, director of award-winning SISTERS IN LAW, spent a year filming these children, who are prone to sudden, violent outbursts, and their teachers, who display enormous restraint and sensitivity. The children’s problems are real, deep and stubborn — but the long arc of recovery is clear, with hope for these troubled children just over the horizon. Over the course of 30 years, Longinotto has established herself as one of the most prolific and perceptive practitioners of cinema verité. Here, she and her steady, unobtrusive camera capture an intimate and unforgettable tale of the human capacity to hurt and to heal.” – Jason Silverman, True/False Film Festival
Learn more
Array
(
[id] => 370
[title] => Theatre Girls
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/theatre-girls
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/theatre-girls/320x-THEATG1.png
[created_at] => Array
(
)
[year_released] => 1978
[text] => In her final piece at film school, Longinotto and her partner take us into the "Theatre Girls Club" in Soho, London–a hostel for elderly and destitute women and the only shelter in London that would take in any woman at any time. The filmmakers lived in the hostel for more than two months, establishing an extraordinary level of trust with their “cast” —from the home’s feisty cook to an elderly resident who was a terminal alcoholic. In what will later be recognized as a signature style, Longinotto films without judgement and finds the humor and humanity in situations and characters that might otherwise be seen as tragic. This stunning film debut earned awards at several European festivals and screened to acclaim in the US and Asia.
[image] => https://www.wmm.com/storage/films/theatre-girls/THEATG1.jpg
)
Theatre Girls
In her final piece at film school, Longinotto and her partner take us into the "Theatre Girls Club" in Soho, London–a hostel for elderly and destitute women and the only shelter in London that would take in any woman at any time. The filmmakers lived in the hostel for more than two months, establishing an extraordinary level of trust with their “cast” —from the home’s feisty cook to an elderly resident who was a terminal alcoholic. In what will later be recognized as a signature style, Longinotto films without judgement and finds the humor and humanity in situations and characters that might otherwise be seen as tragic. This stunning film debut earned awards at several European festivals and screened to acclaim in the US and Asia.
Learn more
Array
(
[id] => 369
[title] => Pride of Place
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/pride-of-place
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/pride-of-place/320x-pride 15.png
[created_at] => Array
(
)
[year_released] => 1976
[text] => A rarely seen classic, PRIDE OF PLACE was made as a first project while Longinotto was a student at England’s National School of Television and Film. As a teenager, the filmmaker had been condemned to a girls' boarding school in an old, isolated castle in Buckinghamshire. Wisely, she ran away at the age of 17, and years later took the opportunity for sweet revenge. In this dark and expressive film, Longinotto exposes the repressive school from the students’ perspective—as a kind of miniature state with bizarre rules, indigestible food and absurd punishments. One year after the release of the film, the boarding school was closed down. With PRIDE OF PLACE, Longinotto sets the tone for a long career of films in which individuals revolt against oppressive authorities and stifling traditions.
[image] => https://www.wmm.com/storage/films/pride-of-place/pride 15.jpg
)
Pride of Place
A rarely seen classic, PRIDE OF PLACE was made as a first project while Longinotto was a student at England’s National School of Television and Film. As a teenager, the filmmaker had been condemned to a girls' boarding school in an old, isolated castle in Buckinghamshire. Wisely, she ran away at the age of 17, and years later took the opportunity for sweet revenge. In this dark and expressive film, Longinotto exposes the repressive school from the students’ perspective—as a kind of miniature state with bizarre rules, indigestible food and absurd punishments. One year after the release of the film, the boarding school was closed down. With PRIDE OF PLACE, Longinotto sets the tone for a long career of films in which individuals revolt against oppressive authorities and stifling traditions.
Learn more
Array
(
[id] => 317
[title] => The Day I Will Never Forget
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/the-day-i-will-never-forget
[title] => more
)
[created_at] => Array
(
)
[year_released] => 2002
[text] => THE DAY I WILL NEVER FORGET is a gripping feature documentary by acclaimed filmmaker Kim Longinotto that examines the practice of female genital mutilation in Kenya and the pioneering African women who are bravely reversing the tradition. In this epic work, women speak candidly about the practice and explain its cultural significance within Kenyan society. From gripping testimonials by young women who share the painful aftermath of their trauma to interviews with elderly matriarchs who stubbornly stand behind the practice, Longinotto paints a complex portrait of the current polemics and conflicts that have allowed this procedure to exist well into modern times.
Demystifying the African tradition of female circumcision, Longinotto presents Nurse Fardhosa, a woman who is single-handedly reversing the ritual of female circumcision one village at a time by educating communities about its lasting emotional and physical scars. Also profiled are an inspiring group of runaway girls who are seeking a court injunction to stop their parents from forcing them to go through with the practice. Through their words the full implications of breaking with tradition are made clear, as is the incredible courage of the women and girls who risk social ostracism by taking a stand against the practice.
[image] => https://www.wmm.com/storage/films/the-day-i-will-never-forget/cbi_tdiwnf_hires1.jpg
)
The Day I Will Never Forget
THE DAY I WILL NEVER FORGET is a gripping feature documentary by acclaimed filmmaker Kim Longinotto that examines the practice of female genital mutilation in Kenya and the pioneering African women who are bravely reversing the tradition. In this epic work, women speak candidly about the practice and explain its cultural significance within Kenyan society. From gripping testimonials by young women who share the painful aftermath of their trauma to interviews with elderly matriarchs who stubbornly stand behind the practice, Longinotto paints a complex portrait of the current polemics and conflicts that have allowed this procedure to exist well into modern times.
Demystifying the African tradition of female circumcision, Longinotto presents Nurse Fardhosa, a woman who is single-handedly reversing the ritual of female circumcision one village at a time by educating communities about its lasting emotional and physical scars. Also profiled are an inspiring group of runaway girls who are seeking a court injunction to stop their parents from forcing them to go through with the practice. Through their words the full implications of breaking with tradition are made clear, as is the incredible courage of the women and girls who risk social ostracism by taking a stand against the practice.
Learn more
Array
(
[id] => 448
[title] => Women of Turkey: Between Islam and Secularism
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/women-of-turkey-between-islam-and-secularism
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/women-of-turkey-between-islam-and-secularism/320x-womenofturkey_hires1.png
[created_at] => Array
(
)
[year_released] => 2006
[text] => In this thought-provoking documentary, veiled and unveiled women explore relationships between Islam and secularism in present-day Turkey, where millions of women, many of them educated and urban, wear the headscarf or hijab. For her survey, filmmaker Naccache, who was born in Turkey and raised in Lebanon, draws on historical footage and individual visits with Turkish women from across the professional spectrum. Among them are the owner of a gallery devoted to Islamic art; a left-wing journalist whose politics stem from her religious convictions; a young intellectual adhering to a spirituality based on no single religion; and the film critic and columnist for a popular online newspaper. Their wide-ranging interviews, which analyze the background and impact of controversial bans on headscarves in universities and civil service, yield fresh perspectives on Turkish women’s integration of Islamic culture and modern lifestyles, as well as their far-reaching achievements and priorities for the future.
[image] => https://www.wmm.com/storage/films/women-of-turkey-between-islam-and-secularism/womenofturkey_hires1.jpg
)
Women of Turkey: Between Islam and Secularism
In this thought-provoking documentary, veiled and unveiled women explore relationships between Islam and secularism in present-day Turkey, where millions of women, many of them educated and urban, wear the headscarf or hijab. For her survey, filmmaker Naccache, who was born in Turkey and raised in Lebanon, draws on historical footage and individual visits with Turkish women from across the professional spectrum. Among them are the owner of a gallery devoted to Islamic art; a left-wing journalist whose politics stem from her religious convictions; a young intellectual adhering to a spirituality based on no single religion; and the film critic and columnist for a popular online newspaper. Their wide-ranging interviews, which analyze the background and impact of controversial bans on headscarves in universities and civil service, yield fresh perspectives on Turkish women’s integration of Islamic culture and modern lifestyles, as well as their far-reaching achievements and priorities for the future.
Learn more
Array
(
[id] => 451
[title] => Voices Unveiled: Turkish Women Who Dare
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/voices-unveiled-turkish-women-who-dare
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/voices-unveiled-turkish-women-who-dare/320x-cbe_trukish_crop.png
[created_at] => Array
(
)
[year_released] => 2010
[text] => Can Islamic values co-exist with full equality for women? VOICES UNVEILED examines this timely issue through portraits of three women pursuing life paths and careers of their own choosing in present-day Turkey.
Each has defied social expectations in a democratic, secular nation where religious fundamentalism has re-emerged as a political force and patriarchal values still prevail. Well-known textile artist Belkis Belpinar, whose work combines science and kilim rug traditions, resisted her father’s wishes that she study engineering. Dancer and psychologist Banu Yucelar braved family opposition to modern dance, widely perceived as a form of prostitution. Women’s rights activist Nur Bakata Mardin helps women in underserved communities, where old beliefs hold sway, form small business cooperatives.
As engaging as its subjects, VOICES UNVEILED punctuates its in-depth portraits with insights from other Turks and lively discussions that include intergenerational debates over veiling. The film is a valuable companion to WOMEN OF TURKEY, which offers a different take on gender roles that embrace modern lifestyles and Islamic culture.
[image] => https://www.wmm.com/storage/films/voices-unveiled-turkish-women-who-dare/cbe_trukish_crop.jpg
)
Voices Unveiled: Turkish Women Who Dare
Can Islamic values co-exist with full equality for women? VOICES UNVEILED examines this timely issue through portraits of three women pursuing life paths and careers of their own choosing in present-day Turkey.
Each has defied social expectations in a democratic, secular nation where religious fundamentalism has re-emerged as a political force and patriarchal values still prevail. Well-known textile artist Belkis Belpinar, whose work combines science and kilim rug traditions, resisted her father’s wishes that she study engineering. Dancer and psychologist Banu Yucelar braved family opposition to modern dance, widely perceived as a form of prostitution. Women’s rights activist Nur Bakata Mardin helps women in underserved communities, where old beliefs hold sway, form small business cooperatives.
As engaging as its subjects, VOICES UNVEILED punctuates its in-depth portraits with insights from other Turks and lively discussions that include intergenerational debates over veiling. The film is a valuable companion to
WOMEN OF TURKEY, which offers a different take on gender roles that embrace modern lifestyles and Islamic culture.
Array
(
[id] => 250
[title] => A Place Called Home
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/a-place-called-home
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/a-place-called-home/320x-cbe_place.png
[created_at] => Array
(
)
[year_released] => 1998
[text] => Persheng Sadegh-Vaziri grew up in pre-Revolution Tehran daydreaming about an ideal life in the West. Nineteen years later, after living and working in the U.S., Persheng explores her controversial decision to move back to Iran, to return to the place she never stopped calling home. In this fascinating and very personal documentary, Persheng's interviews with her family--with her mother and sister in the U.S. and with her father, who chose to remain in Iran--reveal some of the complex layers of expatriate, national and cultural identities. The film features a rare glimpse at women's lives in contemporary Tehran.
[image] => https://www.wmm.com/storage/films/a-place-called-home/cbe_place.jpg
)
A Place Called Home
Persheng Sadegh-Vaziri grew up in pre-Revolution Tehran daydreaming about an ideal life in the West. Nineteen years later, after living and working in the U.S., Persheng explores her controversial decision to move back to Iran, to return to the place she never stopped calling home. In this fascinating and very personal documentary, Persheng's interviews with her family--with her mother and sister in the U.S. and with her father, who chose to remain in Iran--reveal some of the complex layers of expatriate, national and cultural identities. The film features a rare glimpse at women's lives in contemporary Tehran.
Learn more
