Array
(
[id] => 240
[title] => New Directions: Women of Zimbabwe
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/new-directions-women-of-zimbabwe
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/new-directions-women-of-zimbabwe/320x-cbe_pi_WomenofZimbabwe.png
[created_at] => Array
(
)
[year_released] => 1997
[text] => Available only as part of the series New Directions.
[image] => https://www.wmm.com/storage/films/new-directions-women-of-zimbabwe/cbe_pi_WomenofZimbabwe.jpg
)
Array
(
[id] => 365
[title] => God Sleeps in Rwanda
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/god-sleeps-in-rwanda
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/god-sleeps-in-rwanda/320x-cbe_gsleep2.png
[created_at] => Array
(
)
[year_released] => 2004
[text] => Uncovering amazing stories of hope in the aftermath of the Rwandan genocide, Emmy Winner for Best Documentary and Academy Award Nominee for Best Documentary Short, GOD SLEEPS IN RWANDA captures the spirit of five courageous women as they rebuild their lives, redefine women’s roles in Rwandan society and bring hope to a wounded nation.
The 1994 Rwandan Genocide left the country nearly 70 percent female, handing Rwanda’s women an extraordinary burden and an unprecedented opportunity. Ten years later, girls were attending school in record numbers, and women were a large part of the country’s leadership. Working with two cameras and no crew except for their translator—a genocide survivor herself—the filmmakers uncover incredible stories: an HIV-positive policewoman raising four children alone and attending night school to become a lawyer, a teenager who has become head of household for her four siblings, and a young woman orphaned in her teens who is now the top development official in her area. Heart-wrenching and inspiring, this powerful film is a brutal reminder of the consequences of the Rwandan tragedy, and a tribute to the strength and spirit of those who are moving forth.
[image] => https://www.wmm.com/storage/films/god-sleeps-in-rwanda/cbe_gsleep2.jpg
)
God Sleeps in Rwanda
Uncovering amazing stories of hope in the aftermath of the Rwandan genocide, Emmy Winner for Best Documentary and Academy Award Nominee for Best Documentary Short, GOD SLEEPS IN RWANDA captures the spirit of five courageous women as they rebuild their lives, redefine women’s roles in Rwandan society and bring hope to a wounded nation.
The 1994 Rwandan Genocide left the country nearly 70 percent female, handing Rwanda’s women an extraordinary burden and an unprecedented opportunity. Ten years later, girls were attending school in record numbers, and women were a large part of the country’s leadership. Working with two cameras and no crew except for their translator—a genocide survivor herself—the filmmakers uncover incredible stories: an HIV-positive policewoman raising four children alone and attending night school to become a lawyer, a teenager who has become head of household for her four siblings, and a young woman orphaned in her teens who is now the top development official in her area. Heart-wrenching and inspiring, this powerful film is a brutal reminder of the consequences of the Rwandan tragedy, and a tribute to the strength and spirit of those who are moving forth.
Learn more
Array
(
[id] => 391
[title] => The Greatest Silence: Rape in the Congo
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/the-greatest-silence-rape-in-the-congo
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/the-greatest-silence-rape-in-the-congo/320x-CONGO_hires1.png
[created_at] => Array
(
)
[year_released] => 2007
[text] => Winner of the Sundance Special Jury Prize in Documentary and the inspiration for a 2008 U.N. Resolution classifying rape as a weapon of war, this extraordinary film, shot in the war zones of the Democratic Republic of Congo (DRC), shatters the silence that surrounds the use of sexual violence as a weapon of conflict. Many tens of thousands of women and girls have been systematically kidnapped, raped, mutilated and tortured by soldiers from both foreign militias and the Congolese army. A survivor of gang rape herself, Emmy Award®-winning filmmaker Lisa F. Jackson travels through the DRC to understand what is happening and why.
Produced in association with HBO Documentary Films and the Fledgling Fund, this film features interviews with activists, peacekeepers, physicians, and even-chillingly-the indifferent rapists who are soldiers of the Congolese Army. Harrowing moments of the film come as dozens of survivors recount their stories with an honesty and immediacy that is pulverizing in its intimacy and detail, but this powerful film also provides inspiring examples of resiliency, resistance, courage and grace.
**Emmy Award Nominee for Outstanding Informational Programming: Long Form and Outstanding Individual Achievement in a Craft: Writing**
[image] => https://www.wmm.com/storage/films/the-greatest-silence-rape-in-the-congo/CONGO_hires1.jpg
)
The Greatest Silence: Rape in the Congo
Winner of the Sundance Special Jury Prize in Documentary and the inspiration for a 2008 U.N. Resolution classifying rape as a weapon of war, this extraordinary film, shot in the war zones of the Democratic Republic of Congo (DRC), shatters the silence that surrounds the use of sexual violence as a weapon of conflict. Many tens of thousands of women and girls have been systematically kidnapped, raped, mutilated and tortured by soldiers from both foreign militias and the Congolese army. A survivor of gang rape herself, Emmy Award®-winning filmmaker Lisa F. Jackson travels through the DRC to understand what is happening and why.
Produced in association with HBO Documentary Films and the Fledgling Fund, this film features interviews with activists, peacekeepers, physicians, and even-chillingly-the indifferent rapists who are soldiers of the Congolese Army. Harrowing moments of the film come as dozens of survivors recount their stories with an honesty and immediacy that is pulverizing in its intimacy and detail, but this powerful film also provides inspiring examples of resiliency, resistance, courage and grace.
**Emmy Award Nominee for Outstanding Informational Programming: Long Form and Outstanding Individual Achievement in a Craft: Writing**
Learn more
Array
(
[id] => 418
[title] => Mrs. Goundo's Daughter
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/mrs-goundos-daughter
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/mrs-goundos-daughter/320x-goundo_hires2-beforeexcision.png
[created_at] => Array
(
)
[year_released] => 2009
[text] => Mrs. Goundo is fighting to remain in the United States. But it’s not just because of the ethnic conflict and drought that has plagued her native Mali. Threatened with deportation, her two-year-old daughter could be forced to undergo female genital mutilation (FGM), like 85 percent of women and girls in Mali. Using rarely cited grounds for political asylum, Goundo must convince an immigration judge that her daughter is in danger.
Sensitive and moving, this important film reveals how women are profoundly affected by the legal struggles surrounding immigration. As issues of asylum, international law and human rights collide with FGM and its devastating health consequences, filmmakers Barbara Attie and Janet Goldwater travel between an FGM ceremony in a Malian village, where dozens of girls are involved, to the West African expatriate community of Philadelphia, where Mrs. Goundo challenges beliefs and battles the American legal system for her child’s future.
[image] => https://www.wmm.com/storage/films/mrs-goundos-daughter/goundo_hires2-beforeexcision.jpg
)
Mrs. Goundo's Daughter
Mrs. Goundo is fighting to remain in the United States. But it’s not just because of the ethnic conflict and drought that has plagued her native Mali. Threatened with deportation, her two-year-old daughter could be forced to undergo female genital mutilation (FGM), like 85 percent of women and girls in Mali. Using rarely cited grounds for political asylum, Goundo must convince an immigration judge that her daughter is in danger.
Sensitive and moving, this important film reveals how women are profoundly affected by the legal struggles surrounding immigration. As issues of asylum, international law and human rights collide with FGM and its devastating health consequences, filmmakers Barbara Attie and Janet Goldwater travel between an FGM ceremony in a Malian village, where dozens of girls are involved, to the West African expatriate community of Philadelphia, where Mrs. Goundo challenges beliefs and battles the American legal system for her child’s future.
Learn more
Array
(
[id] => 422
[title] => Africa Rising
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/africa-rising
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/africa-rising/320x-AfricaRising_HiRes3.png
[created_at] => Array
(
)
[year_released] => 2009
[text] => Every day, 6,000 girls from the Horn of Africa to sub-Saharan nations are subjected to female genital mutilation (FGM). With fierce determination and deep love for their communities, brave African activists are leading a formidable, fearless grassroots movement to end 5,000 years of FGM. An insightful look at the frontlines of a quiet revolution taking the continent by storm, this extraordinarily powerful film is one of the first to focus on African solutions to FGM.
Beautifully directed by Emmy Award® winner Paula Heredia and produced by Equality Now, AFRICA RISING travels through remote villages in Burkina Faso, Kenya, Mali, Somalia and Tanzania. Weaving together dynamic footage and the poignant stories of girls personally affected by FGM, it shows how African women and men are putting an end to this human rights violation. Convincing circumcisers to lay down their knives, engaging the police to implement the law, and honing leadership skills in girls, these determined activists have been working tirelessly for years to conceptualize their campaign. AFRICA RISING paints an intimate portrait of the broadly-based but little-known anti-FGM movement and shows that courageous, creative and resourceful individuals can change the course of history.
[image] => https://www.wmm.com/storage/films/africa-rising/AfricaRising_HiRes3.jpg
)
Africa Rising
Every day, 6,000 girls from the Horn of Africa to sub-Saharan nations are subjected to female genital mutilation (FGM). With fierce determination and deep love for their communities, brave African activists are leading a formidable, fearless grassroots movement to end 5,000 years of FGM. An insightful look at the frontlines of a quiet revolution taking the continent by storm, this extraordinarily powerful film is one of the first to focus on African solutions to FGM.
Beautifully directed by Emmy Award® winner Paula Heredia and produced by Equality Now, AFRICA RISING travels through remote villages in Burkina Faso, Kenya, Mali, Somalia and Tanzania. Weaving together dynamic footage and the poignant stories of girls personally affected by FGM, it shows how African women and men are putting an end to this human rights violation. Convincing circumcisers to lay down their knives, engaging the police to implement the law, and honing leadership skills in girls, these determined activists have been working tirelessly for years to conceptualize their campaign. AFRICA RISING paints an intimate portrait of the broadly-based but little-known anti-FGM movement and shows that courageous, creative and resourceful individuals can change the course of history.
Learn more
Array
(
[id] => 441
[title] => Pink Saris
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/pink-saris
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/pink-saris/320x-psari_hires1.png
[created_at] => Array
(
)
[year_released] => 2010
[text] => “A girl’s life is cruel...A woman’s life is very cruel,” notes Sampat Pal, the complex protagonist at the center of PINK SARIS, internationally acclaimed director Kim Longinotto’s latest foray into the lives of extraordinary women (SISTERS IN LAW, DIVORCE IRANIAN STYLE, ROUGH AUNTIES). Sampat should know – like many others she was married as a young girl into a family which made her work hard and beat her often. But unusually, she fought back, leaving her in-laws and eventually becoming famous as a champion for beleaguered women throughout Uttar Pradesh, many of whom find their way to her doorstep. Like Rekha, a fourteen year old Untouchable, who is three months pregnant and homeless – unable to marry her unborn child’s father because of her low caste. Fifteen year old Renu's husband from an arranged marriage has abandoned her, her father-in-law has been raping her and she's threatening to throw herself under a train. Both young women, frightened and desperate, reach out for their only hope: Sampat Pal and her Gulabi Gang, Northern India’s women vigilantes in pink.
PINK SARIS is an unflinching and often amusing look at these unlikely political activists and their charismatic leader; in extraordinary scenes, we watch Sampat launch herself into the centre of family dramas, witnessed by scores of spectators, convinced her mediation is the best path for these vulnerable girls. Her partner Babuji, who has watched Sampat change over the years, is less certain...
[image] => https://www.wmm.com/storage/films/pink-saris/psari_hires1.jpg
)
Pink Saris
“A girl’s life is cruel...A woman’s life is very cruel,” notes Sampat Pal, the complex protagonist at the center of PINK SARIS, internationally acclaimed director Kim Longinotto’s latest foray into the lives of extraordinary women (SISTERS IN LAW, DIVORCE IRANIAN STYLE, ROUGH AUNTIES). Sampat should know – like many others she was married as a young girl into a family which made her work hard and beat her often. But unusually, she fought back, leaving her in-laws and eventually becoming famous as a champion for beleaguered women throughout Uttar Pradesh, many of whom find their way to her doorstep. Like Rekha, a fourteen year old Untouchable, who is three months pregnant and homeless – unable to marry her unborn child’s father because of her low caste. Fifteen year old Renu's husband from an arranged marriage has abandoned her, her father-in-law has been raping her and she's threatening to throw herself under a train. Both young women, frightened and desperate, reach out for their only hope: Sampat Pal and her Gulabi Gang, Northern India’s women vigilantes in pink.
PINK SARIS is an unflinching and often amusing look at these unlikely political activists and their charismatic leader; in extraordinary scenes, we watch Sampat launch herself into the centre of family dramas, witnessed by scores of spectators, convinced her mediation is the best path for these vulnerable girls. Her partner Babuji, who has watched Sampat change over the years, is less certain...
Learn more
Array
(
[id] => 444
[title] => Fighting the Silence
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/fighting-the-silence
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/fighting-the-silence/320x-cbe_FightingSilence_hires5.png
[created_at] => Array
(
)
[year_released] => 2007
[text] => The Democratic Republic of the Congo’s seven year war was the deadliest ever recorded in Africa. During that time, more than 80,000 women and girls were raped. Only now that the country is formally at peace are the consequences of the brutality becoming truly visible. Rape is slowly seeping into everyday life.
FIGHTING THE SILENCE tells the story of ordinary Congolese women and men that are struggling to change their society: one that prefers to blame victims rather than prosecute rapists. Rape survivors and their families speak out openly about the suffering they endured because their culture considers women second class citizens and rape a taboo. They give voice to thousands of other survivors and their families who have chosen to hide their grief and remain silent for fear of being rejected by their families and community.
Girls and women survivors tell of the brutality they experienced. Married couples openly talk about the pain they endure. Husbands talk of the pressures that led them to abandon their wives and why they agreed to take them back. A father explains why he has given up on his daughter’s future and how he wishes he could afford to take her rapist to court. Soldiers and policemen share their (shocking) views about why rape continues to flourish despite the war having officially ended four years ago.
[image] => https://www.wmm.com/storage/films/fighting-the-silence/cbe_FightingSilence_hires5.jpg
)
Fighting the Silence
The Democratic Republic of the Congo’s seven year war was the deadliest ever recorded in Africa. During that time, more than 80,000 women and girls were raped. Only now that the country is formally at peace are the consequences of the brutality becoming truly visible. Rape is slowly seeping into everyday life.
FIGHTING THE SILENCE tells the story of ordinary Congolese women and men that are struggling to change their society: one that prefers to blame victims rather than prosecute rapists. Rape survivors and their families speak out openly about the suffering they endured because their culture considers women second class citizens and rape a taboo. They give voice to thousands of other survivors and their families who have chosen to hide their grief and remain silent for fear of being rejected by their families and community.
Girls and women survivors tell of the brutality they experienced. Married couples openly talk about the pain they endure. Husbands talk of the pressures that led them to abandon their wives and why they agreed to take them back. A father explains why he has given up on his daughter’s future and how he wishes he could afford to take her rapist to court. Soldiers and policemen share their (shocking) views about why rape continues to flourish despite the war having officially ended four years ago.
Learn more
Array
(
[id] => 453
[title] => Weapon of War
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/weapon-of-war
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/weapon-of-war/320x-weaponwar_hires1.png
[created_at] => Array
(
)
[year_released] => 2009
[text] => In no other country has sexual violence matched the scale of brutality reached in the Democratic Republic of Congo (DRC). During nearly two decades of conflicts between rebels and government forces, an estimated 150,000 Congolese women and girls fell victim to mass rape. That figure continues to rise.
WEAPON OF WAR, an award-winning film honored by Amnesty International, journeys to the heart of this crisis, where we meet its perpetrators. In personal interviews, soldiers and former combatants provide openhearted but shocking testimony about rape in the DRC. Despite differing views on causes or criminal status, all reveal how years of conflict, as well as discrimination against women, have normalized brutal sexual violence. We also see former rapists struggling to change their own or others’ behavior, and reintegrate into their communities.
A companion to FIGHTING THE SILENCE and its portraits of Congolese rape survivors, this indispensable resource provides unique insights into strategic uses of rape as a military weapon - and the motives of the men who employ it.
[image] => https://www.wmm.com/storage/films/weapon-of-war/weaponwar_hires1.jpg
)
Weapon of War
In no other country has sexual violence matched the scale of brutality reached in the Democratic Republic of Congo (DRC). During nearly two decades of conflicts between rebels and government forces, an estimated 150,000 Congolese women and girls fell victim to mass rape. That figure continues to rise.
WEAPON OF WAR, an award-winning film honored by Amnesty International, journeys to the heart of this crisis, where we meet its perpetrators. In personal interviews, soldiers and former combatants provide openhearted but shocking testimony about rape in the DRC. Despite differing views on causes or criminal status, all reveal how years of conflict, as well as discrimination against women, have normalized brutal sexual violence. We also see former rapists struggling to change their own or others’ behavior, and reintegrate into their communities.
A companion to
FIGHTING THE SILENCE and its portraits of Congolese rape survivors, this indispensable resource provides unique insights into strategic uses of rape as a military weapon - and the motives of the men who employ it.
Learn more
Array
(
[id] => 459
[title] => Africa is a Woman's Name
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/africa-is-a-womans-name
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/africa-is-a-womans-name/320x-afrwo_hires1.png
[created_at] => Array
(
)
[year_released] => 2009
[text] => AFRICA IS A WOMAN’S NAME provides an opportunity for three of Africa’s leading filmmakers to tell their own country’s stories through the lives of the powerful women working to create change. Veteran filmmakers Wanjiru Kinyanjui, from Zimbabwe, and Bridget Pickering, from South Africa, join Kenyan Ingrid Sinclair, director of the critically acclaimed feature film FLAME, to profile three diverse women who eloquently demonstrate the power of women.
Amai Rose, a Zimbabwean housewife and businesswoman, Phuti Ragophala, a dedicated school principal in one of South Africa’s poorest communities, and Njoki Ndung’u, a human rights attorney and member of Kenya’s parliament, tell their individual stories, reflecting upon their own achievements and failures as well as needed initiatives for women and children in their respective societies. Their richly textured self-portraits reveal the gender revolution under way among sub-Saharan women of different backgrounds and origins who are determined to transform their daily realities and the conditions of their lives.
[image] => https://www.wmm.com/storage/films/africa-is-a-womans-name/afrwo_hires1.jpg
)
Africa is a Woman's Name
AFRICA IS A WOMAN’S NAME provides an opportunity for three of Africa’s leading filmmakers to tell their own country’s stories through the lives of the powerful women working to create change. Veteran filmmakers Wanjiru Kinyanjui, from Zimbabwe, and Bridget Pickering, from South Africa, join Kenyan Ingrid Sinclair, director of the critically acclaimed feature film FLAME, to profile three diverse women who eloquently demonstrate the power of women.
Amai Rose, a Zimbabwean housewife and businesswoman, Phuti Ragophala, a dedicated school principal in one of South Africa’s poorest communities, and Njoki Ndung’u, a human rights attorney and member of Kenya’s parliament, tell their individual stories, reflecting upon their own achievements and failures as well as needed initiatives for women and children in their respective societies. Their richly textured self-portraits reveal the gender revolution under way among sub-Saharan women of different backgrounds and origins who are determined to transform their daily realities and the conditions of their lives.
Learn more
Array
(
[id] => 460
[title] => Duhozanye: A Rwandan Village of Widows
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/duhozanye-a-rwandan-village-of-widows
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/duhozanye-a-rwandan-village-of-widows/320x-duhozanya_hires1.png
[created_at] => Array
(
)
[year_released] => 2011
[text] => During the 1994 genocidal campaign that claimed the lives of an estimated 800,000 Rwandans and committed atrocities against countless others, Daphrose Mukarutamu, a Tutsi, lost her husband and all but two of her 11 children. In the aftermath she considered suicide. But instead, she took in 20 orphans and started Duhozanye, an association of Tutsi and Hutu widows who were married to Tutsi men. This powerful documentary by award-winning Norwegian director Karoline Frogner recounts the story of Duhozanye’s formation and growth - from a support group of neighbors who share their traumatic experiences, rebuild their homes, and collect and bury their dead, to an expanding member-driven network that advances the empowerment of Rwandan women. Featuring first-person accounts by Daphrose and other Duhozanye widows, the film shows association members helping women victims of rape and HIV/AIDS, running small businesses and classes in gender violence prevention, and taking part in national reconciliation through open-air people’s courts where they can face, and often forgive, their loved ones’ killers.
[image] => https://www.wmm.com/storage/films/duhozanye-a-rwandan-village-of-widows/duhozanya_hires1.jpg
)
Duhozanye: A Rwandan Village of Widows
During the 1994 genocidal campaign that claimed the lives of an estimated 800,000 Rwandans and committed atrocities against countless others, Daphrose Mukarutamu, a Tutsi, lost her husband and all but two of her 11 children. In the aftermath she considered suicide. But instead, she took in 20 orphans and started Duhozanye, an association of Tutsi and Hutu widows who were married to Tutsi men. This powerful documentary by award-winning Norwegian director Karoline Frogner recounts the story of Duhozanye’s formation and growth - from a support group of neighbors who share their traumatic experiences, rebuild their homes, and collect and bury their dead, to an expanding member-driven network that advances the empowerment of Rwandan women. Featuring first-person accounts by Daphrose and other Duhozanye widows, the film shows association members helping women victims of rape and HIV/AIDS, running small businesses and classes in gender violence prevention, and taking part in national reconciliation through open-air people’s courts where they can face, and often forgive, their loved ones’ killers.
Learn more
Array
(
[id] => 472
[title] => Justice for Sale
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/justice-for-sale
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/justice-for-sale/320x-jfs_hires1.png
[created_at] => Array
(
)
[year_released] => 2011
[text] => JUSTICE FOR SALE follows the young, courageous Congolese human rights lawyer Claudine Tsongo who refuses to accept that justice is indeed “For Sale” in her country. When she investigates the case of a soldier convicted of rape, she becomes convinced his trial was unfair and uncovers a system where the basic principles of law are ignored—and when the system fails, everyone becomes a victim. The documentary not only provides a glimpse into the failings of the Congolese judicial system but also raises questions about the role of the international community and non-governmental organizations in reforming it. Does their financial support cause justice to be for sale? And who pays the price?
This is the third documentary in Dutch filmmakers Ilse and Femke van Velzen’s trilogy about the Congo, following FIGHTING THE SILENCE, about the consequences for victims of sexual violence and WEAPON OF WAR, confessions by those who perpetrated the acts. These films are essential viewing for anyone interested in the issues facing contemporary Africa.
[image] => https://www.wmm.com/storage/films/justice-for-sale/jfs_hires1.jpg
)
Justice for Sale
JUSTICE FOR SALE follows the young, courageous Congolese human rights lawyer Claudine Tsongo who refuses to accept that justice is indeed “For Sale” in her country. When she investigates the case of a soldier convicted of rape, she becomes convinced his trial was unfair and uncovers a system where the basic principles of law are ignored—and when the system fails, everyone becomes a victim. The documentary not only provides a glimpse into the failings of the Congolese judicial system but also raises questions about the role of the international community and non-governmental organizations in reforming it. Does their financial support cause justice to be for sale? And who pays the price?
This is the third documentary in Dutch filmmakers Ilse and Femke van Velzen’s trilogy about the Congo, following FIGHTING THE SILENCE, about the consequences for victims of sexual violence and WEAPON OF WAR, confessions by those who perpetrated the acts. These films are essential viewing for anyone interested in the issues facing contemporary Africa.
Learn more
Array
(
[id] => 483
[title] => Maria in Nobody's Land
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/maria-in-nobodys-land
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/maria-in-nobodys-land/320x-cbe_marno_hires2.png
[created_at] => Array
(
)
[year_released] => 2010
[text] => MARIA IN NOBODY'S LAND is an unprecedented and intimate look at the illegal and extremely dangerous journey of three Salvadoran women to the US.
[image] => https://www.wmm.com/storage/films/maria-in-nobodys-land/cbe_marno_hires2.jpg
)
Maria in Nobody's Land
MARIA IN NOBODY'S LAND is an unprecedented and intimate look at the illegal and extremely dangerous journey of three Salvadoran women to the US.
Learn more
Array
(
[id] => 570
[title] => People Are the Sky
[link] => stdClass Object
(
[url] => https://www.wmm.com/catalog/film/people-are-the-sky
[title] => more
)
[image_thumb] => https://www.wmm.com/storage/films/people-are-the-sky/320x-peosky_hires1.png
[created_at] => Array
(
)
[year_released] => 2015
[text] => Director Dai Sil Kim-Gibson (MOTHERLAND CUBA KOREA USA) is the first Korean American filmmaker to be given official permission by the North Korean government to film inside its borders. In PEOPLE ARE THE SKY, Kim-Gibson’s eighth and most personal film, the filmmaker makes a pilgrimage to her place of birth in North Korea for the first time in nearly 70 years, to explore if it is still home.
Kim-Gibson seamlessly weaves her own personal story as a native born North Korean, with the fractious history of the North/South division and pinpoints the roots of North Korean’s hatred of the United States, giving Americans a much better understanding of the conflict. A mix of interviews epic images and graceful musings, PEOPLE ARE THE SKY offers some of the best political and social history of the relations between North and South Korea, and also a contemplative exploration of the meaning of home. The result is unprecedented, at times startling, for hers is an up close look of the hurts and desires, beauty and contradiction, pride and aspirations of the long held demonized nation.
[image] => https://www.wmm.com/storage/films/people-are-the-sky/peosky_hires1.jpg
)
People Are the Sky
Director Dai Sil Kim-Gibson (
MOTHERLAND CUBA KOREA USA) is the first Korean American filmmaker to be given official permission by the North Korean government to film inside its borders. In PEOPLE ARE THE SKY, Kim-Gibson’s eighth and most personal film, the filmmaker makes a pilgrimage to her place of birth in North Korea for the first time in nearly 70 years, to explore if it is still home.
Kim-Gibson seamlessly weaves her own personal story as a native born North Korean, with the fractious history of the North/South division and pinpoints the roots of North Korean’s hatred of the United States, giving Americans a much better understanding of the conflict. A mix of interviews epic images and graceful musings, PEOPLE ARE THE SKY offers some of the best political and social history of the relations between North and South Korea, and also a contemplative exploration of the meaning of home. The result is unprecedented, at times startling, for hers is an up close look of the hurts and desires, beauty and contradiction, pride and aspirations of the long held demonized nation.
Learn more