While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Life After
A gripping personal investigation that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power as he amplifies the voices of the disability community and raises the alarm about the "right to die."
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Little Sallie Walker
How did generations of Black women and girls across America, including the film's director, find themselves fighting for joy and healing? LITTLE SALLIE WALKER, an intimate documentary, explores how their precious worlds of play collide with a unique set of traumas and struggles from both the past and present.
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Landscapes of Memory
Weaving personal essay and intimate character studies, LANDSCAPES OF MEMORY explores Germany’s remembrance culture, and the uses and abuses of collective memory.
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The Last Nomads
In the pristine mountains of Montenegro, a semi-nomadic mother and daughter defend their herding tradition and their land from becoming a NATO military training ground. A gripping family and environmental drama unfolds, as the story of violence against women echoes that of violence against nature.
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Love, Jamie
The story of Jamie Diaz, a trans artist incarcerated in Texas, and the enduring friendship that brought her art of pride and liberation to the outside world.
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Libertad (Working Title)
Alejandra, an Indigenous, transgender woman from Oaxaca, Mexico prepares to visit her hometown to reunite with her mother for the first time after 28 years in the United States. Alejandra's homecoming journey is explored through the multiple communities she identifies with as she calls for solidarity and mutual liberation.
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LISTEN TO MY HEARTBEAT
LISTEN TO MY HEARTBEAT looks at the gentrification of Washington, DC, through the lens of the city's folkloric music - Go-Go. Amid a gentrification boom, DC natives are facing erasure. The film examines a changing city and the future of the music that gave them a voice.
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