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Apache 8
A film by
Sande
Zeig
Between 1974 and 2005, a crew of women from the White Mountain
Apache Tribe fought raging fires in Arizona and other states.
Featuring extensive interviews, childhood photos, and on-location
and news footage, this insightful and honest documentary profiles
the Apache 8 group through four women, who share their experiences.
Interweaving the scenes of raging fires, intense training sessions,
and disrupted home life are personal stories of sacrifice, tragedy,
pride, and accomplishment. While the women may have initially set
out to try and earn a living in their economically ravaged
community, they quickly discover an inner strength and resilience
that speaks to their traditions and beliefs as Native women.
More.
Native
American Film & Video Festival
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Atomic
Mom
A film by
M.T.
Silvia
ATOMIC MOM weaves an intimate portrait of complex mother-daughter
relationships within an important moment of American history. It
also provides a global perspective on our collective Atomic legacy.
Through revealing interviews with Japanese survivors, doctors and
historians, the film reveals the truth regarding post-war censorship
in Japan and America regarding images and information related to the
bombings of Hiroshima and Nagasaki. It inspires dialogue about human
rights, personal responsibility and the possibility – and hope – of
peace. More.
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Cover Girl
Culture (60 min Director's Cut)
A film by
Nicole
Clark
In this eye-opening documentary, filmmaker and former Elite
International fashion model Nicole Clark, now a champion for young
girls and their self-esteem, calls for a necessary change: integrity
and responsible media for our youth. Clark is given rare access to
women editors from major magazines like Teen Vogue and ELLE, who
provide a shocking defense of the fashion and advertising worlds.
The film juxtaposes these interviews with revealing insights from
models, parents, teachers, psychologists, body image experts and
most importantly, the heartfelt expressions of girls themselves on
how they feel about the media that surrounds them. This new 60
minute Director’s Cut is a compelling, powerful rendition for
classrooms that allows additional time for discussion.
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The
Fat Body (In)Visible
A film by
Margitte Kristjansson
What happens when women decide to love their
bodies, no matter what size? This documentary short by fat
acceptance activist Margitte Kristjansson features two of her
fellow fat acceptance activists, Keena and Jessica, who share
their experiences of being judged by society for their decision
to not bow to how women are expected to look – including being
harassed and discriminated against because of their size.
Undeterred, they talk about how the fat acceptance movement has
allowed them to become empowered through fashion, explore the
intersection of race and fatness, and how they found community
support through social media and blogs.
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Girl
Power: All Dolled Up
A film by
Sarah
Blout Rosenberg
The featured players of GIRL POWER include Jasmine, 16, who wants to
be a midwife when she grows up; 13 year old Visceria who can’t
decide if she wants to be a model or a lawyer; and other
strong-minded girls, from pre-schoolers to "tweens", who share with
us the process of discovering their identities. Who are they now and
who do they want to be? How are they impacted by the images of “girl
power” they see?
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The
Learning
A film by
Ramona Diaz
THE LEARNING chronicles an emotionally charged year in the lives of
four Filipino women as they leave their homeland to teach in
Baltimore’s inner-city schools. With their increased salaries, they
hope to transform their families’ impoverished lives back home. But
the women also bring idealistic visions of the teacher’s craft and
of life in America, which soon collide with Baltimore’s tough
realities.
More.
Silverdocs
Documentary Film Festival
Asian
American International Film Fest
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No Job
For A Woman: The Women Who Fought To Report WWII
A film by By
Michele
Midori Fillion
Before World War II, war reporting was considered to be absolutely
“no job for a woman.” But when the United States entered the war,
American women reporters did not want to miss covering the biggest
story of the century so they fought for and won access. But there
was a catch: women reporters would be banned from the frontlines,
prevented from covering front page stories about generals and
battlefield maneuvers, and assigned “woman’s angle” stories about
nurses and female military personnel. Several women reporters
refused to abide by these journalistic conventions and military
restrictions and, instead, brought home a new kind of war story: one
that was more intimate yet more revealing. They reached beyond the
battlefield and deep into human lives to tell a new story of war.
More.
Sarasota
Film Festival, Through Women’s Eyes Intl., Official Selection
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Quest
for Honor
A film by
Mary Ann
Smothers Bruni
There is an alarming rise in “honor killing,” the heinous act of men
killing daughters, sisters, and wives who threaten “family honor,”
which endangers tens of thousands of women in Iraq, Turkey, Jordan
and adjoining countries. Global communication through satellite
television, Internet, and cell phones has raised the expectations of
young Middle Eastern women, who now are not content to marry a much
older relative to their father might choose and live a life of
servitude. While young women respond to new ideas from cyber pals in
Los Angeles or episodes of popular Western sitcom, their fathers and
brothers demand strict tribal justice for their acts. More.
Sundance
Film Festival, Official Selection
Amsterdam
Film Festival, Winner, Van Gogh Award
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Scarlet
Road
A film by
Catherine Scott, Produced by
Pat Fiske
Impassioned about freedom of sexual expression, Australian sex
worker Rachel Wotton has become highly specialized in working with
clients with disabilities. Rachel’s philosophy – that human tough
and sexual intimacy can be some of the most therapeutic aspects to
our existence – has made a dramatic impact on the lives of her
clients, from improved mental health to actually regaining body
movement. SCARLET ROAD follows Rachel as she strives to increase
awareness and access to sexual expression for disabled people
through her foundation, “Touching Base,” which works to gain rights
for sex workers and end the social stigma and discriminatory
practices that surround their occupation. In addition, she obtains
an MS in Sexual Health, all to further her mission to end the stigma
placed on two marginalized groups.
More.
SXSW,
North American Premiere
Sydney
Film Festival, World Premiere
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Seeing
Through the Media Matrix
A film by
Nicole
Clark
An in-depth 60 minute program based on the topics and solutions
examined in Cover Girl Culture. Newly released footage of key
insights, wisdom and tips from experts and girls in
Cover Girl
Culture, presented in short movie clips on over 20 topics. Each
clip includes activities or though provoking messages for your
groups or daughter(s) as well as a special section strictly for
parents/educators.
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2011 Releases

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Pink
Saris
A film by
Kim Longinotto
"A girl's life is cruel...A woman's life is very cruel," notes
Sampat Pal, the complex protagonist at the center of PINK SARIS,
internationally acclaimed director Kim Longinotto's latest foray
into the lives of extraordinary women. Sampat should know - like many others
she was married as a young girl into a family which made her work
hard and beat her often. But unusually, she fought back, leaving her
in-laws and eventually becoming famous as a champion for beleaguered
women throughout Uttar Pradesh, many of whom find their way to her
doorstep. Like Rekha, a fourteen year old Untouchable, who is three
months pregnant and homeless or fifteen year old Renu, whose
father-in-law has been raping her. Both young women, frightened and
desperate, reach out for their only hope: Sampat Pal and her Gulabi
Gang, Northern India's women vigilantes in pink.
More.
Sheffield
Doc Fest, Special Jury Prize
Abu
Dhabi Int'l Film Festival, Best
Documentary

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Africa is
a Woman's Name
A film by
Ingrid
Sinclair,
Bridget
Pickering &
Wanjiru
Kinyanjui
AFRICA IS A WOMAN’S NAME provides an opportunity for three of
Africa’s leading filmmakers to tell their own country’s stories
through the lives of the powerful women working to create change.
Veteran filmmakers Wanjiru Kinyanjui, from Zimbabwe, and Bridget
Pickering, from South Africa, join Kenyan Ingrid Sinclair, director
of the critically acclaimed feature film FLAME, to profile three
diverse women who eloquently demonstrate the power of women.
More.
Thessaloniki
International Film
Festival,
Greece
Women
of the Sun Film Festival,
Johannesburg
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Blessed
Is the Match: The Life and Death of Hannah Senesh
A film by
Roberta
Grossman
At only 22, Hungarian poet Hannah Senesh made the ultimate sacrifice
- having already escaped Nazi-occupied Europe for Palestine and
freedom, she returned, parachuting in behind enemy lines in a
valiant effort to save Hungary's Jews from deportation to Auschwitz
and certain death. Captured immediately upon crossing the border
into Hungary, Hannah was tortured and taken to a prison in Budapest,
yet she refused to reveal the coordinates of her fellow resistance
fighters - even when they also arrested her mother, Catherine.
Hannah became a symbol of courage for her fellow prisoners,
encouraging them to remain in good spirits, never losing faith in
her Jewish identity, even as she was led out to be executed by
firing squad. More.
Academy
Awards, Short List Best
Documentary
Houston
Jewish Film Festival
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Dish
Women, Waitressing and the Art of Service
A film by
Maya Gallus
Why do women bring your food at local diners, while
in high-end establishments waiters are almost always men? DISH, by
Maya Gallus, whose acclaimed GIRL INSIDE (2007) won Canada’s Gemini
Award for documentary directing, answers this question in a
delicious, well-crafted deconstruction of waitressing and our
collective fascination with an enduring popular icon. Digging beyond
the obvious, Gallus, who waited tables in her teens, explores
diverse dynamics between food servers and customers, as well as
cultural biases and attitudes they convey.
More.
Hot
Docs International Film Fest
Rencontres
Internationales du
Documentaire
de Montréal
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Duhozanye:
A Rwandan Village of Widows
A film by
Karoline
Frogner
During the 1994 genocidal campaign that claimed the
lives of an estimated 800,000 Rwandans and committed atrocities
against countless others, Daphrose Mukarutamu, a Tutsi, lost her
husband and all but two of her 11 children. In the aftermath she
considered suicide. But instead, she took in 20 orphans and started
Duhozanye, an association of Tutsi and Hutu widows who were married
to Tutsi men. This powerful documentary by award-winning Norwegian
director Karoline Frogner recounts the story of Duhozanye’s
formation and growth—from a support group of neighbors who share
their traumatic experiences, rebuild their homes, and collect and
bury their dead, to an expanding member-driven network that advances
the empowerment of Rwandan women.
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Fighting the Silence
A film by
Ilse van
Velzen &
Femke
van Velzen
FIGHTING THE SILENCE tells
the story of ordinary Congolese women and men that are
struggling to change their society: one that prefers to blame
victims rather than prosecute rapists. Rape survivors and their
families speak out openly about the suffering they endured
because their culture considers women second class citizens and
rape a taboo. They give voice to thousands of other survivors
and their families who have chosen to hide their grief and
remain silent for fear of being rejected by their families and
community.
More.
Watchdoc
Human Rights Film Festival
Poland,
Best Documentary
Millenium
Film Festival, Jury Award
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Grace,
Milly, Lucy . . . Child Soldiers
A film by
Raymonde
Provencher
When we usually speak about child soldiers, we rarely realize that
many of them are girls. This little-known reality is underscored by
the gripping personal accounts of Grace Akallo, Milly Auma, and Lucy
Lanyero in Raymonde Provencher's riveting, visually stunning film.
As adults seeking to rebuild their lives, they are three among
thousands of young girls violently abducted from Ugandan villages by
the Lord's Resistance Army, a rebel force that trained kidnapped
girls to fight and kill, often forcing them into child-bearing
unions with their captors.
More.
Hot
Docs International Film Fest,
World Premiere
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In the
Name of the Family
Honor Killings in North America
A Film by
Shelley
Saywell
Schoolgirl Aqsa Parvez, sisters Amina and Sarah
Said, and college student Fauzia Muhammad were all North
American teenagers—and victims of premeditated, murderous
attacks by male family members. Only Muhammad survived. Emmy®
winner Shelley Saywell examines each case in depth in this
riveting investigation of “honor killings” of girls in Muslim
immigrant families. Not sanctioned by Islam, the brutalization
and violence against young women for defying male authority
derives from ancient tribal notions of honor and family shame.
More.
International
Documentary Film
Festival,
Amsterdam
Hot
Docs International Film Fest,
Best
Canadian Feature
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Made in India: A Film about Surrogacy
A film by
Rebecca Haimowitz &
Vaishali Sinha
In San
Antonio, Lisa and Brian Switzer risk their savings with a
Medical Tourism company promising them an affordable solution
after seven years of infertility. Halfway around the world in
Mumbai, 27-year-old Aasia Khan, mother of three, contracts with
a fertility clinic to be implanted with the Texas couple’s
embryos. MADE IN INDIA, about real people involved in
international surrogacy, follows the Switzers and Aasia through
every stage of the process.
More.
Hot
Docs International Film Fest
Woodstock
Film Festival
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Mother, Lebanon & Me
A Film by
Olga Nakkas
A visually striking meditation on loss and a perceptive political
critique, this deeply personal work has two subjects: filmmaker Olga
Nakkas’s ailing mother and the chaotic country where Nakkas was
raised. Both fell sick in 1975, the onset of incurable depression
for one and a bloody civil war ushering in deep divisions for the
other. In this sequel to LEBANON: BITS AND PIECES (1994), Nakas
ponders the plight of the country she clearly loves while honoring
the mother dear to her.
More.
Beirut
International Documentary Film
Festival
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Mountains that Take Wing - Angela Davis & Yuri
Kochiyama: A Conversation on Life, Struggles & Liberation
A film by C.A. Griffith &
H.L.T. Quan
Features conversations that span thirteen years between two
formidable women whose lives and political work remain at the
epicenter of the most important civil rights struggles in the U.S.
Through conversations that are intimate and profound, we learn about
Davis, an internationally renowned scholar-activist and 89-year-old
Kochiyama, a revered grassroots community activist and 2005 Nobel
Peace Prize nominee. They share experiences as political prisoners
and their profound passion for justice.
San
Francisco Black Film Festival,
Winner,
St. Clair Bourne Award for Best
Feature
Documentary
Some
Prefer Cake Lesbian Film
Festival
- Bologna, Italy - Winner,
Audience
Award for Best Feature Film
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Orchids: My Intersex Adventure
A film by
Phoebe Hart
Gen X filmmaker Phoebe Hart always knew she was
different growing up – but she didn’t know why. This award-winning
documentary traces Phoebe’s voyage of self-discovery as an intersex
person, a group of conditions formerly termed hermaphroditism.
Learning only in her teens that she was born with 46XY (male)
chromosomes, Hart now seeks to understand her own story and the
stories of others affected by this complex and often shameful
syndrome.
Frameline,
San Francisco LGBT Film
Festival
OUTFEST:
The Los Angeles Gay and
Lesbian
Film Festival
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The Price of Sex
A film by
Mimi
Chakarova
An unprecedented and compelling inquiry into a dark side of
immigration so difficult to cover or probe with depth, THE PRICE OF
SEX sheds light on the underground criminal network of human
trafficking and experiences of trafficked Eastern European women
forced into prostitution abroad. Photojournalist Mimi Chakarova’s
feature documentary caps years of painstaking, on-the-ground
reporting that aired on Frontline (PBS) and 60 Minutes (CBS) and
earned her an Emmy nomination, Magnum photo agency’s Inge Morath
Award, and a Webby for Internet excellence.
2011
Sarasota Film Festival, World
Premiere
Human
Rights Watch Film Festival
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Pushing
the Elephant
A film by
Beth
Davenport and
Elizabeth Mandel
In the late 1990s, Rose Mapendo lost her family and
home to the violence that engulfed the Democratic Republic of Congo.
She emerged advocating forgiveness and reconciliation. In a country
where ethnic violence has created seemingly irreparable rifts among
Tutsis, Hutus and other Congolese, this remarkable woman is a vital
voice in her beleaguered nation's search for peace. PUSHING THE
ELEPHANT will capture one of the most important stories of our age,
a time when genocidal violence is challenged by the moral fortitude
and grace of one woman's mission for peace.
More.
International
Documentary Film
Festival
Amsterdam (IDFA)
Human
Rights Watch Film Fest, NYC
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Rachel
A film by
Simone Bitton
RACHEL is a startlingly rigorous, fascinating and deeply moving investigatory documentary that examines the death of peace activist and International Solidarity Movement (ISM) member Rachel Corrie, who was crushed by an Israeli army bulldozer in the Gaza Strip in 2003. A few weeks after her little-reported death, an inquiry by Israeli military police concluded that Corrie
died in an accident.
More.
Berlin International Film Festival
HotDocs |

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Sarabah
A film by
Maria Luisa Gambale &
Gloria Bremer, Executive Produced by
Steven
Lawrence
Rapper, singer and activist, Sister Fa is hero
to young women in Senegal and an unstoppable force for social
change. A childhood victim of female genital cutting (FGC), she
decided to tackle the issue by starting a grassroots campaign,
“Education Without Excision,” which uses her music and persuasive
powers to end the practice. But until 2010 there’s one place she had
never brought her message – back home to her own village of Thionck
Essyl, where she fears rejection. Sarabah follows Sister Fa on this
challenging journey, where she speaks out passionately to female
elders and students alike, and stages a rousing concert that has the
community on its feet. A portrait of an artist as activist, Sarabah
shows the extraordinary resilience, passion and creativity of a
woman who boldly challenges gender and cultural norms. It’s an
inspiring story of courage, hope and change.
More.
Movies
That Matter Film Festival,
Winner,
Golden Butterfly Award
Mill
Valley Film Festival
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Sexy Inc.
A film by
Sophie Bissonette
Are children being pushed prematurely into adulthood? SEXY INC.
analyzes a worrying phenomenon: hypersexualization of our
environment and its noxious effects on young people. In this
illuminating inquiry by Quebec filmmaker Sophie Bissonnette,
whose documentaries have won awards for three decades,
psychologists, teachers and school nurses speak out and
criticize a culture proving toxic to both girls and boys.
UNICEF
Award, International
Educational Program Contest Japan
Prize,
Tokyo, Japan
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Umoja
No Men Allowed
A film by
Elizabeth Tadic
UMOJA (Kiswahili for “unity”) tells the life-changing
story of a group of impoverished tribal Samburu women in Northern
Kenya who turn age-old patriarchy on its head by setting up a
women-only village. Their story began in the 1990s, when several
hundred women accused British soldiers from a nearby military base
of rape. In keeping with traditional Samburu customs, the women were
blamed for this abuse and cast out by their husbands for bringing
shame to their families.
More.
International
Documentary Film
Festival,
Amsterdam
First
Factual Films Festival, Winner,
Inaugural
F4 Award for Outstanding
New
Documentary Talent
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Voices
Unveiled: Turkish Women Who Dare
A film by
Binnur
Karaevli
Can Islamic values co-exist with full equality for
women? VOICES UNVEILED examines this timely issue through portraits
of three women pursuing life paths and careers of their own choosing
in present-day Turkey.
Each has defied social expectations in a democratic, secular nation
where religious fundamentalism has re-emerged as a political force
and patriarchal values still prevail. Well-known textile artist
Belkis Belpinar, whose work combines science and kilim rug
traditions, resisted her father’s wishes that she study engineering.
Dancer and psychologist Banu Yucelar braved family opposition to
modern dance, widely perceived as a form of prostitution. Women’s
rights activist Nur Bakata Mardin helps women in underserved
communities, where old beliefs hold sway, form small business
cooperatives.
Rome
Independent Film Festival
London
International Doc Film Festival
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Weapon of War
A film by
Ilse van Velzen &
Femke van Velzen
In no other country has sexual violence matched the
scale of brutality reached in the Democratic Republic of Congo (DCR).
During nearly two decades of conflicts between rebels and government
forces, an estimated 150,000 Congolese women and girls fell victim
to mass rape. That figure continues to rise.
WEAPON OF WAR, an award-winning film honored by Amnesty
International, journeys to the heart of this crisis, where we meet
its perpetrators. In personal interviews, soldiers and former
combatants provide openhearted but shocking testimony about rape in
the DCR. Despite differing views on causes or criminal status, all
reveal how years of conflict, as well as discrimination against
women, have normalized brutal sexual violence. We also see former
rapists struggling to change their own or others’ behavior, and
reintegrate into their communities.
Movies
That Matter Film Festival, The
Netherlands, Official Selection
IDFA
International Documentary Film
Festival Amsterdam, Official
Selection
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Women of Turkey: Between Islam and Secularism
A Film by
Olga
Nakkas
In this thought-provoking documentary, veiled and unveiled women
explore relationships between Islam and secularism in present-day
Turkey, where millions of women, many of them educated and urban,
wear the headscarf or hijab. For her survey, filmmaker Olga Nakkas,
who was born in Turkey and raised in Lebanon, draws on historical
footage and individual visits with Turkish women from across the
professional spectrum. Their wide-ranging interviews, which analyze
the background and impact of controversial bans on headscarves in
universities and civil service, yield fresh perspectives on Turkish
women’s integration of Islamic culture and modern lifestyles, as
well as their far-reaching achievements and priorities for the
future.
More.
New
York Film and Video Festival
Beirut
Film Festival
|
2010
releases

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Africa Rising
A film by
Paula Heredia
Every day, six thousand girls are subjected to female genital mutilation (FGM). With little more than fierce determination and deep love for their communities, brave African activists are breaking the silence and leading a formidable and fearless grassroots movement to end five thousand years of this human rights violation. Traveling through remote villages in five African countries, this extraordinary film presents an insightful look at a quiet revolution taking the African continent by storm.
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After the Rape
A film by
Catherine Ulmer
In 2002, Mukhtar Mai, a rural Pakistani woman from a remote part of
the Punjab, was gang-raped by order of her tribal council as
punishment for her younger brother's alleged relationship with a
woman from another clan. Instead of committing suicide or living in
shame, Mukhtar spoke out, fighting for justice in the Pakistani
courts - making world headlines. Further defying custom, she started
two schools for girls in her village and a crisis center for abused
women.
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Antonia Pantoja: ¡Presente!
A film by
Lillian Jiménez
Antonia Pantoja (1922-2002), visionary Puerto Rican educator, activist, and early proponent of bilingual education, inspired multiple generations of young people and fought for many of the rights that people take for granted today. Unbowed by obstacles she encountered as a black, Puerto Rican woman, she founded ASPIRA to empower Puerto Rican youth, and created other enduring leadership and advocacy organizations in New York and California, across the United States, and in Puerto Rico. More.
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Arresting Ana
A film by
Lucie Schwartz
Sarah is a French college student who runs a "pro-Ana" blog, part of
a global online community of young women sharing tips on living with
anorexia. Valerie Boyer is a passionate French National Assembly
legislator who is proposing a groundbreaking bill that aims to ban
these online forums, issuing hefty fines and two-year prison
sentences to their members. The first film to offer unprecedented
access into the worldwide pro-anorexia movement, ARRESTING ANA also
looks for effective solutions to ending this serious disease and
provides insight into issues of freedom of speech in a new media
landscape. More.
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Chisholm '72 - Unbought and Unbossed
A film by Shola Lynch
Recalling a watershed event in U.S. politics, this compelling documentary takes an in-depth look at the 1972 presidential campaign of Shirley Chisholm, the first black woman elected to Congress and the first to seek nomination for the highest office in the land.
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Cover Girl Culture
A film by Nicole Clark
In this eye-opening documentary, filmmaker Nicole Clark, a former Elite International fashion model, gets in the face of advertisers and fashion industry leaders and calls for integrity and responsible media for our youth. An important examination of how advertising and the cult of celebrity have deeply and negatively impacted teens and young women, COVER GIRL CULTURE pairs television and print ads with footage from the catwalks and juxtaposes shocking interviews with models and editors from top fashion magazines with revealing insights from parents, teachers, psychologists, and the heartfelt testimonies of girls themselves.
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A Crushing Love
A film by Sylvia Morales
A CRUSHING LOVE, Sylvia Morales' sequel to her groundbreaking
history of Chicana women, CHICANA (1979), honors the achievements of
five activist Latinas-labor organizer/farm worker leader Dolores
Huerta, author/educator Elizabeth "Betita" Martinez,
writer/playwright/educator Cherrie Moraga, civil rights advocate
Alicia Escalante, and historian/writer Martha Cotera - and considers
how these single mothers manage to simultaneously be parents and
effect broad-based social change. Both the activists and filmmaker,
along with their grown children, thoughtfully explore the
challenges, adaptations, rewards, and missteps involved in juggling
these dual roles.
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El
General
A film by
Natalia Almada
Filmmaker Natalia Almada's great-grandfather Plutarco Elias Calles served as a general in the Mexican Revolution and became the president of Mexico in 1924. Today, he is remembered as a dictator who ruled through puppet presidents until his exile in 1936. EL GENERAL brings to life audio recordings Almada inherited from her grandmother about her great-grandfather, presenting a complex and visually arresting portrait of a family and country living under the shadows of the past.
More.
Sundance Film Festival,
US Directing Award: Documentary
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Ella es el Matador (She is the Matador)
A film by Gemma Cubero and
Celeste Carrasco
For Spaniards - and for the world - nothing has expressed the
country's traditionally rigid gender roles more powerfully than the
image of the male matador. So sacred was the bullfighter's
masculinity to Spanish identity that a 1908 law barred women from
the sport. ELLA ES EL MATADOR (SHE IS THE MATADOR) reveals the
surprising history of the women who made such a law necessary, and
offers fascinating profiles of two female matadors currently in the
arena, the acclaimed Mari Paz Vega and neophyte Eva Florencia. These
women are gender pioneers by necessity. But what emerges as their
truest motivation is their sheer passion - for bullfighting and the
pursuit of a dream.
More.
Tribeca All Access,
Creative Promise Award
Silverdocs AFI/Discovery Channel
Documentary Festival, Official
Selection ,
U.S. Premiere
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THE HERETICS
A film by
Joan Braderman
Tracing the influence of the Women's Movement's Second Wave on art
and life, THE HERETICS is the exhilarating inside story of the New
York feminist art collective that produced "Heresies: A Feminist
Publication on Art and Politics" (1977-92). In this feature-length
documentary, cutting-edge video artist/writer/director Joan
Braderman, who joined the group in 1971 as an aspiring filmmaker,
reconnects with 28 other group members and charts this smart, funny
and sexy collective's challenges to terms of gender and power and
its history as a microcosm of the period's broader transformations.
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Latching On
A film by
Katja Esson
After filmmaker Katja Esson's sister gave birth in Germany, she was
able to breastfeed her baby anywhere and at any time. Returning home
to New York, Esson found that breastfeeding was rarely practiced and
largely unseen. Academy Award® Nominee Esson (FERRY TALES) turned
her quirky eye on the subject and set out to learn why this was so.
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Middle of Everywhere
A film by
Rebecca Lee & Jesper Malmberg
Rebecca Lee returns home to South Dakota in 2006 on the brink of a historic state vote: House Bill 1215 could make South Dakota the first state to outlaw most abortions since Roe v. Wade passed almost 30 years earlier. When 1215 fails to pass, Lee sets out to uncover what would make a self-proclaimed pro-life state vote against the very measure that would end most legal abortions. In The Middle of Everywhere, Lee discovers the debate to be complex, with both sides claiming compassion for women and the same desire to stop the need for abortion.
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Miss Gulag
A film by
Maria Yatskova
Through the prism of a beauty pageant staged by female inmates of Siberian prison camp UF91-9 emerges a complex narrative about the first generation of women to come of age in post-Soviet Russia. Shot inside the prison and the surrounding countryside, MISS GULAG traces the individual paths of three young women now at different points in their lives. Like their individual circumstances, the shared experience of long jail sentences has made them vigilant about their own destinies.
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Mrs. Goundo's Daughter
A film by
Barbara Attie and Janet Goldwater
Mrs. Goundo is on a quest to keep her baby daughter healthy and whole. Having fled drought and ethnic conflict in their native Mali,
Mrs.Goundo and her husband moved to Philadelphia to raise three children, including two year old Djenebou who holds natural citizenship
having been born in the U.S. But the Goundos are at risk of deportation, as Mrs. Goundo has to convince a immigration judge that
Djenebou will suffer genital excision if they are sent back to Mali. Hearing from
both Malian activists fighting to end the practice and
traditionalists who defend it, this film reveals the
complexity and passion around protecting a daughter's future.
More.
AFI Silverdocs,
World Premiere
Human Rights Watch Int'l Film Festival, New York
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My Toxic Baby
A film by
Min Sook Lee
In this timely, compelling, and intimate documentary, new mother Min
Sook Lee searches for safe, sane, and affordable ways to raise her
baby daughter in an environment that has become increasingly full of
toxic threats. A startling look at the numerous toxins found in a
baby's food, bedding, clothing, toys, and home, Lee shares her
anxieties as she struggles to protect her daughter from hazardous
chemicals and introduces other parents making alternative choices in
today's chemically laced world.
More.
Toronto Int'l Film Festival,
World Premiere
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Patsy Mink: Ahead of the Majority
A film by Kimberlee Bassford
PATSY MINK: AHEAD OF THE MAJORITY explores the remarkable political
story of Patsy Takemoto Mink, an Asian American woman who battled
racism and sexism - and redefined American politics. Small in
stature but giant in vision, in 1965 she became the first woman of
color in the United States Congress. Seven years later, she ran for
the U.S. presidency and co-authored Title IX, the landmark
legislation that opened up higher education and athletics to
America's women. Pioneer, patriot and outcast, Mink's endlessly
intriguing story embodies the very history, ideals and spirit of
America.
More.
Hawaii International Film Festival,
Audience Award for Favorite
Documentary
Honolulu International Film Festival,
Best Documentary, Gold Kahuna
Award, Best Hawaiian Film
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Say My Name
A film by
Nirit
Peled
Sisters, mothers, businesswomen, music artists - in a hip hop and
R'n'B industry world by men and noted for misogyny, the unstoppable
female lyricists of SAY MY NAME speak candidly about class, race,
and gender in pursuing their passions as female MCs. From hip hop's
birthplace in the Bronx to grime on London's Eastside, emerging
artists to world renowned stars like MC Lyte and Monie Love, these
are women turning adversity into art.
More.
AFI
Dallas Int'l Film Festival
South
by Southwest Film Festival
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Sin by Silence
A film by
Olivia Klaus
Since 1989, Convicted Women Against Abuse, the first inmate-initiated and -led group inside the US prison system, has changed laws for battered women, raised awareness for those on the outside, and educated a system that does not fully comprehend the complexities of domestic abuse. From behind prison walls, SIN BY SILENCE shatters misconceptions and reveals the extraordinary lives of women who have killed their abusers and now advocate for a future free from domestic violence.
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Starz Denver Film Festival
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Sweatshop Cinderella
A film by
Suzanne Wasserman
Arriving from Poland around 1890, Anzia Yezierska's family settled
on the Lower East Side, where she toiled in sweatshops and
laundries. Defying her parents, she pursued her education and
devoted herself full-time to writing award-winning stories and
novels in Yiddish-English dialect. Soon Hollywood, which turned two
of her works into movies, beckoned her to write screenplays. When
disenchantment with that world set in, she returned to New York to
write. SWEATSHOP CINDERELLA, by award-winning filmmaker/historian
Suzanne Wasserman, vividly depicts this Jewish immigrant writer's
amazing story.
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Tea & Justice: NYPD's 1st Asian Women Officers
A film by
Ermena Vinluan
Tea & Justice chronicles the experiences of three women who joined
the New York Police Department during the 1980s - the first Asian
women to become members of a force that was largely white and
predominantly male. In this award-winning documentary, Officer Trish
Ormsby and Detectives Agnes Chan and Christine Leung share their
fascinating stories about careers and personal lives, as well as
satisfactions and risks on the job, the stereotypes they defied, and
how they persevered.
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Toxic
Trespass
A film by
Barri Cohen
When Canadian filmmaker Barri Cohen discovers that her ten-year-old
daughter's blood carries carcinogens like benzene and the
long-banned DDT, she travels to toxic hotspots to uncover startling
clusters of deadly diseases, as well as evidence that industrialized
countries are conducting large-scale toxicological experiments on
their children. Combining interviews with affected families and
experts with shocking facts and footage, this empowering and moving
film is one woman's quest for truth and essential viewing for anyone
concerned about the growing connections between environmental
pollution, public health, and children's lives.
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Unveiled Views: Muslim Women Artists Speak Out
A film by
Alba Sotorra
In this revealing documentary, five extraordinary Muslim women talk about their occupations, aspirations, and the rights and status of women in their countries. They challenge the expected and enforced rules that dictate their lives and strive to rise above violence and oppression. These self-portraits of hope, heroism, and pride challenge conventional Western stereotypes about women in the Islamic world.
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Wired for Sex, Lies and Power Trips: It's a Teen's World
A film by
Lynn Glazier
An inside look at the culture of sexual harassment and bullying widespread among many teens today, this unique and compelling program examines the price that adolescents, especially girls, pay to be cool, hip and popular in our brave new wired world. Three different groups of culturally diverse teenagers share personal stories of navigating their hyper-sexualized, high-tech environment, where the online posting of racy photos, raunchy videos, and explicit gossip and lies, is as commonplace as bombardment by provocative media messages that degrade and objectify women.
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Women of Faith
A film by
Rebecca M. Alvin
This absorbing documentary examines women's decisions to lead
religious lives in the Roman Catholic tradition in the post-feminist
era. Throughout history, nuns were given certain advantages over
other women, while still oppressed within their vocational pursuits.
They were taught to read and write, encouraged to pursue music,
literature, art, philosophy and spirituality, and officially allowed
to escape marriage's powerless role of wife. But why would a woman
choose a nun's life today?
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