Browse Films

An ethnically diverse group of four working class girls strut, flirt, and testify in this vibrant, affecting portrait of teenage girls' experiences of sexuality. Filmed in South Philadelphia and following its subjects from the ages of 14 to 18, GIRLS LIKE US reveals the conflicts of growing up female by examining the impact of class, sexism, and violence on the dreams and expectations of young girls. Intimate interviews and candid footage introduce Anna, whose need for freedom in a new culture conflicts with her parents' strictness; De'Yona, who dreams of a singing career while coping with family tragedy; Raelene, who confronts violence and issues of self-esteem as a teenage mother; and Lisa, who faces the differences between the feminine roles of her Catholic upbringing and her own wishes. In documenting the friendships, challenges, and triumphs of these four young women, acclaimed filmmakers Jane C. Wagner and Tina DiFeliciantonio have created something truly rare: a searingly honest, inspiring depiction of girls' experiences that provokes reaction from and dialogue between educators, parents, and young women alike. GIRLS LIKE US was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

Available only as part of the series New Directions.

From the makers of the Oscar-winning IN THE SHADOWS OF THE STARS, this fascinating documentary follows a group of women - all breast cancer activists who are fighting or have survived the disease - who are on a personal mission to unearth the causes of breast cancer. The result is RACHEL'S DAUGHTERS, an engaging detective story and detailed analysis of the science and politics of this epidemic. Seeing themselves as spiritual heirs of author Rachel Carson, whose 1962 book SILENT SPRING warned of the dangers of DDT exposure, they focus on issues including chemical contamination, radiation, and electromagnetic exposure to find breast cancer's causes. Addressing environmental racism, inequalities in research funding, and disparities in cancer rates for women of color, they track the effects of social biases on cancer incidence and health care delivery. Incorporating interviews with prominent scientists, documentary footage from high cancer rate areas, and the investigating womens' personal battles to stay healthy, RACHEL'S DAUGHTERS offers a scientifically rigorous and intensely affecting view of this growing epidemic. An unprecedented warning of the dangers of industrialization; it is an inspiring rallying cry for those working to change current views about women's health.

Combining powerful interviews with documentary footage, this timely and compelling film takes a comprehensive look at the issues still confronting battered women twenty years after the beginning of the domestic violence movement. Featuring the stories of three women - one a police officer - who went through the Philadelphia family courts to ensure their safety, BREAKING THE RULE OF THUMB examines contemporary domestic violence in terms of changing historical definitions of abuse. Incorporating individual stories into a strong argument for legal reform, filmmaker Andrea Elovson exposes how domestic violence's seemingly personal gender issues are inextricably tied to flawed ideas of civil justice.

"THROUGH CHINESE WOMEN'S EYES offers an insightful journey into the transformations in the lives of Chinese women over the 20th century. In a fascinating overview, anthropologist/director Mayfair Yang documents the attempts to erase gender differences under Mao, today's changing ideas of femininity, and the crystallization of Chinese feminism at the UN Women's conference in Beijing. As propaganda films and news footage of the 1960's, present day television images, and interview footage from the 1990's mingle in a rich visual history, teachers, karaoke singers, organizers, and others share their lives. This sensitive portrayal of the daily experiences and historical memories of Chinese is essential to an understanding of contemporary feminisms." - Faye Ginsburg, New York University

In a critical examination of changing concepts of beauty and sexuality in modern China, WOMAN BEING illustrates how a flood of Western pop culture is adversely affecting women's expectations and self-worth. Revisiting her hometown Chengdu after a long absence,filmmaker Wen-Jie Qin traces the impact of a newly booming beauty industry in a country where thirty years ago women were beat up for wearing makeup. Combining interviews and footage from glamour photo studios and television, WOMAN BEING explores the rise of a new super-feminine, highly sexualized ideal. "This hard-nosed look at women in contemporary China makes a persuasive case for how the economies of pleasure, beauty, and consumption are transacted through exploiting women's bodies and images. It provides a sobering prognosis of what 'freedom' might mean for women in China today." - Marina Heung, Baruch College, CUNY

This moving, closely observed portrait of adolescence documents one summer in the lives of two 17 year old cousins named Jenny. As North African Jewish immigrants living on Israel's working class Mediterranean coast, the girls' changing environment provides a fascinating window into a culture both religious and secular. In struggling towards self-definition, their experiences embody universal concerns of young women. An intimate look at the cousins at school, at home, and with friends, JENNY AND JENNY sensitively depicts the fragility and power of girls moving towards womanhood.

MY FEMINISM is a critically important look at second wave feminism in the 1990’s, a time rife with anti-feminist backlash. Powerful interviews with feminist leaders including bell hooks, Gloria Steinem, and Urvsahi Vaid are intercut with documentary sequences to engagingly explore the past and present and future status of the women's movement. Discussing the unique contributions of second wave feminism, they explore their racial, economic and ideological differences and shared vision of achieving equality for women. An essential component of women's studies curricula, MY FEMINISM introduces feminism's key themes while exposing the cultural fears underlying the lesbian baiting, backlash, and political extremism which informed feminist dialogues in the 90’s, some of which continues to this day.

WAVELENGTHS explores the time honored quest for love and human intimacy in the polished world of computers and the Internet. Set in gay bars, dreams, and cyberspace, this perceptive and highly visual film contemplates one woman's search for emotionally safer sex. Mona's girlfriend has left Mona with a broken heart, an empty goldfish tank, and—in her altered state—the ability to pick up other people's conversations. Stuck in the post relationship blues, Mona just can't seem to move on...that is until she discovers "cybersex". This stylish new film from Pratibha Parmar features photographs by Nan Goldin and the hit single "Missing" by Everything But The Girl.

Available only as part of the series New Directions.

"Five Native American Women from diverse tribal backgrounds tell moving stories, from their lives and cultural memory that concern wellness — physical, emotional, mental and spiritual — and the connection of Native women through shared experience and cultural legacy. That legacy enables them to merge traditional ways of living and healing with contemporary life in this hopeful, heartfelt, and beautiful piece. Highly recommended for classes in Women's Studies, American Studies, Diversity, and Multicultural Studies." - Jane Caputi, Florida Atlantic University Sundance Film Festival

When Jamaican-born filmmaker T. Nicole Atkinson threw away her comb to let her hair coil into dreadlocks, she was forced to challenge both society’s and her own conflicted notions of beauty. Her story and those of other African Americans who have chosen to ‘lock up’ are wittily chronicled in this award-winning, entertaining film. Anecdotes, historical data, groit performances, and hair tips mingle in a survey of the origins and cultural significance of dreadlocks, including the stereotypes which mirror the racism inherent in Western standards of beauty. T. Nicole Atkinson is the co-producer of the late Marlon Riggs’ acclaimed documentary, BLACK IS...BLACK AINT.

This playful film from famed director and photographer Tracey Moffatt turns the tables on traditional representations of desire to examine the power of the female gaze in the objectification of men’s bodies. HEAVEN begins with surreptitiously filmed documentary footage of brawny surfers changing in and out of bathing and wet-suits. While the soundtrack switches between the ocean surf and male chanting, Moffatt moves closer to alternately flirt with and tease her subjects, who respond with a combination of preening and macho reticence. This witty piece is a potent and hilarious meditation on cinematic and everyday sex roles, voyeurism, power, and the thin line between admiration and invasiveness.

Claudia Morgado Escanilla's SABOR A MI is an erotic short drama about sensual yearnings, the guilty pleasures of watching, and the secret complicity of desire. Two women secretly watch the most intimate moments of each other's lives. Chance meetings between the two soon become deliberate encounters and the women discover their mutual longing for each other. This visually stunning short is from the maker of Unbound, winner of the Teddy Award at the Berlin International Film Festival.

This groundbreaking work from Li Hong, China’s first independent female documentarian, follows two years in the lives of four young women from the countryside who have come to Beijing for jobs. Although they work long hours as maids or street vendors and share a tiny room no bigger than a closet, they savor these years— between living as a daughter at home and returning to the village to marry —as probably the freest time of their lives. Documenting both her deepening relationship with these women and the gulf of experiences and opportunity that separate them, Hong carefully charts their hopes for a better future and dreams of self-determination. In interviews and intimate footage, Hong elicits remarkably candid and complex testimony from her subjects as they frankly discuss their work, pressures from home, and experiences with men. A remarkable achievement, this touching film is a fascinating look at the lives of women whose experiences are rarely explored. As they straddle traditional and modern roles, their stories uniquely exemplify the conflicts between the swift changes in women’s roles occurring in China and around the developing world.

NEW DIRECTIONS is award-winning documentarian Joanne Burke's series about women's empowerment in developing countries. Each one spotlights the critical role women are playing as community based leaders: providing education, inspiration and practical assistance to other women in their countries. WOMEN OF ZIMBABWE (1997, 30 minutes) focuses on a group of five daring women who have taken up the challenge of creating their own future in the traditionally male field of carpentry. At its center is Fatima Shoriwa, an inspiration to many of her countrywomen. Owner of a thriving carpentry business, she also openly advocates education, family planning, safe sex practices, and economic self-sufficiency to achieve women's full voices in their own destinies. In Klong Toey, Bangkok's largest slum, Duang Prateep, a foundation created and run entirely by women, provides empowering choices and role models to the area's residents. WOMEN OF THAILAND (1997, 30 minutes) centers on Rotjana Phraesrithong, a remarkable young social worker who first came to Klong Toey as a poor, ill-educated country girl of twelve. As it follows Rotjana in her work with the women and children of Klong Toey, the film reveals how her innovative programs promote schooling for children and provide AIDS and health eduction. WOMEN OF GUATEMALA (2000, 30 minutes) is a compelling portrait of Maria Del Carmen Chavajay and Micaela Chavajay, part of the new generation of Mayan women. They head the Health Promoter Group of San Pedro La Laguna, a group of seventy-five women that provides health education and tackles the grave social and economic injustices facing Mayan women in Guatemala. In a region where doctors are few or non-existent and where the cost of medical care is prohibitively high, these dedicated women share the aspirations, insights and experiences that underscore the important contributions of Mayan women--and their roles as future leaders--in Guatemalan women's struggle for empowerment. The fourth installment of the series, SPEAKING OUT: WOMEN, AIDS AND HOPE IN MALI (2002, 55 minutes) profiles a remarkable HIV and AIDS support project in Bamako, Mali, sponsored by The Center for Care, Activity and Council for People Living with HIV (CESAC) and three brave women who tirelessly work on behalf of the infected community.

Academy Award nominated filmmaker Lourdes Portillo (LAS MADRES: THE MOTHERS OF PLAZA DE MAYO) mines the complicated intersections of analysis and autobiography, evidence and hypothesis, even melodrama and police procedure in this ground-breaking work. Early one Sunday morning, the filmmaker receives a phone call informing her that her beloved Tio (Uncle) Oscar Ruiz Almeida has been found dead of a gunshot wound to the head in Chihuahua, Mexico. His widow declares his death a suicide. Most of his family, however, cry murder and point to a number of suspects that include the widow herself. The filmmaker returns to the land of her birth to investigate her uncle's identity and death. Finding clues in old tales of betrayal, lust, and supernatural visitation, Portillo blends traditional and experimental techniques to capture the nuances of Mexican social and family order. Poetic and tragic, humorous and mythic, this film crosses the borders of personal values, cultural mores, and the discipline of filmmaking in a fascinating look at family mysteries. THE DEVIL NEVER SLEEPS was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

In a witty mix of rare archival footage and sound bites from religious and political leaders, filmmaker Jacqueline Frank takes a fast-paced look at 100 years of the fight for birth control and legalized abortion. Featuring a concise overview of the work of Planned Parenthood founder Margaret Sanger, CHOICE THOUGHTS illuminates how access to birth control became seen as a human right and how this dialogue continues around present day issues of choice. Discussion Guide available.

REAL INDIAN is a lighthearted, very personal look at the meaning of cultural identity. As a Lumbee Indian, the filmmaker is constantly confronted with the fact that she doesn't fit any of society's stereotypes for Native Americans. Those stereotypes are imposed by both whites and other Indians, alienating the filmmaker from many of the conventional definitions of Native American identity. REAL INDIAN is a unique look into the fascinating and complex world of Lumbee Indian culture and makes the viewer question perceptions of Native Americans, as well as the meaning of our own cultural identity.

During a tumultuous political campaign, veteran broadcast journalist Bia takes over as news director of a major television network. Amidst multiple candidates, corrupt colleagues, and personal intrigues, she is sucked into ethical grey areas from which it proves difficult to escape. Brazilian filmmaker-journalist Lúcia Murat (HOW NICE TO SEE YOU ALIVE) has drawn on her own experiences as a television journalist and human rights activist, who was jailed for her political activities, in this stylish, sexy drama about the moral conflicts between careerism, political expediency, and personal and professional ideals. Infused with pathos, humor, and real conflict, SWEET POWER is a very real look at one woman’s struggle to act honorably in the most compromising of situations.

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training.