Ramleh
A timely and powerful look at the ideological, cultural and political conflicts in contemporary Israel, this highly original documentary profiles three seemingly disparate women residing in the town of Ramleh. Located in the heartland of the Israel, this former Palestinian territory serves as a microcosm of the beliefs, biases and conflicts of women living in the country today.
Profiled in this compelling documentary are Sima and Orly, two ultra-orthodox Jewish women who rediscover religion and enthusiastically support the conservative “Shas” party, the third largest political party in Israel; Svetlana, a single-mother and recent immigrant struggling to establish herself in her new country; and Gehad, a young Muslim teacher and law student attempting to find a sense of national identity in a predominately Jewish state. Filmed between the general elections in 1999 and the 2001 elections, Ramleh demonstrates the profound cultural and political divisions barring these women from living together as a united community, as well as reveals how their political landscape helped sow the seeds of the intifada in 2000. It similarly raises the question of whether each woman and the communities they represent will ever peacefully reconcile their search for tradition, religion and homeland.
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Runaway
“RUNAWAY is a powerful and heart-breaking documentary about a group of young runaway girls who are taken to a women's shelter in Tehran, Iran. The film focuses on the sufferings of young girls who struggle to free themselves from the tyrannical and abusive power of their families, mainly their fathers, brothers, and stepfathers. The sisterly feelings of the girls towards each other, their spiritual strength, their courage to rebel, and their wit are shown with a great degree of compassion and empathy in the film. The filmmakers have beautifully criticized the patriarchal system of family and the destructive power of male family members over the lives of their daughters and sisters. One can imagine that the issue of confinement and abuse goes beyond the issue of class when it comes to the problem of domestic violence and the desire to control women through anger, aggression and madness.” - Mehrnaz Saeed, Colombia College Chicago
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Remote Sensing
In Biemann’s film, she traces the routes and reasons of women who travel across the globe for work in the sex industry. By using the latest images from NASA satellites, the film investigates the consequences of the U.S. military presence in southeast Asia as well as European migration politics. This essay takes an earthly perspective on cross-border circuits, where women have emerged as key actors and expertly links new geographic technologies to the sexualization and displacement of women on a global scale. By revealing how technologies of marginalization affect women in their sexuality, REMOTE SENSING aspires to displace and resignify the feminine within sexual difference and cultural representation.
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Children of the Crocodile
This documentary tells the story of two young Timorese-Australian activists – one a high profile human rights worker, the other a performance artist and lesbian – and their personal journey to further the cause of peace in the homeland they were forced to flee. Although merely infants when their families left East Timor to seek political asylum in Australia, Cidalia Pires and Elizabeth Exposto carry on their parents’ human rights work promoting the Timorese struggle. Their tireless activist efforts are documented through two amazing years in East Timor’s history - from the joy of voting for freedom in August 1999 to the rage at the destruction that followed and time of renewed commitment and hope. Their country’s independence fulfills their lifetime dream, but it also brings hard choices and painful returns for them both. Cidalia, in particular, faces the additional challenge of being an openly gay Timorese woman in a culture heavily steeped in tradition and conservative gender roles. CHILDREN OF THE CROCODILE tells a story which is personal yet universal - about ideals, identity, and the strength of an exile community that is committed to furthering the cause of peace in their native land.
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Some Real Heat
SOME REAL HEAT explores the small and relatively new world of female firefighters in San Francisco and their upward climb to gain access to a male-dominated field. Armed with axes, chainsaws, muscle, heart and determination, six daring women demonstrate how they single-handedly turn gender roles upside down by putting their lives on the line everyday in one of the riskiest jobs around. As they passionately talk about the tools of the trade, overcoming their fears and helping others, they reveal the fascinating history of women fire fighters and the gender bias that barred them from officially entering the U.S. Fire Department until 1974. They also explain the important role women paramedics play in fire departments and the surprising number of medical emergencies that they attend to on a weekly basis – a number that far outweighs actually putting out fires. Uncovering the myth and reality of this dangerous profession, this inspiring piece intimately delves into the strength and character that distinguishes these women as true modern-day heroes.
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Señorita Extraviada, Missing Young Woman
SENORITA EXTRAVIADA, MISSING YOUNG WOMAN tells the haunting story of the more than 350 kidnapped, raped and murdered young women of Juárez, Mexico.
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Georgie Girl
Meet Georgina Beyer, the “it” girl of New Zealand politics. A one-time sex worker of Maori descent turned public official, Georgina stunned the world in 1999 by becoming the first trans person to hold national office. This unlikely politician grew up on a small Tarankai farm and later became a small-time celebrity on the cabaret circuit in Auckland. With charisma, humor and charm, Beyer unapologetically recounts her fascinating life story, shares how she overcame adversity and discloses the reasons she decided to run for office in a mostly all white, conservative electorate. Incorporating an unbelievable montage of colorful archival images dug up from Georgina’s days as an exotic dancer, theatre and television performer, this absorbing documentary breaks down stereotypes and promotes greater understanding of transgender people.
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The Fourth Dimension
Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh's previous films, her film is a multi-layered work addressing issues around its central theme: the experience of time, the impossibility of truly "seeing," and the impact of video on image-making.
THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light.
“Trinh T. Minh-ha’s newest essayistic work and her first videotape, cuts an intricate key for unlocking this elusive culture. Her tack finds great visual pleasure in the everyday, composing and decomposing the social landscape, while constructing a poetic grid of temporalities, symbolic meaning, and ritual. In THE FOURTH DIMENSION, Trinh’s lyrical narration guides us through ‘Japan’s likeness,’ the perfected framing of the sacramental familiar.” - Steve Seid
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Sir: Just a Normal Guy
Screened to acclaim at Gay & Lesbian Film Festivals worldwide and LBGT events across the nation, this candid and courageous portrait of more than 15-months in the female-to-male (FTM) transition of Jay Snider explores both the emotional and physical changes of this profound experience--beginning prior to hormones and concluding after top surgery. Footage shot before and after the surgery captures dramatic physical transitions, while intimate interviews with Jay, his ex-husband, his best friend and his lesbian-identified partner aptly capture the emotional and psychological shifts that occur during the process. With support from those closest to him, Jay’s experience is remarkably positive, though not without conflict. During the course of the film, he renews long-distant ties with his brother, but also faces permanent estrangement from his parents.
SIR is an in-depth and humanizing exploration of the challenges, discrimination, and alienation faced by transgender and gender expansive individuals. Jay’s conflicted feelings around queer identification are portrayed along with his significant other’s continued identification as lesbian. A much-needed look at FTM transition, the film demonstrates both the fluidity of sexual identification and that love and human resilience can triumph over deep-rooted differences.
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Elida Schogt Trilogy
Elida Schogt’s deeply personal trilogy of short documentaries on Holocaust memory: ZYKLON PORTRAIT (1999), THE WALNUT TREE (2000) and SILENT SONG (2001) have been screened around the globe, garnering numerous awards. This trilogy includes:
ZYKLON PORTRAIT, a Holocaust film without Holocaust imagery that combines archival instructional films with family snapshots, home movies, underwater photography, and hand-painted imagery for an expressive exploration of how history and memory are related to one family's loss.
THE WALNUT TREE examines Holocaust memory, the family, and the role of photography in history through a striking combination of documentary and experimental approaches. As its point of departure, the film shows three girls in Dutch costumes posing for their father's camera. This sweet but fleeting moment, made static in a snapshot, is contrasted with live-action images of railway tracks--tracks that carried the death transports--now blurred by the passage of time.
“In SILENT SONG Schogt deftly conjures an elaborate dialogue around issues of memory in its various forms - personal, historical, filmic… [her] rich and nuanced economy of style is brilliantly illustrated here as these meditations lead to the most basic, yet most cogent statements on the nature of memory itself. Perhaps more importantly, Schogt points to the unstable nature of the recorded image, one that history has come to rely on.” - Barbara Goslawski, Independent Film Critic and Curator, Toronto
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Reconstruction
Filmmaker Irene Lusztig unearths a dark family secret in search of answers and reconciliation in her breakthrough feature documentary, RECONSTRUCTION. In communist Romania 1959, Lusztig’s maternal grandmother, Monica Sevianu, took part in a failed bank robbery (known as the Ioanid Gang bank heist) and was condemned to life in prison. Forty years later, the filmmaker returns to Bucharest to reassemble the pieces of her shocking story and construct a portrait of her estranged and enigmatic grandmother.
The title of the documentary derives from a bizarre government propaganda film that reenacts the crime and trial of the robbery and shockingly stars the actual members of the Ioanid Gang – including Monica Sevianu. This surreal docu-drama incorporates interviews, contemporary footage shot in Bucharest and rare archival images, Lusztig reveals a mesmerizing family story spanning three generations about the subversive crime of six Jewish intellectuals, while presenting a compelling and complex examination of modern-day Romania.
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She Wants to Talk to You
In October 1999 filmmaker Anita Chang befriended three 13-year-old girls – Monika Rasali, Sushma Sada and Vinita Shrestha – while living in Kathmandu, Nepal. Honestly presenting themselves in front of the camera, these girls share with the filmmaker their ideas on marriage, friendship and spirituality. Their recordings provide a complex and poignant framework for three Nepali women living in the U.S. to reflect on their own struggle, exile and quest for liberation. Through verite documentary, the film offers rare insight into the lives of girls and women from a society steeped in patriarchy, tradition and caste. SHE WANTS TO TALK TO YOU speaks closely to young girls and women, as well as provokes universal introspection about the nature of happiness and oppression, and human relations and intimacy.
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Hammering It Out
“This spirited documentary spotlights the experience of women in the building trades, specifically those women involved in the Century Freeway Women's Employment Project in Los Angeles. Framed by the story of a community-initiated lawsuit that resulted in hundreds of women getting trained to work on a billion-dollar freeway project, the film evolves into a primer on the feminist issues of equality, identity, and changing gender roles. Powerful testimonials by the women workers tell stories of the often unspoken gendered specifics of discrimination in the building trades: sexual harassment at the jobsite; negotiations about childcare and worker benefits; and the translation of affirmative action policy to the traditional practices of contractors and the historical conventions of the male worksite. The film demonstrates the importance of providing opportunity, embracing equity, and abandoning sexist traditions which deny talented women workers the right to support their families on a par equal with men. It also serves as a cautionary tale that warns that unless laws, policies, and conventions are changed, women workers may be forced out of their chosen professions, like the Rosie the Riveters, by bias and expediency.” Joseph Boles, Northern Arizona University
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A Boy Named Sue
Julie Wyman's compelling documentary chronicles Theo's transformation from a woman to a man over the course of six years. The film successfully captures Theo's physiological and psychological changes during the process, as well as their effects on his lesbian lover and community of close friends. Taking full advantage of the unlimited access she received into an extraordinarily personal process, Wyman carefully composes a moving story about gender identity, relationships, and how even things that seem permanent can change.
"A BOY NAMED SUE is one of the best videos to date on female-to-male trans[gender] experience. Wyman spent six years taping Sue's transformation into Theo and then organized a huge archive of material into a moving, informative and smart rendering of what a difference sex reassignment surgeries can make not only to the transgender individuals but also to all those in their immediate circle. Theo is a great subject and Wyman is a talented and imaginative documentarian." Judith Halberstam, University of California, San Diego
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My Left Breast
“Every once in a while someone comes up with a film that sends us a clear signal that it's time to re-evaluate our lives. The film MY LEFT BREAST is not just for women living with breast cancer--it's for everyone.” – Canadian Breast Cancer Foundation. Incorporating a unique blend of wit, wisdom and resilience, filmmaker Gerry Rogers bravely recounts her story of breast cancer survival to share with the world that life, indeed, can continue with full force and vigor. Shortly after being diagnosed at age 42, Rogers began to document her ordeal on camera in an attempt to confront her own questions and fears about breast cancer. Rather than present a somber and morose meditation on this difficult experience, she decides to invoke humor to frankly reflect on the meaning of this disease on her life, as well as on the lives of her friends and family. The result is a one-of-kind approach to positively coping with a potentially fatal disease.
Rather than merely chronicling how one copes with an infirmity, MY LEFT BREAST serves as a model for overcoming every challenge and obstacle in life with clarity and honesty. In the same vein as the most highly regarded films on health, such as COMPLAINTS OF A DUTIFUL DAUGHTER, this powerful film intimately embraces the emotional challenges of disease, demonstrates acceptance and, above all, affirms life.
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Subrosa
SUBROSA traces a young woman's journey to Korea, the land of her birth, to find the mother she's never known. This exquisitely crafted drama probes the idealized, often false constructions of cultural and maternal identities wrought by the adoptee's return. SUBROSA tracks the unnamed heroine from a sterile adoption agency office to seedy bars and motel rooms on neon strips, then to a stark U.S. army camp town and the bustling flower markets of Seoul. Though her path to self-destruction and ultimate self-revelation ironically and tragically mirrors that of her imagined biological mother, the past remains elusive to her, the secret intact. Originally shot on digital video, the film captures the grit and garishness of an alien urban landscape while plumbing the melancholy dream space where the character retreats even as she searches for her very life. Brimming with surreal, breathtaking, elegiac imagery, this sensuously rendered tale of loss, love and longing resonates long after its shocking conclusion.
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900 Women
“The Louisiana Correctional Institute is located in the swamps of southern Louisiana in the small town of St. Gabriel. Built in 1970 to house an increasing population of female convicts, today it houses the state's most dangerous female prisoners and often exceeds its population capacity of 900. 75% of these are mothers and one fourth of them are serving sentences of fifteen years or more. The prison compound has a surreal quality; there are no searchlight-capped towers or barbed wire fences. Filmmaker Khadivi delivers a striking, sensitive portrait of life in this deceptively peaceful atmosphere, which is filled with stories of life on the streets, abuse, freedom, childbirth and motherhood. Six women - a grandmother, a young high school student, a pregnant woman, a recovering heroin addict, a prison guard, and the only woman on death row - were brave enough to share their frustrations and hopes. Produced by Academy Award-nominated filmmaker Jonathan Stack ("The Farm").” - Human Rights Watch Film Festival Catalogue
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The Children We Sacrifice
Shot in India, Sri Lanka, Canada and the United States, and screened in 18 countries, this evocative, visually powerful documentary is about incestuous sexual abuse of the South Asian girl child. By interweaving survivors' narratives, including the producer's own story, with interviews with South Asian mental health professionals, and with statistical information, as well as poetry and art, THE CHILDREN WE SACRIFICE discloses the many layers of a subject traditionally shrouded in secrecy. Insights into the far-reaching psychological, social and cultural consequences of incest are accompanied by thoughtful assessments of strategies that have helped adult women cope with childhood trauma. The film also analyzes social and cultural resistance in South Asia and the Diaspora to dealing with incest's causes and its effects on its victims. This personal and collective letter from South Asian incest survivors and their advocates is both a validation of their struggle and a compelling charge to protect future generations of children better.
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Uphill All the Way
UPHILL ALL THE WAY is the astounding true story of five teenage girls who face the challenge of their lives: a 2,500-mile bicycle journey along the United States Continental Divide. The girls are students at the DeSisto School, a rehabilitative high school in Massachusetts for survivors of sexual abuse, those struggling with drug addiction, and youth who have been involved with the justice system. Despite the emotional risks posed by their prior lived experience, they sign up for the bike trip as an opportunity to prove individually and collectively that they can reach once unfathomable heights. If finished, the trek will be the first time in their lives the girls have set a goal and met it. Over the course of three months, they mature in ways that are visible, thought provoking and completely unexpected.
Rather than portray these girls as victims, UPHILL ALL THE WAY highlights their resilience and ability to persevere despite great emotional and physical barriers. Providing much-needed alternatives for young women to learn how to improve their self-esteem, this unique documentary is an inspiration for every viewer – both young and old – to accomplish great feats in their lives. Narrated by Susan Sarandon.
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Filming Desire:
“In this bold documentary Marie Mandy asks the question: how do women directors film love, desire, and, especially, sexuality? In rare interviews with many of the leading women directors working in the world today – including Sally Potter, Agnès Varda, Catherine Breillat, Doris Dörrie, Deepa Mehta, Moufida Tlatli, Safi Faye, and Jane Campion – FILMING DESIRE: A JOURNEY THROUGH WOMEN'S CINEMA directly engages the sexual politics of cinematographic choice.
Powerfully illustrated with film clips from their own work, the directors discuss the reality of an explicit women’s point of view, the possibility of a women’s cinematic language, and the desire in their films to ‘fantasize and dream a new image of themselves’. While discussing how their depictions of sexuality and relationships are correctives, they also reflect on the sexual differences in selection of image, shot, and story. The film also provides a virtual anthology of the debates about the body, sexuality, power, and passion one sees in contemporary feminist and film theory: the body in representation and image; as a subject of censorship; as the vehicle of desire and love; as the contested ground of cinematic production; and as part of women’s identity and voice.
Explicit, funny and beautifully edited, FILMING DESIRE weaves an intriguing essay that is international in scope and reflective of the great diversity of women filmmakers. Essential viewing for classes in women’s studies, film studies, sexuality, body image, and feminist theory.” – Joseph Boles, Visiting Scholar, Center for Visual Culture, Bryn Mawr
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