Browse Films

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    [id] => 219
    [title] => The Devil Never Sleeps
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    [year_released] => 1996
    [text] => Academy Award nominated filmmaker Lourdes Portillo (LAS MADRES: THE MOTHERS OF PLAZA DE MAYO) mines the complicated intersections of analysis and autobiography, evidence and hypothesis, even melodrama and police procedure in this ground-breaking work.  Early one Sunday morning, the filmmaker receives a phone call informing her that her beloved Tio (Uncle) Oscar Ruiz Almeida has been found dead of a gunshot wound to the head in Chihuahua, Mexico.  His widow declares his death a suicide.  Most of his family, however, cry murder and point to a number of suspects that include the widow herself.

The filmmaker returns to the land of her birth to investigate her uncle's identity and  death.  Finding clues in old tales of betrayal, lust, and supernatural visitation, Portillo blends traditional and experimental techniques to capture the nuances of Mexican social and family order.  Poetic and tragic, humorous and mythic, this film crosses the borders of personal values, cultural mores, and the discipline of filmmaking in a fascinating look at family mysteries.  

THE DEVIL NEVER SLEEPS  was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.
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    [id] => 91
    [title] => Calling the Ghosts
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    [year_released] => 1996
    [text] => An extraordinarily powerful documentary, CALLING THE GHOSTS is the first-person account of two women caught in a war where rape was as much an everyday weapon as bullets or bombs.  Jadranka Cigelj and Nusreta Sivac, childhood friends and lawyers, enjoyed the lives of "ordinary modern women" in Bosnia-Herzegovina until one day former neighbors became tormentors.   Taken to the notorious Serb concentration camp of Omarska, the two women, like other Muslim and Croat women interned there, were systematically tortured and humiliated by their Serb captors.

Once released, the pair turned personal struggles for survival into a larger fight for justice-aiding other women similarly brutalized and successfully lobbying to have rape included in the international lexicon of war crimes by the UN Tribunal at the Hague. Chronicling the two women's experience and their remarkable transformation, CALLING THE GHOSTS is an indispensable resource for deepening understanding of human rights abuses and combating violence against women in the global arena.
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    [id] => 218
    [title] => Eternal Seed
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    [year_released] => 1996
    [text] => With insightful interviews and rare footage from India's agricultural industry, this keenly observed film depicts Indian women's struggles to use traditional farming practices instead of chemically-based agriculture.  Comparing the practices of women who consider seeds sacred with multinational companies' use of sterilized hybrids, this evocative analysis celebrates the scientific basis of women's native traditions in a provocative look at the evolving meanings of healthy land use.
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    [id] => 542
    [title] => Jodie: An Icon
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    [year_released] => 1996
    [text] => Jodie is a fast paced, breezy look at the transatlantic phenomenon that has made Hollywood actress Jodie Foster an icon for lesbians who identify with, adore and celebrate the screen personas of her remarkable career. Fans and queer cultural critics share their favorite ‘iconic’ moments giving illuminating lesbian readings of Foster’s key films which trace the charismatic actor’s progression from early tomboy parts as a child star to mature performances depicting active, strong willed women with attitude. Die hard Foster fans like comedienne Lea de Laria’s comment that “If I was Hannibal Lecter, it wouldn’t be her liver I’d want to eat,” express the desire and lust shared by Foster’s lesbian fans around the world. The film captures the Jodie Foster look alike contest in San Francisco and a visually slick montage of views on Foster’s butch femme indeterminacy all help to confirm Foster’s status as a dyke icon.
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    [id] => 211
    [title] => Jane: An Abortion Service
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    [year_released] => 1996
    [text] => This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training.
    [image] => https://www.wmm.com/storage/films/jane-an-abortion-service/cbe_JAAS.jpg
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    [id] => 212
    [title] => Choice Thoughts
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    [year_released] => 1996
    [text] => In a witty mix of rare archival footage and sound bites from religious and political leaders, filmmaker Jacqueline Frank takes a fast-paced look at 100 years of the fight for birth control and legalized abortion.  Featuring a concise overview of the work of Planned Parenthood founder Margaret Sanger, CHOICE THOUGHTS illuminates how access to birth control became seen as a human right and how this dialogue continues around present day issues of choice.  Discussion Guide available.
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    [id] => 97
    [title] => Beyond Beijing
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    [year_released] => 1996
    [text] => The 1995 United Nations Fourth World Conference on Women and the parallel Forum (NGO) that took place in Beijing assembled the largest global gathering of women in recorded history.  BEYOND BEIJING, a personal document of the epoch-making events, captures their exciting spirit and shows the strength of the worldwide movement to improve the status of women.   Moving back and forth from NGO workshops convened by grassroots activists to ceremonies commemorating women's art and achievements, the film also includes informal cross-cultural get-togethers, compelling North-South exchanges and candid interviews with individual participants.  English and Spanish versions available.  Discussion Guide/Action Kit available.
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    [id] => 136
    [title] => Real Indian
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    [year_released] => 1996
    [text] => REAL INDIAN is a lighthearted, very personal look at the meaning of cultural identity.  As a Lumbee Indian, the filmmaker is constantly confronted with the fact that she doesn't fit any of society's stereotypes for Native Americans.  Those stereotypes are imposed by both whites and other Indians, alienating the filmmaker from many of the conventional definitions of Native American identity. REAL INDIAN is a unique look into the fascinating and complex world of Lumbee Indian culture and makes the viewer question perceptions of Native Americans, as well as the meaning of our own cultural identity.
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    [id] => 69
    [title] => Halving the Bones
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    [year_released] => 1995
    [text] => Skeletons in the closet?  HALVING THE BONES delivers a surprising twist to this tale.  This cleverly-constructed film tells the story of Ruth, a half-Japanese filmmaker living in New York, who has inherited a can of bones that she keeps on a shelf in her closet.  The bones are half of the remains of her dead Japanese grandmother, which she is supposed to deliver to her estranged mother.  A narrative and visual web of family stories, home movies and documentary footage, HALVING THE BONES provides a spirited exploration of the meaning of family, history and memory, cultural identity and what it means to have been named after Babe Ruth!
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    [id] => 50
    [title] => Ventre Livre
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    [year_released] => 1995
    [text] => Ventre Livre is only available as part of a series "Women's Lives and Choices." View series.
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    [id] => 28
    [title] => A Tale of Love
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    [year_released] => 1995
    [text] => Portraying the Vietnamese immigrant experience through Kieu, A TALE OF LOVE follows the quest of a woman in love with ‘Love’.  The film is loosely inspired by THE TALE OF KIEU, the Vietnamese national poem of love which Vietnamese people see as a mythical biography of their ‘motherland,’ marked by internal turbulence and foreign domination.  A free-lance writer, Kieu also works as a model for a photographer who idealizes the headless female body and who captures Kieu sheathed by transparent veils.  Voyeurism runs through the history of love narratives and voyeurism is here one of the threads that structures the ‘narrative’ of the film.  Exposing the fiction of love in love stories and the process of consumption, A TALE OF LOVE marginalizes traditional narrative conventions and opens up a denaturalized space of acting where performed reality, memory and dream constantly pass into one another.  Sublimely beautiful to watch, A TALE OF LOVE eloquently evokes an understanding of the allusive and powerful connections between love, sensuality, voyeurism and identity.
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    [id] => 144
    [title] => Mother of the River
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    [year_released] => 1995
    [text] => In this poignant story set in the 1850s, a young slave girl befriends a magical woman in the woods called Mother of the River.  Through their friendship the young girl learns about independence, honor, humility and respect for others. MOTHER OF THE RIVER is a rare portrayal of slavery from a young woman's perspective.  

MOTHER OF THE RIVER  was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

"Academics will find the film especially useful in courses such as Women's Studies, African American Studies and History."
-Jacqueline Bobo, Film and Television Studies, University of NC, Chapel Hill
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    [id] => 207
    [title] => Girls Still Dream
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    [year_released] => 1995
    [text] => In this engrossing new documentary, award-winning filmmaker Ateyyat El Abnoudy realistically portrays the challenges facing girls in a country where one in four marries before age sixteen and one in five ever attends school.  While girls both in and out of school share ambitions ranging from becoming a doctor to attaining basic reading skills, parents express mixed feelings about education's relevance.   An affecting view of how Egyptian women still struggle for such basic human rights as education and the avoidance of compulsory marriage, GIRLS STILL DREAM highlights the cultural clash between traditional values and young women's growing self-awareness in the developing world.
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    [id] => 258
    [title] => Covered: The Hejab in Cairo, Egypt
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    [year_released] => 1995
    [text] => Just over a decade ago it was hard to find women on the streets of Cairo who veiled, a custom that their forebearers struggled to overthrow at the beginning of the twentieth century.  But today, many Muslim women in Egypt wear a head scarf called the hejab, and in more extreme cases they cover their entire faces.  This absorbing documentary offers a rare opportunity to examine the restoration of veiling and the reasons for its pervasiveness through the eyes of Egyptian women.  In unique interviews with women of different ages and backgrounds, COVERED reveals that Islamic tradition, religious fundamentalism, and growing nationalism are not solely responsible for decisions to wear the hejab.  Diverse social, economic and political factors, as well as personal preferences, often play  prominent roles.  As timely as it is compelling, the film shows how complex causes account for a phenomenon that is poorly understood outside the Muslim world.
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    [title] => Out in South Africa
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    [year_released] => 1995
    [text] => In 1994, Barbara Hammer was invited to South Africa to present a retrospective of her 77 films and videos at OUT IN SOUTH AFRICA, the first gay and lesbian film festival on the African continent.  While in South Africa she taught several groups of people how to use video, and to record each other in interviews about life as a lesbian or gay man living in the townships. OUT IN SOUTH AFRICA is the result of Barbara Hammer’s journey and those interviews; a profoundly moving portrait of lesbian and gay life in a country juggling its spirit of optimism with the legacy of apartheid—both sexual and racial.
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    [id] => 152
    [title] => Conjure Women
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    [year_released] => 1995
    [text] => CONJURE WOMEN is an exciting performance-based documentary exploring the artistry and philosophy of four African American female artists.  Celebrated choreographer and dancer Anita Gonzalez was a founding member of and performer with Urban Bush Women and is now Artistic Director of Bandana Women.  Robbie McCauley is a critically-acclaimed performance artist and theater director whose personal vision has consistently explored the 'herstory'  of Black women.  The stunning photography of Carrie Mae Weems captures a variety of images of African Americans.  Vocalist and composer Cassandra Wilson (Grammy award winner for Best Jazz Vocalist) has released nine recordings of her work and was acclaimed in the New York Times as "the most important singer to come along in jazz in the last ten years."  These four artists use their disciplines to reclaim their 'africanisms', an intuitive experience of what their foreparents had to deny if they were to survive.  CONJURE WOMEN is a moving and entertaining record of the work of these remarkable women.  It is also, as filmmaker Demetria Royals notes, "telling the story of African Americans in our own distinct and self-defined voices."
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    [id] => 66
    [title] => Remembering Wei Yi-fang, Remembering Myself
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    [year_released] => 1995
    [text] => An autobiography charts the influence of the filmmaker’s six-year experience as an African American woman in Taiwan after college graduation.  The highly original film recounts Welbon’s discovery, through another language and culture, of being respected for who she is, without the constant of American racism, and how it helped her achieve self-knowledge.  Linking this story with that of earlier women in Welbon’s family, the richly textured memoir blends dramatic sequences with documentary footage.
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    [id] => 60
    [title] => What My Mother Told Me
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    [year_released] => 1995
    [text] => Exquisitely beautiful and profoundly moving, WHAT MY MOTHER TOLD ME is a dramatic journey towards self discovery.  The story focuses on Jesse, a young woman from England, who goes to Trinidad to bury her father.  Reluctantly she agrees to meet her mother, whom she thought had abandoned her when she was a child.  Her mother tells her stories, revealing a troubled and violent marriage, and Jesse is forced to face the truth about her past.  WHAT MY MOTHER TOLD ME cleverly evokes complex connections between history, memory, violence and cultural identity.
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    [id] => 107
    [title] => Your Name in Cellulite
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    [year_released] => 1995
    [text] => A wickedly funny satire about the disparity between a woman's natural beauty and the ideal promoted by the mega-billion dollar advertising industry, this animated film shows us how far we will go to change the shape of our bodies to meet the demands of an impossible image.  But the picture-perfect exterior can be maintained by our heroine only if she restrains her body's natural spontaneity.  YOUR NAME IN CELLULITE visually ponders at what point the body will say "Enough is enough!" and take matters into its own hands.
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    [id] => 222
    [title] => Tender Fictions
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    [year_released] => 1995
    [text] => Innovative, funny, and historic, TENDER FICTIONS is an autobiographical exploration of the search for and meaning of gay community.  From a childhood spent being groomed as the next Shirley Temple to her current work as an activist and maker of over 70 films and videos, groundbreaking filmmaker Barbara Hammer casts a wry eye on her life and changing world.

In a rich montage of home movies, experimental films, news footage, and personal photographs, Hammer charts her growth from 1950's child star "wannabe" to 1960's straight earth mother to 1990's lesbian artist and activist.  Documenting how Hammer's personal and artistic development grew out of and became a part of the feminist, gay, and AIDS activist movements, TENDER FICTIONS is both the story of an extraordinary filmmaker and a compelling portrait of the changes wrought by a generation of women.

"As Hammer examines her emergence, her struggle becomes symbolic of all those who have rejected the ideals by which they were raised...A moving and provocative look at the role of community in an artist's life and the role of the artist in her community." —Lisanne Skyler, Sundance Film Festival
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    [id] => 20
    [title] => Conversations Across the Bosphorous
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    [year_released] => 1995
    [text] => CONVERSATIONS ACROSS THE BOSPHOROUS intertwines the stories of two Muslim women from Istanbul - Gokcen, from an orthodox Islamic family who takes off her veil after years of struggle; and Mine, from a secular family, who discovers her faith living as an immigrant in San Francisco.  Both women demonstrate how their relationship to their faith has shaped and determined their personal lives.  Combining evocative visual imagery with poetic and lively debate, CONVERSATIONS ACROSS THE BOSPHOROUS provides a deeper understanding of Turkish society and the current tensions between fundamentalist and secular forces.
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