In My Father's Church
Charissa is a lesbian who wants a church wedding, but it doesn’t seem to help that her dad is the pastor of the town’s United Methodist Church. While he has been quietly supportive of his daughter’s lesbian relationship, Charissa’s father knows he would put his career at risk if he chose to officiate at her marriage ceremony. In 1999, the Methodist church took a firm stand by suspending a pastor for officiating a same sex union—and the clashes between clergy and gay couples have been making headlines ever since. Compelling and honest, IN MY FATHER'S CHURCH is a poignant exploration of the intersection of homosexuality and religion, from the perspective of someone who has much at stake.
Though disappointed by her father’s resistance to marry her, Charissa and her bride-to-be Kelly continue to make their wedding plans—finding support in surprising places, and eventually are married by Charissa’s uncle. This emotionally charged story of one woman’s attempt to reconcile her love, faith and family brings to life the deep conflicts that gay marriage has caused in many churches—and for many individuals trying to maintain their faith while preserving their own identities.
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Chisholm '72 - Unbought and Unbossed
This compelling documentary takes an in-depth look at the 1972 presidential campaign of Shirley Chisholm, the first black woman elected to Congress and the first to seek nomination for the highest office in the land.
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A Woman's Word
Beautiful and intimate, A WOMAN'S WORD depicts the life and writings of three exceptional authors of the Arab word – Nawal Al Saadawi from Egypt, Hanan Al Shaykh from Lebanon, and Janata Bennuna from Morocco. For all three women, becoming a writer was never a choice but a necessity – a vocation fought for and hard won. In her own way, each writer struggles as an Arab woman in a society that often wants to shut down her powerful voice. Conveying the intense drive of these women to write as a way to make sense of the world, to battle their sense of alienation or to express their political dissent, this documentary shatters the clichéd image of the oppressed and helpless Arab woman too often portrayed in the media.
A WOMAN'S WORD deftly weaves together interviews, family photos, voiceovers of each author reading from her work, and lingering, sensual footage of the cities each woman lives in. Each author discusses her childhood, her development as a writer, and the political and cultural forces that have shaped her life and work. By allowing the viewer to enter, for a moment, into the vibrant lives of these authors, this film offers an accessible introduction or insightful companion piece to the works of these authors.
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Suffragettes in the Silent Cinema
In the days before movies could talk, silent films spoke clearly of sexual politics, and in Suffragettes in the Silent Cinema, historian and writer Kay Sloan has assembled rare and wonderful footage that opens a historic window onto how women’s suffrage was represented in early American cinema.
Taking advantage of the powerful new medium, early filmmakers on both sides of the contentious issue of suffrage used film to create powerful propaganda and images about women. Suffragettes in the Silent Cinema contains clips from many films from the era, including: A Lively Affair (1912); A Busy Day (1914), which stars a young Charlie Chaplin in drag portraying a suffragist; and the pro-suffragist film, What 80 Million Women Want (1913), which includes an eloquent speech from president of the Women’s Political Union, Harriet Stanton Blatch.
Silent films may have passed into history, and their representations of feminists abandoning babies or stealing bicycles to attend suffragette meetings may now seem outrageous, but the struggle for gender equality and the issues surrounding representations of women in the media remain as fascinating, engaging, and relevant as ever.
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The Peacekeepers and the Women
Winner of the Arte-Documentary Award for Best German Documentary, this chilling investigation examines the booming sex-trafficking industry in Bosnia and Kosovo, and boldly explores the disturbing role of the UN peacekeeping forces and the local military in perpetuating this tragic situation.
In 1995, the UN set up a free trade zone in Bosnia, hoping to bring peace to the troubled region. Instead it lured the thriving business of human trade—where women from villages in Moldova, the Ukraine and Romania are sold by the hundreds into prostitution. In a shocking indictment, the film reveals that affluent peacekeeping forces have been some of the burgeoning industry’s most solvent customers, allowing the sex trade to get a foothold in the region and paving the way for its expansion. Jurschick confronts UN officials and aid workers, goes on a raid with international police, and reveals the tragic stories of the trafficked women themselves to unravel the many layers of this complicated crime scene.
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Ferry Tales
Academy Award Nominee for Best Documentary Short, FERRY TALES exposes a secret world that exists in the powder room of the Staten Island Ferry.
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The Ladies Room
Directed by the acclaimed Iranian actress Mahnaz Afzali and filmed entirely inside a ladies washroom in a public park in Tehran, this absorbing documentary shatters Western preconceptions of Iranian women. Populated by addicts, prostitutes, runaway girls and others who simply enjoy the camaraderie and atmosphere, the ladies room becomes one of the few places where women feel comfortable enough to smoke cigarettes, discuss taboo subjects and remove their veils. In a series of frank and intimate conversations, these diverse women debate everything from drugs and family abuse, to sex, relationships and religion. Maryam is an epileptic who reveals the brutal circumstances that drove her to heroin addiction and self-mutilation; Sepideh describes her fraught relationship with her mother and her struggle to get back on her feet; and the old woman who runs the bathroom alternately offers tough love and a shoulder to cry on. Raw and provocative, this engrossing film is a remarkable verite look at the hidden lives of Iranian women.
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La Cueca Sola
On September 11, 1973, a military coup in Chile brought Augusto Pinochet to power, and over the next 17 years, thousands of women and men were taken from their homes- never to return. Since that time, Chilean women have danced the country’s traditional courtship dance alone, and LA CUECA SOLA has become a symbol of women’s struggle against the dictatorship.
After 30 years in exile, critically acclaimed filmmaker Marilu Mallet returns to Santiago to meet with five Chilean women from three generations who suffered under the dictatorship and have emerged as heroes under democracy. Isabel Allende, Monique Hermosilla, Estela Ortiz, Carolina Toha and Moyenei Valdes all lost a father, a husband, or a friend, but have surmounted their grief to bravely speak out, each in their own way- from political action to vocal performance. Intimate interviews reveal the women’s shocking experiences under the dictatorship, while inspiring footage of their current work highlights their passion to rebuild. Illustrating throughout with a wealth of archival images, Mallet paints a vivid portrait of the country’s painful past and offers insight on Chile’s situation today. Important historically, socially and politically, this moving film expresses both the courage of women and the vitality of a nation.
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Paradise Lost
Arab Israeli filmmaker Ibtisam Salh Mara'ana grew up in Paradise (Fureidis in Arabic), a small fishing village overlooking the Mediterranean. One of the few Arab communities remaining after the 1948 war, Paradise became culturally and politically isolated as Jewish settlements sprung up around it, and today it is a place defined by silence and repression.
This thought-provoking and intimate film diary follows the director’s attempt to recreate the village’s lost history, including the story of her childhood hero Suuad, the legendary local “bad girl” who was imprisoned as a PLO activist in the 1970’s and banished from the community. The director’s frustration builds as her questions are resisted, and her hopes soar when she finally meets Suuad, now a Doctor of Law living in the UK. Stunning cinematography and evocative music underscore the power of Mara’ana’s film, whose lyrical, emotionally charged tone is strikingly honest and straightforward. Presenting the rarely heard voice of an Arab Israeli, this important film offers valuable insight into the contradictions and complexities of modern womanhood and national identity in the Middle East.
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Love
“The clinch that signals the fade-out in so many movies is just the beginning of Love, as Moffatt and editor Hillberg turn their energetic montage technique (introduced in Artist and Lip) to the cinema’s most obvious and most multifarious subject. As it turns out, Bette Davis and the Bond girls have a lot in common. A wealth of clips, from chaste black-and-white Hollywood classics to more full-flooded fare from the ‘60s and ‘70s, show women’s love, lust, longing and revenge. Without commentary or condescension, the film remakes the age-old story of a boy and girl in love with exhilaration and irony.” -Patricia White, Associate Professor & Chair, Film and Media Studies Department of English Literature, Swarthmore College
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Beah: A Black Woman Speaks
BEAH: A BLACK WOMAN SPEAKS Celebrates the life of legendary African American actress, poet and political activist Beah Richards, best known for her Oscar nominated role in GUESS WHO'S COMING TO DINNER.
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Search for Freedom
SEARCH FOR FREEDOM traces the dramatic social and political history of Afghanistan from the 1920s to the present through the stories of four remarkable women: Princess Shafiqa Saroj, sister of the beloved progressive King Amanullah (1919-1929); Mairman Parveen, the first woman to sing on Afghan radio; Moshina, a war widow and survivor of a Taliban massacre; and Sohaila, an exiled medical student who ran underground schools for RAWA (Revolutionary Association of Afghan Women) during the Taliban regime.
Through their personal stories, a surprising portrait of Afghanistan’s history emerges. Stunning archival footage from the early 20th century captures a time of remarkable progress and freedom for women that belies most Western perceptions. Other historical footage and Jahnagir’s incisive commentary reveal women’s realities and resilience under near constant occupation, first with the Soviet invasion, then under the mujahadeen and more recently under the repressive Taliban. Defying and clarifying the image of Afghan women as mere victims, SEARCH FOR FREEDOM offers a nuanced portrait of women who find choices where none are offered, who continue to find hope in the face of exile and isolation.
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For a Place Under the Heavens
Acclaimed director Sabiha Sumar, recent winner of the Golden Leopard at the Locarno International Film Festival for her feature Silent Waters, offers an insightful perspective on Pakistan in this finely crafted personal film. Beginning with the creation of Pakistan in 1947, Sumar traces the relationship of Islam to the state in an effort to understand how women are coping with and surviving the increasing religiosity of civil and political life in her country. Raised in a more secular time, she struggles to comprehend how religious schools have expanded at once unthinkable rates and presents chilling footage of a mother encouraging her toddler to be a martyr when he grows up. Mixing political analysis with interviews with activist colleagues, noted Islamic scholars and Pakistani women who have chosen to embrace fundamentalism, Sumar’s provocative questions dramatically capture the tension between liberal and fundamentalist forces that are shaping life in contemporary Pakistan.
“Less an ethnography than a philosophical and historical inquiry into the meaning of gender within Islam, it provides a witty, incisive, and important reflection on the "parameters" of gender hierarchy and, indeed, the "truth" of law, both secular and religious. Required viewing to understand some of the specific ideological conundrums within the sexual politics in Pakistan.” Joseph Boles, Northern Arizona University
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The Blonds
Albertina Carri’s second feature is a look at Argentina’s recent history from the perspective of a generation forced to mourn those of whom they have no recollection. Carri, who lost her parents to Argentina’s brutal military junta when she was three years old, travels through Buenos Aires with her crew to unravel the factual and emotional mysteries of her parents’ life, disappearance and death. Traces of Carri’s family emerge, colored by sharply conflicting perspectives. Who were the Carris? How did they disappear? Were they blonde, brunette, parents, heroes or merely a fiction of those who remember them?
Crossing the line between documentary and fiction filmmaking, Carri enlists an actor, her parents’ former comrades, fading photographs and happy Playmobil dolls to investigate her parents’ untimely end. In the end, merging fact, rumor and imagination, Carri succeeds in reconstructing both her parents' history and her own construction of them. Emotionally fraught and intellectually provocative, THE BLONDS has resonance far beyond the tragic history of Argentina’s dirty war.
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Europlex
The fourth in Ursula Biemann's critically acclaimed series of video essays that investigates migration across borders, EUROPLEX, a collaboration with Angela Sanders, tracks the daily, sometimes illicit, border crossings between Morocco and Spain- a rare intersection of the first and third worlds. Paying off officials to look the other way, workers smuggle contraband across the border, sometimes crossing up to 11 times a day. In a now common scenario of global economics, Moroccan women work in North Africa to produce goods destined for the European market. And in perhaps the most surreal example of border logic, domesticas commute into a Spanish enclave in Moroccan territory, losing two hours as they step into the European time zone. With a mesmerizing soundtrack and a dizzying blend of video footage, digital graphics and text, the film exposes a fascinating, often hidden layer in the cultural and economic landscape between Europe and Africa- revealing the new rules and profound implications of globalization.
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Thunder in Guyana
THUNDER IN GUYANA is the remarkable tale of Janet Jagan, a young woman from Chicago who married Guyanese activist Cheddi Jagan, and set off for the British colony to start a socialist revolution. For more than fifty years, the couple fought tirelessly to liberate the country from colonial rule and exploitation—despite battering by the international press, imprisonment and the intervention of world figures including Winston Churchill and John F. Kennedy. Free and fair elections were instituted in the early 90's, and Janet Jagan was elected president of Guyana in 1997, the first foreign-born and first woman to serve in the role.
Historian Suzanne Wasserman (Jagan’s cousin) creates a rich historical portrait combining interviews with friends and family, excerpts from Janet’s letters, archival photographs and footage, and video captured during Janet’s dramatic presidential campaign. The film, with cinematography by Sundance Award winner Debra Granik, illuminates the life of an extraordinary woman and the complex history of the little understood country of Guyana.
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The Trickle Down Theory of Sorrow
Veteran experimental filmmaker Mary Filippo tackles issues of work, class and gender roles in this visually captivating and provocative autobiographical piece. At the core of this engaging autobiographical film is an interview with Filippo’s mother, as she recounts incidents of exploitation and gender discrimination she experienced working in jewelry factories in the 1940’s and 50’s. The filmmaker contrasts her mother’s quiet acquiescence with her own attitudes about the social injustices of her culture through a striking montage of images and audio clips - moving the viewer to consider connections between consumerism and global labor practices, motherhood, money and happiness. While her mother's attitude toward the social injustices she endured is one of resignation, Filippo’s is one of assumed but uncollected responsibility.
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Through the Skin
In this highly personal experimental autobiography, emerging filmmaker Elliot Montague presents a daring meditation on the experience and trauma of growing up androgynous. Incorporating home movies with vintage health public service announcements, along with his own performance pieces, Elliot jarringly discloses the conflicts between his changing female body with that of his gender and sexual identity. Through a montage of images set against a dissonant soundtrack, he speaks about the misunderstandings and tensions his identity struggle caused his family and the depression that later resulted. In scenes where Elliot binds his breasts, he painfully discloses how his parents sent him to a psychologist who diagnosed him with bi-polar disorder – a diagnosis that later proved to be incorrect. Exploring the complexities and implications of feeling androgynous in a female body, THROUGH THE SKIN presents more than a personal testimony on the transgender experience, it provokes universal questions on the meaning of gender.
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For My Children
In October 2000, as the second Palestinian Intifada erupts, Israeli filmmaker Michal Aviad begins an exploration about both the moral and mundane dilemmas she faces every day in Tel Aviv. What begins with deceptive simplicity-a tender scene of sending the children off to school-quickly becomes a profound study of vulnerability and anxiety. Small acts like crossing the street are charged with inescapable fear. As the nightmare of violence escalates over the coming months, Michal and her husband Shimshon ask the quintessential Diaspora Jewish question, "When is it time to go?" The question reverberates through a stream of images-public and private, home video and historic archival footage-as her parents and extended family recount their own journeys to Israel from Europe, escaping death and the Holocaust, and from America, out of ideological commitment to Israel. Their stories are told with vivid, beautiful detail-at a bucolic family picnic, during a vacation on the California coast-and with a degree of candor and intimacy rarely seen in Israeli cinema. "I don't want to be an immigrant," says Shimshon, a political activist whose profound feelings about displacement and exile are interwoven with TV images of war, children asleep in their beds, grandma making pasta and the sounds of sirens. Tanks roll over the hills as tea is being made in the kitchen in a cosmic seesaw between blissful domesticity and the nightmare of public life, in this deeply moving and riveting video essay.
-Deborah Kaufman
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Standing on My Sisters' Shoulders
In 1965, when three women walked into the US House of Representatives in Washington D.C., they had come a very long way. Neither lawyers nor politicians, they were ordinary women from Mississippi,and descendants of African slaves. They had come to their country’s capital seeking civil rights, the first black women to be allowed in the senate chambers in nearly 100 years. A missing chapter in our nation’s record of the Civil Rights movement, this powerful documentary reveals the movement in Mississippi in the 1950’s and 60’s from the point of view of the courageous women who lived it – and emerged as its grassroots leaders. Their living testimony offers a window into a unique moment when the founders’ promise of freedom and justice passed from rhetoric to reality for all Americans. Through moving interviews and powerful archival footage, STANDING ON MY SISTERS' SHOULDERS weaves a story of commitment, passion and perseverance and tells the story of the women fought for change in Mississippi and altered the course of American history forever.
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Women Like Us: Women in Iran
Filmmaker Persheng Sadegh-Vaziri returns to Iran after 20 years as an expatriate to present this intimate and revealing portrait of five ordinary Iranian women: a nurse, a journalist, a rice farmer, a religious college graduate and a piano teacher. Against a backdrop of Islam, revolution and war, they share their views on the veil, the relationship of Iranian women to the West and the long-ranging impacts of the 1979 Revolution on the status of women in their country. What emerges is an image of Iran that resists easy classification, a nation in flux at a unique historical moment, still reeling from the residual effects of the Iran-Iraq war but poised for a new future. An important and timely look at contemporary Iran, WOMEN LIKE US offers surprising insights into the changing role of women in the Middle East from a perspective that rarely makes it to international headlines.
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