Browse Films

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    [id] => 70
    [title] => Color Schemes
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    [year_released] => 1989
    [text] => An upbeat, ironic look at America’s multicultural society, COLOR SCHEMES uses the metaphor of “color wash” to tackle conceptions of racial assimilation. Challenging stereotypes, twelve writer/performers collaborate on four performance sequences—soak, wash, rinse and extract. Spinning through this tumble- jumble of America’s washload, the performers scheme to claim racial images that remain color vivid.

Digital preservation copy now available for exhibition!  Please contact [email protected] for more information.
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Array
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    [id] => 103
    [title] => The Germans and Their Men
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    [year_released] => 1989
    [text] => "If a woman doesn't have equal rights, is she equally responsible for the crimes of a nation?" Helke Sander's quasi-documentary turns a wry and revealing lens on German masculinity and national identity. This powerful critique offers popular sentiments and startling insights with biting wit and clarity, making provocative connections between feminism, fascism and the legacy of sexism in German history. Produced for ZDF (German television). "Still the best female helmer on the scene in Germany, Helke Sander takes her time between productions to pour as much personal philosophical reflection into her films as possible." -Variety
    [image] => https://www.wmm.com/storage/films/the-germans-and-their-men/cbi_germans.jpg
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Array
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    [id] => 139
    [title] => ...And Woman Wove It in a Basket
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    [year_released] => 1989
    [text] => For the Klickitat Indians in Washington, basket weaving is a way of reclaiming native forms and heritage. This evocative portrayal of basket weaver Nettie Jackson Kuneki and her family explores Klickitat river culture within an investigation of documentary practice and cultural preservation. Capturing native life as experienced by a contemporary Klickitat woman, the film presents her daily activities through seasonal changes, the documentation of her craft and a visual history of Indian tales and legends. Voices of the filmmakers' own quest supplement Kuneki's reflections, creating a unique tapestry of personal memory and cultural collaboration that is invaluable for ethnographic film studies, Native American collections and women's studies.
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Array
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    [id] => 122
    [title] => Can't You Take a Joke?
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    [year_released] => 1989
    [text] => Can you fall in love and still have a sense of humor? This delightful, stylish comedy, in which boy meets boy and girl meets girl, uses the romantic music and visuals of Hollywood film noir to explore the ideal of love at first sight.
    [image] => https://www.wmm.com/storage/films/cant-you-take-a-joke/c234.JPG
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Array
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    [id] => 79
    [title] => I Need Your Full Cooperation/Underexposed
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    [year_released] => 1989
    [text] => In these two compelling films, Kathy High explores the relationship between women’s bodies and the medical institution. Now a classic, I NEED YOUR FULL COOPERATION (1989, 28 mins) is a critical commentary on the patriarchal medical world and the past experimental techniques used to control female sexuality and reproductive capacities. Combining drama and documentary, UNDEREXPOSED: THE TEMPLE OF THE FETUS, (1992, 72 mins) is a savvy and creative documentary probe into the high-tech baby-making market and emerging reproductive technologies.
    [image] => https://www.wmm.com/storage/films/i-need-your-full-cooperationunderexposed/cbi_i-need-your-full-cooperation-3.jpg
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Array
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    [id] => 181
    [title] => Peggy and Fred in Kansas
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    [year_released] => 1989
    [text] => A few years older now, our boy and girl heroes mumble and chant their way through mid- America's wasteland. Thornton's interest in the line between language and thought becomes disturbingly apparent.
    [image] => https://www.wmm.com/storage/films/peggy-and-fred-in-kansas/cbe_Untitled-1.jpg
)

Array
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    [id] => 41
    [title] => How Nice to See You Alive
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    [year_released] => 1989
    [text] => On March 31, 1964, a military coup overthrew the Brazilian government.  Four years later, all civil rights were suspended and torture became a systematic practice.  Using a mix of fiction and documentary this extraordinary film is a searing record of personal memory, political repression and the will to survive.  Interviews with eight women who were political prisoners during the military dictatorship are framed by the fantasies and imaginings of an anonymous character, portrayed by actress Irene Ravache.  Filmmaker Murat, like the interviewees, was herself tortured and imprisoned; her film shatters the silence imposed on the survivors and the collective will to forget.
    [image] => https://www.wmm.com/storage/films/how-nice-to-see-you-alive/cbe_HowNicetoSeeYouAlive.jpg
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Array
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    [id] => 192
    [title] => Home Avenue
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    [image_thumb] => https://www.wmm.com/storage/films/home-avenue/320x-cbi_home-avenue-1-1.png
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    [year_released] => 1989
    [text] => With commanding cinematic style, Montgomery retraces events of a night nine years ago when, between her boyfriend's dorm and her parent's house, she was raped at gunpoint. Super 8 camera in tow, she uncovers the psychology of the incident, relating how the authorities and her family tried to disavow her claims and the crime. Pondering the bland suburban landscape, her subsequent obsession with guns and the blurring of guilt, responsibility and betrayal, Montgomery boldly masters the trauma through memory, self-narration and artistic intervention. By the maker of ART FOR TEACHERS OF CHILDREN.
    [image] => https://www.wmm.com/storage/films/home-avenue/cbi_home-avenue-1-1.jpg
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Array
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    [id] => 130
    [title] => Two Lies
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    [year_released] => 1989
    [text] => Doris Chu, a recently divorced Chinese American woman, has plastic surgery to make her eyes rounder. From her teenage daughter Mei's perspective, her mother's two eyes equal two lies. When the family journeys to a desert resort during Doris' recuperation, a series of revelations and bitter confrontations erupt. This beautiful black and white drama is a poignant study of generational conflict and the struggle for identity in a world of hybrid cultures.
    [image] => https://www.wmm.com/storage/films/two-lies/TwoLies_hires.jpg
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Array
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    [id] => 68
    [title] => Juxta
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    [year_released] => 1989
    [text] => This beautiful drama observes the psychological effects of racism on two children of Japanese women and American servicemen. Thirty-one year old Kate, the daughter of a Japanese/white mixed marriage visits her childhood friend, Ted, a Japanese-Black American. Together they confront the memory of her mother’s tragic story in this telling, emotionally nuanced journey into the complexity of US racism.
    [image] => https://www.wmm.com/storage/films/juxta/cbi_juxta1.jpg
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Array
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    [id] => 143
    [title] => Cycles
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    [image_thumb] => https://www.wmm.com/storage/films/cycles/320x-cbe_cycles.png
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    [year_released] => 1989
    [text] => Rasheeda Allen is waiting for her period, a state of anticipation familiar to all women. Drawing on Caribbean folklore, this exuberant experimental drama uses animation and live action to discover a film language unique to African American women. The multilayered soundtrack combines a chorus of women's voices with the music of Africa and the diaspora-including Miriam Makeba, acappella singers from Haiti and trumpetiste Clora Bryant.

The 1991, 4-minute short film A PERIOD PIECE is also available for purchase.  Please contact [email protected] for ordering information.
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Array
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    [id] => 37
    [title] => Eat the Kimono
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    [year_released] => 1989
    [text] => EAT THE KIMONO is a brilliant documentary about Hanayagi Genshu, a Japanese feminist and avant-garde dancer and performer, who has spent her life defying her conservative culture’s contempt for independence and unconventionality.  She denounced Emperor Hirohito as a war criminal, and dismissed death threats made against her by right-wing groups.  “You mustn’t be eaten by the kimono,” says Genshu, making reference to the traditional Japanese dress designed to restrict movement for women, “You must eat the kimono, and gobble it up.”  From the directors of THE GOOD WIFE OF TOKYO and HIDDEN FACES.
    [image] => https://www.wmm.com/storage/films/eat-the-kimono/Kimono_highres.1.0.jpg
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Array
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    [id] => 26
    [title] => Surname Viet Given Name Nam
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    [year_released] => 1989
    [text] => Vietnamese-born Trinh T. Minh-ha’s profoundly personal documentary explores the role of Vietnamese women historically and in contemporary society.
    [image] => https://www.wmm.com/storage/films/surname-viet-given-name-nam/surnam_hires.jpg
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Array
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    [id] => 104
    [title] => A Spy in the House that Ruth Built
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    [year_released] => 1989
    [text] => Vanalyne Green appropriates the all-male arena of professional baseball to create a visual essay about family, loss, and sexuality. Confronted with such a strange wonderland, devoid of women, Green is compelled to reinterpret baseball's symbolism-its womb-like landscape, cycles, and rituals-to construct an iconography that pays homage to the female. With humor and irony, Green creates a film that is both a personal revelation and a heretical portrait of America's national past-time.
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Array
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    [id] => 12
    [title] => A State of Danger
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    [year_released] => 1989
    [text] => Shot in Israel and the Occupied Territories, this extraordinary documentary offers a unique, vital perspective on the Intifada seldom seen in U.S. mainstream media. Produced for the BBC, A State of Danger gives voice to Palestinian and Israeli peace activists, most of them women. Chilling testimonies to Israeli police brutality are supplemented by interviews with Israelis who support Palestinian self-determination. A STATE OF DANGER is a compelling, timely documentary that examines grassroots support, human rights, and the role of Arab and Jewish women in bringing peace to the region.
    [image] => https://www.wmm.com/storage/films/a-state-of-danger/cbi_state-of-danger-4.png
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Array
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    [id] => 86
    [title] => Rule of Thumb
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    [year_released] => 1989
    [text] => A sensitive film which explores domestic violence through the perspective of women who have left abusive relationships. Five women from different backgrounds discuss their ordeals and the concrete steps they have taken to eradicate fear and violence from their daily lives. Supplemented by testimonies from a woman judge, a police officer and a former abuser, this empowering film offers clear, concise instructions on obtaining an order of protection and other support services.

"*** This thorough and well constructed work succeeds in informing the public about both prevention and intervention in regard to domestic violence.  This project addresses its important and disturbing topic so well that it should be shown on every television station and in every schoolroom across the country." - Jury Comments, American Film and Video Association
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Array
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    [id] => 11
    [title] => Beirut: The Last Home Movie
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    [year_released] => 1988
    [text] => BEIRUT: THE LAST HOME MOVIE is an imaginative film which challenges documentary form and concepts of reality by exposing a personal response to a global event—three months in the life of a Lebanese family living in a heavily-bombed Beirut neighborhood.  This extraordinary film captures the real-life experiences of a family living in one of the most chaotic wars in history and provides insight into the psychology of war, 20th century-style.  It also reveals the power of cinema verité at its best: a seemingly simple recording of everyday life becomes a fascinating, complex and many-layered look at the connections between personal and political lives.
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Array
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    [id] => 10
    [title] => Measures of Distance
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    [year_released] => 1988
    [text] => In this resonant work, Palestinian-born video and performance artist Mona Hatoum explores the renewal of friendship between mother and daughter during a brief family reunion in war-torn Lebanon in 1981. Through letters read in voice-over and Arabic script overlaying the images, the viewer experiences the silence and isolation imposed by war. The politics of the family and the exile of the Palestinian people are inseparable in this forceful, moving film.

With gratitude to the Moving Image Archiving and Preservation program at NYU, a digital preservation copy of this film now available for exhibition! Please contact [email protected] for more information.
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Array
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    [id] => 109
    [title] => Perfect Image?
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    [year_released] => 1988
    [text] => Bright and imaginative in its approach to its subject, PERFECT IMAGE? exposes stereotypical images of Black women and explores women's own ideas of self worth.  Using two actresses who constantly change their personae, the film poses questions about how Black women see themselves and each other and the pitfalls that await those who internalize the search for the "perfect image"!
    [image] => https://www.wmm.com/storage/films/perfect-image/cbe_pi_hires1.jpg
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Array
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    [id] => 56
    [title] => Coffee Colored Children
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    [year_released] => 1988
    [text] => This lyrical, unsettling film conveys the experience of children of mixed racial heritage. Suffering the aggression of racial harassment, a young girl and her brother attempt to wash their skin white with scouring powder. Starkly emotional and visually compelling, this semi-autobiographical testimony to the profound internalized effects of racism and the struggle for self-definition and pride is a powerful catalyst for discussion.
    [image] => https://www.wmm.com/storage/films/coffee-colored-children/cbe_coffeechildren_catalogbox.jpg
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Array
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    [id] => 141
    [title] => Picking Tribes
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    [year_released] => 1988
    [text] => “In a heartfelt, and often hilarious, attempt to be more than ‘ordinary,’ a girl growing up in the 1940s tries to choose between her African-American and Native-American heritages.  It is only when her beloved grandfather dies that she is able to reconcile the power of both her heritages and realizes her own uniqueness." -Moving Pictures Bulletin

Sharp uses vintage photographs and Carlos Spivey’s watercolor animation to create a spirited portrait of a girl’s search for identity. 

Now with Bonus Short Film: BACK INSIDE HERSELF 2009 Remix by S. Pearl Sharp (4min 45secs) 
Originally released in 1984, this lyrical visual poem featuring Barbara-O urges black women to both discover and invent their own identities. The 2009 remix includes updated audio with vocals by Sharp and Dwight Trible. 
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