Browse Films

Array
(
    [id] => 634
    [title] => Wonder Women!
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/wonder-women
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/wonder-women/320x-gi_Katie_WW.png
    [created_at] => Array
        (
        )

    [year_released] => 2012
    [text] => Now Available from WMM: WONDER WOMEN! traces the fascinating birth, evolution and legacy of Wonder Woman and introduces audiences to a dynamic group of fictional and real-life superheroines fighting for positive role models for girls, both on screen and off.
    [image] => https://www.wmm.com/storage/films/wonder-women/gi_Katie_WW.jpg
)

Array
(
    [id] => 487
    [title] => Ulrike Ottinger - Nomad from the Lake
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/ulrike-ottinger-nomad-from-the-lake
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/ulrike-ottinger-nomad-from-the-lake/320x-cbi_nomad-from-the-lake-1.png
    [created_at] => Array
        (
        )

    [year_released] => 2012
    [text] => This intimate personal portrait of Ulrike Ottinger, a unique, influential voice in women’s cinema for over four decades, begins at the lakeside city of Constance, where she was born and started her career. Describing key moments in her life, including the impact of student protests in Paris and her move from painting to filmmaking, Kramer traces Ottinger’s artistic development. Excerpts from her films, notably Madame X; Dorian Gray in the Mirror of the Yellow Press; Johana d’Arc of Mongolia; and documentaries shot in Asia (recently released by WMM), explore her luxuriant cinematic style combining fact and fiction in opulent, idiosyncratic images. Interviews with collaborators and friends offer further insights into Ottinger’s singular body of work. A richly rewarding close-up of the woman director who, along with Margarethe von Trotta and Helke Sander, helped launch New German Cinema on world screens, ULRIKE OTTINGER—NOMAD FROM THE LAKE is an indispensable companion for any Ottinger film.
    [image] => https://www.wmm.com/storage/films/ulrike-ottinger-nomad-from-the-lake/cbi_nomad-from-the-lake-1.jpg
)

Array
(
    [id] => 489
    [title] => A Girl Like Her
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/a-girl-like-her
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/a-girl-like-her/320x-girllike_hires2.png
    [created_at] => Array
        (
        )

    [year_released] => 2012
    [text] => From 1945-73, 1.5 million unmarried young American women, facing enormous social pressures, surrendered babies to adoption. Lacking sex education and easy access to birth control, they were forced into hiding while pregnant and then into “abandoning” their infants. In her latest film, Ann Fessler, Professor of Photography at Rhode Island School of Design, reprises the subject of her award-winning The Girls Who Went Away (National Book Critics Circle; Ballard Book Prize), which Ms. readers named an all-time best feminist book. 

Drawing on interviews with 100 women, Fessler lets them have their say and brings hidden history to light. We hear only their voices, which detail wrenching experiences against images from vintage newsreel and educational films reinforcing stereotypes of women’s roles following WWII. This gripping documentary will help today’s students grasp what life was like before the sexual and feminist revolutions had fully dawned.
    [image] => https://www.wmm.com/storage/films/a-girl-like-her/girllike_hires2.jpg
)

Array
(
    [id] => 484
    [title] => The Grey Area: Feminism Behind Bars
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/the-grey-area-feminism-behind-bars
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/the-grey-area-feminism-behind-bars/320x-greara_hires3.png
    [created_at] => Array
        (
        )

    [year_released] => 2012
    [text] => Closed captioned and audio described DVD available on request.  Please email [email protected]
    [image] => https://www.wmm.com/storage/films/the-grey-area-feminism-behind-bars/greara_hires3.jpg
)

Array
(
    [id] => 492
    [title] => Red Wedding: Women Under the Khmer Rouge
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/red-wedding-women-under-the-khmer-rouge
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/red-wedding-women-under-the-khmer-rouge/320x-redwed_hires.png
    [created_at] => Array
        (
        )

    [year_released] => 2012
    [text] => The Killing Fields in Cambodia became known to the world but little is known about the struggles of the women left behind. From 1975-79, Pol Pot’s campaign to increase the population forced at least 250,000 young Cambodian women to marry Khmer Rouge soldiers they had never met before. Sochan Pen was one of them. At 16, she was beaten and raped by her husband before managing to escape, though deeply scarred by her experience. After 30 years of silence, Sochan is ready to file a complaint with the international tribunal that will try former Khmer leaders. With quiet dignity, she starts demanding answers from those who carried out the regime’s orders. 

To tell a story little known outside Cambodia, Cambodian Lida Chan and French-Cambodian Guillaume Suon include Khmer Rouge era footage underscoring war’s traumatic legacy for Sochan’s generation of women. Awarded two prizes at Amsterdam’s prestigious International Documentary Film Festival, RED WEDDING demonstrates the liberating power of speech and memory in the quest for justice.
    [image] => https://www.wmm.com/storage/films/red-wedding-women-under-the-khmer-rouge/redwed_hires.jpg
)

Array
(
    [id] => 491
    [title] => Camera/Woman
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/camerawoman
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/camerawoman/320x-camwom_hires.png
    [created_at] => Array
        (
        )

    [year_released] => 2012
    [text] => Working as a videographer at weddings in Casablanca, Khadija Harrad is part of the new generation of young, divorced Moroccan women seeking to realize their desires for freedom and independence while honoring their families' wishes. Mother of an 11-year-old son and primary breadwinner for her parents and siblings as well, she navigates daily between the elaborate fantasy world of the parties she films and harassment from her traditionally conservative family, which disapproves of her occupation and wants her only to remarry. CAMERA/WOMAN, shot in vérité style, follows Khadija on the job, at home, and with supportive women friends who are divorced and share similar experiences. As it unveils the issues that confront working-class Muslim women in societies now undergoing profound change, this arresting film reveals that for Khadija, unbowed in the face of overwhelming odds, the camera becomes a liberating force.
    [image] => https://www.wmm.com/storage/films/camerawoman/camwom_hires.jpg
)

Array
(
    [id] => 490
    [title] => Forbidden Voices: How to Start a Revolution with a Computer
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/forbidden-voices-how-to-start-a-revolution-with-a-computer
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/forbidden-voices-how-to-start-a-revolution-with-a-computer/320x-forvo_hires.png
    [created_at] => Array
        (
        )

    [year_released] => 2012
    [text] => Their voices are suppressed, prohibited and censored. But world-famous bloggers Yoani Sánchez, Zeng Jinyan and Farnaz Seifi are unafraid of their dictatorial regimes. These fearless women represent a new, networked generation of modern rebels. In Cuba, China and Iran their blogs shake the foundations of the state information monopoly, putting them at great risk. 

This film accompanies these brave young cyberfeminists on perilous journeys. Eyewitness reports and clandestine footage show Sánchez's brutal beating by Cuban police for criticizing her country's regime; Chinese human rights activist Jinyan under house arrest for four years; and Iranian journalist and women's advocate Seifi forced into exile, where she blogs under a pseudonym. Tracing each woman's use of social media to denounce and combat violations of human rights and free speech in her home country, FORBIDDEN VOICES attests to the Internet's potential for building international awareness and political pressure.
    [image] => https://www.wmm.com/storage/films/forbidden-voices-how-to-start-a-revolution-with-a-computer/forvo_hires.jpg
)

Array
(
    [id] => 460
    [title] => Duhozanye: A Rwandan Village of Widows
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/duhozanye-a-rwandan-village-of-widows
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/duhozanye-a-rwandan-village-of-widows/320x-duhozanya_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => During the 1994 genocidal campaign that claimed the lives of an estimated 800,000 Rwandans and committed atrocities against countless others, Daphrose Mukarutamu, a Tutsi, lost her husband and all but two of her 11 children. In the aftermath she considered suicide. But instead, she took in 20 orphans and started Duhozanye, an association of Tutsi and Hutu widows who were married to Tutsi men. This powerful documentary by award-winning Norwegian director Karoline Frogner recounts the story of Duhozanye’s formation and growth - from a support group of neighbors who share their traumatic experiences, rebuild their homes, and collect and bury their dead, to an expanding member-driven network that advances the empowerment of Rwandan women. Featuring first-person accounts by Daphrose and other Duhozanye widows, the film shows association members helping women victims of rape and HIV/AIDS, running small businesses and classes in gender violence prevention, and taking part in national reconciliation through open-air people’s courts where they can face, and often forgive, their loved ones’ killers.
    [image] => https://www.wmm.com/storage/films/duhozanye-a-rwandan-village-of-widows/duhozanya_hires1.jpg
)

Array
(
    [id] => 471
    [title] => Skydancer
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/skydancer
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/skydancer/320x-cbe_sky.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => Renowned for their balance and skill, six generations of Mohawk men have been leaving their families behind on the reservation to travel to New York City, to work on some of the biggest construction jobs in the world. Jerry McDonald Thundercloud and his colleague Sky shuttle between the hard drinking Brooklyn lodging houses they call home during the week and their rural reservation, a gruelling drive six hours north, where a family weekend awaits. Their wives are only too familiar with the sacrifices that their jobs have upon family life. While the men are away working, the women often struggle to keep their children away from the illegal temptations of this economically deprived area. Through archival documents and interviews, Academy Award®-nominated director Katja Esson (FERRY TALES, LATCHING ON) explores the colorful and at times tragic history of the Mohawk skywalkers, bringing us a nuanced portrait of modern Native American life and a visually stunning story of double lives.
    [image] => https://www.wmm.com/storage/films/skydancer/cbe_sky.jpg
)

Array
(
    [id] => 498
    [title] => Mothers of Bedford
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/mothers-of-bedford
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/mothers-of-bedford/320x-mob_hires.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => Women are the fastest-growing U.S. prison population today. Eighty percent are mothers of school-age children. Jenifer McShane's absorbing documentary gives human dimensions to these rarely reported statistics, taking us inside Bedford Hills Correctional Facility, a maximum security prison north of New York City. Shot over four years, MOTHERS OF BEDFORD follows five women - of diverse backgrounds and incarcerated for different reasons- in dual struggles to be engaged in their children's lives and become their better selves. It shows how long-term sentences affect mother-child relationships and how Bedford's innovative Children's Center helps women maintain and improve bonds with children and adult relatives awaiting their return. Whether it be parenting's normal frustrations to celebrating a special day, from both inside and out of the prison walls, this moving film provides unprecedented access to a little known, rarely shown, community of women.
    [image] => https://www.wmm.com/storage/films/mothers-of-bedford/mob_hires.jpg
)

Array
(
    [id] => 466
    [title] => The Fat Body (In)Visible
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/the-fat-body-invisible
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/the-fat-body-invisible/320x-fatbody_hires.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => "While I have all the confidence in the world, I’m told every day that my body is revolting." Jessica turns heads in the street—for both her striking fashion, and larger than average body. She has learned to ignore the frequent insults which come her way, but it has not been an easy journey. Keena is the heaviest she has ever been—and the happiest. Confident and attractive, she decided long ago that dieting is not for her. Keena and Jessica—and filmmaker Margitte Kristjansson—are body acceptance activists, working to celebrate body diversity and the right to be happy whatever your body size. Brought together by social media, they use the blogosphere strategically to make their bodies visible in a world that still thinks that fat women should hide away. In this insightful short documentary, Keena and Jessica speak candidly about growing up overweight, and the size discrimination they have faced. Their stories detail the intricacies of identity and the intersection of race and gender with fatness— and how social media has helped this community enact visibility on their own terms.
    [image] => https://www.wmm.com/storage/films/the-fat-body-invisible/fatbody_hires.jpg
)

Array
(
    [id] => 477
    [title] => Water Children
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/water-children
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/water-children/320x-waterchild_hires.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => In this acclaimed, hauntingly beautiful film, director Aliona van der Horst follows the unconventional Japanese-Dutch pianist Tomoko Mukaiyama as she explores the miracle of fertility and the cycle of life—sometimes joyful, sometimes tragic. When Mukaiyama recognized that her childbearing years were ending, she created a multimedia art project on the subject in a village in Japan, constructing what she calls a cathedral, out of 12,000 white silk dresses. While Mukaiyama’s own mesmerizing music provides a haunting backdrop to the film, her installation elicits confessions from its normally reticent Japanese visitors, many of whom have never seen art before—and in moving scenes they open up about previously taboo subjects. Mukaiyama’s courageous approach to a subject that remains unspoken in many cultures is explored with an elegance and sophistication that deepens our understanding of the relationship between body and mind.
    [image] => https://www.wmm.com/storage/films/water-children/waterchild_hires.jpg
)

Array
(
    [id] => 472
    [title] => Justice for Sale
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/justice-for-sale
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/justice-for-sale/320x-jfs_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => JUSTICE FOR SALE follows the young, courageous Congolese human rights lawyer Claudine Tsongo who refuses to accept that justice is indeed “For Sale” in her country. When she investigates the case of a soldier convicted of rape, she becomes convinced his trial was unfair and uncovers a system where the basic principles of law are ignored—and when the system fails, everyone becomes a victim. The documentary not only provides a glimpse into the failings of the Congolese judicial system but also raises questions about the role of the international community and non-governmental organizations in reforming it. Does their financial support cause justice to be for sale? And who pays the price?

This is the third documentary in Dutch filmmakers Ilse and Femke van Velzen’s trilogy about the Congo, following FIGHTING THE SILENCE, about the consequences for victims of sexual violence and WEAPON OF WAR, confessions by those who perpetrated the acts. These films are essential viewing for anyone interested in the issues facing contemporary Africa.
    [image] => https://www.wmm.com/storage/films/justice-for-sale/jfs_hires1.jpg
)

Array
(
    [id] => 479
    [title] => Invoking Justice
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/invoking-justice
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/invoking-justice/320x-cbe_invoke_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => In Southern India, family disputes are settled by Jamaats—all male bodies which apply Islamic Sharia law to cases without allowing women to be present, even to defend themselves. Recognizing this fundamental inequity, a group of women in 2004 established a women’s Jamaat, which soon became a network of 12,000 members spread over 12 districts. Despite enormous resistance, they have been able to settle more than 8,000 cases to date, ranging from divorce to wife beating to brutal murders and more. Award-winning filmmaker Deepa Dhanraj (SOMETHING LIKE A WAR) follows several cases, shining a light on how the women’s Jamaat has acquired power through both communal education and the leaders’ persistent, tenacious and compassionate investigation of the crimes. In astonishing scenes we watch the Jamaat meetings, where women often shout over each other about the most difficult facets of their personal lives. Above all, the women’s Jamaat exists to hold their male counterparts and local police to account, and to reform a profoundly corrupt system which allows men to take refuge in the most extreme interpretation of the Qur’an to justify violence towards women.
    [image] => https://www.wmm.com/storage/films/invoking-justice/cbe_invoke_hires1.jpg
)

Array
(
    [id] => 475
    [title] => Anna May Wong: In Her Own Words
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/anna-may-wong-in-her-own-words
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/anna-may-wong-in-her-own-words/320x-cbe_annaw_hires3.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => Anna May Wong knew she wanted to be a movie star from the time she was a young girl—and by 17 she became one. A third generation Chinese-American, she went on to make dozens of films in Hollywood and Europe. She was one of the few actors to successfully transition from silent to sound cinema, co-starring with Marlene Dietrich, Anthony Quinn and Douglas Fairbanks along the way. She was glamorous, talented and cosmopolitan—yet she spent most of her career typecast either as a painted doll or a scheming dragon lady. For years, older generations of Chinese-Americans frowned upon the types of roles she played; but today a younger generation of Asian Americans sees her as a pioneering artist, who succeeded in a hostile environment that hasn’t altogether changed. Yunah Hong’s engrossing documentary is an entertaining and imaginative survey of Wong’s career, exploring the impact Wong had on images of Asian American women in Hollywood, both then and now. Excerpts from Wong’s films, archival photographs and interviews enhance this richly detailed picture of a woman and her extraordinary life.
    [image] => https://www.wmm.com/storage/films/anna-may-wong-in-her-own-words/cbe_annaw_hires3.jpg
)

Array
(
    [id] => 461
    [title] => Sarabah
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/sarabah
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/sarabah/320x-saraba_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => Rapper, singer and activist, Sister Fa is hero to young women in Senegal and an unstoppable force for social change. A childhood victim of female genital cutting (FGC), she decided to tackle the issue by starting a grassroots campaign, “Education Without Excision,” which uses her music and persuasive powers to end the practice. But until 2010 there’s one place she had never brought her message  – back home to her own village of Thionck Essyl, where she fears rejection. SARABAH follows Sister Fa on this challenging journey, where she speaks out passionately to female elders and students alike, and stages a rousing concert that has the community on its feet. A portrait of an artist as activist, SARABAH shows the extraordinary resilience, passion and creativity of a woman who boldly challenges gender and cultural norms. It’s an inspiring story of courage, hope and change.
    [image] => https://www.wmm.com/storage/films/sarabah/saraba_hires1.jpg
)

Array
(
    [id] => 462
    [title] => The Learning
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/the-learning
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/the-learning/320x-learning.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => One hundred years ago, American teachers established the English-speaking public school system of the Philippines. Now, in a striking turnabout, American schools are recruiting Filipino teachers. THE LEARNING, from award-winning filmmaker Ramona S. Diaz (IMELDA), is the story of four Filipina women who reluctantly leave their families and schools to teach in Baltimore. With their increased salaries, they hope to transform their families' lives back in their impoverished country. This absorbing, beautifully crafted film follows these teachers as they take their place on the frontline of the No Child Left Behind Act. Across the school year's changing seasons, the film chronicles the sacrifices they make as they try to maintain a long-distance relationship with their children and families, and begin a new one with the mostly African-American students whose schooling is now entrusted to them. Their story is intensely personal, as each woman deals with the implications of her decision to come to the US, and fundamentally public, as they become part of the machinery of American education reform policy.
    [image] => https://www.wmm.com/storage/films/the-learning/learning.jpg
)

Array
(
    [id] => 481
    [title] => Saving Face
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/saving-face
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/saving-face/320x-savfac_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => Winner of the Academy Award® for Best Documentary (Short Subject), SAVING FACE is a harshly realistic view of violence against women in South Asia. Every year in Pakistan, many women are known to be victimized by brutal acid attacks, with numerous cases going unreported. 

Plastic surgeon Dr. Mohammad Jawad left his prominent London practice to return to his home country and help the victims of such attacks. Two of these women, Zakia and Rukhsana, are victims of brutal acid attacks by their husbands and in Rukhsana’s case, her in-laws as well. Both attempt to bring their assailants to justice and move on with their lives with the help of NGOs, sympathetic policymakers, politicians, support groups with other acid attack victims and Dr. Jawad. SAVING FACE also depicts a Pakistan that is changing - one where ordinary people can stand up and make a difference and where marginalized communities can seek justice.
    [image] => https://www.wmm.com/storage/films/saving-face/savfac_hires1.jpg
)

Array
(
    [id] => 469
    [title] => Scarlet Road
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/scarlet-road
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/scarlet-road/320x-scarlet_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => Impassioned about freedom of sexual expression, Australian sex worker Rachel Wotton specializes in a long overlooked clientele— people with disabilities. Working in New South Wales—where prostitution is legal— Rachel’s philosophy is that human touch and sexual intimacy can be the most therapeutic aspects to our existence. Indeed, she is making a dramatic impact on the lives of her customers, many of whom are confined to wheelchairs or cannot speak or move unaided. Through her graduate studies and her nonprofit group Touching Base, Rachel both fights for the rights of sex workers and promotes awareness and access to sexual expression for the disabled through sex work—and brings together these two often marginalized groups. We follow her from conducting sex and disability workshops to speaking to the World Congress on Sexual Health about her mission to observing her overnight stays with severely disabled clients who blossom under her attention—with one man even gaining back lost movement and sensation thanks to his time spent with her. Rachel has made it her life’s work to end the stigma surrounding these populations; the depth, humor and passion in this positive and pro-active documentary will transform the way we see sex workers and people with disabilities forever.
    [image] => https://www.wmm.com/storage/films/scarlet-road/scarlet_hires1.jpg
)

Array
(
    [id] => 495
    [title] => The LuLu Sessions
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/the-lulu-sessions
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/the-lulu-sessions/320x-cbe_lulu_hires2.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => Unlike anyone you've ever met, LuLu is a hard-living, chain-smoking rebel with a tender heart; poet with a potty mouth; farm girl; former cheerleader; world-class biochemistry pioneer; and beloved professor. Aka Dr. Louise Nutter, she has just discovered a new anti-cancer drug when, at 42, she learns she has terminal breast cancer. Reminiscent of Peter Friedman and Tom Joslin’s SILVERLAKE LIFE, THE LULU SESSIONS, via video diary, records the journey S. Casper Wong shared with her mentor, best friend, and on-again-off-again lover over the last 15 months before LuLu died. Her compelling film chronicles how the two women test the limits of their bond and take on life's ultimate adventure, shedding old presumptions and values while adopting new ones in the process. Reflective, intensely honest, and surprisingly humorous, this unforgettable documentary makes life’s last journey accessible in ways rarely seen before on screen.
    [image] => https://www.wmm.com/storage/films/the-lulu-sessions/cbe_lulu_hires2.jpg
)

Array
(
    [id] => 467
    [title] => No Job For A Woman: The Women Who Fought To Report WWII
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/no-job-for-a-woman-the-women-who-fought-to-report-wwii
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/no-job-for-a-woman-the-women-who-fought-to-report-wwii/320x-nojob_hires.png
    [created_at] => Array
        (
        )

    [year_released] => 2011
    [text] => When World War II broke out, reporter Martha Gellhorn was so determined to get to the frontlines that she left husband Ernest Hemingway, never to be reunited. Ruth Cowan’s reporting was hampered by a bureau chief who refused to talk to her. Meanwhile, photojournalist Dickey Chappelle wanted to get so close to the action that she could feel bullets whizzing by. This award-winning documentary tells the colorful story of how these three tenacious war correspondents forged their now legendary reputations during the war—when battlefields were considered no place for a woman.

Narrated by Emmy® Award winner Julianna Margulies, this film features an abundance of archival photos and interviews with modern female war correspondents, as well as actresses bringing to life the written words of these remarkable women. Their repeated delegation to the sidelines to cover the “woman’s angle” succeeded in expanding the focus of war coverage to bring home a new kind of story— a personal look at the human cost of war.

NO JOB FOR A WOMAN: THE WOMEN WHO FOUGHT TO REPORT WWII has been made possible in part by a major grant from the National Endowment for the Humanities.
    [image] => https://www.wmm.com/storage/films/no-job-for-a-woman-the-women-who-fought-to-report-wwii/nojob_hires.jpg
)