Women of Faith

This absorbing documentary examines women’s decisions to lead religious lives in the Roman Catholic tradition in the post-feminist era. Throughout history, nuns were given certain advantages over other women, while still oppressed within their vocational pursuits. They were taught to read and write, encouraged to pursue music, literature, art, philosophy and spirituality, and officially allowed to escape marriage’s powerless role of wife. But why would a woman choose a nun’s life today? Individual interviews with seven women provide answers—and explore how rebellion can happen within and outside the Church, how women in the Church reconcile conflicting, religious, personal, and political beliefs, and how they view official Church positions on contraception, homosexuality, and women’s ordination as priests. The diverse group includes Poor Clares, contemplative nuns who spend most of their days in prayer, Maryknolls who have served in Central America, and a Roman Catholic Womanpriest. Both timely and insightful, the film provides a rare look at their experiences and current controversies over tradition, change and power within the Catholic Church.
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Sin by Silence

From behind prison walls, a group of extraordinary women are shattering misconceptions of domestic violence. An important film that profiles Convicted Women Against Abuse (CWAA), the US prison system’s first inmate initiated group and led by women, SIN BY SILENCE is an essential resource featuring more than two hours of bonus materials, including interviews with experts on abusive relationships, law enforcement leaders and leaders in faith-based communities about domestic violence, and more. Created by Brenda Clubine in 1989, CWAA has changed laws for battered women, raised awareness for those on the outside, and educated a system that does not fully comprehend the complexities of domestic abuse. Like many CWAA members, Brenda’s years of inflicted abuse were never fully revealed. But because of CWAA’s work and advocacy, new laws were enacted that now allow incarcerated survivors to challenge their original conviction. With unprecedented access inside the California Institution for Women, this emotionally packed documentary tells the stories of courageous women who have learned from their past, are changing their future, and teaching us how domestic violence affects each and every person.
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Mother, Lebanon & Me

A visually striking meditation on loss and a perceptive political critique, this deeply personal work has two subjects: filmmaker Olga Naccache’s ailing mother and the chaotic country where Naccache was raised. Both fell sick in 1975, the onset of incurable depression for one and a bloody civil war ushering in deep divisions for the other. In this sequel to LEBANON: BITS AND PIECES (1994), Naccache ponders the plight of the country she clearly loves while honoring the mother dear to her. Her montage draws on conversations with Naccache's mother toward the end of life, along with footage of this beautiful, accomplished woman and ardent secularist in more physically robust times. Stunning scenes of tranquil Beirut and southern Lebanon contrast with close-ups of a nation under siege from within and abroad. Recent interviews with two longtime friends—a leftist teacher of philosophy in a Christian village school and a Shiite Muslim viewing Hezbollah as Lebanon’s only hope—raise crucial questions about the nation’s identity and precarious future.
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THE HERETICS

Tracing the influence of the Women’s Movement’s Second Wave on art and life, THE HERETICS is the exhilarating inside story of the New York feminist art collective that produced “Heresies: A Feminist Publication on Art and Politics” (1977-92). In this feature-length documentary, cutting-edge video artist/writer/director Joan Braderman, who joined the group in 1975 as an aspiring filmmaker, charts the collective’s challenges to terms of gender and power and its history as a microcosm of the period’s broader transformations. On the road with her camera crew from New Mexico to Italy, Braderman reconnects with 28 other group members, including writer/critic Lucy Lippard, architect Susanna Torre, filmmaker Su Friedrich, and artists Ida Applebroog, Mary Miss, Miriam Schapiro, and Cecilia Vicuña. Still funny, smart and sexy, the geographically dispersed participants revisit how and why they came together and the extraordinary times they shared—supporting and exploring women’s art and demanding the right to be heard. Enlivened by striking digital motion graphics, THE HERETICS intercuts interviews with archival film clips, video and stills from the period, texts and images from “Heresies” magazines, and footage of completed artworks and works-in-progress. An exuberant, multi-layered collage, the film brings the Heresies collective—and its strategies for unlocking the potential in women’s lives—vividly to the screen.
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Weapon of War

In no other country has sexual violence matched the scale of brutality reached in the Democratic Republic of Congo (DRC). During nearly two decades of conflicts between rebels and government forces, an estimated 150,000 Congolese women and girls fell victim to mass rape. That figure continues to rise. WEAPON OF WAR, an award-winning film honored by Amnesty International, journeys to the heart of this crisis, where we meet its perpetrators. In personal interviews, soldiers and former combatants provide openhearted but shocking testimony about rape in the DRC. Despite differing views on causes or criminal status, all reveal how years of conflict, as well as discrimination against women, have normalized brutal sexual violence. We also see former rapists struggling to change their own or others’ behavior, and reintegrate into their communities. A companion to FIGHTING THE SILENCE and its portraits of Congolese rape survivors, this indispensable resource provides unique insights into strategic uses of rape as a military weapon - and the motives of the men who employ it.
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A Crushing Love

A CRUSHING LOVE, Sylvia Morales’ sequel to her groundbreaking history of Chicana women, CHICANA (1979), honors the achievements of five activist Latinas—labor organizer/farm worker leader Dolores Huerta, author/educator Elizabeth “Betita” Martinez, writer/playwright/educator Cherrie Moraga, civil rights advocate Alicia Escalante, and historian/writer Martha Cotera - and considers how these single mothers managed to be parents and effect broad-based social change at the same time. Questions about reconciling competing demands are ones that highly acclaimed filmmaker Sylvia Morales, a working mother of two herself, pondered aloud as she prepared this documentary. Historical footage and recent interviews with each woman reveal their contributions to key struggles for Latino empowerment and other major movements of our time. Both they and their grown children thoughtfully explore the challenges, adaptations, rewards, and missteps involved in juggling dual roles. Scenes of Morales at work and at home, often humorously overlaid with her teenage daughter’s commentary, bring the dilemma up to date. Chicana continues to be used in classrooms more than thirty years after it was made; A CRUSHING LOVE is a memorable sequel which offers us indelible portraits of unforgettable women, including one of Morales herself.
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My Toxic Baby

This eye-opening, often amusing documentary by the director of Tiger Spirit, winner of Canada’s prestigious Donald Brittain Gemini Award, records the filmmaker’s quest for safe, sane and affordable ways to raise her child in a world embedded with toxic threats and still lead a normal life. Although new mother Min Sook Lee breast fed her daughter from birth, she used baby bottles too, only to discover that they leached a chemical byproduct linked to impaired health and serious diseases. This set in motion a journey that exposes hidden dangers in infant bath soaps, diaper rash creams, teething toys and many everyday products from an industry largely unregulated by law. For Lee, it also uncovers risks posed by our own homes and chemical contaminants we carry within our own bodies. Her search introduces us to others, including nursing mothers and parents helping to build youngsters’ natural immune systems, who are seeking alternative choices themselves and finding healthier, environment-friendly ways to rear their children. A personal essay that packs a punch, MY TOXIC BABY throws a spotlight on non-hazardous options that are available in our chemically saturated world, and further emphasizes women’s particular concerns about environmental hazards and health.
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Mountains that Take Wing: Angela Davis & Yuri Kochiyama

Thirteen years, two radical activist all-stars-one conversation. Internationally renowned scholar, professor and writer Angela Davis and 89-year-old grassroots organizer and Nobel Peace Prize nominee Yuri Kochiyama spent over a decade conversing intimately about personal histories and influences that shaped them and their overlapping experiences. MOUNTAINS THAT TAKE WING offers the gift of these two remarkable women’s lives, sharing the pair’s recorded exchanges in 1996 and 2008. The film’s unique format honors the scope and depth of their knowledge on topics ranging from Jim Crow laws and Japanese American internment camps, to Civil Rights, anti-war, women’s and gay liberation movements, to today’s campaigns for political prisoners and prison reform. Intercut with compelling period footage, Davis and Kochiyama’s cogent observations, keen analyses, and steadfast resolve to create a more equitable, humane world offer inspiring lessons in empowerment and community building for current and future generations.
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The Mosque in Morgantown

THE MOSQUE IN MORGANTOWN follows one woman’s campaign for change against extremism in her West Virginia mosque, throwing the community into turmoil and raising questions that cut to the heart of American Islam. When former Wall Street Journal journalist and single mother Asra Q. Nomani returns from working in Pakistan to her hometown mosque in Morgantown, West Virginia, she believes she sees signs of trouble: exclusion of women, intolerance toward non-believers, and suspicion of the West. She finds such signs particularly alarming and determined to halt the ‘slippery slope’ that she maintains leads from Islamic intolerance to violence, she begins a campaign to drag the mosque’s practices into the 21st century, triggering a heated battle between tradition and modernity. Nomani’s activist tactics alienate would-be allies in the mosque, leading many to wonder who most deserves the label of “extremist.” Director Brittany Huckabee takes a balanced view of the tensions dividing this community, exploring both sides from a neutral standpoint. This riveting Emmy® Award nominated film is not only about women’s rights in the mosque but about the struggles of a Muslim community faces as it strives to be a part of American life.
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The Feminist Initiative

The Feminist Initiative reveals the passion, pitfalls and promise of a diverse group of women working to establish the world’s first feminist political party in Sweden in the spring of 2005. Even in one of the most gender-equal societies in the world, the advancement of women’s agenda within the patriarchal establishment requires a revolution. Beginning from the innovative and inclusive decision to elect three party leaders rather than one, the film charts every trail-blazing step (and misstep) of the Feminist Initiative (F!) from their energetic start to the climactic moments of their inspiring, celebrity-supported rally. In the face of internal discord, public backlash, and a worrisome lack of funds, the Feminist Initiative forges a new path towards parliament, raising critical questions along the way about what women really want from their government and about gender differences in leadership. This is an invaluable story about the struggle to have women’s voices heard in a patriarchal, modern society, and an amazing behind-the-scenes film about what women do with power, and what power can do to women.
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Africa Rising

Every day, 6,000 girls from the Horn of Africa to sub-Saharan nations are subjected to female genital mutilation (FGM). With fierce determination and deep love for their communities, brave African activists are leading a formidable, fearless grassroots movement to end 5,000 years of FGM. An insightful look at the frontlines of a quiet revolution taking the continent by storm, this extraordinarily powerful film is one of the first to focus on African solutions to FGM. Beautifully directed by Emmy Award® winner Paula Heredia and produced by Equality Now, AFRICA RISING travels through remote villages in Burkina Faso, Kenya, Mali, Somalia and Tanzania. Weaving together dynamic footage and the poignant stories of girls personally affected by FGM, it shows how African women and men are putting an end to this human rights violation. Convincing circumcisers to lay down their knives, engaging the police to implement the law, and honing leadership skills in girls, these determined activists have been working tirelessly for years to conceptualize their campaign. AFRICA RISING paints an intimate portrait of the broadly-based but little-known anti-FGM movement and shows that courageous, creative and resourceful individuals can change the course of history.
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Wired for Sex, Lies and Power Trips

An inside look at the culture of sexual harassment and bullying widespread among many teens today, this unique and compelling program examines the price that adolescents, especially girls, pay to be cool, hip and popular in our brave new wired world. Questioning and confronting their own and each other’s stereotypes and assumptions, three different groups of culturally diverse teenagers share personal stories of navigating their hyper-sexualized, high-tech environment, where the online posting of racy photos, raunchy videos, and explicit gossip and lies, is as commonplace as bombardment by provocative media messages that degrade and objectify women. In its unflinching exposé, the film takes us on a journey that includes candid personal interviews and diary excerpts, images from computer screens and youth nightclubs, and clips from short fictional films that the three group’s members have made about sexual and social pressures on their lives. Told through the authentic voices of teens, this essential tool for promoting awareness and change is must-see viewing for school and youth groups, media studies and women’s studies educators, educators, counselors, parents, and health care professionals.
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Say My Name

In a hip hop and R&B world dominated by men and noted for misogyny, the unstoppable female lyricists of SAY MY NAME speak candidly about class, race, and gender in pursuing their passions as female MCs. This worldwide documentary takes viewers on a vibrant tour of urban culture and musical movement, from hip hop’s birthplace in the Bronx, to grime on London’s Eastside, to Philly, Detroit, Chicago, Atlanta, and L.A., and points in between. Featuring interviews and musical performances from a diverse cast of women that includes Remy Ma, Rah Digga, Jean Grae, Erykah Badu, Estelle, as well as newcomers Chocolate Thai, Invincible and Miz Korona, this powerful documentary delves into the amazing personal stories of women balancing professional dreams with the stark realities of poor urban communities, race, sexism, and motherhood. The more than 18 artists featured in SAY MY NAME battle for a place in a society that creates few chances for women. From emerging artists filled with new creativity, to true pioneers like MC Lyte, Roxxanne Shante, and Monie Love, these are women turning adversity into art.
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Africa is a Woman's Name

AFRICA IS A WOMAN’S NAME provides an opportunity for three of Africa’s leading filmmakers to tell their own country’s stories through the lives of the powerful women working to create change. Veteran filmmakers Wanjiru Kinyanjui, from Zimbabwe, and Bridget Pickering, from South Africa, join Kenyan Ingrid Sinclair, director of the critically acclaimed feature film FLAME, to profile three diverse women who eloquently demonstrate the power of women. Amai Rose, a Zimbabwean housewife and businesswoman, Phuti Ragophala, a dedicated school principal in one of South Africa’s poorest communities, and Njoki Ndung’u, a human rights attorney and member of Kenya’s parliament, tell their individual stories, reflecting upon their own achievements and failures as well as needed initiatives for women and children in their respective societies. Their richly textured self-portraits reveal the gender revolution under way among sub-Saharan women of different backgrounds and origins who are determined to transform their daily realities and the conditions of their lives.
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Unveiled Views

In this revealing documentary five extraordinary women talk about their occupations, aspirations, and the rights and status of women in their Muslim countries. Bosnian Alma Suljevic risks her life daily clearing the landmines near Sarajevo that are war’s deadly legacy, then sells minefield earth in European art galleries so that she can continue her work. Eren Keskin, a longtime human rights activist and lawyer with music conservatory training, fights to change Turkey’s legal practices that perpetuate violence against women. Veteran filmmaker Rakshan Bani-Ehmad, true to her credo that art must “look, observe, and discover”, frequently pushes Iran’s censorship rules to the limit. Surrounded by conflict since childhood, young Afghani writer Moshagan Saadat creates brave, profoundly moving and memorable poems. And renowned Pakistani dancer Nahid Siddiqui, once forced to live outside her homeland when her work was banned, continues to perfect, renew, and teach her art form. Captured by Spanish filmmaker Alba Sotorra, who hitchhiked from Barcelona to Pakistan to shoot UNVEILED VIEWS, these self-portraits of hope, heroism, and pride challenge conventional Western stereotypes about women in the Islamic world.
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Ella es el Matador (She is the Matador)

For Spaniards—and for the world—nothing has expressed their country’s traditionally rigid gender roles more powerfully than the image of the male matador. So sacred was the bullfighter’s masculinity to Spanish identity that a 1908 law barred women from the sport. Visually stunning and beautifully crafted, ELLA ES EL MATADOR (She is the Matador) reveals the surprising history of the women who made such a law necessary, and offers fascinating profiles of two female matadors currently in the arena, the acclaimed Maripaz Vega and neophyte Eva Florencia. These women are gender pioneers by necessity, confronting both bull and social code. But what emerges through this mesmerizing film is their truest motivation—a sheer passion for bullfighting, in the pursuit of a dream.
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Antonia Pantoja

Antonia Pantoja (1922-2002), visionary Puerto Rican educator, activist, and early proponent of bilingual education, inspired multiple generations of young people and fought for many of the rights that people take for granted today. Unbowed by obstacles she encountered as a black, Puerto Rican woman, she founded ASPIRA to empower Puerto Rican youth, and created other enduring leadership and advocacy organizations in New York and California, across the United States, and in Puerto Rico. Recognized for her achievements in 1996, Dr. Pantoja was awarded the prestigious Presidential Medal of Freedom, the highest honor bestowed upon civilians in the US. In this important documentary, Pantoja’s compelling story is told through never-before-seen home movies, archival footage, and personal passionate testimony from Pantoja herself and some of her countless protégés, as well as her life partner. Highlighting major landmarks in Pantoja’s biography and long, productive career, the film shows her profound commitment to transforming society, her pivotal role in the Puerto Rican community’s fight to combat racism and discrimination, and her pioneering work in securing a bilingual voice in the US. An eloquent tribute to a remarkable woman, the film sheds new light on the Puerto Rican community’s far-reaching triumphs.
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The Sari Soldiers

Filmed over three years during the most historic and pivotal time in Nepal’s modern history, The Sari Soldiers is an extraordinary story of six women’s courageous efforts to shape Nepal’s future in the midst of an escalating civil war against Maoist insurgents, and the King’s crackdown on civil liberties.
When Devi, mother of a 15-year-old girl, witnesses her niece being tortured and murdered by the Royal Nepal Army, she speaks publicly about the atrocity. The army abducts her daughter in retaliation, and Devi embarks on a three-year struggle to uncover her daughter’s fate and see justice done. The Sari Soldiers follows her and five other brave women: Maoist Commander Kranti; Royal Nepal Army Officer Rajani; Krishna, a monarchist from a rural community who leads a rebellion against the Maoists; Mandira, a human rights lawyer; and Ram Kumari, a young student activist shaping the protests to reclaim democracy. The Sari Soldiers delves into the extraordinary journey of these women on opposing sides of the conflict and the democratic revolution reshaping their country’s future.
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Rough Aunties

Fearless, feisty and resolute, the “Rough Aunties” are a remarkable group of women unwavering in their stand to protect and care for the abused, neglected and forgotten children of Durban, South Africa. This documentary by internationally acclaimed director Kim Longinotto (SISTERS IN LAW, DIVORCE IRANIAN STYLE) follows the outspoken, multiracial cadre of Thuli, Mildred, Sdudla, Eureka and Jackie, as they wage a daily battle against systemic apathy, corruption, and greed to help the most vulnerable and disenfranchised of their communities. Despite the harsh realities of violence, poverty, and racism in the women’s work at the Bobbi Bear child welfare organization and in the heartaches of their personal lives, the portraits that emerge on screen are filled with grace, wisdom, friendship, and a deeply stirring conviction. Neither politics, nor social or racial divisions stand a chance against the united force of the women. Once again Longinotto has managed to bring us an intimate portrait of change from Africa, this time from post-apartheid South Africa, a nation being transformed with hope and energy into a new democracy.
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Shooting Women

Featuring more than 50 camerawomen from around the world, SHOOTING WOMEN, by pioneering filmmaker and cinema studies professor Alexis Krasilovsky, celebrates the amazing talent and unflinching spirit of image-making women from the sets of Hollywood and Bollywood to the war zones of Afghanistan.
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License to Thrive: Title IX at 35

“No person in the United States shall, on the basis of sex, be excluded from participation in, be denied benefits of, or be subjected to discrimination under any education program or activity receiving Federal financial assistance.” In June of 1972, Congress passed a piece of legislation called Title IX of the Education Amendments, to provide educational access and opportunity for women and young girls throughout the United States. Although most closely associated with sports, no other piece of legislation since the 19th Amendment has been more crucial to opening doors and creating leadership opportunities for women in all arenas including education, science, math, finance, entertainment, the arts, business, law, and politics. License to Thrive: Title IX at 35 is a smart and highly-entertaining exploration of the unique history of the Title IX legislation and its critical role over the past 35 years in creating female leaders. From the classroom to the boardroom to the courtroom to the green room to the locker room, women are making their mark via the impact of Title IX.
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