While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
A Photographic Memory
A daughter attempts to piece together a portrait of her mother, a daring journalist, and a woman she never knew. Uncovering the vast archive Sheila Turner-Seed produced, including lost interviews with iconic photographers, the film explores memory, legacy and stories left untold.
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Untitled Indigenous vs. White Supremacy Ideology Film
There is an EPIDEMIC occurring in the United States and no one knows about it. From 2016 through 2019, over 19,000 Native American women and teenage girls have vanished and/or were murdered. Most of these crimes are never solved.
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Life After
A gripping personal investigation that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power as he amplifies the voices of the disability community and raises the alarm about the "right to die."
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Recovery City
Recovery City is an intimate, unflinching portrait of four bold women who refuse to let themselves or their community give in to the stigma and despair of addiction.
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ISKRA (Spark!)
Before Silicon Valley, Apple and Google, before Microsoft and Bill Gates, there was Yugoslavia and ISKRA. Overlooked and underrated, the non-aligned Yugoslav tech giant allowed East to connect with West. It was pioneering and avant-garde. Then... it suddenly disappeared.
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American Fall
A road trip through the U.S. in the fall of 2024 to discover what unites us.
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The New York Love Songs
Millennial musicians journey from jazz school to adulthood as the aughts give way to a new digital frontier in this lyrical and intimate odyssey shot over 15 years.
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Own It! Louis Kelso’s Macroeconomic Fix
Does capitalism work better if workers own capital? Lawyer Louis Kelso gave USA the opportunity to find out.
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Hands On
Two determined women engage in an extraordinary endurance contest to win a car by keeping their hands on it the longest. As years pass, their unwavering resolve leads to an unexpected bond.
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Coach Emily
Emily Taylor, a Black woman and rock climbing coach in Oakland, CA, battles systemic racism in her professional and personal life as she strives to empower her students, all young girls of color, and connect them to the outdoors.
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LISTEN TO MY HEARTBEAT
LISTEN TO MY HEARTBEAT looks at the gentrification of Washington, DC, through the lens of the city's folkloric music - Go-Go. Amid a gentrification boom, DC natives are facing erasure. The film examines a changing city and the future of the music that gave them a voice.
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Love, Jamie
The story of Jamie Diaz, a trans artist incarcerated in Texas, and the enduring friendship that brought her art of pride and liberation to the outside world.
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Our Body Electric
OUR BODY ELECTRIC follows three elite women bodybuilders competing to be Ms. Olympia, the most coveted muscle show title. Offering a behind-the-scenes look at women sculpting themselves into anatomical works of art, this feature-length film is both a testament to the power of athletics and an intimate portrait of women defying societal expectations.
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Jennifer, 42
Based on a real case, JENNIFER, 42 tells the harrowing true story of the life and murder of Jennifer Magnano. Voiced by her three children, and told through animation, JENNIFER, 42 reveals the true nature of domestic violence and a woman's life and death battle for freedom.
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Cosmic Moose and Grizzly Bears Ville
Peter Valentine, living on disability in an apartment, fought MIT while they demolished his neighborhood to develop University Park, claiming he couldn’t leave because it was his electromagnetic laboratory. Eventually, MIT gifted him the entire building, moving it to another street. Peter was diagnosed schizophrenic and unmedicated all his life.
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ithaka
This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
The campaign to free Julian Assange takes on intimate dimensions in this documentary portrait of an father's fight to save his son.
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