While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
The Boy and the Suit of Lights
Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
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DEMOCRACY UNDER SIEGE
With innovative dark humor, DEMOCRACY UNDER SIEGE examines how the promise of an American multiracial democracy faces a renewed backlash, culminating in the very real fears of an actual authoritarian takeover.
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Taking Venice
TAKING VENICE uncovers the true story behind rumors that the U.S. government and a team of high-placed insiders rigged the 1964 Venice Biennale – the Olympics of art – so their chosen artist, Robert Rauschenberg, could win the Grand Prize.
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Hope of Escape
A true story that follows the incredible journey of an enslaved mother and daughter who must escape before they are sold and separated forever. Their only hope is to connect with their free relatives in the North and convince the most powerful abolitionists of their time to help them.
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Fire Through Dry Grass
On a tiny island 500 yards from Gracie Mansion, five men who use wheelchairs and write poetry about running the streets take on the city, the system, and the virus to stay alive and protect 500 vulnerable nursing-home residents.
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I Brought You Into This World
"I Brought You Into This World" is an intimate, character-driven documentary following three pregnant Black individuals of varying gender identities as they navigate pregnancy in a post-Roe America. The film exposes the profound impact of political and social conditions on maternal healthcare, revealing deep racial and gender disparities.
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None of This Matters
Amidst a personal crisis, filmmaker Shaina Feinberg reaches out to trailblazing director and teacher, Joan Darling. What unfolds over years of filming is an intimate, hilarious portrait of a mentorship, that goes beyond career guidance to become a meaningful friendship and a master class on how to be.
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JIMMY
JIMMY (w.t.) is a magical escape into the life and mind of celebrated sculptor, James Grashow, as he creates his magnum opus. The intricately carved work contrasts writhing demons with images of salvation, and mirrors Jimmy’s paradoxical struggle to reckon with the fragility of life and his zest for it.
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Good Fire
After more than one hundred years of fire suppression, Yurok people are returning Indigenous fire medicine to the land in order to heal the world.
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See the Women
The daughter of an influential Native American activist raised in the center of the indigenous, political movement of the 70s, reclaims her identity as an activist and Indigenous woman by addressing the trauma that many women and children face, the one blind spot in her father’s own activism.
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We Arrive With Fire | Ne-kah Nuue'm Mehl Mech
Since time immemorial, Yurok people have placed fire on the land to maintain a balanced ecosystem. In the past century, settlers banned fire and the environment and people have suffered. Now, Yurok people are returning fire medicine to heal the land.
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Fencing for the Edge
FENCING FOR THE EDGE follows the emotional and physical journeys of two girls’ teams as they compete in the world’s largest high school fencing league.
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Paper City
Paper City tells the story of three survivors of the 1945 fire-bombing of Tokyo as they launch one final campaign to leave behind a record of this forgotten tragedy—before the last of them passes away.
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Two Things Are True
In an attempt to confront childhood sexual trauma, filmmaker Sarah Hanssen decides to revise the abstract expressionist paintings of her deceased father. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, the destruction of a devastating mythology,
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Hear, Eat, Home
A lyric portrait of how—through art, friendship, music, and food—New York immigrant musicians and artists understand the upheavals they faced in their home countries and answer new challenges that emerge as they make the US their home.
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It's Not Who I Am
Women are going to jail and prison at rates that have increased by 700% since 1980, a rate 50% higher than men. When they are released, they have expectations of starting life anew, however, in their re-entry journey, they are often confronted with an unforgiving society.
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Our Body Electric
OUR BODY ELECTRIC follows three elite women bodybuilders competing to be Ms. Olympia, the most coveted muscle show title. Offering a behind-the-scenes look at women sculpting themselves into anatomical works of art, this feature-length film is both a testament to the power of athletics and an intimate portrait of women defying societal expectations.
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Reproductive Choices: Revisiting La Operacion
A documentary challenging the long-held belief that the U.S. government forced Puerto Rican women to be sterilized; the truth is more complex and examining the evidence from the women themselves casts a whole new light on this story.
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