While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Arrest The Midwife
The shocking arrest of midwives in a rural healthcare desert leaves a community stranded, and spurs the emergence of a very unlikely group of fierce political activists – Amish and Mennonite women who break with their traditions to stand up and speak out for women’s reproductive rights.
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Vena Aquatica
In El Salvador women are the protectors of water and land, they are the veins circulating life throughout this Central American territory; VENA AQUATICA is a sacred journey that flows through a spectrum of the realities carried by communities at the forefront of ecocide and extractivism.
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DEMOCRACY UNDER SIEGE
With innovative dark humor, DEMOCRACY UNDER SIEGE examines how the promise of an American multiracial democracy faces a renewed backlash, culminating in the very real fears of an actual authoritarian takeover.
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Taking Venice
TAKING VENICE uncovers the true story behind rumors that the U.S. government and a team of high-placed insiders rigged the 1964 Venice Biennale – the Olympics of art – so their chosen artist, Robert Rauschenberg, could win the Grand Prize.
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Into The Underworld
On a remote Indonesian island, a female-led underwater cave diving team joins forces with local scientists on an expedition to locate a desperately needed drinking water source for indigenous villages, and to protect their ancestral waters from encroaching threats of mining and climate change.
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Finding Your Laughter
Finding Your Laughter follows Chicago comedian Arlieta Hall who is learning to use her own resources—stand up comedy and improvisation—as tools for both her own mental health and to be a caregiver for her father who is fading from Alzheimer's disease.
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Dreams of Daraa
Hanadi dreams of a safe home for her family, but that means fleeing Syria with her daughters and finding her kidnapped husband in an international whirlwind.
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Two Things Are True
In an attempt to confront childhood sexual trauma, filmmaker Sarah Hanssen decides to revise the abstract expressionist paintings of her deceased father. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, the destruction of a devastating mythology,
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Razing Liberty Square
Razing Liberty Square is a feature documentary about the development, decline and redevelopment of Liberty Square, Miami, the oldest segregated public housing community in the history of the United States. Best known as setting for the Oscar-winning movie Moonlight.
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Pacific Mother
Having fought hard to get the birth she dreamed of, freediver Sachiko Fukumoto connects with ocean women battling for a world where all people are supported in their birth choices.
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Love, Jamie
The story of Jamie Diaz, a trans artist incarcerated in Texas, and the enduring friendship that brought her art of pride and liberation to the outside world.
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Good Fire
After more than one hundred years of fire suppression, Yurok people are returning Indigenous fire medicine to the land in order to heal the world.
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Acting Like Women
In 1973, women artists flocked to the Woman’s Building in L.A. – a birthplace for innovative, fearless, and still-relevant feminist performance art that laid a foundation for today’s art and social justice movements. ACTING LIKE WOMEN is a journey into art, activism, and gender told by those who lived it.
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A Double Life
The filmmaker goes on a journey of discovery to unravel the mystery of her uncle’s past as a civil rights activist lawyer and political fugitive and his alleged involvement in an alleged prison escape attempt which left six people dead, his 13 years as a political fugitive and his return in 1984 to stand trial and gain his acquittal in 1986, returning to his legal aid work after 15 years. The film presents a multi-layered portrait of a turbulent era and the role of one individual seeking justice for others and later for himself.
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KILLFACE
KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter.
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INDÍGENA
To fulfill her mother’s dying wish, a filmmaker retraces her mother’s work as an activist and journalist during the Red Power Movement of the 1960’s and 70’s, bringing to light 500 years of Taino resistance and igniting her own journey of reclamation.
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I AM NOT A SPY
I AM NOT A SPY is a first-person documentary exploring the Russian electoral process under Putin’s regime. A Russian-American filmmaker gains access to her local polling station during multiple elections to investigate their validity and understand the mindsets of voters as Russia becomes increasingly authoritarian and invades Ukraine.
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Coexistence, My Ass!
COEXISTENCE, MY ASS! follows activist-turned-comedian Noam Shuster Eliassi as she writes, lives and performs her one-woman show about racism, war, peace, and… her ass. But when one terrible day her life’s work comes undone, can she continue the fight for justice and equality for everyone between the river and the sea.
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