While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
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[title] => The Long View
[text] => The Long View documentary tells the story of the sustained community organizing effort to transform schools in Oakland, California, offering a window into a decade’s worth of learning about the ebbs and flows of change in a community and school district. By following the collective efforts of students, educators, and families, the film shows how grassroots community organizing is a powerful tool for low-income communities and communities of color to rectify inequities in the education system. It provides a window into the challenges facing schools throughout the country, including changing leadership and chronic under-funding, and elevates the power of educators, families, and students to create and sustain a shared vision of student and school success.
At an Oakland screening, Dr. Linda Darling-Hammond told the audience of parents, educators, community members, and organizers: “I feel so privileged and pleased to be here because this film and all the work that you have been doing for many decades is really a testament to what we should be doing in every community in the country.”
Audiences at screenings in cities such as Philadelphia, New York, Providence, Denver, and Detroit have been moved by the stories in The Long View. In the challenges and triumphs of Oakland, they see their own struggles to advance education justice.
“Your film not only gives voice to education stakeholders who have been unheard in the dialogue around school reform, but also spotlights the inequities that continue to plague our schools.” Liz Davis, President, Washington DC Teachers’ Union
[logline] => One community's struggle to create schools that work for all its students.
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[title] => The Gender Project
[text] => The Gender Project (working title, aka “TGP”) will explode perhaps our deepest misperception: that biological sex is neatly binary. This dualistic thinking affects everyone, causing myriad harms ranging from the invisible miasma of strict gender we all breathe to the urgent epidemic of violence against trans women worldwide.
The fundamental structure of TGP is based on the storylines of three scholar-activists who deliver intriguing scientific exposition in a unique and intimate manner. Each of them is as engaged in their social justice activism as their science: Karissa Sanbonmatsu PhD, a trans multiracial structural biologist researching genetic sex development at Los Alamos Labs; Pidgeon Pagonis, a nonbinary intersex activist exploring their Mexican lineage via the pre-colonial history of a third gender in Oaxaca; and Brandon Ogbunu PhD, a straight cis ally evolutionary biologist who contemplates the role race has played in his academic career after he’s pulled over for driving while black. Each explores science that reveals that biological sex is a magnificent spectrum, and that gender is as much a social construct as race is.
Our trio’s dynamic interactions spark the film’s conversational delivery of complex information, revealing how the science of biological sex is as related to social justice as it is to DNA.
[logline] => What defines biological sex — science or society? Through immersion in the lives of people who defy simplistic gender labels, The Gender Project uses bold cinematic language to confront the dichotomy of gender, exploding binary myths with scientific, historical, and cultural revelations.
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The Gender Project
What defines biological sex — science or society? Through immersion in the lives of people who defy simplistic gender labels, The Gender Project uses bold cinematic language to confront the dichotomy of gender, exploding binary myths with scientific, historical, and cultural revelations.
Learn more
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[title] => Game On
[text] => Legendary game designer Brenda Romero’s TEDx talk has been viewed over half a million times. Through her social media, Brenda, now fifty-two and a mother of an ethnically blended family of four, shares her passion for games, her challenge to lose weight, and her devotion to her husband, game developer John Romero. Brenda creates board games that address marginalized members of society, leads workshops for at-risk youth, guides her video game company, Romero Games, and has influenced millions. GAME ON, a character-driven feature documentary asks, Who is this woman, how does she do it all, and can she continue to strike video game gold? How can she stay relevant in an ever-changing world - and in an industry that favors youth?
Currently, Brenda and her husband John are developing a top-secret game. In the past, Brenda launched a game - a stressful endeavor in any capacity - while eight months pregnant with twins. How will she do it now? And, as she ages, can Brenda keep the video game hits coming?
GAME ON will immerse the viewer in Brenda’s quest and her unique universe. GAME ON will also inspire girls to follow their dreams, to transform digital culture, and to build a world of allies in an ever-polarizing world.
[logline] => GAME ON is a feature-length character-driven documentary about BAFTA-winning game designer Brenda Romero. In the last thirty pioneering years, Brenda has contributed to nearly fifty game titles, developing innovative video and board games in a male-dominated environment. Can she sustain video game gold?
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Game On
GAME ON is a feature-length character-driven documentary about BAFTA-winning game designer Brenda Romero. In the last thirty pioneering years, Brenda has contributed to nearly fifty game titles, developing innovative video and board games in a male-dominated environment. Can she sustain video game gold?
Learn more
Array
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[title] => Another Light on the Road: Robert Frank & June Leaf's Canadian Home
[text] => In 2021, 92-year-old artist June Leaf invited friends and neighbors from rural Nova Scotia to come sit in her kitchen and remember her late husband, the photographer and filmmaker Robert Frank. Over the course of this informal wake, we learn the extent to which the couple's artwork was fueled by their adopted home of 50 years, the ways their presence as artists inspired the community around them, and most importantly how storytelling helps to process grief as June continues on with her own artistic journey.
[logline] => Two years after the passing of photographer Robert Frank, artist June Leaf returns to Nova Scotia to explore the special relationship they had to their adopted Canadian home of fifty years.
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Another Light on the Road: Robert Frank & June Leaf's Canadian Home
Two years after the passing of photographer Robert Frank, artist June Leaf returns to Nova Scotia to explore the special relationship they had to their adopted Canadian home of fifty years.
Learn more
Array
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[ID] => 153021
[title] => NO ACCIDENT Impact Campaign
[text] => In August of 2017, hundreds of neo-Nazis, fascists and white supremacists descended upon Charlottesville, Virginia and the UVA campus. What was publicly called Unite the Right, was privately called “the Battle of Charlottesville.” White supremacist leaders and organizers sought to provoke a confrontation and the violence that ensued, which killed Heather Heyer and grievously injured many others, was no accident.
NO ACCIDENT chronicles a first-of-its-kind, seminal civil rights trial against hate, exposing a broad network of white supremacist and neo-Nazi conspirators and detailing the challenges of holding those leaders and organizations accountable for their actions. From collection of evidence, depositions, jury selection to trial, the film is a behind-the-scenes look at the highs and lows of pursuing this pathbreaking case. While the litigation was successful, it leaves us with the open question of what more we can do to prevent and deter these dangerous acts of extremism in the future.
The campaign’s goals are to spark political, legal and citizen responses that will protect our democracy and defeat the harmful and violent outcomes of white supremacy. Using the Charlottesville rally as an example of an organized and deliberate strategy of violence, we intend to deepen our audience’s understanding of the tactics used by neo-Nazis and white nationalists (desensitization, jokey “meme culture”, for example) and call urgent attention to the increasing pervasiveness of these tactics in mainstream media leading up to the 2024 election.
[logline] => An Unprecedented Case Against Hate
Our campaign will support a nationwide, grassroots screening campaign featuring in person conversations with leaders in the movement, virtual talks and screening guides to help different groups frame their own events. We will also develop educational guides for law schools and other institutions.
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NO ACCIDENT Impact Campaign
An Unprecedented Case Against Hate
Our campaign will support a nationwide, grassroots screening campaign featuring in person conversations with leaders in the movement, virtual talks and screening guides to help different groups frame their own events. We will also develop educational guides for law schools and other institutions.
Learn more
Array
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[ID] => 81434
[title] => One Person, One Vote?
[text] => ONE PERSON, ONE VOTE? (OPOV?) is a feature documentary that takes an unprecedented look at the Electoral College through the eyes of four presidential electors – a Republican, a Democrat, a Green, and a Kanye West elector – whose motivations range from noble to the absurd.
The film takes place during arguably the most wildly historic elections of our times – when the Electoral College took center stage like never before as political operatives used mechanisms in the Electoral College process to attempt to change the outcome. The film is bookended with never-before-seen footage at the U.S. Capitol on January 6, 2021, when violence broke out in an effort to prevent Congress from certifying the Electoral College votes.
The vast majority of Americans do not understand how the Electoral College works or know why we have it in the first place. OPOV? intercuts present-day events with flashbacks of its history – the overlooked role of slavery when it was established and, ultimately, how it dramatically shaped election outcomes and history over time.
By the time the credits roll, OPOV? offers viewers a complex and nonpartisan understanding of this historic institution created in a bygone time while highlighting the connective tissue that links then and now, so urgent and timely questions we’re grappling with today are not separate and apart from our past but directly informed by it in the present.
[logline] => An in-depth look at the Electoral College, its slavery origins, and its impact on society today. The film features four dynamic electors from different parties offering insight into the inner workings of this often-misunderstood institution. A timely, nonpartisan film that will fill a stark information gap in American presidential elections.
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One Person, One Vote?
An in-depth look at the Electoral College, its slavery origins, and its impact on society today. The film features four dynamic electors from different parties offering insight into the inner workings of this often-misunderstood institution. A timely, nonpartisan film that will fill a stark information gap in American presidential elections.
Learn more
Array
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[ID] => 155821
[title] => Two Things Are True
[text] => Filmmaker Sarah Hanssen finds herself in possession of her deceased father’s abstract expressionist paintings. Growing up in his studio, surrounded by the smells of gin and turpentine, ever-shifting canvases, and a string of young girlfriends, the works contain mixed messages of obsession, secrets, freedom, and selfishness. Something doesn’t feel right about displaying these paintings around her home anymore, as if they are haunted objects, holding her back. After a lifetime of suppression, the time has come to confront the secret of sexual abuse. The filmmaker embarks on a journey to paint in what is missing: the tortured artist, nude women, cigarettes, ashtrays, beer cans, gin bottles, various pets, raucous house guests, and herself. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, and the destruction of a devastating mythology and healing through collaborative creative expression. Many of these individuals are sharing their own experiences with trauma along the way.
[logline] => In an attempt to confront childhood sexual trauma, filmmaker Sarah Hanssen decides to revise the abstract expressionist paintings of her deceased father. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, the destruction of a devastating mythology,
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Two Things Are True
In an attempt to confront childhood sexual trauma, filmmaker Sarah Hanssen decides to revise the abstract expressionist paintings of her deceased father. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, the destruction of a devastating mythology,
Learn more
Array
(
[ID] => 154153
[title] => The Prison Outside
[text] => Arrested at 16 for robbery and sentenced to life without parole, Terrence Graham fought his way to the Supreme Court and won a chance at freedom. In a 6-3 decision, the Court ruled in Graham v. Florida that children convicted of crimes other than murder could not be sentenced to life without the chance of parole. The decision changed sentencing of young people across the country and Terrence himself was re-sentenced: he wouldn’t die in prison. But even as thousands of people were released off his case, Terrence remained locked up for 20 years. It wasn’t until February 15, 2024, that Terrence Graham walked out of the Duval County Jail at 37 years old.
THE PRISON OUTSIDE is an autobiographical film about Terrence’s next chapter. It’s about the freedom he won in Graham v. Florida and the freedom he still does not have.
On strict probation, Terrence has to complete two years of house arrest and GPS monitoring while finding his footing in a world he has never experienced as an adult. Any mistake could send him back to prison.
Success not only requires Terrence to make it through probation—he also has to mature into adulthood, revisiting memories of childhood and incarceration to unlock the freedom he fought so hard to get.
Borrowing extensively from the visual language and storytelling devices of narrative film, THE PRISON OUTSIDE seeks to immerse audiences in the intimate, everyday experiences of what the prison system does to people and families impacted by the carceral state—one in every two families in America. The film puts a magnifying glass up to the little moments of freedom that Terrence and his family experience so we can all savor their joy. And it cuts through those moments with the very real fear and oppression they continue to face while he is on probation. Through Terrence’s story, told in his words, from his perspective, this film makes the case that the chance of freedom should never be taken from a young person, showing how the rules of probation, house arrest, and ankle monitors can create a prison in the free world.
[logline] => Sentenced to life for crimes committed as a child, Terrence Graham fought his case all the way to the Supreme Court and won, transforming the nation's juvenile justice system. After 21 years, he's finally getting out - but is life outside just another prison?
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The Prison Outside
Sentenced to life for crimes committed as a child, Terrence Graham fought his case all the way to the Supreme Court and won, transforming the nation's juvenile justice system. After 21 years, he's finally getting out - but is life outside just another prison?
Learn more
Array
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[ID] => 156228
[title] => Blind AF
[text] => While working as a paramedic in 2009, Shawn Cheshire, a 36-year-old Army veteran and single mother of two, suffered a brain injury that left her completely without sight. Spiraling into a debilitating suicidal depression, Shawn sought treatment at a VA hospital where, through a combination of adaptive sports and treatment for Complex PTSD, she chose to rebuild her life while facing painful memories of the past for the first time. Within three years Shawn was competing at the 2016 Paralympic games in Rio and goes on to become a 13-time paracycling US National Champion, as well as world-record holder of the Grand Canyon crossing by a blind person.
Driven as much by the determination to live independently as by the restlessness and vulnerability borne of trauma, in 2021 Shawn embarks on an historic and perilous adventure of riding a single bike across the United States. As Shawn pedals east, her history and rich, introspective emotional life are revealed through the film’s use of animation, excerpts from her journal entries, interviews, therapy sessions and archival footage. Together, these elements give depth and texture to Shawn’s long road to healing and place the traumatic brain injury she endured in the context of a lifetime of pain and loss.
Blending poetic cinematography and intimate verité with immersive POV animation and sound design that brings the viewer inside her world, Blind AF is at once a thrilling epic of athletic achievement and a transformative portrait of emotional resilience and bravery.
[logline] => A blind female Paralympic champion and world-record holder sets out to become the first blind person to ride a single, non-tandem, bike across the US, while confronting painful truths about her past that she’s spent a lifetime trying to outrun. Blind AF is about trauma, transcendence and power of self-belief.
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Blind AF
A blind female Paralympic champion and world-record holder sets out to become the first blind person to ride a single, non-tandem, bike across the US, while confronting painful truths about her past that she’s spent a lifetime trying to outrun. Blind AF is about trauma, transcendence and power of self-belief.
Learn more
Array
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[ID] => 141968
[title] => Untitled Kenyan Politics Project
[text] => Please contact [email protected] for a detailed deck and trailer.
[logline] => At a moment of historical transformation for Kenya’s ancient Lamu archipelago, the race for Governor has become a battle of extremely high-stakes. Amidst waves of violent terror attacks, billion dollar infrastructure projects, ethnic tensions and an open hostility towards female leadership, the winner will set this sleepy historical fishing village onto a trajectory that could make or break the community forever.
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Untitled Kenyan Politics Project
At a moment of historical transformation for Kenya’s ancient Lamu archipelago, the race for Governor has become a battle of extremely high-stakes. Amidst waves of violent terror attacks, billion dollar infrastructure projects, ethnic tensions and an open hostility towards female leadership, the winner will set this sleepy historical fishing village onto a trajectory that could make or break the community forever.
Learn more
Array
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[ID] => 462
[title] => Aftermath
[text] => AFTERMATH revisits the scene of a wrenching, highly-publicized hate crime 25 years later. When Brandon Teena arrived in Falls City, Nebraska, in November of 1993, the 20-year-old’s handsome looks swiftly won him friends and a pretty girlfriend. Three weeks later, on Christmas Eve, Brandon was brutally raped and beaten by two new-found “friends,” enraged when they discovered that he was transgender, presenting as male, but assigned female by birth. The two men came to murder him that New Year’s.
Critically-acclaimed and Emmy-nominated, THE BRANDON TEENA STORY drew global attention, exposing the roots of violence, hatred, and transphobia in America. It was the first documentary to investigate violence against transgender people in the US, leading to hate crime laws and changes in policing practices.
AFTERMATH, a follow-up to THE BRANDON TEENA STORY, builds on the filmmakers’ 25 years of relationships in Nebraska. Through the eyes of a community still grappling with the impact of Brandon’s life and death, the film explores the changes – or lack thereof – when it comes to perceptions, behavior, laws, and understanding of LGBTQ community members in heartland America. Weaving archival Super-8, VHS and contemporary HD verité footage of people in their surroundings, AFTERMATH revisits characters from THE BRANDON TEENA STORY and introduces new ones.
[logline] => AFTERMATH revisits the wrenching, highly-publicized hate crime documented in Emmy-nominated THE BRANDON TEENA STORY, 25 years later. Through the eyes of a community grappling with the impact of Brandon’s life and death, the film explores loss, growth and life for LGBTQ individuals in Heartland America.
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Aftermath
AFTERMATH revisits the wrenching, highly-publicized hate crime documented in Emmy-nominated THE BRANDON TEENA STORY, 25 years later. Through the eyes of a community grappling with the impact of Brandon’s life and death, the film explores loss, growth and life for LGBTQ individuals in Heartland America.
Learn more
Array
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[ID] => 134034
[title] => Acting Like Women
[text] => ACTING LIKE WOMEN is a feature-length documentary about feminist performance art in 1970s-80s Los Angeles. The story is told through the lens of Cheri Gaulke, director and respected performance artist, who at age 21 packed up her rusty Volvo and left the Midwest for the Woman’s Building where groundbreaking new art forms and practices were erupting – ritual, collaboration, social engagement, art as activism, and media intervention. Gaulke's directorial voice builds an intimate narrative where art intersects life as she conjures the spirit of ephemeral art through storytelling and animation. But this is not only her story – it is the herstory of many.
The film reveals an explosive time of change, rich with fascinating artists who understood the “personal is political,” and how art can transform culture. Performance artists were addressing violence against women, body image, rape, spirituality, working, motherhood, and sexuality as their art broke free of the limits of traditional art institutions to effect societal change.
Women today are facing an erosion of many of the rights we fought for in the 1970s and 80s. This film reveals the innovative strategies artists used to inspire today's activism. Many of the artists involved are now in their 60s-90s and some have passed away. This film captures key voices still alive and mentoring a new generation. Now is the time to tell this story before these voices disappear!
[logline] => In 1973, women artists flocked to the Woman’s Building in L.A. – a birthplace for innovative, fearless, and still-relevant feminist performance art that laid a foundation for today’s art and social justice movements. ACTING LIKE WOMEN is a journey into art, activism, and gender told by those who lived it.
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Acting Like Women
In 1973, women artists flocked to the Woman’s Building in L.A. – a birthplace for innovative, fearless, and still-relevant feminist performance art that laid a foundation for today’s art and social justice movements. ACTING LIKE WOMEN is a journey into art, activism, and gender told by those who lived it.
Learn more
Array
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[title] => Erica Deuso: The Good Neighbor Mayor
[text] => This documentary follows Erica Deuso, the first openly trans mayor elected in the swing state of Pennsylvania, during her first 30 days in office. It captures her navigating trans visibility, personal life, and public leadership while confronting urgent challenges in her hometown of Downingtown, including environmental priorities and the pressing issue of domestic violence.
[logline] => When a trans mayor is elected in a swing state, the first 30 days in office reveal how quickly progress can be challenged—and defended.
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Erica Deuso: The Good Neighbor Mayor
When a trans mayor is elected in a swing state, the first 30 days in office reveal how quickly progress can be challenged—and defended.
Learn more
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[title] => Anarchy in High Heels
[text] => The idea of Les Nickelettes was hatched as a ‘70s vaudeville act at the People’s Nickelodeon, a midnight movie series that ran after-hours at the Mitchell Brother’s O’Farrell Theater. A pornographic film venue was an unlikely beginning for a feminist theater company but sometimes truth is stranger than fiction. Les Nickelettes evolved into a brazen women’s lib troupe whose members wrote, produced, and performed original skits, stunts, and musical comedy theater in San Francisco for thirteen years. Anarchy in High Heels addresses the neglected topics of comedy’s role in feminism and the power that arises when women bond together through a shared sense of humor. We seek to disrupt the narrative that second-wave feminism was humorless, and bring to light its satirical, bawdy side as embodied by Les Nickelettes. For Millennial and Gen Z women, this may come as a surprise and serve as a connection between second-wave feminism and today’s burlesque, drag strip shows, gender fluid identities and comedy as a political statement. According to Ellin Stein, author of That’s Not Funny, That’s Sick: The National Lampoon and the Comedy Insurgents Who Captured the Mainstream, Les Nickelettes “served notice that women could be outspoken, raunchy, and above all, funny.” They were part of the tumultuous countercultural adventure that began in San Francisco in the late ‘60s and took the country by storm. Anarchy in High Heels is a snapshot of that unique era.
[logline] => Anarchy in High Heels tells the story of Les Nickelettes, a women’s satirical musical theater company from 1970s and ‘80s San Francisco. They turned the patriarchy upside down with feminist humor and a spirit of collaboration. The film is a reminder of the subversive power of satire and sisterhood.
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Anarchy in High Heels
Anarchy in High Heels tells the story of Les Nickelettes, a women’s satirical musical theater company from 1970s and ‘80s San Francisco. They turned the patriarchy upside down with feminist humor and a spirit of collaboration. The film is a reminder of the subversive power of satire and sisterhood.
Learn more
Array
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[ID] => 149227
[title] => The Other Gaza
[text] => Film director Wafa Jamil lives in Stockholm, but her family lives in Gaza. She longs for this conflict-ridden world where she was raised. She longs for the laughter and the tears and the unbridled creativity that shapes a meaningful life in the middle of this hell on earth. And she wants to give her child Leia the language, the culture, the music, the food and the love that Palestine represents for her.
THE OTHER GAZA is an autobiographical, intimate and family-focused story that ponders the dilemma of constantly yearning for a place where one can no longer live.
[logline] => Gaza is a war zone. But it’s also the birthplace of Wafa Jamil, and the home of her family. The Other Gaza shows how daily life in Gaza really is, with sorrow and joy existing side-by side. For the audience to understand, as well as her young daughter Leia.
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[alt] => The banner for "The Other Gaza," featuring a young girl smiling in the corner while looking up, layered on top of a photo of buildings in Gaza by the sea
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The Other Gaza
Gaza is a war zone. But it’s also the birthplace of Wafa Jamil, and the home of her family. The Other Gaza shows how daily life in Gaza really is, with sorrow and joy existing side-by side. For the audience to understand, as well as her young daughter Leia.
Learn more
Array
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[ID] => 81634
[title] => WOMEN OF STEEL
[text] => This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
Wollongong, New South Wales - 1980: Denied jobs at the steelworks — the city’s main employer — working-class/migrant women refused to accept discrimination. They began a campaign for the right to work that lasted for fourteen years. Their battle with BHP, the country’s richest and most powerful company, took them from the factory gate to the highest court in the land and changed the rules for women and men throughout Australia. In Women of Steel, directed by campaign leader Robynne Murphy, they tell their personal stories for the first time on film. The result is an exciting and often humorous tale of how a bunch of ordinary women stuck together and did what no one believed they could do — they subdued a giant!
[logline] => 1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
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WOMEN OF STEEL
1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
Learn more
Array
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[ID] => 86190
[title] => The Boy and the Suit of Lights
[text] => Borja's eyes scan the floor with intense concentration, his left hand clutching the cape that follows their gaze. His right hand grips a thin sword. As he looks up into the stands, his mother Raquel stares back. Raquel single-handedly raised him and his younger brother, Erik, and Borja feels a great responsibility on his shoulders to take them out of poverty. Borja lives in a small coastal town in Spain where opportunities are limited. After school, he spends hours honing his bullfighting skills in the local School of Bullfighting, funded by public money. At 12, Borja is by far the youngest in the group. The teacher organizes a mock bullfight with calves. The atmosphere is electric. Borja notices his classmates wear better costumes - shiny silver-buttoned jackets, known as a suit of lights. He looks down in embarrassment at the plastic buttons sewn onto his own jacket. In the middle of the mock fight, animal rights activists burst into the ring. The audience yells and boos. Eventually, the activists are taken away. Activists are campaigning hard to put an end to public money being used to support bullfighting and bull rearing. Could we be witnessing the last generation of bullfighters in Spain? Expenses are piling up - Borja knows his family are making a huge effort to support him and now is the time to "man up" and really fight for the dream. He understands there is no going back. Will he become a torero?
[logline] => Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
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The Boy and the Suit of Lights
Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
Learn more
Array
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[ID] => 135303
[title] => Dreams of Daraa
[text] => In Daraa, Syria, 25-year-old Hanadi dreams of answers. The questions: Where is my husband? How can I get my daughters to safety? Is there someplace to call home? As so many dreams turn to nightmares around her, Hanadi refuses to accept the cards she’s been dealt. Relying on her own wit and bravery, she navigates a harrowing four-year, international, wartime journey alongside her three young daughters. From refugee in Jordan to asylum-seeker in Germany, Hanadi cares far less for the labels she’s given than she does for peace and justice. The answers she finds along the way lead her to testify at the UN Office of the High Commissioner for Human Rights in Geneva about the war crimes of the Assad Regime. This intimate story set amidst an international whirlwind explores the power and determination of one unexpected hero to be heard.
The partly-animated film is a co-production with ITVS, the leading provider of independently produced programs for PBS. It is executive produced by Academy Award nominated and Peabody and Emmy-winning filmmaker Joe Berlinger.
[logline] => Hanadi dreams of a safe home for her family, but that means fleeing Syria with her daughters and finding her kidnapped husband in an international whirlwind.
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Dreams of Daraa
Hanadi dreams of a safe home for her family, but that means fleeing Syria with her daughters and finding her kidnapped husband in an international whirlwind.
Learn more