While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
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[title] => Cosmic Moose and Grizzly Bears Ville
[text] => My uncle Peter Zak Valentine was born on Valentine’s Day 82 years ago and died in his basement in August of 2022. Long ago diagnosed as paranoid schizophrenic but choosing to live his life unmedicated, Peter lived independently, riding the edge between mental illness and magic. Peter was an eccentric, beloved, and respected local legend of the city of Cambridge.
The film follows Peter’s unusual journey, weaving around the extraordinary events surrounding his house, MIT, and the city of Cambridge. In the late 1980's, Peter was not the owner of his rent controlled three-story house. It was divided into apartments, and he rented one of them, living on disability payments. When MIT wanted to demolish his neighborhood to develop and build University Park, Peter refused to move, insisting that he could not leave his apartment because it was his laboratory for research on Electromagnetic Arts, a psychic defense system he had created, developed, and taught. After seven years of Peter’s insistence and many legal hearings, MIT physically moved his house 900 ft to Central Square, positioning it at the exact odd angle which he specified. They also sold the entire house to Peter for a dollar. The rest of the neighborhood was demolished and MIT moved forward with their development of University Park.
The MIT story brings in many larger conversations and questions which are woven throughout the film, specifically around themes of gentrification, rent control, and the increased, looping level of housing shortage that cities such as Cambridge face.
[logline] => Peter Valentine, living on disability in an apartment, fought MIT while they demolished his neighborhood to develop University Park, claiming he couldn’t leave because it was his electromagnetic laboratory. Eventually, MIT gifted him the entire building, moving it to another street. Peter was diagnosed schizophrenic and unmedicated all his life.
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Cosmic Moose and Grizzly Bears Ville
Peter Valentine, living on disability in an apartment, fought MIT while they demolished his neighborhood to develop University Park, claiming he couldn’t leave because it was his electromagnetic laboratory. Eventually, MIT gifted him the entire building, moving it to another street. Peter was diagnosed schizophrenic and unmedicated all his life.
Learn more
Array
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[ID] => 453
[title] => The Mask That Grins And Lies
[text] => Told through the lens of filmmaker and subject Martine Granby, The Mask That Grins and Lies, follows Martine as she wades into the choppy waters of her own family's past, and examines how they’ll move forward once the stigma of mental illness is out in the open.
Both deeply personal and expansive, the film calls into the light the denial that plagues not only Martine’s family but brings to the surface the larger structural invisibility many face in diagnosis, treatment, and daily life. The Mask That Grins And Lies challenges the mythology of the “strong black woman,” offering often-unseen imagery to challenge what it means to not just survive, but thrive, moving forward even without a cure-all.
[logline] => The Mask that Grins and Lies is a meditative documentary feature that uncovers the intergenerational silence shrouding black women’s mental illness.
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The Mask That Grins And Lies
The Mask that Grins and Lies is a meditative documentary feature that uncovers the intergenerational silence shrouding black women’s mental illness.
Learn more
Array
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[ID] => 135471
[title] => Anarchy in High Heels
[text] => The idea of Les Nickelettes was hatched as a ‘70s vaudeville act at the People’s Nickelodeon, a midnight movie series that ran after-hours at the Mitchell Brother’s O’Farrell Theater. A pornographic film venue was an unlikely beginning for a feminist theater company but sometimes truth is stranger than fiction. Les Nickelettes evolved into a brazen women’s lib troupe whose members wrote, produced, and performed original skits, stunts, and musical comedy theater in San Francisco for thirteen years. Anarchy in High Heels addresses the neglected topics of comedy’s role in feminism and the power that arises when women bond together through a shared sense of humor. We seek to disrupt the narrative that second-wave feminism was humorless, and bring to light its satirical, bawdy side as embodied by Les Nickelettes. For Millennial and Gen Z women, this may come as a surprise and serve as a connection between second-wave feminism and today’s burlesque, drag strip shows, gender fluid identities and comedy as a political statement. According to Ellin Stein, author of That’s Not Funny, That’s Sick: The National Lampoon and the Comedy Insurgents Who Captured the Mainstream, Les Nickelettes “served notice that women could be outspoken, raunchy, and above all, funny.” They were part of the tumultuous countercultural adventure that began in San Francisco in the late ‘60s and took the country by storm. Anarchy in High Heels is a snapshot of that unique era.
[logline] => Anarchy in High Heels tells the story of Les Nickelettes, a women’s satirical musical theater company from 1970s and ‘80s San Francisco. They turned the patriarchy upside down with feminist humor and a spirit of collaboration. The film is a reminder of the subversive power of satire and sisterhood.
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Anarchy in High Heels
Anarchy in High Heels tells the story of Les Nickelettes, a women’s satirical musical theater company from 1970s and ‘80s San Francisco. They turned the patriarchy upside down with feminist humor and a spirit of collaboration. The film is a reminder of the subversive power of satire and sisterhood.
Learn more
Array
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[ID] => 82084
[title] => The Art of Survival
[text] => This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
Gloria Steinem said, “The final stage of healing is using what happened to you to help others”. This sentiment is never truer than in the work of artists. The Art of Survival is a mixed media documentary, which aims to explore the role of artistic expression as a tool for catharsis, healing and empowerment for survivors of childhood sexual abuse.
Through an exploration of art, dreams and the unconscious mind, our documentary will follow artists, their past, the art form they have chosen to express themselves through, and how their work can serve to start a conversation about surviving the traumas associated with childhood abuse.
The documentary, which follows Welsh-Chinese artist, Choichun Leung, and British concert pianist, James Rhodes, will be a combination of verite-style, fly on the wall documentary, confessional interview, scientific commentary, and animation. We will tell the story of the individual artists, learn about their craft, their process – and their childhood experiences as the driving force behind their work. The animation will aim to make manifest a visual representation of the subconscious effects of the artist’s childhood experiences.
[logline] => The Art of Survival will follow a collection of artists around the globe, in their quest to come to terms with a history of sexual abuse, serving as an intimate study of the relation between art and catharsis in survivors of childhood trauma.
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The Art of Survival
The Art of Survival will follow a collection of artists around the globe, in their quest to come to terms with a history of sexual abuse, serving as an intimate study of the relation between art and catharsis in survivors of childhood trauma.
Learn more
Array
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[ID] => 449
[title] => No Human Involved
[text] => In 2009 after she was sentenced to more than two years of imprisonment for solicitation of prostitution, Marcia Powell was locked in a metal cage in the sun at an Arizona prison. Hours later she collapsed in the over 107-degree heat and by day's end, she was dead. Even though an internal investigation carried out by the Arizona Department of Corrections revealed that prison guards had denied her water and ridiculed her when she pleaded for help, no one was held accountable. The story of how Marcia came to be incarcerated and the circumstances of her death reveal the impact that inhumane prison conditions are having on wide range communities of sex workers—including the homeless, young people, transgender people and immigrants—across the United States. The documentary NO HUMAN INVOLVED chronicles how a movement formed around this case, seeking justice in her name.
[logline] => NO HUMAN INVOLVED: a woman is destroyed by a 27-month prison sentence for prostitution in Arizona, the tenacity of those who fight for justice in her name.
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No Human Involved
NO HUMAN INVOLVED: a woman is destroyed by a 27-month prison sentence for prostitution in Arizona, the tenacity of those who fight for justice in her name.
Learn more
Array
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[title] => Untitled NY Dance Film
[text] => A rogue ballerina, Rose Alice, haunts the shadows of New York City, chasing forgotten rhythms and unsung talent through subway tunnels, warehouse raves, and crumbling theaters. Gathering a tribe of underdog artists, she dares to choreograph a masterpiece born of grit, grace, and rebellion that could shatter tradition and set the city ablaze with something entirely new.
[logline] => A raw, cinematic, experimental dance film, that features New York’s avant guard arts scene, and encapsulates the life a New York artist through a mash up of original choreography, music, verite documentary, and magical realism.
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Untitled NY Dance Film
A raw, cinematic, experimental dance film, that features New York’s avant guard arts scene, and encapsulates the life a New York artist through a mash up of original choreography, music, verite documentary, and magical realism.
Learn more
Array
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[ID] => 156228
[title] => Blind AF
[text] => While working as a paramedic in 2009, Shawn Cheshire, a 36-year-old Army veteran and single mother of two, suffered a brain injury that left her completely without sight. Spiraling into a debilitating suicidal depression, Shawn sought treatment at a VA hospital where, through a combination of adaptive sports and treatment for Complex PTSD, she chose to rebuild her life while facing painful memories of the past for the first time. Within three years Shawn was competing at the 2016 Paralympic games in Rio and goes on to become a 13-time paracycling US National Champion, as well as world-record holder of the Grand Canyon crossing by a blind person.
Driven as much by the determination to live independently as by the restlessness and vulnerability borne of trauma, in 2021 Shawn embarks on an historic and perilous adventure of riding a single bike across the United States. As Shawn pedals east, her history and rich, introspective emotional life are revealed through the film’s use of animation, excerpts from her journal entries, interviews, therapy sessions and archival footage. Together, these elements give depth and texture to Shawn’s long road to healing and place the traumatic brain injury she endured in the context of a lifetime of pain and loss.
Blending poetic cinematography and intimate verité with immersive POV animation and sound design that brings the viewer inside her world, Blind AF is at once a thrilling epic of athletic achievement and a transformative portrait of emotional resilience and bravery.
[logline] => A blind female Paralympic champion and world-record holder sets out to become the first blind person to ride a single, non-tandem, bike across the US, while confronting painful truths about her past that she’s spent a lifetime trying to outrun. Blind AF is about trauma, transcendence and power of self-belief.
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Blind AF
A blind female Paralympic champion and world-record holder sets out to become the first blind person to ride a single, non-tandem, bike across the US, while confronting painful truths about her past that she’s spent a lifetime trying to outrun. Blind AF is about trauma, transcendence and power of self-belief.
Learn more
Array
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[title] => Being Olimpia
[text] => Olimpia Coral Melo did not set out to become a feminist icon. The humiliation after her sex-tape went viral, made her want to give up her own name. She spent thirteen years promoting a law against cyber sex violence in Mexico. Now, as Olimpia Law reaches strongly throughout Latin America, she’ll have to reconcile with her wounds and retrieve the name that shame tried to take from her.
[logline] => After creating a groundbreaking law against cyberviolence, Olimpia wages an internal battle to heal her wounds and reclaim her name.
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Being Olimpia
After creating a groundbreaking law against cyberviolence, Olimpia wages an internal battle to heal her wounds and reclaim her name.
Learn more
Array
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[title] => This Way Out
[text] => Across the U.S., parole boards are ill-equipped to determine if an incarcerated person should return to society. Lack of transparency, political pressure, and racial biases all contribute to a system that focuses on original crimes instead of rehabilitation and the risk of re-offending. The result is that populations inside prisons grow older, and communities outside continue to fracture as they miss the opportunity to benefit from credible messengers.
Working to change this system is a group of formerly incarcerated seniors called RAPP (Release Aging People in Prison). Led by Jose Saldana - who spent 38 years in prison for attempted murder - the people of RAPP work tirelessly to bring home those they left behind. Their proposed bill would ensure that parole is based on a person's prison record and current risk factor, rather than the severity of the original crime. It would be the first legislation of its kind in the United States, and would be a model for other states to follow.
‘This Way Out’ chronicles RAPP’s efforts over five years as they beat the odds and gain majority support for their bill in the New York State legislature. Theirs is a story of hard-won triumph and leaves the viewer with a vision of hope for the future.
Intertwined with RAPP’s narrative are accounts of people who are still incarcerated and currently navigating the parole release process. Their testimonies are paired with animated artwork from incarcerated artists to provide compelling examples of the current broken system.
[logline] => 'This Way Out' is a feature documentary following a group of previously incarcerated seniors as they fight for reforms to the parole boards of New York. This character-driven documentary explores the concepts of punishment, redemption, and what it means to heal.
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This Way Out
'This Way Out' is a feature documentary following a group of previously incarcerated seniors as they fight for reforms to the parole boards of New York. This character-driven documentary explores the concepts of punishment, redemption, and what it means to heal.
Learn more
Array
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[title] => Our Body Electric
[text] => Each athlete is an individual with her own intricate story and reason to be in bodybuilding, and their struggles reveal themes and issues with which many women deal such as notions of beauty, male-dominance, self-acceptance, and motherhood. We follow Ariel Khadr as she wrestles with the decision to either pursue the elusive 1st place title, a dream she's chased her entire adult life, or retire and start a family; Amanda Kohatsu as she struggles to achieve her own dreams while supporting her partner's burgeoning career in the same sport; and Chelsea Dion as she weighs her coach's advice to bulk up to make physique improvements with the inevitable loss of income and status she'll experience if she gains body fat.
[logline] => OUR BODY ELECTRIC follows three elite women bodybuilders competing to be Ms. Olympia, the most coveted muscle show title. Offering a behind-the-scenes look at women sculpting themselves into anatomical works of art, this feature-length film is both a testament to the power of athletics and an intimate portrait of women defying societal expectations.
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Our Body Electric
OUR BODY ELECTRIC follows three elite women bodybuilders competing to be Ms. Olympia, the most coveted muscle show title. Offering a behind-the-scenes look at women sculpting themselves into anatomical works of art, this feature-length film is both a testament to the power of athletics and an intimate portrait of women defying societal expectations.
Learn more
Array
(
[ID] => 159263
[title] => Roots of Resilience
[text] => Set against a backdrop of climate disruption and forest loss, ROOTS OF RESILIENCE weaves two stories infused with hope and urgency, in Northern landscapes linked by salmon and historically vast forests.
An urgent race to protect remaining old growth is underway along the Pacific Coast shared by Canada and the US. The world’s largest temperate rainforest is under threat, with stakes made higher by recent American elections. In a region known for indigenous communities with deep cultural connections to the forest, logging continues on both sides of the border. The Tongass National Forest in Alaska is in peril as a new administration proposes to re-open areas to logging and development.
On the same latitude across the globe, rugged moors of the Northern British Isles offer a foretaste of former rainforest, in a landscape transformed by millennia of human impact. Long ago these isles were blanketed by the Caledonian woods to the North. The people of these forests, fierce protectors in their time, inspired Romans to construct Hadrian’s Wall near the boundary between England and Scotland. Today, Scotland and neighboring Ireland are among the most deforested places on earth. Less than 2% of ancient forest remains, yet rewilders dream of forests long lost to early colonization, industry and conflict.
The fate of temperate rainforests impacts us all, given their vital role in sequestering carbon and fostering biodiversity. Together these stories speak of resilience, loss, and renewal. Can we build a more sustainable relationship to the forests that sustain us?
[logline] => ROOTS OF RESILIENCE profiles two communities devoted to Northern temperate rainforests, linked by latitude. The film weaves an urgent race to protect the world’s largest temperate rainforest, with rewilders awakening long lost forests. From the Pacific to the Atlantic, these stories invite a new relationship with forests that sustain us.
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Roots of Resilience
ROOTS OF RESILIENCE profiles two communities devoted to Northern temperate rainforests, linked by latitude. The film weaves an urgent race to protect the world’s largest temperate rainforest, with rewilders awakening long lost forests. From the Pacific to the Atlantic, these stories invite a new relationship with forests that sustain us.
Learn more
Array
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[ID] => 539
[title] => SuperD!ville
[text] => The Super d! Show videos are short form narratives and all the actors are kids with learning disabilities. The style is relatable, the themes are universal, and the kids are instantly likable and seriously funny. The narrative skits “trigger’ discussions about sensitive subjects. Digital & hands-on activities extend learning through participation. The Super d! Show web series target audience is kids age 7-12 years old and supports the growth of essential traits for achievement and well-being of LD kids in this age group.
[logline] => We are creating a web series for public schools focusing on social and emotional learning for children with dyslexia and attention issues. Our mission is to help kids succeed in school and life because of, and not in spite of, their learning differences.
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SuperD!ville
We are creating a web series for public schools focusing on social and emotional learning for children with dyslexia and attention issues. Our mission is to help kids succeed in school and life because of, and not in spite of, their learning differences.
Learn more
Array
(
[ID] => 133342
[title] => Peace For Nina
[text] => “Peace for Nina” tells the story of a Ukrainian woman whose life is shattered by war and the loss of her most beloved ones. In the early 1990s, Nina’s husband, an officer in the Soviet Army, died as a result of injuries sustained in the Soviet war campaign in Afghanistan. Thirty years later, Nina is forced to confront a second painful loss, when her son Ihor who volunteered for the Ukrainian Army is captured and summarily executed by Russian mercenaries, while defending Donetsk airport in 2015.
As Nina begins to come to terms with the loss of her son, she resolves to collect evidence of Ihor’s extrajudicial execution in captivity. Together with her lawyer, she meets former war prisoners, who witnessed war crimes and those who were serving with her son so that she could recreate the last hours of his life. Nina’s quest seeks both personal closure in the matter of the death of her son as well as international condemnation of those who launched the undeclared war in 2014. Her ultimate goal is to ensure that what happened to her son will be recognized as a war crime in Ukrainian and International Courts.
“Peace for Nina” reveals the deep and ongoing grief of a mother who, against overwhelming odds, challenges authority and discovers that even small steps towards finding the truth can achieve big victories.
[logline] => Peace for Nina follows the journey of a Ukrainian mother as she seeks justice for the unlawful killing of her son by a Russian mercenary. A survivor’s tale of grief, courage and hope.
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Peace For Nina
Peace for Nina follows the journey of a Ukrainian mother as she seeks justice for the unlawful killing of her son by a Russian mercenary. A survivor’s tale of grief, courage and hope.
Learn more
Array
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[ID] => 81634
[title] => WOMEN OF STEEL
[text] => This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
Wollongong, New South Wales - 1980: Denied jobs at the steelworks — the city’s main employer — working-class/migrant women refused to accept discrimination. They began a campaign for the right to work that lasted for fourteen years. Their battle with BHP, the country’s richest and most powerful company, took them from the factory gate to the highest court in the land and changed the rules for women and men throughout Australia. In Women of Steel, directed by campaign leader Robynne Murphy, they tell their personal stories for the first time on film. The result is an exciting and often humorous tale of how a bunch of ordinary women stuck together and did what no one believed they could do — they subdued a giant!
[logline] => 1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
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WOMEN OF STEEL
1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
Learn more
Array
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[ID] => 146390
[title] => Flashing
[text] => Internationally renowned experts and regular women from around the world share experiences of and treatments for menopause. Featuring doctors, researchers, and traditional healers from the USA, India, Denmark, Uganda, and Japan, and addressing why this universal life transition is still shrouded in secrecy and shame.
Currently envisioned as a 90-minute feature documentary and open to exploring the project as a limited 6-part series.
[logline] => How women around the world experience and address menopause - a critical and understudied realm of women's sexual health and reproduction.
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Flashing
How women around the world experience and address menopause - a critical and understudied realm of women's sexual health and reproduction.
Learn more
Array
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[title] => Life After
[text] => LIFE AFTER is a gripping investigative documentary that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power while amplifying the voices of the disability community fighting for justice and dignity in an unfolding matter of life and death.
In 1983, a disabled Californian woman named Elizabeth Bouvia sought the “right to die,” igniting a national debate about autonomy and the value of disabled lives. After years of courtroom battles, Bouvia vanished from public view. Sundance-winner Davenport embarks on a personal investigation to find out what really happened to Bouvia and reveal why her story is disturbingly relevant today.
LIFE AFTER brings together the missing voices of the disability community in the ongoing debate about assisted dying, uncovering chilling stories of disabled people dying prematurely. Davenport exposes the intersection of systemic failures and personal autonomy, challenging the idea that assisted dying always represents a free choice, when it can sometimes be seen as the only option.
[logline] => A gripping personal investigation that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power as he amplifies the voices of the disability community and raises the alarm about the "right to die."
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Life After
A gripping personal investigation that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power as he amplifies the voices of the disability community and raises the alarm about the "right to die."
Learn more
Array
(
[ID] => 148339
[title] => Hands On
[text] => Every year in Longview Texas, a competition is held where contestants try to be the last person with their hand on a free car. As the numbers dwindle, two women from opposite ends of the world find themselves stuck with each other as their only form of connection. Through an absurd lens, we explore where their relationship goes over the course of 14 years.
[logline] => Two determined women engage in an extraordinary endurance contest to win a car by keeping their hands on it the longest. As years pass, their unwavering resolve leads to an unexpected bond.
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)
Hands On
Two determined women engage in an extraordinary endurance contest to win a car by keeping their hands on it the longest. As years pass, their unwavering resolve leads to an unexpected bond.
Learn more
Array
(
[ID] => 153489
[title] => INDÍGENA
[text] => INDÍGENA follows filmmaker Siku Allooloo’s journey as she unearths the legacy of her late mother, Marie-Hélène Laraque, who founded a groundbreaking Indigenous newspaper at the heart of the 1970s American Indian Movement. Siku was 14 when, on her mom’s deathbed, she vowed to one day share her life’s work with the world. This vow that has taken two decades to fulfill. Now carrying her first child, Siku is determined to claim her lost inheritance and share its vital legacy.
Founded in Berkeley, CA, Indígena: News from Indian America centered voices and struggles overlooked by mainstream media, catalyzing a global solidarity network. It amplified the voices of Indigenous women and affirmed the living presence of the Taíno – Indigenous people of the Caribbean who met Christopher Columbus and were later declared extinct. A myth that lived on until Marie-Hélène - a Taíno woman from Haiti - wrote them back into history, sparking the regeneration of her people.
Fifty years later, these hidden histories reawaken as Siku’s search leads her to the Dominican Republic, New York, San Francisco and Northern Canada to connect with her mother’s comrades and key sites of activism. What began as a deeply personal quest evolves into a profound collective journey as Siku unlocks the earliest and most expansive legacies of Indigenous resistance in the Americas – from Taíno resistance in 1492 to the Red Power Movement to today – revealing a vastly interconnected, and women-led, movement for Indigenous liberation.
[logline] => To fulfill her mother’s dying wish, a filmmaker retraces her mother’s work as an activist and journalist during the Red Power Movement of the 1960’s and 70’s, bringing to light 500 years of Taino resistance and igniting her own journey of reclamation.
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[link] => https://www.wmm.com/sponsored-project/indigena
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INDÍGENA
To fulfill her mother’s dying wish, a filmmaker retraces her mother’s work as an activist and journalist during the Red Power Movement of the 1960’s and 70’s, bringing to light 500 years of Taino resistance and igniting her own journey of reclamation.
Learn more
