While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
The Island in Me
Homecoming follows two women Johnny Frisbie and Amelia Borofsky who, after decades away, return to their beloved childhood atoll of Pukapuka in the South Pacific. The film reveals a unique story of love, survival and indigenous resiliency in the midst of rising tides and migration.
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Myself When I Am Real
Set in the year 2000, MYSELF WHEN I AM REAL is an experimental short film about a working mother and her teenage daughter who struggle to make friends and find belonging in a small Wisconsin town. It explores otherness, identity, and assimilation from the contrasting perspectives of childhood and adulthood.
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Something Remains
Imagine picking up a novel, thinking it’s fiction, only to find it’s your family’s untold story during 1930s Nazi Germany. This was Carole’s shocking discovery. Her journey to uncover buried secrets reveals haunting truths of intergenerational trauma and the dark forces of exclusion that tore her family from their homeland.
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Vena Aquatica
In El Salvador women are the protectors of water and land, they are the veins circulating life throughout this Central American territory; VENA AQUATICA is a sacred journey that flows through a spectrum of the realities carried by communities at the forefront of ecocide and extractivism.
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Dépôt-Vente
After moving to a new country for love, a filmmaker creates a loving portrait of a Beirut thrift shop that embodies the spirit of her home in Lebanon.
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Life After
A gripping personal investigation that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power as he amplifies the voices of the disability community and raises the alarm about the "right to die."
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Girls of Tomorrow: Twenties (wt)
2015 - 2025 : From Obama, through Trump, and until Biden’s final presidential days, the Girls go through their twenties grappling with dreams of a fair, feminist, sustainable society in a patriarchal reality. While I have just become a mother and seek elevation, I follow them for a decade.
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The Art of Survival
The Art of Survival will follow a collection of artists around the globe, in their quest to come to terms with a history of sexual abuse, serving as an intimate study of the relation between art and catharsis in survivors of childhood trauma.
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Gregory & Veronique: From Paris to Hollywood
Gregory & Veronique: From Paris to Hollywood is an intimate look at Gregory Peck’s legendary life and career, exploring his challenges and triumphs, and the impact that he and his wife Veronique made on Hollywood, told through personal archives: letters, home movies, and stories from those who knew them best.
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The Source of Life (Te Puna Ora)
As the climate crisis threatens Tahiti, an alliance of women embarks on a sacred journey to protect their island home.
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Peace For Nina
Peace for Nina follows the journey of a Ukrainian mother as she seeks justice for the unlawful killing of her son by a Russian mercenary. A survivor’s tale of grief, courage and hope.
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Taking Venice
TAKING VENICE uncovers the true story behind rumors that the U.S. government and a team of high-placed insiders rigged the 1964 Venice Biennale – the Olympics of art – so their chosen artist, Robert Rauschenberg, could win the Grand Prize.
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Tip/Alli
In 1977, the outing of science fiction author James Tiptree, Jr. (as Alice B. Sheldon) shook the world’s sense of genre fiction as a male domain. Fifty years later, TIP/ALLI reveals the intricate life of expansive gender that produced some of the 20th century’s most celebrated speculations.
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Milisuthando
‘Milisuthando’ is a coming-of-age personal essay film on love and what it means to be human in the context of race, explored through the memories of Milisuthando – who grew up during apartheid but didn’t know it was happening until it was over.
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The Last Nomads
In the pristine mountains of Montenegro, a semi-nomadic mother and daughter defend their herding tradition and their land from becoming a NATO military training ground. A gripping family and environmental drama unfolds, as the story of violence against women echoes that of violence against nature.
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Take Me Home
Anna, a 38-year-old Korean adoptee with a cognitive disability, cares for her aging parents in a fragile balance of meeting each others’ needs. When a Florida heat wave shatters their family and Anna’s routine, her future is uncertain - until she creates a world where she can thrive.
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