While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
River of Grass
A time-traveling guide channeled by the land recounts the Everglades’ violent past and warns of Florida's precarious future. Told through Miami journalist Marjory Stoneman Douglas's The Everglades: River of Grass (1947), the film explores how Florida’s vulnerability to climate change is historically rooted in the Everglades’ ongoing legacies of settler colonialism.
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Before The Feast (Nilam Kātha Kālam)
A bittersweet story of love, loss and legacy. In Kochi’s sea-facing salt marshes, aging farmer Vincent is the keeper of a rare seed for the next generation. When a rising sea conspires to damage his crops, causing his family to drift away, an unexpected tragedy causes the tides to turn.
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The Other Gaza
Gaza is a war zone. But it’s also the birthplace of Wafa Jamil, and the home of her family. The Other Gaza shows how daily life in Gaza really is, with sorrow and joy existing side-by side. For the audience to understand, as well as her young daughter Leia.
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Roots of Resilience
ROOTS OF RESILIENCE profiles two communities devoted to Northern temperate rainforests, linked by latitude. The film weaves an urgent race to protect the world’s largest temperate rainforest, with rewilders awakening long lost forests. From the Pacific to the Atlantic, these stories invite a new relationship with forests that sustain us.
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Ex Libris, A Life in Bookplates
EX LIBRIS is an animated documentary film tracing the intimate, intricate world my grandfather created and lost in Vienna between the two world wars, and the exploding universe he reflected in his diaries.
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The Archives
The Archives tells the story of Holocaust archivists, quiet warriors who preserve and uncover the truth of history. Their domains are the archives, hallowed places of stored history that are the searching grounds for the victims’ descendants, family archivists excavating the trauma of the past to build a better future.
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Untitled NY Dance Film
A raw, cinematic, experimental dance film, that features New York’s avant guard arts scene, and encapsulates the life a New York artist through a mash up of original choreography, music, verite documentary, and magical realism.
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As Prescribed
“Benzo warriors” fight a grassroots battle to save others from the devastating consequences of the little pill they took as prescribed.
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Bad Girl Marcia Tucker
After being fired from NYC's Whitney Museum for her radical exhibitions, feminist curator Marcia Tucker founded the New Museum in 1977 to champion marginalized artists. Through rare archive and insight from today's artworld rebels, BAD GIRL MARCIA TUCKER traces Marcia's defiant legacy – offering a blueprint for resistance in the face of contemporary threats to art, artists, and art institutions.
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Take Me Home
Anna, a 38-year-old Korean adoptee with a cognitive disability, cares for her aging parents in a fragile balance of meeting each others’ needs. When a Florida heat wave shatters their family and Anna’s routine, her future is uncertain - until she creates a world where she can thrive.
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God is a Pelican
“God is a Pelican” is a stop-motion animated short that follows two misfit middle-school girls’ intense, queer, and turbulent friendship as they create their own religion.
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Love, Jamie
The story of Jamie Diaz, a trans artist incarcerated in Texas, and the enduring friendship that brought her art of pride and liberation to the outside world.
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Dis-Ease
For centuries, the “war on disease” has been a metaphor we live and die by. But what if it weren’t a war?
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The Prison Outside
Sentenced to life for crimes committed as a child, Terrence Graham fought his case all the way to the Supreme Court and won, transforming the nation's juvenile justice system. After 21 years, he's finally getting out - but is life outside just another prison?
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Nuns vs. The Vatican
A former nun breaks her silence to expose the Church’s most celebrated priest and a system built to protect power at any cost.
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Wikipediology
Wikipediology is a documentary YouTube series that uncovers the hidden stories behind Wikipedia’s most contested science pages -revealing the messy, human process by which we collectively decide what counts as truth.
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