Directory of Sponsored Projects

Array
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    [title] => Call Me Dancer
    [text] => Manish grew up in the crowded chaos of Mumbai, known in India as the city of dreams. He is athletic, handsome, a dutiful son, and he fantasizes about living the life of a military or Bollywood action hero. He has no desire to go to the business school that his overworked father has saved for day and night. Manish astounds audiences as a self-taught break-dancer, but a passion is born when he discovers classical ballet at an inner-city dance school. He comes under the tutelage of Yehuda, an aging ballet master who recently arrived in Mumbai. He devotes himself to an art form that is virtually unknown in India and struggles to prove to his family that he can beat the odds and make it as a world-class professional dancer.

Call Me Dancer is a story of hope, heartache and hard work. Manish and Yehuda search to uncover who and what they are. Yehuda seeks a purpose and a place to call home. Manish dreams of dancing on the world-stage but struggles to break free from the confines of his own economic and social circumstances.

In the process, they change each other’s lives.
    [logline] => When a hip-hop dancer accidentally walks into a ballet class in Mumbai, his world opens up and a passion is born. The tough ballet master recognizes his talent and dares him to fulfill his dreams of dancing professionally - giving him the courage to defy family, culture and poverty.
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Array
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    [title] => Normal Isn't Real: Succeeding with Learning Disabilities & ADHD
    [text] => In NORMAL ISN'T REAL, four young adults share their stories of coming to terms with their learning disabilities and ADHD. They differ in backgrounds, strengths, schools, and career choices, but each has become an expert on themselves and what they need to succeed. Viewers witness their talents, frustrations, and strategies for managing their challenges. The results are inspiring and instructive.
    [logline] => Dave, Audrey, Nicole and LeDerick share their unique paths to success as young adults who have successfully met and managed the challenges that come with LD/ADHD.
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Array
(
    [ID] => 119542
    [title] => Finding Your Laughter
    [text] => 	In her deeply personal documentary, comedian Arlieta Hall reveals the complexity of being a caregiver. She channels her creativity in many ways, including spending slow, quiet time caring for her dad at his home as well as telling her stories on the comedy stage. Through intimate verité footage filmed by co-director Brittany Alsot, Arlieta’s raw self-tape confessionals, and comedy show footage, Arlieta breaks the taboo around Alzheimer’s, bringing awareness and offering comedic storytelling tools for dealing with a relative with Alzheimer’s, which is a problem so many people struggle with in silence, especially on Chicago’s under-resourced Southside.
The film follows Arlieta, her father Milton, and Charmaine (Milton’s wife and fellow caregiver) through the ups and downs of daily life. Milton often thinks he’s the principal and Arlieta is the student and Charmaine is his secretary who gets the day off. Through family photos and reminders of his past exploits in music and religion, Arlieta travels with Milton between the past and present.

In the US alone, nearly one in five Americans provided unpaid care to an adult with functional or health needs in 2020 and yet 23% of Americans say caregiving has made their health worse (AARP May 2020). When caregiving ends up being harder than she expected, Arlieta turns to improv and learns to treat Milton like her scene partner by supporting whatever role he plays in the moment. This could be principal/student, officer/truant, father/son, or—in more lucid moments—father/daughter. At the beginning of Finding Your Laughter, we see Arlieta using improvisation in a subtle conversational way which allows her to enter the world of confusion with Milton by supporting what he says to validate him. We see Milton start conversations that go all over the place and Arlieta consistently employs the “yes, and…” technique that is the cornerstone of improvisation to keep him engaged. Through watching Arlieta and Milton interact in the verité and cell phone footage, the audience witnesses how to be patient and supportive to a person with Alzheimer’s, even if they have no idea what this person is saying.

At the same time that Milton’s health is declining, Arlieta’s career is ascending. She becomes an improviser, sketch and stand-up comedian who performs comedy about her father and her life, both of which provide her emotional relief. By sharing these real-life stories, she finds new success and connection with audiences. We will see Arlieta, with the help of her “bonus mom” (step-mom) Charmaine, working on developing and expanding the material she performs at each stand-up show. When Arlieta needs to process something that happened with her dad, she crafts it into a joke and workshops it on the stand-up stage—allowing her to change the story into something positive and return to working with Milton with patience.

Eventually, Arlieta and her ‘bonus mom’ Charmaine must provide 24/7 support. In effect, Arlieta says through tears, the father she loves has become a 2-year-old. We will see through Arlieta’s own filming of daily struggles how, after some time, improvisation isn’t working anymore and has become tricky for Arlieta and Milton as it is harder for him to engage with her. Instead of using complete sentences Milton begins to use gibberish and eats with his hands. Due to Alzheimer’s, he doesn't sit long and wanders off, which makes it frustrating for Arlieta to care-give and communicate with him. When alone, Arlieta gets real about her struggles with her own exhaustion, anger, and despair. We see her raw emotions expressed in the unflinching video diaries, as well as how she remains committed to caring for her father with grace, respect, and laughter.

The film is not trying to sugarcoat Alzheimer’s or the gritty and exhausting reality of caregiving; we are shedding light on how hard it can be. As Arlieta keeps turning to comedy, the audience finds relief along with her, and a new improvisational perspective on life opens up: one that acknowledges that laughter doesn’t cure all ills, but by taking in life’s fullness, we can stay in the moment to find meaning and healing.
    [logline] => Finding Your Laughter follows Chicago comedian Arlieta Hall who is learning to use her own resources—stand up comedy and improvisation—as tools for both her own mental health and to be a caregiver for her father who is fading from Alzheimer's disease.
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Array
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    [ID] => 152397
    [title] => Good Fire
    [text] => Storyteller, director, and writer, Roni Jo Draper will guide viewers through the complex story of fire that has been in the making since 1849 when the early settlers entered Yurok territory from the eastern parts of the United States. 

Roni, a Yurok tribal member, will weave together three stories: the story of how fire came to the people as a tool and as medicine, how settlers sought to separate the people and land by extinguishing fire, and how the people worked to return fire to the land. 

The story is framed by the retelling of how Coyote gathered the peoples of the forest–Eagle, Osprey, Deer, Beaver, and even Frog–to steal fire. The people used fire as a tool to warm themselves, prepare meals, and to purify the land. With fire as medicine for the land, the land thrived. 

Roni will also provide an Indigenous telling of how settlers sought to steal fire from the Indigenous peoples of the Klamath River. Over one hundred years later, cultural fire practitioners in this region navigated through miles of bureaucracy in order to ease the state and federal restrictions surrounding fire and are among the first Indigenous peoples of North America to legally burn. State and Federal agencies are looking to Indigenous peoples, in particular Klamath Tribes, to unlock fire’s potential to protect forests from large forest fires that have threatened the land in California and throughout the world. 
    [logline] => After more than one hundred years of fire suppression, Yurok people are returning Indigenous fire medicine to the land in order to heal the world. 
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    [link] => https://www.wmm.com/sponsored-project/good-fire
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Array
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    [ID] => 157319
    [title] => Jinwar
    [text] => In the shadows of Syria's decades-long war, Yasemin fights her own battle within the walls of her home. She struggles to survive and protect her children, forced by an unforgiving society into making heart-wrenching choices. Confronting a mother's deepest nightmare, she leaves her only son in desperation to save her daughter from becoming another victim of child marriage. 

Weighed down by guilt and sorrow, her journey leads her to Jinwar—a sanctuary where women, rising from the ashes, have built a village for themselves and their children. In this village, mothers watch their children dream while uniting to transform their sacrifices and pain into hope, drawing strength to challenge the patriarchal bonds that have stolen their dreams, their childhood, and maybe their motherhood.
    [logline] => Jinwar is a feature documentary about a Syrian mother’s complex relationship with her children, one of which she had to abandon in order to save the other one. 
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Array
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    [ID] => 154153
    [title] => The Prison Outside
    [text] => Arrested at 16 for robbery and sentenced to life without parole, Terrence Graham fought his way to the Supreme Court and won a chance at freedom. In a 6-3 decision, the Court ruled in Graham v. Florida that children convicted of crimes other than murder could not be sentenced to life without the chance of parole. The decision changed sentencing of young people across the country and Terrence himself was re-sentenced: he wouldn’t die in prison. But even as thousands of people were released off his case, Terrence remained locked up for 20 years. It wasn’t until February 15, 2024, that Terrence Graham walked out of the Duval County Jail at 37 years old.
THE PRISON OUTSIDE is an autobiographical film about Terrence’s next chapter. It’s about the freedom he won in Graham v. Florida and the freedom he still does not have.

On strict probation, Terrence has to complete two years of house arrest and GPS monitoring while finding his footing in a world he has never experienced as an adult. Any mistake could send him back to prison.

Success not only requires Terrence to make it through probation—he also has to mature into adulthood, revisiting memories of childhood and incarceration to unlock the freedom he fought so hard to get.

Borrowing extensively from the visual language and storytelling devices of narrative film, THE PRISON OUTSIDE seeks to immerse audiences in the intimate, everyday experiences of what the prison system does to people and families impacted by the carceral state—one in every two families in America. The film puts a magnifying glass up to the little moments of freedom that Terrence and his family experience so we can all savor their joy. And it cuts through those moments with the very real fear and oppression they continue to face while he is on probation. Through Terrence’s story, told in his words, from his perspective, this film makes the case that the chance of freedom should never be taken from a young person, showing how the rules of probation, house arrest, and ankle monitors can create a prison in the free world.
    [logline] => Sentenced to life for crimes committed as a child, Terrence Graham fought his case all the way to the Supreme Court and won, transforming the nation's juvenile justice system. After 21 years, he's finally getting out - but is life outside just another prison?
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    [link] => https://www.wmm.com/sponsored-project/the-prison-outside
)

Array
(
    [ID] => 160470
    [title] => Ana Mendieta: Rebel by Nature
    [text] => This documentary gives an intimate first look at the untold life story of artist Ana Mendieta who is admired by the art world and is now being discovered by the world at large. Sent from her homeland, Cuba, at the age of 12, Mendieta discovered art could become a tool to heal her feelings of loss and displacement. Her work explored themes of exile and a return to the land, in which she used her body and nature as a medium. She was a rising star in the art community of the late 1970's/early 80's for her pioneering and groundbreaking work, and received two NEA grants, a Guggenheim and the prestigious Prix de Rome Award. 

On September 8, 1985, Ana Mendieta fell to her death from minimalist artist Carl Andre's apartment. The two had been married for only nine months. The scandal of this tragedy split the art world as people took sides when Andre was arrested for his wife's murder. After a bench trial, Andre was acquitted, and slowly disappeared from the public eye as Mendieta's rise in the art world continued to grow. 

Ahead of its time, Mendieta's work resonates even stronger today. She has become an icon and considered by many to be today's Frida Kahlo. Her work is now in major museum art collections such as The Met, MoMA, The Guggenheim, The Whitney, The Tate, and Pompidou and her art and story is now being discovered by mainstream audiences. 
    [logline] => An intimate look at artist, Ana Mendieta, whose exile from her homeland Cuba inspired her pioneering art in the landscape. Family and friends speak out after more than 30 years, interwoven with newly discovered audio of the artist alongside her visually captivating Super 8 films.
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Array
(
    [ID] => 75752
    [title] => As Prescribed
    [text] => Xanax, Klonopin, Valium, Ativan, Restoril. All belong to a class of drugs known as benzodiazepines (benzos). Entertainment media portray them as innocuous medications that relax nerves and take the edge off.  And news media talk about them in terms of addiction and as an adjunct to the opioid crisis. As Prescribed tells a more accurate story — one about an unrecognized epidemic that has more in common with traumatic brain injury and severe autoimmune disease than with lifestyle management or drug addiction. 

Though living in different parts of the country, “benzo warriors” Geraldine, Matt, Amy, and Leigh are joined in a battle to expose the benzodiazepine scourge. All are victims of prescribed-drug injury and are part of a grassroots army that helps other victims and strives to prevent harm to a new generation. Following these heroic subjects, As Prescribed tells the under-the-radar story of benzodiazepines, tracking their catastrophic impact on human health worldwide, offering a moving narrative and a timely argument for change.

    [logline] => “Benzo warriors” fight a grassroots battle to save others from the devastating consequences of the little pill they took as prescribed.
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Array
(
    [ID] => 153207
    [title] => The Road to Independence (Working Title)
    [text] => The Road to Independence plans to explore Vietnamese veterans’ personal stories, creative problem-solving, and combat experiences in their struggle for autonomy during the Vietnam-American war. Along with serving as a primary source historical record, this film connects history and present by asking both veterans and youth about their impressions of the war and hopes for the country’s future. At least 50% of all subjects in the film will be female voices.

It’s rare in the United States to see a film exclusively showcasing the Vietnamese experience of the Vietnam War. The Road to Independence will cover a side of the war that hasn’t been examined by most Americans. We’ve gotten many versions that seem to omit the greatest question - what was it all about? Vietnam has a long record of fighting for its autonomy, from China, Mongolia, France, Japan, and America. Vietnam stands out as a country without monetary resources that has been able to gain independence from some of the most powerful empires in the world. It’s a David and Goliath story. It’s a story that should be told from the voices of the people that lived and fought there.
    [logline] => Seeking to give a nuanced and humanized view of the Vietnam-American war and its complex reverberations, this documentary explores the perspective of Vietnamese youth and Communist veterans as they discuss the past and their dreams for Vietnam's future.
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Array
(
    [ID] => 161589
    [title] => Hasta Siempre - Until Forever
    [text] => Since she could walk, Estefanie has donned the insignia of the nonviolent resistance movement that defines her life – red and green for blood and land. Growing up in the most dangerous country in the world for environmental defenders, her mom, Alicia, raised her as the first child to participate in the Indigenous guard, the grassroots force protecting their territory from armed groups seeking control. Her gleeful imagination prevails against a ceaseless war. As Estefanie grows up from age 6-13, she develops a deeper understanding of the violence that shapes her childhood. We began filming in early 2018 as armed conflict was returning to their territory in Cauca with the failed promise of Colombia’s historic peace accord. Assassinations of social leaders exploded, and members of the guard became targets like never before. At age seven, Estefanie witnessed the aftermath of a massacre that killed five members of the guard from their community. Alicia, facing death threats like every other leader from their movement, was forced to grapple with a profound question as a mother: prioritize her and her daughter’s safety, or remain committed to the Indigenous Guard and teach young Estefanie the courage of seeing one’s life as inherently bound to the collective. A feminine portrait of war and resilience through the prism of motherhood, the documentary shows the relational forces that hold people together for a cause, bound to an ancestral struggle "until forever."
    [logline] => Growing up in one of the most powerful nonviolent land-defense movements in the world, a young Indigenous girl, Estefanie, absorbs the struggle of her people to protect their territory in war-torn Colombia. As violence resurges and Estefanie witnesses the deaths of many of their leaders, her mom must teach her.
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Array
(
    [ID] => 161261
    [title] => Barbara Forever
    [text] => BARBARA FOREVER explores the films, archive, and ongoing cultural impact of experimental filmmaker Barbara Hammer, revealing her ingenious lifelong artistic effort to create and record lesbian histories, personal and societal. The film centers Barbara as a prism of the cultural ecosystems around her throughout her kaleidoscopic career – through the feminist and queer movements in 1970s San Francisco, the New York art world of the 1980s, the sex wars and rise of the radical New Queer Cinema genre of the 1990s, and Barbara’s reckoning with aging and mortality in the 2000s.

Through the course of the film, Barbara shows us that the personal is not only political, the personal is historical. Looking to Barbara as one of the first filmmakers to put a lesbian life on screen that wasn’t there before, her work becomes a blueprint for a new generation of queer and radical artists to write our own histories into existence. This exploration of both Barbara Hammer’s life, work, archive, and her ongoing legacy provides an urgent, necessary story of queer life, feminist history and avant-garde cinema.
    [logline] => BARBARA FOREVER is an exclusive look at the iconic life, work, & legacy of pioneering lesbian experimental filmmaker, Barbara Hammer, tracing her prolific canon alongside never-before-seen documentations of her life and body, to reveal Hammer's unconventional attempts to live on forever.
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Array
(
    [ID] => 137350
    [title] => Seeing Stars
    [text] => Legally blind since childhood from Stargardts disease (a rare inherited form of juvenile macular degeneration), THE WRITER is in a doctor’s office for one of her twice yearly follow up visits. In between tests, THE WRITER directly engages and entertains the audience with stories of five women who share her special kind of sight. As the tests continue, it’s clear that THE WRITER’S decades of stable vision may now be changing for the worse. 

Fighting despair and fueled by her vivid imagination, she turns visual field tests into celestial landscapes, and stories of vision-challenged women into stars.

Finally called in to hear her fate, THE WRITER is fearful. But armed with the stories of her stars she sings an anthem of resilience.

“I see the light, the light inside of me
I see the world the way it ought to be
I close my eyes so I can block out the sun 
Then look into the dark
and see the day
Look into the night
And see the light”
    [logline] => Five fierce and funny women with limited sight and limitless vision dare look into the dark and share their light.
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Array
(
    [ID] => 145854
    [title] => MAILIN
    [text] => On March 9th 2021, Buenos Aires, Argentina, Mailin loses the trial, and the priest that abused her for 15 years is set free. Her world is crumbling. Yet in spite of the wreckage, she goes back home, and so that her daughter Ona can fall asleep, she tells her a bedtime story. A surreal journey thus begins, that in its juggling with reality, reveals to be a metaphor of Mailin's childhood.
 
And so, the protagonist assumes the quest of recovering the memory of her past, by going through her family recordings. Just like these cassettes are full of glitches and ghostly images that break and freeze, so is her memory, shattered by trauma. By revisiting her childhood recordings, Mailin wonders how could her mother not see that she was suffering?

By scrutinizing the material, Mailin comes to realize the sadness in Monica's eyes. The protagonist then admits that she, as well, is going through depression, and that here lies her biggest fear: If her memory tricked so terribly that it could erase an entire portion of her life, might it eventually erase her daughter too? 

Through a collage in movement, the film interweaves with the bedtime story, the trial that unfolds and the family recordings now captured by Ona. Between cut-out animations, VHS material, and cell phone recordings, a mother and a daughter try to reach one another, yet how can so many years of unspoken words be spoken? How to heal a family so deeply wounded?
    [logline] => Mailin tells her daughter a bedtime story, a metaphor unfolding the protagonists’ search to recover the memory of her past. Through a collage of archive and childhood drawings, emerges the story of a girl, who for 15 years suffered the abuses of a priest that Justice has just set free.
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Array
(
    [ID] => 82084
    [title] => The Art of Survival
    [text] => This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.

Gloria Steinem said, “The final stage of healing is using what happened to you to help others”. This sentiment is never truer than in the work of artists. The Art of Survival is a mixed media documentary, which aims to explore the role of artistic expression as a tool for catharsis, healing and empowerment for survivors of childhood sexual abuse.

Through an exploration of art, dreams and the unconscious mind, our documentary will follow artists, their past, the art form they have chosen to express themselves through, and how their work can serve to start a conversation about surviving the traumas associated with childhood abuse.

The documentary, which follows Welsh-Chinese artist, Choichun Leung,  and British concert pianist, James Rhodes, will be a combination of verite-style, fly on the wall documentary, confessional interview, scientific commentary, and animation. We will tell the story of the individual artists, learn about their craft, their process – and their childhood experiences as the driving force behind their work. The animation will aim to make manifest a visual representation of the subconscious effects of the artist’s childhood experiences. 

    [logline] => The Art of Survival will follow a collection of artists around the globe, in their quest to come to terms with a history of sexual abuse, serving as an intimate study of the relation between art and catharsis in survivors of childhood trauma. 
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Array
(
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    [title] => Work While You Have the Light
    [text] => In American culture, when women age, there is an antiquated expectation that they will eventually stop actively participating in culture and society. A working woman over seventy is rarely seen by society--unlike her male counterparts who are revered with age. This general societal assumption must be updated. 

There are 76 million baby-boomers and over half of them are women who are in the process of creating a new model for being an older woman. We are in a new age, and the paradigm is shifting. Women are working into their nineties with tenacity and clear minds. Work While You Have the Light exposes the true narrative of aging women by following passionate, curious, fierce and courageous women who are not stopping because of their age. 

Work While You Have the Light is for women of all ages to be inspired to not fear age, but rather welcome the opportunity to become fully themselves. The film follows eight women over seventy throughout a year’s time who are working in different capacities throughout the United States--an Artist, Writer, Doctor, Teacher, Television/Radio Producer, Singer, Museum Director, and CEO. 
    [logline] => Work While You Have the Light is a feature documentary by a multi-generational directing team that examines professional women who are over seventy-years-old and still working. 
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Array
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    [ID] => 159676
    [title] => Life After
    [text] => LIFE AFTER is a gripping investigative documentary that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power while amplifying the voices of the disability community fighting for justice and dignity in an unfolding matter of life and death.

In 1983, a disabled Californian woman named Elizabeth Bouvia sought the “right to die,” igniting a national debate about autonomy and the value of disabled lives. After years of courtroom battles, Bouvia vanished from public view. Sundance-winner Davenport embarks on a personal investigation to find out what really happened to Bouvia and reveal why her story is disturbingly relevant today.

LIFE AFTER brings together the missing voices of the disability community in the ongoing debate about assisted dying, uncovering chilling stories of disabled people dying prematurely. Davenport exposes the intersection of systemic failures and personal autonomy, challenging the idea that assisted dying always represents a free choice, when it can sometimes be seen as the only option.
    [logline] => A gripping personal investigation that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power as he amplifies the voices of the disability community and raises the alarm about the "right to die."
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Array
(
    [ID] => 138033
    [title] => Sleep Training
    [text] => Neha isn’t supposed to feel this way. As the new mom of an adorable six-month old with a partner who is basically SuperDad, she should be happy, right? But as she tries to get some writing done over her baby’s screams, her partner’s sleep training frets, and her immigrant mother’s laments about American parenting… something snaps inside of Neha. She sees a terrifying vision that startles and confuses her.

Over the next two days of sleep training the intrusive thoughts continue, ranging from the horrible to the hilarious. Neha is convinced that even the baby is trying to tell her what a bad mom she is.

On the third day, Neha reaches a breaking point. Will she do the unthinkable to escape her failed motherhood? Or is there another way out, if Neha just finds the words to name it?

Meera Rohit Kumbhani (Dave Made a Maze, FOX’s Weird Loners) stars as Neha in this dramedy that gives a rare and brutally honest view into the experience of postpartum depression.
    [logline] => When a new parent’s postpartum depression devolves into frightening hallucinations, an escape from motherhood is necessary to stay sane –but is abandoning the baby the only way out?
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Array
(
    [ID] => 127139
    [title] => Coexistence, My Ass!
    [text] => COEXISTENCE, MY ASS! follows activist-comedian Noam Shuster Eliassi as she creates a comedy show by the same name. Shot over five tumultuous years, the film traces Noam’s personal, professional and political journey in tandem with the region’s steady deterioration. Raised in a bilingual Israeli-Palestinian village — the only intentionally integrated community in the country — Noam grows disillusioned with traditional peace activism. She pivots to stand-up and quickly attracts attention across the Middle East. But as her star rises, everything around her falls apart. With biting satire, Noam pushes her audiences to face difficult truths that aren't always funny but do remind us that another reality is possible.
    [logline] => Noam Shuster Eliassi grew up the literal poster child for the Israeli-Palestinian peace process before making a hard pivot to stand-up comedy and political satire. But as the region sinks deeper into devastating violence, she must meet the moment by challenging people with hard truths that are no laughing matter.
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