While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
As Slow As Possible
From the unhurried movements of Icelandic glaciers to a 639 year-long musical performance in Germany, stories of geological, human, and cosmic time intersect in a cinematic exploration of time and timelessness.
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Tribal Strands
Two self-made hair artists, create authentic hairstyles, leading the anti-hair discrimination movement. In addition, they inspire Black people to embrace their natural hair worldwide while exploring the intersections between modern and ancient African indigenous hairstyles.
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Pyramid Club - The Movie
NYC Drag queens, punks, and rebels weave a collective story of the culturally influential gem of a nightclub, the 1980s Pyramid Cocktail lounge. Theirs is a story of pushing limits, creativity, love, grief and survival, in a place where everyone belongs, in a city that is all but abandoned.
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Anarchy in High Heels
Anarchy in High Heels tells the story of Les Nickelettes, a women’s satirical musical theater company from 1970s and ‘80s San Francisco. They turned the patriarchy upside down with feminist humor and a spirit of collaboration. The film is a reminder of the subversive power of satire and sisterhood.
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Sundays at Café Tabac
Step into the electrifying realm of radical glamour, where Sundays at Café Tabac immortalizes the iconic lesbian night that lit up New York’s East Village from 1993 to 1995. A vibrant celebration of diversity and unapologetic self-expression, this unforgettable gathering not only transformed lives but also mirrored the surge of visibility that sent shockwaves through mainstream media—during a time when being seen was a matter of survival.
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My Name Is Andrea
A cinematic evocation of key moments from the life of feminist outlaw Andrea Dworkin, maverick thinker and intellectual genius of the 20th Century. Through innovative use of archival footage and expressionistic dramatizations, the film pushes the creative boundaries of biographical documentary to challenge the current narratives on gendered violence.
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Coming Home: Fight for a Legacy
A group of daring women challenge gender roles to become the first female military pilots during WWII, only to have their achievements buried by the lies of those who wished them to fail.
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I AM NOT A SPY
I AM NOT A SPY is a first-person documentary exploring the Russian electoral process under Putin’s regime. A Russian-American filmmaker gains access to her local polling station during multiple elections to investigate their validity and understand the mindsets of voters as Russia becomes increasingly authoritarian and invades Ukraine.
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SORORITY STORY
SORORITY STORY tells the unexamined story of racial discrimination in one of the largest and most exclusive private clubs in America: white college sororities.
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Standing Above the Clouds
When the massive Thirty Meter Telescope is proposed to be built on Mauna Kea, an uprising of kiaʻi (protectors) in Hawaiʻi and around the world dedicate their lives to protecting the sacred mountain from destruction. Through the lens of mothers and daughters in three Native Hawaiian families, Standing Above the Clouds explores intergenerational healing and the impacts of safeguarding cultural traditions.
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Landscapes of Memory
Weaving personal essay and intimate character studies, LANDSCAPES OF MEMORY explores Germany’s remembrance culture, and the uses and abuses of collective memory.
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The Woman Who Poked The Leopard
After a life of radical activism that lands her in jail, Ugandan Queer rights academic and poet Stella Nyanzi runs for parliament. Police brutality and tragedies that follow force her to choose between her children’s safety and the revolution.
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Caribbean Queen
Q must go against their family to become the first gay Carnival queen in Brooklyn’s Carnival parade with the help of his genderqueer bestie.
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Barbara Forever
BARBARA FOREVER is an exclusive look at the iconic life, work, & legacy of pioneering lesbian experimental filmmaker, Barbara Hammer, tracing her prolific canon alongside never-before-seen documentations of her life and body, to reveal Hammer's unconventional attempts to live on forever.
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A Woman on the Outside
After watching nearly every man in her life disappear into prison, Kristal Bush channels her struggle into reuniting other Philadelphia families divided by incarceration. But when her father and brother come home after decades behind bars, she confronts the greatest challenge yet—can she unite her own family without losing herself?
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Coach Emily
Emily Taylor, a Black woman and rock climbing coach in Oakland, CA, battles systemic racism in her professional and personal life as she strives to empower her students, all young girls of color, and connect them to the outdoors.
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the bomb
the bomb is a critically acclaimed immersive film, music, and art installation that puts viewers in the center of the story of nuclear weapons. It explores their immense power, their perverse allure, and the inherent danger at the very heart of them. An installation version of the bomb is currently touring museums, galleries, film festivals, and academic institutions.
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Cosmic Moose and Grizzly Bears Ville
Peter Valentine, living on disability in an apartment, fought MIT while they demolished his neighborhood to develop University Park, claiming he couldn’t leave because it was his electromagnetic laboratory. Eventually, MIT gifted him the entire building, moving it to another street. Peter was diagnosed schizophrenic and unmedicated all his life.
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