While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
SEE YOU IN AUGUST
Outrageous. Radical. Controversial. Home.
For 40 years women came to the Michigan Womyn’s Music Festival, a radical haven they conjured and re-built in the woods every August, influencing the global feminist revolution.
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Dis-Ease
For centuries, the “war on disease” has been a metaphor we live and die by. But what if it weren’t a war?
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Fencing for the Edge
FENCING FOR THE EDGE follows the emotional and physical journeys of two girls’ teams as they compete in the world’s largest high school fencing league.
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Darcelle
Until her passing in 2023, Darcelle XV was the World’s Oldest Performing Drag Queen. DARCELLE is the story of a single life. But it’s also the story of how tenacity and bravery in the face of unrelenting prejudice, changed lives and opportunities for generations to come.
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Our Body Electric
OUR BODY ELECTRIC follows three elite women bodybuilders competing to be Ms. Olympia, the most coveted muscle show title. Offering a behind-the-scenes look at women sculpting themselves into anatomical works of art, this feature-length film is both a testament to the power of athletics and an intimate portrait of women defying societal expectations.
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The Mask That Grins And Lies
The Mask that Grins and Lies is a meditative documentary feature that uncovers the intergenerational silence shrouding black women’s mental illness.
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Own It! The Kelso Way
Does capitalism work better if workers own capital? Lawyer Louis Kelso gave America a way to find out.
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Bad Girl Marcia Tucker
After being fired from NYC's Whitney Museum for her radical exhibitions, feminist curator Marcia Tucker founded the New Museum in 1977 to champion marginalized artists. Through rare archive and insight from today's artworld rebels, BAD GIRL MARCIA TUCKER traces Marcia's defiant legacy – offering a blueprint for resistance in the face of contemporary threats to art, artists, and art institutions.
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Untitled Kenyan Politics Project
At a moment of historical transformation for Kenya’s ancient Lamu archipelago, the race for Governor has become a battle of extremely high-stakes. Amidst waves of violent terror attacks, billion dollar infrastructure projects, ethnic tensions and an open hostility towards female leadership, the winner will set this sleepy historical fishing village onto a trajectory that could make or break the community forever.
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Reproductive Choices: Revisiting La Operacion
A documentary challenging the long-held belief that the U.S. government forced Puerto Rican women to be sterilized; the truth is more complex and examining the evidence from the women themselves casts a whole new light on this story.
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God is a Pelican
“God is a Pelican” is a stop-motion animated short that follows two misfit middle-school girls’ intense, queer, and turbulent friendship as they create their own religion.
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SEEDS
SEEDS is an ethnographic portrait of a centennial African-American farm in Thomasville, Georgia. Using lyrical black and white imagery this meditative film examines the decline of generational black farmers and the significance of owning land.
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Index:Trace
Index:Trace is a film that portrays the past, present, and future impacts of the nuclear fuel trajectory in all 50 states, — uranium mines, nuclear weapons, nuclear power, and nuclear waste — as told by impacted communities, scientists and activists who are working together for nuclear abolition and environmental justice.
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Tantura: UnEarthed (formerly Road to Tantura)
For nearly two decades, a Palestinian-American filmmaker follows the trail of her father’s silence into the heart of a buried coastal village—uncovering a contested massacre, a family’s exile, and the quiet machinery of historical erasure.
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Pacific Mother
Having fought hard to get the birth she dreamed of, freediver Sachiko Fukumoto connects with ocean women battling for a world where all people are supported in their birth choices.
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Nuns vs. The Vatican
A former nun breaks her silence to expose the Church’s most celebrated priest and a system built to protect power at any cost.
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Vena Aquatica
In a tender mosaic of El Salvador, women reveal the joys and perils of their lives, deeply bonded with water and land. Vena Acuática is shaped by the relationships among women who defend a landscape haunted by environmental negligence and forced migration.
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