While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
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[title] => KILLFACE
[text] => KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter. Filmed up close, with no narration, and very little dialogue, the film follows featherweight Muay Thai champion Natalie “Kill Face” Morgan’s ‘fight camp’ training. Privileging the sound of Morgan’s breath and keeping her centered in the frame, KILLFACE intentionally limits what we are able to see and hear, and invites audiences to experience an exhaustive and visceral exploration of power. It also puts attention to how gendered violence echoes within the act of observing women engaged in combat, even when it's not present in the story.
[logline] => KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter.
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KILLFACE
KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter.
Learn more
Array
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[ID] => 145497
[title] => I Love Bed-Stuy
[text] => On another street, we meet Ole, our fictional character. She has inherited her grandmother’s brownstone. With debt crushing her, she decides to start an Airbnb. It's a horrible experience. She debates packing up and moving out of Bed-Stuy all together with her neighbors, Ms. Brown and Ms Taylor. She could cash out and move on. They remind her of the rich Bed-Stuy history and she says she will give this place one last try.
Then, a new guest arrives. It's Sam. Sam is struck by how beautiful Ole is. This is where our adventure begins. Through her stay, they grow closer. One day on the stoop, Ole tells Sam that she’s thinking of selling her brownstone- against her grandmother’s wishes. Sam presses Ole, “There's gotta be something special about Bed-Stuy? Show me.” On a warm, Brooklyn day, Ole takes Sam’s hand and leads her to an historic community event and then a block party. They dance until they sweat. There maybe something special after all.
Back to reality, on a Zoom, residents testify to the board, why the community center must remain. Under the scaffolding in front of the temple, an argument breaks out between residents and developer, erupting into a screaming match. In the next scene, we watch the demolition of the building. In another part of the neighborhood, Sam and Ole are falling in love with each other and the neighborhood. While the fate of the building hangs in the balance, Bed-Stuy continues to grapple with its extinction.
[logline] => Like many American neighborhoods, Bedford-Stuyvesant is quickly gentrifying, losing access to its own culture, history and residents. In this vibrant hybrid documentary, a budding fictional love story is the silver lining, as real-life residents’ fight to save a historical building becomes a microcosm for a deeper look into 3rd wave
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I Love Bed-Stuy
Like many American neighborhoods, Bedford-Stuyvesant is quickly gentrifying, losing access to its own culture, history and residents. In this vibrant hybrid documentary, a budding fictional love story is the silver lining, as real-life residents’ fight to save a historical building becomes a microcosm for a deeper look into 3rd wave
Learn more
Array
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[ID] => 161655
[title] => the bomb
[text] => the bomb is a critically acclaimed immersive film, music, and art installation that puts viewers in the center of the story of nuclear weapons. It explores their immense power, their perverse allure, and the profound death wish at the very heart of them.
Combining archival footage, animation, music, and text, the bomb offers a visceral, non-linear, and unsettling experience, taking audiences inside the complex cultural and technological realm of nuclear weapons.
Live performances of the bomb were staged at the Tribeca Film Festival, the Berlin Film Festival, the Glastonbury Festival, the Sydney Festival, the National Academy of Sciences, and the Nobel Peace Prize Ceremonies.
The film at the heart of the bomb made its streaming debut on Netflix and can now be found on Amazon, Apple TV, Tubi, Roku, and other platforms.
In the Fall of 2024, a museum-version of the bomb begins a nationwide tour of university campuses.
[logline] => the bomb is a critically acclaimed immersive film, music, and art installation that puts viewers in the center of the story of nuclear weapons. It explores their immense power, their perverse allure, and the inherent danger at the very heart of them. An installation version of the bomb is currently touring museums, galleries, film festivals, and academic institutions.
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[alt] => A rocket flying in a spiral against a blue sky over the ocean
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the bomb
the bomb is a critically acclaimed immersive film, music, and art installation that puts viewers in the center of the story of nuclear weapons. It explores their immense power, their perverse allure, and the inherent danger at the very heart of them. An installation version of the bomb is currently touring museums, galleries, film festivals, and academic institutions.
Learn more
Array
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[ID] => 536
[title] => This Body, Too/ Y Este Cuerpo Tambien
[text] => This Body, Too will be a seventy-minute personal documentary that juxtaposes the perspectives of those closest to me regarding gender and sex as I navigate a bodily decision. Through a diaristic form, I question established notions of femininity and womanhood that many in my family, and our culture, hold as fact. The film will include conversations with my mother, aunts, doctors, and sisters as I attempt to understand and unpack our collective relationship to sex and gender.
[logline] => Face with the decision to replace my expired breast implants or have them removed, I grapple with the concepts of femininity and gender norms as a Dominican immigrant and an intersex-woman.
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This Body, Too/ Y Este Cuerpo Tambien
Face with the decision to replace my expired breast implants or have them removed, I grapple with the concepts of femininity and gender norms as a Dominican immigrant and an intersex-woman.
Learn more
Array
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[ID] => 114147
[title] => On Three Wheels
[text] => On Three Wheels captures the ups and downs of parents raising children with disabilities through the eyes of Sandra, a bike mechanic who closed down her repair shop to devote herself to a non-profit she founded committed to improving the lives of children with physical disabilities by building and gifting them adapted bicycles, moving them from wheelchair (four wheels) to tricycle (three wheels).
By way of inclusion in a treasured childhood activity that is typically unavailable to immobile children, the film demonstrates that when children with disabilities are given opportunities to access the generally inaccessible, they can not only improve their physical condition but also reach emotional milestones by experiencing the same freedoms, independence and ‘normalcy’ they perceive in the atypical children all around them. And for the many parents who have to spend hours upon hours navigating an inadequate health care and educational system, having a reason and the ability to be outdoors with their child is a welcome reprieve. As parents share with Sandra the daily struggles they experience from having to sue local school boards every year to unexpectedly losing an essential therapy, the film will show how the current systems are in dire need of improvements.
The film gives first hand access to a community that lacks access to much of the world to illustrate how inclusion can give all people with disabilities an equitable quality of life.
[logline] => On Three Wheels follows Brooklyn based, Puerto Rican bike shop owner Sandra as she risks it all for her dream of giving every wheelchair bound child an adaptive bicycle- taking them from four wheels to three- while bearing witness to the stark realities of families raising children with disabilities.
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On Three Wheels
On Three Wheels follows Brooklyn based, Puerto Rican bike shop owner Sandra as she risks it all for her dream of giving every wheelchair bound child an adaptive bicycle- taking them from four wheels to three- while bearing witness to the stark realities of families raising children with disabilities.
Learn more
Array
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[ID] => 86190
[title] => The Boy and the Suit of Lights
[text] => Borja's eyes scan the floor with intense concentration, his left hand clutching the cape that follows their gaze. His right hand grips a thin sword. As he looks up into the stands, his mother Raquel stares back. Raquel single-handedly raised him and his younger brother, Erik, and Borja feels a great responsibility on his shoulders to take them out of poverty. Borja lives in a small coastal town in Spain where opportunities are limited. After school, he spends hours honing his bullfighting skills in the local School of Bullfighting, funded by public money. At 12, Borja is by far the youngest in the group. The teacher organizes a mock bullfight with calves. The atmosphere is electric. Borja notices his classmates wear better costumes - shiny silver-buttoned jackets, known as a suit of lights. He looks down in embarrassment at the plastic buttons sewn onto his own jacket. In the middle of the mock fight, animal rights activists burst into the ring. The audience yells and boos. Eventually, the activists are taken away. Activists are campaigning hard to put an end to public money being used to support bullfighting and bull rearing. Could we be witnessing the last generation of bullfighters in Spain? Expenses are piling up - Borja knows his family are making a huge effort to support him and now is the time to "man up" and really fight for the dream. He understands there is no going back. Will he become a torero?
[logline] => Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
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The Boy and the Suit of Lights
Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
Learn more
Array
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[title] => Another Light on the Road: Robert Frank & June Leaf's Canadian Home
[text] => In 2021, 92-year-old artist June Leaf invited friends and neighbors from rural Nova Scotia to come sit in her kitchen and remember her late husband, the photographer and filmmaker Robert Frank. Over the course of this informal wake, we learn the extent to which the couple's artwork was fueled by their adopted home of 50 years, the ways their presence as artists inspired the community around them, and most importantly how storytelling helps to process grief as June continues on with her own artistic journey.
[logline] => Two years after the passing of photographer Robert Frank, artist June Leaf returns to Nova Scotia to explore the special relationship they had to their adopted Canadian home of fifty years.
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Another Light on the Road: Robert Frank & June Leaf's Canadian Home
Two years after the passing of photographer Robert Frank, artist June Leaf returns to Nova Scotia to explore the special relationship they had to their adopted Canadian home of fifty years.
Learn more
Array
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[ID] => 148994
[title] => The Soldier's Journey
[text] => On April 8th 2022, I saw Kramatorsk train station shortly after a Russian rocket obliterated the lives of 51 civilians and saw the bloody remains of women, children and elderly scattered like rags on the platform. I was angry and enlisted in the National Guard of Ukraine. I learned how to treat the wounded and how to survive on the battlefield. I was the only woman in my unit but I gained their respect and found friends. My commander allowed me to film but it was made clear that my job as a soldier came first.
Focusing on life on the frontline, I am both a witness and protagonist in a documentary that follows the transformation of average civilians into combat veterans and what they lose on the way. Life at war has given me an overwhelming clarity of who people really are and amongst all the pain, destruction and moral ambiguity, there are genuine moments of joy, love and human decency. Now, as a recently promoted lieutenant I am torn between the wish to be with my mother who worries me every day, and the responsibility to the young men I now command. I am also a woman in a world of men. For now, I am showing no weakness to my men because they rely on my experience to stay alive. Yet, I have not let go of my hope in humanity and deep down inside, I'm still a girl who wants to dance and be a mom.
[logline] => What does it take for Helena, a filmmaker to pick up a weapon in the most ruthless war the world has experienced since World War II and still try not to lose hope in humanity and the future?
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The Soldier's Journey
What does it take for Helena, a filmmaker to pick up a weapon in the most ruthless war the world has experienced since World War II and still try not to lose hope in humanity and the future?
Learn more
Array
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[ID] => 110367
[title] => Miles to Go Before She Sleeps
[text] => YANG AI YUN, a retired schoolteacher turned firebrand activist, lays her life on the line to expose a nationwide theft ring that sends thousands of stolen pets to slaughterhouses. An undercover investigation leads her to the man behind the criminal enterprise - a well-respected entrepreneur. Meanwhile, activists allied with pet owners pressure officials to enact China’s first animal protection law. Their efforts are met with resistance from a powerful business lobby. Events culminate in a showdown inside a province bordering Vietnam, when poachers catch wind of Yang's animal sanctuary. With law enforcement turning a blind eye, they plan an ambush in broad daylight.
[logline] => YANG, an idealistic schoolteacher, is on a mission to stop the slaughtering of dogs in provinces where canine consumption is glorified as a cultural tradition. While a contentious animal protection law makes its way through the courts, she investigates with steely determination why countless pets are disappearing from their homes.
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Miles to Go Before She Sleeps
YANG, an idealistic schoolteacher, is on a mission to stop the slaughtering of dogs in provinces where canine consumption is glorified as a cultural tradition. While a contentious animal protection law makes its way through the courts, she investigates with steely determination why countless pets are disappearing from their homes.
Learn more
Array
(
[ID] => 127328
[title] => Fire Tender
[text] => FIRE TENDER tells the story of Yurok tribal members returning to traditional fire ways. Margo Robbins is a grandmother, cultural educator, healer, and Indigenous fire practitioner who is fighting for the Yurok Tribe’s return of fire sovereignty—the right to utilize fire for tribal land stewardship outlawed by settlers. Margo works to overturn one hundred years of environmentally devastating anti-fire policies that have put Yurok lands at risk and prevented access to the natural resources needed for clean water, foodstuff, and materials needed for traditional lifeways.
As the director of the Cultural Fire Management Council, Margo is among the first to restore cultural
burning practices in North America. Margo knew that to make regular cultural burning a reality she would have to straddle two worlds of fire: the ancient fire traditions of her ancestors and settler wildland fire.
Throughout the film, we come to understand that Margo’s commitment to fire runs much deeper than merely preventing catastrophic fires and is rooted in a commitment to tribal sovereignty, ceremony, and survivance.
Led by Yurok women, and told from the perspective of Margo’s multigenerational family, FIRE TENDER explores how the silencing of Indigenous voices has left a scar on the land and suppressed opportunities for new growth—both on the forest floor and for those committed to the protection of Mother Earth.
[logline] => Yurok Tribal Members return fire to the land toward cultural and ecological healing.
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Fire Tender
Yurok Tribal Members return fire to the land toward cultural and ecological healing.
Learn more
Array
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[title] => House No.7
[text] => After leaving their homes, in pursuit of basic human freedoms, three girls: Rama (27), Marah (27), and Lilian (25), who meet and rent rooms in an old Damascene house owned by Um Mousa (72), in one of the more liberal parts of Syria.
In the house and Bab Touma -isolated from reality- witness the diary of the girls’ lives and their journey of self-discovery. A close relationship forms between them, darkness and power outages make for the ritual of staying up by candlelight and exchanging conversations about sensitive subjects none of them dares bring up beyond the walls of house No.7, finding solace and companionship within the walls of the house as the world outside rages with conflict and chaos.
But their peace begins to be increasingly disrupted due to events outside their home, the collective emigration of their peers, and the pressure of their families, in addition to struggling to secure the most basic needs. Deterioration is evident in the state of the house it reaches climax after a devastating earthquake takes place in Syria followed by repetitive bombings, which creates yet another decline.
Exhausted and unable to bear new blows, the girls begin seriously planning another escape, this time outside the country. Lilian and Marah leave, and Rama stays behind, still indecisive about what she wants to do next.
[logline] => After escaping their conservative societies, three women, rent rooms in an old Damascene house in Damascus, Syria, where they manage to create a safe space isolated from the madness of the post-war era. But soon the girls start facing many threats, thus protecting their fragile space becomes a challenge.
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House No.7
After escaping their conservative societies, three women, rent rooms in an old Damascene house in Damascus, Syria, where they manage to create a safe space isolated from the madness of the post-war era. But soon the girls start facing many threats, thus protecting their fragile space becomes a challenge.
Learn more
Array
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[ID] => 119144
[title] => Call Me Dancer
[text] => Manish grew up in the crowded chaos of Mumbai, known in India as the city of dreams. He is athletic, handsome, a dutiful son, and he fantasizes about living the life of a military or Bollywood action hero. He has no desire to go to the business school that his overworked father has saved for day and night. Manish astounds audiences as a self-taught break-dancer, but a passion is born when he discovers classical ballet at an inner-city dance school. He comes under the tutelage of Yehuda, an aging ballet master who recently arrived in Mumbai. He devotes himself to an art form that is virtually unknown in India and struggles to prove to his family that he can beat the odds and make it as a world-class professional dancer.
Call Me Dancer is a story of hope, heartache and hard work. Manish and Yehuda search to uncover who and what they are. Yehuda seeks a purpose and a place to call home. Manish dreams of dancing on the world-stage but struggles to break free from the confines of his own economic and social circumstances.
In the process, they change each other’s lives.
[logline] => When a hip-hop dancer accidentally walks into a ballet class in Mumbai, his world opens up and a passion is born. The tough ballet master recognizes his talent and dares him to fulfill his dreams of dancing professionally - giving him the courage to defy family, culture and poverty.
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Call Me Dancer
When a hip-hop dancer accidentally walks into a ballet class in Mumbai, his world opens up and a passion is born. The tough ballet master recognizes his talent and dares him to fulfill his dreams of dancing professionally - giving him the courage to defy family, culture and poverty.
Learn more
Array
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[ID] => 438
[title] => The Island in Me
[text] => Homecoming, a character-driven documentary shot in verité style tells the intergenerational story of two women, Johnny Frisbie and Amelia Borofsky, as they cross the Pacific to return to their remote childhood home of Pukapuka. The film follows their riveting return to this spiritual, animistic atoll. Homecoming takes 86 year-old Johnny and 40 year-old Amelia not only on a physical voyage across the Pacific, but also on a spiritual journey to find what is most true in their lives in the land itself and the Pacific ocean that unites them. In Pukapuka, the film shows them walking barefoot on the sunken reef, trolling for diminishing tuna, sinking their feet in the taro patches, and reconciling time with memories. Located in the Cook Islands, Pukapuka follows a Polynesian way of life lost to other Pacific islands. Pukapukans here have survived with nature for centuries despite the threat of sea level rising. The community has little contact with outsiders or tourists. Homecoming tells the viewer to a unique place where time is circular. The past and present collide. Dreamtime and reality intersect. The quest of each character – to reconcile different worlds and cross spiritual dimensions – binds them together, and provides the dramatic arc of the film. Interwoven in visual metaphor the film follows Johnny and Amelia’s journey over three acts – the film opens with both women already landed on their magical childhood atoll, both in their element tracing the past. The beginning of Homecoming dives into the personal journeys of
[logline] => Homecoming follows two women Johnny Frisbie and Amelia Borofsky who, after decades away, return to their beloved childhood atoll of Pukapuka in the South Pacific. The film reveals a unique story of love, survival and indigenous resiliency in the midst of rising tides and migration.
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The Island in Me
Homecoming follows two women Johnny Frisbie and Amelia Borofsky who, after decades away, return to their beloved childhood atoll of Pukapuka in the South Pacific. The film reveals a unique story of love, survival and indigenous resiliency in the midst of rising tides and migration.
Learn more
Array
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[ID] => 139400
[title] => Myself When I Am Real
[text] => This short film is designed to function as a worksample for a feature film of the same name, which we began researching and developing in 2019. Production is scheduled for March 12-19 2023, and postproduction is scheduled for June 5-15 2023 as part of Director Angeline Gragasin's upcoming residency at the Wexner Center for the Arts Film/Video Studio.
[logline] => Set in the year 2000, MYSELF WHEN I AM REAL is an experimental short film about a working mother and her teenage daughter who struggle to make friends and find belonging in a small Wisconsin town. It explores otherness, identity, and assimilation from the contrasting perspectives of childhood and adulthood.
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Myself When I Am Real
Set in the year 2000, MYSELF WHEN I AM REAL is an experimental short film about a working mother and her teenage daughter who struggle to make friends and find belonging in a small Wisconsin town. It explores otherness, identity, and assimilation from the contrasting perspectives of childhood and adulthood.
Learn more
Array
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[ID] => 105513
[title] => A Mother Apart (formerly MITM)
[text] => A Mother Apart follows Staceyann Chin, Brooklyn’s most outspoken poet-activist and reluctant poster-mom for radical Black parenting as she raises her daughter Zuri, while investigating the past of her own mother who abandoned her as an infant.
Haunted by the recovery of a collection of unopened childhood letters addressed to her mother Hazel in Montreal, Staceyann begins an investigation into the past of a woman whose absence has shaped her poetry, politics, and her relationship with her own daughter, Zuri. Every path she takes uncovers shocking revelations about Hazel’s past, sends Staceyann deeper into a web of dismay around her mother’s choice to leave her behind in Jamaica.
While processing what she’s learned about her mother, Staceyann tries to balance the pain she still carries as Hazel’s wounded child and the joy she has for being Zuri’s mother. Excerpts from the mother-daughter duo’s popular web series punctuate intimate vérité snapshots of Staceyann’s unconventional approach to motherhood. The turmoil of Staceyann's life without a mother contrasts with the joy she takes in being a mom.
As the pieces of Hazel’s story come together and fall apart, Staceyann boards a plane to Germany. With Zuri always by her side, the pair travels to Hazel’s nursing home in Cologne, where three generations converge for the first time in nearly a decade. The final vignette speaks poignantly to the complexities of motherhood - Staceyann flanked by the daughter she’s still learning to mother and the mother she’s perhaps still learning to forgive.
[logline] => A Mother Apart (formerly MITM) is part mother-daughter buddy film, part investigative saga that follows Brooklyn's most outspoken poet-activist Staceyann Chin, as she navigates being a mom while discovering the truth about her own mother who abandoned her as an infant.
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A Mother Apart (formerly MITM)
A Mother Apart (formerly MITM) is part mother-daughter buddy film, part investigative saga that follows Brooklyn's most outspoken poet-activist Staceyann Chin, as she navigates being a mom while discovering the truth about her own mother who abandoned her as an infant.
Learn more
Array
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[ID] => 467
[title] => SORORITY STORY
[text] => This feature length documentary film highlights the stories of a group of women -- young and older, Black and white – who were involved in two discriminatory acts: one in 1966 in the North, one in 2013 in the South. The film includes interviews, conversations, animation, scenes from a battleground, narration, clues to a mystery, and emails from an anonymous whistleblower. Family photos and archival images accompany the filmmaker’s journey in the present.
[logline] => SORORITY STORY tells the unexamined story of racial discrimination in one of the largest and most exclusive private clubs in America: white college sororities.
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SORORITY STORY
SORORITY STORY tells the unexamined story of racial discrimination in one of the largest and most exclusive private clubs in America: white college sororities.
Learn more
Array
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[ID] => 148571
[title] => Jamaica Kincaid: Liberating the Daffodil (working title)
[text] => Beginning with early childhood visits to tropical colonial gardens in Antigua to present-day global seed expeditions, the garden is both metaphor and manifestation of a quest for diversity, in the life of award-winning author, Jamaica Kincaid. She firmly advocates that through agriculture, the “tree of life,” and botany, the “tree of knowledge,” humans can truly come to understand existence.
Via the artistic lens of the garden and her indelible connection to nature, our nonfiction film will follow the many storied dimensions of Jamaica’s Kincaid’s life experiences from her “Union Jack” schooling in Antigua, to working as an au pair in Scarsdale, to her illustrious career as a staff writer for The New Yorker for twenty years. The film will be visually dramatic in a naturalistic style, structured as a beautifully woven collage of flowers, plants, anecdotes, events, literary excerpts, archival footage and the vestiges of colonialism as portrayed in Kincaid’s writings.
"The garden, no matter how good it is, must never completely satisfy. The world as we know it after all, began in a very good garden, a completely satisfying garden –Paradise – but after a while the owner and the occupants wanted more."
Jamaica Kincaid, “My Favorite Plant.”
[logline] => This riveting portrait of writer Jamaica Kincaid traces her life from growing up in colonial Antigua, to working as an au pair in Scarsdale, N.Y. as a teenager, to becoming a staff writer for The New Yorker at age 26.
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[link] => https://www.wmm.com/sponsored-project/jamaica-kincaid-liberating-the-daffodil
)
Jamaica Kincaid: Liberating the Daffodil (working title)
This riveting portrait of writer Jamaica Kincaid traces her life from growing up in colonial Antigua, to working as an au pair in Scarsdale, N.Y. as a teenager, to becoming a staff writer for The New Yorker at age 26.
Learn more
Array
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[ID] => 135512
[title] => Wittig, Yes!
[text] => Wittig, Yes! introduces Wittig's political, theoretical, and literary ideas through the creative collaborations with her partner Sande Zeig and a new generation of international academics and writers who articulate the foundations of her conceptual revolution. Zeig interweaves excerpts of work they developed over the years through archival film, photographs, personal notes, as well as theatrical readings, moving with them from France, Greece, California, and Arizona. The three decades of public and private archival materials unveil Monique Wittig not only as a revolutionary writer, thinker, and activist but also as a multifaceted individual with a profound compassion for others, a deep love of nature, and an exceptional sense of humor. She leaves a legacy that continues to have an impact on our current ideas of gender and political thought.
[logline] => More than 50 years ago, Monique Wittig, acclaimed writer, theorist, and lesbian feminist icon, dared to envision a world beyond gender. Told by her lifelong partner Sande Zeig, Wittig, Yes! unveils the synthesis of Wittig's public and private personas, tracing the origins of her groundbreaking theories.
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Wittig, Yes!
More than 50 years ago, Monique Wittig, acclaimed writer, theorist, and lesbian feminist icon, dared to envision a world beyond gender. Told by her lifelong partner Sande Zeig, Wittig, Yes! unveils the synthesis of Wittig's public and private personas, tracing the origins of her groundbreaking theories.
Learn more