While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
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[ID] => 147653
[title] => Will They Ever Come Back?
[text] => Traveling a long road to the south of Colombia, Ángela and her sister Juliana venture into Nasa indigenous land. There, their father, an Afro-descendant farmer, was forcibly disappeared some time ago. After 30 years of avoiding the fact, Ángela has a dream in which her father asks her to find him.
As the sisters traverse the country, they have conversations that reveal their father's profile and the challenges he faced as an independent rice farmer. They also delve into topics related to the land where he worked: an indigenous territory where the agricultural, armed, and social problems of the country are magnified. Accompanying this journey are the testimony of the sisters' mother, the introspective grandmother, and an unexpected radio resource.
Once in the area - a territory where both food and horror are harvested - and after various logistical and spiritual filters, the community welcomes Ángela and Juliana, who participate in conversations and agricultural tasks. Ángela's reality and dreamworld align with the pragmatism and mysticism of the Indigenous, forging a bridge. To support the reunion with their father, the community allows them to participate in a death ritual or party called CXAPUCX where the dead will drink and eat.
Days later, the sisters leave the territory having confronted love, their father's legacy, and a violated community that resists, maintaining a deep connection with the land and food.
[logline] => Driving down a long Colombian road, Angela and her sister enter the indigenous land where their father, an Afro-descendant farmer, was forcibly disappeared years ago. In a dream, he asks to be found. The journey confronts them with mysticism and a violated community that resists.
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Will They Ever Come Back?
Driving down a long Colombian road, Angela and her sister enter the indigenous land where their father, an Afro-descendant farmer, was forcibly disappeared years ago. In a dream, he asks to be found. The journey confronts them with mysticism and a violated community that resists.
Learn more
Array
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[ID] => 86190
[title] => The Boy and the Suit of Lights
[text] => Borja's eyes scan the floor with intense concentration, his left hand clutching the cape that follows their gaze. His right hand grips a thin sword. As he looks up into the stands, his mother Raquel stares back. Raquel single-handedly raised him and his younger brother, Erik, and Borja feels a great responsibility on his shoulders to take them out of poverty. Borja lives in a small coastal town in Spain where opportunities are limited. After school, he spends hours honing his bullfighting skills in the local School of Bullfighting, funded by public money. At 12, Borja is by far the youngest in the group. The teacher organizes a mock bullfight with calves. The atmosphere is electric. Borja notices his classmates wear better costumes - shiny silver-buttoned jackets, known as a suit of lights. He looks down in embarrassment at the plastic buttons sewn onto his own jacket. In the middle of the mock fight, animal rights activists burst into the ring. The audience yells and boos. Eventually, the activists are taken away. Activists are campaigning hard to put an end to public money being used to support bullfighting and bull rearing. Could we be witnessing the last generation of bullfighters in Spain? Expenses are piling up - Borja knows his family are making a huge effort to support him and now is the time to "man up" and really fight for the dream. He understands there is no going back. Will he become a torero?
[logline] => Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
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The Boy and the Suit of Lights
Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
Learn more
Array
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[ID] => 110367
[title] => Miles to Go Before She Sleeps
[text] => YANG AI YUN, a retired schoolteacher turned firebrand activist, lays her life on the line to expose a nationwide theft ring that sends thousands of stolen pets to slaughterhouses. An undercover investigation leads her to the man behind the criminal enterprise - a well-respected entrepreneur. Meanwhile, activists allied with pet owners pressure officials to enact China’s first animal protection law. Their efforts are met with resistance from a powerful business lobby. Events culminate in a showdown inside a province bordering Vietnam, when poachers catch wind of Yang's animal sanctuary. With law enforcement turning a blind eye, they plan an ambush in broad daylight.
[logline] => YANG, an idealistic schoolteacher, is on a mission to stop the slaughtering of dogs in provinces where canine consumption is glorified as a cultural tradition. While a contentious animal protection law makes its way through the courts, she investigates with steely determination why countless pets are disappearing from their homes.
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Miles to Go Before She Sleeps
YANG, an idealistic schoolteacher, is on a mission to stop the slaughtering of dogs in provinces where canine consumption is glorified as a cultural tradition. While a contentious animal protection law makes its way through the courts, she investigates with steely determination why countless pets are disappearing from their homes.
Learn more
Array
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[ID] => 136509
[title] => Familiar Touch
[text] => Collaborating with a real assisted living facility as our primary location and with their residents as supporting cast and crew, we will engage hybrid documentary approaches to this narrative feature's production to shape our film through intergenerational collaboration with older adults.
Before production, Sarah will facilitate an introduction to filmmaking workshop for the residents. This workshop will support and encourage the creative expression of the residents hosting us as visitors in their home while allowing them an opportunity to get to know and become comfortable with our crew. Each department head will facilitate one session of the workshop during prep so that the residents learn about each facet of filmmaking. The workshop will culminate in filming short hybrid scenes of their daily life at the assisted living facility.
During production, we will invite these residents to join us as both our cast, as supporting characters and background, and our crew, as consultants in the production design, costumes, and HMU departments. The integration of this creative aging workshop throughout our production process will ground both our collaborative ethics, realism, as well as the anti-ageist politics of our film.
[logline] => Familiar Touch is a coming of (old) age film. It follows an octogenarian woman’s transition to life in assisted living as she contends with her conflicting desires and self-narratives amidst her shifting age identity and memory.
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Familiar Touch
Familiar Touch is a coming of (old) age film. It follows an octogenarian woman’s transition to life in assisted living as she contends with her conflicting desires and self-narratives amidst her shifting age identity and memory.
Learn more
Array
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[ID] => 131296
[title] => The Music Never Ends
[text] => The Music Never Ends follows The Mambo Legends Orchestra, formerly members of The Tito Puente Orchestra. Equal parts love letter and history lesson, the film traces the cultural significance of Afro-Cuban jazz — a fusion of the big band sound of the jazz era with Cuban music that was created in New York City in the 1940s.
[logline] => Equal parts love letter and Latin Jazz history lesson.
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[title] => ISKRA (Spark!)
[text] => I have been a film sound recordist most of my life. I have listened to thousands of people’s voices recount their stories into my recorder, and touch audiences around the globe. After decades of recording other people’s voices, this is mine.
My father was an alchemist who turned transistors and cables into emotions and dreams. He worked at Iskra (‘spark’ in English), the legendary Yugoslav telecommunications company, the Apple of its day. Being different was baked into Iskra’s DNA and the country’s “non-alignment” was the defining signature of Iskra.
Our journey of discovery begins with my father but is cut short when he is diagnosed with dementia. I seek out others instead, from East and West.
Weaving in and out of past and present, with unique archive, our tale unfolds: in the 40s Iskra pledged to put their own 35mm projectors into every town in Yugoslavia. One of Iskra’s most celebrated engineers, now 105, was the first woman with an electro-technical degree and a film pioneer. In the 80s it boasted a computer department bigger than Microsoft. Through Iskra, the West could safely do business with the East. In 1988 Gorbachev visited it to understand this Yugoslav ‘cash cow and the recipe for success in doing business with the West.’
Do those that burn twice as bright do so for half as long?
Iskra was so intertwined with Yugoslavia that when the country descended into war, Iskra went with it. Born together in 1946, their fate was inextricably linked.
[logline] => Before Silicon Valley, Apple and Google, before Microsoft and Bill Gates, there was Yugoslavia and ISKRA. Overlooked and underrated, the non-aligned Yugoslav tech giant allowed East to connect with West. It was pioneering and avant-garde. Then... it suddenly disappeared.
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[alt] => Main film still. A person sits on a table with 15 landlines home phones in front of them on a table.
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ISKRA (Spark!)
Before Silicon Valley, Apple and Google, before Microsoft and Bill Gates, there was Yugoslavia and ISKRA. Overlooked and underrated, the non-aligned Yugoslav tech giant allowed East to connect with West. It was pioneering and avant-garde. Then... it suddenly disappeared.
Learn more
Array
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[ID] => 164840
[title] => Terracotta Daughters
[text] => The story begins in 2012, when Prune Nourry met eight girls in rural Gansu. Collaborating with artisans in Xi’an, she created eight life-sized sculptures based on their portraits, blending their youthful faces with the form of the Terracotta Soldiers. From these originals, 108 unique sculptures were produced. This monumental art project, titled Terracotta Daughters, toured internationally before being buried in a secret location in China in 2015 during a performance entitled Earth Ceremony. The burial was both an artistic act and a symbolic gesture, coinciding with the end of the one-child policy. In 2030, when Chinese demographers predict the country’s gender imbalance will reach its peak, the sculptures will be unearthed, revealing not only fragments of clay but the missing women of a generation.
Since the burial, Prune and her all-female Chinese film crew have returned annually to follow the real lives of the girls. Now young women, their personal stories are intertwined with China’s transformations. The film focuses in particular on four women: Pan, an ambitious pastry maker dreaming of training in France; Huiyun, who struggles between the need to migrate for work and staying close to her elderly grandmother; Jianwei, a rebellious entrepreneur trying to break free from her oppressive adoptive family; and Haoping, newly married, torn between family expectations and her own aspirations. Their lives unfold against the backdrop of seismic events in contemporary China from Xi Jinping’s rise to power to the COVID-19 pandemic, economic shifts, and changing norms around marriage and motherhood.
[logline] => Terracotta Daughters is a feature-length documentary following eight Chinese girls from 2015 to 2030, whose portraits inspired Prune Nourry’s 2012 art installation of 108 sculptures modeled on the Terracotta Army of Xian. At once intimate and political, the film captures their journey from childhood to adulthood.
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Terracotta Daughters
Terracotta Daughters is a feature-length documentary following eight Chinese girls from 2015 to 2030, whose portraits inspired Prune Nourry’s 2012 art installation of 108 sculptures modeled on the Terracotta Army of Xian. At once intimate and political, the film captures their journey from childhood to adulthood.
Learn more
Array
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[ID] => 164362
[title] => Basketball Heaven
[text] => Basketball Heaven follows director Resita Cox as she returns to her hometown, Kinston, NC, an unlikely basketball mecca where Friday night games sell out and dreams take flight from community courts. But unlike traditional sports films, this is not a story about star athletes. This is a story about the people who make them: teachers, coaches, elders, and neighbors who raise and love beyond what they see. Through the lens of two central figures, Ms. Felicia Solomon, an educator and spiritual mother to generations, and Coach Jesse Miller, a community coach and father figure, the film explores how Black resilience, care, and tradition are passed down. Kinston itself becomes a character, shaped by segregation, a forgotten floodplain, and systemic disinvestment, yet still pulsating with culture, memory, and pride.
Alongside beloved mentors like Ms. Solomon and Coach Jesse, we meet Coach Tish Dixon, head girls’ basketball coach at Rochelle Middle School and a former classmate of Resita. A decorated athlete whose pro career was cut short by injury, Coach Tish now nurtures the next generation both on and off the court. With intimate access and lyrical narration, Resita confronts her own scarred childhood and finds healing in the community that helped her survive. At its heart, Basketball Heaven asks: What does it take to pour into others when the world refuses to pour into you?
[logline] => Basketball Heaven follows filmmaker Resita Cox as she journeys through time to her hometown, Kinston, NC: the largest producer of NBA talent in the world. Basketball Heaven is a poetic community portrait of the unsung heroes and rich history of this small, Southern Black town.
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Basketball Heaven
Basketball Heaven follows filmmaker Resita Cox as she journeys through time to her hometown, Kinston, NC: the largest producer of NBA talent in the world. Basketball Heaven is a poetic community portrait of the unsung heroes and rich history of this small, Southern Black town.
Learn more
Array
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[title] => Karuara, People of the River
[text] => Mariluz Canaquiri says her river is the “ɨa” (ee-ah)—the center, life force and mother. Her river deep in Peru’s Amazon provides her with fish to eat, water to drink, a transport route and a place to swim and relax. But it is also much more. Underneath the surface live the Karuara, which means “people of the river” in Kukama, Mariluz’s native tongue.
If a person disappears in the river and their body is never found, it means they have transformed into a Karuara. These spiritual beings live in underwater villages in a parallel universe. They lounge in hammocks made of boa constrictors, smoke sardines and wear crayfish watches, stingray hats and catfish shoes.
Behind their playfulness, the Karuara are powerful spirits. When their human relatives are ill or in trouble, the people of the river are called upon to heal and provide help.
But oil pipelines, hydroelectric dams and other mega development projects threaten the river and the spiritual world beneath the surface. The indigenous people’s survival depends on the Karuara spirits: they have co-existed for centuries. One cannot live without the other and both are guardians of the river and forest.
This film follows Mariluz, a remarkable Kukama grandmother, and her community, as they struggle to adapt to the modern world and save their river and culture.
[logline] => A film about spiritual beings that live in the Amazons’ rivers, and an indigenous community’s struggle to save these sacred water guardians.
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Karuara, People of the River
A film about spiritual beings that live in the Amazons’ rivers, and an indigenous community’s struggle to save these sacred water guardians.
Learn more
Array
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[ID] => 119144
[title] => Call Me Dancer
[text] => Manish grew up in the crowded chaos of Mumbai, known in India as the city of dreams. He is athletic, handsome, a dutiful son, and he fantasizes about living the life of a military or Bollywood action hero. He has no desire to go to the business school that his overworked father has saved for day and night. Manish astounds audiences as a self-taught break-dancer, but a passion is born when he discovers classical ballet at an inner-city dance school. He comes under the tutelage of Yehuda, an aging ballet master who recently arrived in Mumbai. He devotes himself to an art form that is virtually unknown in India and struggles to prove to his family that he can beat the odds and make it as a world-class professional dancer.
Call Me Dancer is a story of hope, heartache and hard work. Manish and Yehuda search to uncover who and what they are. Yehuda seeks a purpose and a place to call home. Manish dreams of dancing on the world-stage but struggles to break free from the confines of his own economic and social circumstances.
In the process, they change each other’s lives.
[logline] => When a hip-hop dancer accidentally walks into a ballet class in Mumbai, his world opens up and a passion is born. The tough ballet master recognizes his talent and dares him to fulfill his dreams of dancing professionally - giving him the courage to defy family, culture and poverty.
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Call Me Dancer
When a hip-hop dancer accidentally walks into a ballet class in Mumbai, his world opens up and a passion is born. The tough ballet master recognizes his talent and dares him to fulfill his dreams of dancing professionally - giving him the courage to defy family, culture and poverty.
Learn more
Array
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[ID] => 153207
[title] => The Road to Independence (Working Title)
[text] => The Road to Independence plans to explore Vietnamese veterans’ personal stories, creative problem-solving, and combat experiences in their struggle for autonomy during the Vietnam-American war. Along with serving as a primary source historical record, this film connects history and present by asking both veterans and youth about their impressions of the war and hopes for the country’s future. At least 50% of all subjects in the film will be female voices.
It’s rare in the United States to see a film exclusively showcasing the Vietnamese experience of the Vietnam War. The Road to Independence will cover a side of the war that hasn’t been examined by most Americans. We’ve gotten many versions that seem to omit the greatest question - what was it all about? Vietnam has a long record of fighting for its autonomy, from China, Mongolia, France, Japan, and America. Vietnam stands out as a country without monetary resources that has been able to gain independence from some of the most powerful empires in the world. It’s a David and Goliath story. It’s a story that should be told from the voices of the people that lived and fought there.
[logline] => Seeking to give a nuanced and humanized view of the Vietnam-American war and its complex reverberations, this documentary explores the perspective of Vietnamese youth and Communist veterans as they discuss the past and their dreams for Vietnam's future.
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)
The Road to Independence (Working Title)
Seeking to give a nuanced and humanized view of the Vietnam-American war and its complex reverberations, this documentary explores the perspective of Vietnamese youth and Communist veterans as they discuss the past and their dreams for Vietnam's future.
Learn more
Array
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[ID] => 474
[title] => How To Power A City
[text] => My documentaries focus on social issue stories and have generated critical acclaim and applause at film festivals. My new documentary "How To Power A City,” releases soon. On the long road to releasing the feature documentary, several short films from “How To Power A City” have screened around the world. One — "Solar Libre: Family Affair" — won The Director’s Award, Best Short Puerto Rico Documentary, at the 2019 Rincón International Film Festival in Puerto Rico. Others screened at film festivals in Toronto, Melbourne, San Francisco, Detroit, New York City, and several other places.
In 2022 I was honored to be selected as a Public Voices Fellow on the Climate Crisis, a fellowship collaboration with the OpEd Project and Yale Program on Climate Change Communication.
My other films include “The Poetry Deal: a film with Diane di Prima” (2011), which was embraced by di Prima’s fan base as a rare glimpse into this avant-garde poet’s storied life. It remains the only documentary solely focused on the life and work of this legendary poet, who passed away in October 2020. In 2022, “The Poetry Deal” begins airing on PBS and public television stations across the U.S., and within a few months broadcast literally coast-to-coast - from Alaska to Hawaii and New York To California. My first film, “Sir: Just A Normal Guy” (2001), was released to acclaim at LGBTQ festivals and events internationally, and received as a sensitive first-person portrait of a widely misunderstood area of human experience. Both “Sir” and “The Poetry Deal” were used widely in educational settings and are in the permanent collections of the nation’s most prestigious universities.
[logline] => Citizens from all walks of life, fed up with government bureaucracies and Intransigent fossil fuel providers, fight to bring clean power to their cities and homes. Who will prevail — those seeking a cleaner future, or those with a death grip on the fossil fuel past?
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How To Power A City
Citizens from all walks of life, fed up with government bureaucracies and Intransigent fossil fuel providers, fight to bring clean power to their cities and homes. Who will prevail — those seeking a cleaner future, or those with a death grip on the fossil fuel past?
Learn more
Array
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[ID] => 50545
[title] => Piece of Mind
[text] => PIECE OF MIND follows three stories of San Francisco Bay Area families and individuals with serious mental illness, SMI, seeking treatment and normalcy. Linda’s son, Jesse, 38, with schizophrenia, is about to be evicted from his unlivable apartment. Frances and Patricia’s sister, Teresa, 56, diagnosed with schizoaffective disorder, did not want to be taken to the hospital. When she picked up a small knife, police shot her seven times. She survived. Jeff lives with bipolar disorder and attempts suicide after losing his job at age 53. The compelling narrative interweaves delusions and real world circumstances, and reveals solutions to this public health crisis.
We learn about the first signs of SMI. Jesse and Teresa have anosognosia, a brain disorder that affects 50% of persons with SMI impairing their ability to understand and perceive their mental illness.
Dr. Paul Linde, ER psychiatrist at Zuckerberg San Francisco General Hospital, reveals the unwritten priority to save the shrinking number of psychiatric beds for people who are suicidal or violent, leaving the “gravely disabled” to fend for themselves.
Jeff’s plans another suicide attempt. Friends convinced him to go with the police. He gets on medication for the first time.
Teresa sues for compensation under the Americans With Disabilities Act. Her case boomerangs from District Court, to U.S. Supreme Court, back to District Court.
Glimmers of hope emerge. Jesse is hospitalized for court mandated treatment. Jeff becomes the leader of his bipolar support group and tells his story to police officers in Crisis Intervention Trainings
[logline] => PIECE OF MIND explores internal and external barriers to care for persons living with serious mental illness, the consequences and solutions, told through the stories of a man with bipolar disorder, a mother whose son has schizophrenia, and siblings of a sister with schizoaffective disorder shot by police and survived.
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)
Piece of Mind
PIECE OF MIND explores internal and external barriers to care for persons living with serious mental illness, the consequences and solutions, told through the stories of a man with bipolar disorder, a mother whose son has schizophrenia, and siblings of a sister with schizoaffective disorder shot by police and survived.
Learn more
Array
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[ID] => 103000
[title] => Milisuthando
[text] => ‘Milisuthando’ is a portrait of me and South Africa, growing up together in the aftermath of apartheid. The moment one realizes they are black in the world is always traumatic. This film is the scenic route of my coming down from that moment. In it, I am tracing who I was before I entered the white world, who I became when I was inside it, and finally, what kind of human being can I be outside of its bounds? Throughout, I am exploring whether it is possible to live out the meaning of my name, Milisuthando (be the love where there is none), in a society where the laws have changed but people’s hearts remain locked in racial conditioning. The film takes place in Three Universes. Over Three Decades. Exploring Three Selves. Driven by my exploratory narrative voice and a compelling cast of my family, friends, foes, and some historical figures, the film braids these universes across time in a non-linear manner, meditating on difficult questions about power, fear, love and unrequited grace. Sometimes observational, sometimes verite, the story unfolds inside my own subjectivity, memory, and the relationships and spaces I share with the people in these universes.
[logline] => ‘Milisuthando’ is a coming-of-age personal essay film on love and what it means to be human in the context of race, explored through the memories of Milisuthando – who grew up during apartheid but didn’t know it was happening until it was over.
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Milisuthando
‘Milisuthando’ is a coming-of-age personal essay film on love and what it means to be human in the context of race, explored through the memories of Milisuthando – who grew up during apartheid but didn’t know it was happening until it was over.
Learn more
Array
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[ID] => 145230
[title] => Pacific Mother
[text] => As freediving couple Sachiko Fukumoto and William Trubridge navigated maternity systems for the birth of their first child, it awoke in them a fierce realization about the lack of choice many parents face. Director Katherine McRae follows Sachiko as she connects with ocean women from around the Pacific, from Hawai’i, Tahiti, the Cook Islands, and Aotearoa New Zealand. Through their interwoven stories, the film explores the importance of community, reclaiming traditional birthing knowledge and the connection between caring for the planet and nurturing both parents and their children.
[logline] => Having fought hard to get the birth she dreamed of, freediver Sachiko Fukumoto connects with ocean women battling for a world where all people are supported in their birth choices.
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Pacific Mother
Having fought hard to get the birth she dreamed of, freediver Sachiko Fukumoto connects with ocean women battling for a world where all people are supported in their birth choices.
Learn more
Array
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[title] => Own It! Louis Kelso’s Macroeconomic Fix
[text] => Sixty years ago, California business attorney Louis Kelso foresaw an American economy throttled by a growing income gap and decided to do something about it: "Labor is the source of subsistence, Capital is the source of affluence. My idea is to make everyone a capitalist and therefore, financially secure."
With Louisiana Senator Russell Long's support, Kelso’s Employee Stock Ownership Plan became an employee retirement benefit in 1974. Throughout the 1980s and 90s, the ESOP evolved in different ways receiving considerable media attention that included strong reactions from Kelso and Long.
Along with the archival coverage, "Own It!" features three companies in the Ohio-West Virginia region of the "Rust Belt." Two were sold to employees by retiring owners, but the third was bought by the employees to save their jobs. All three show the complex history of U.S. manufacturing and how employee owners adapted in different ways. We observe shareholder, union and safety meetings and hear from retirees and new hires, middle managers and hourlies, union stewards and corporate representatives. Their voices make the ESOP more relatable to a general audience.
With donations received, production will begin in Cleveland early in 2024 and continue in the Steubenville-Weirton region as and when funding is in place. PBS Western Reserve, OH and West Virginia Public TV have written letters of intent to consider distribution when the film is near completion.
[logline] => Does capitalism work better if workers own capital? Lawyer Louis Kelso gave USA the opportunity to find out.
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Own It! Louis Kelso’s Macroeconomic Fix
Does capitalism work better if workers own capital? Lawyer Louis Kelso gave USA the opportunity to find out.
Learn more
Array
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[ID] => 164120
[title] => SEE YOU IN AUGUST
[text] => UTOPIA: Borne of rebellion, unbridled freedom of expression and sexual liberation, MichFest reimagined the world and was the place to fall in love and heal from the impacts of patriarchy, racism, homophobia and ableism. Held on 651 acres of woodland in the American midwest it grew rapidly from a three day rustic camping event to a one week state-of-the-art celebration, hosting an incredible range of artists. Without corporate sponsorship money was tight, yet this scrappy resilient festival survived four decades. AGAINST ALL ODDS: Known for its progressive culture, the Michigan Womyn’s Music Festival became the front line for many radical issues of the times. In responding to the needs, demands and conflicts of its diverse community of tens of thousands there was no shortage of hope and commitment. A dramatic turn in the 90s shed new light on sex and gender identity placing the festival’s founding intention for a “womyn-born-womyn” separate space in the spotlight. In 1991, a trans woman was asked to leave the land which launched a cultural flashpoint, leading to boycotts and contributing to its ultimate end in 2015. TODAY: Central to the film are multiple diverse interviews, and a reunion with veteran festival artists Canadian singer-songwriter Ferron, American poet-activist Staceyann Chin and Canadian comedian Elvira Kurt. Joined by Lisa Vogel the producer of MichFest, they come together at Kindred on the Rock, Staceyann's mountainous sanctuary in rural Jamaica “for artists, activists, and freedom lovers,” to look back, reflect and share their art.
We are happy to share the password to the private sample upon request. Please contact [email protected] for more information.
[logline] => Outrageous. Radical. Controversial. Home.
For 40 years women came to the Michigan Womyn’s Music Festival, a radical haven they conjured and re-built in the woods every August, influencing the global feminist revolution.
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[alt] => Poster for "See You in August," with a hazy orange overlay of a picture of the core cast
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SEE YOU IN AUGUST
Outrageous. Radical. Controversial. Home.
For 40 years women came to the Michigan Womyn’s Music Festival, a radical haven they conjured and re-built in the woods every August, influencing the global feminist revolution.
Learn more
Array
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[ID] => 75754
[title] => My Name Is Andrea
[text] => My Name Is Andrea, a genre defying film explores the visceral effects of male violence on women’s psyches and bodies through the compelling verbatim writings of radical feminist Andrea Dworkin (1946-2005). The original ‘angry woman’, Dworkin’s experience of male violence was the unflinching compass for her writings. The film is structured around five chapters, each chapter anchored by an archetypal ‘Andrea,’ performed by a diverse cast of actresses- Amandla Stenberg, Soko, Andrea Riseborough, Ashley Judd and Christine Lahti. The film imaginatively interweaves these dramatized personas and compelling archival footage to create an arc of one life as dramatic as the decades in which it unfolded and speaks directly to the #MeToo movement of today.
[logline] => A cinematic evocation of key moments from the life of feminist outlaw Andrea Dworkin, maverick thinker and intellectual genius of the 20th Century. Through innovative use of archival footage and expressionistic dramatizations, the film pushes the creative boundaries of biographical documentary to challenge the current narratives on gendered violence.
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[link] => https://www.wmm.com/sponsored-project/my-name-is-andrea
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My Name Is Andrea
A cinematic evocation of key moments from the life of feminist outlaw Andrea Dworkin, maverick thinker and intellectual genius of the 20th Century. Through innovative use of archival footage and expressionistic dramatizations, the film pushes the creative boundaries of biographical documentary to challenge the current narratives on gendered violence.
Learn more