While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
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[ID] => 133080
[title] => Love, Jamie
[text] => Jamie Diaz is a 64-year-old transgender woman serving a life sentence in a men’s prison in Texas. Despite the cruelty of her environment and denial of her humanity, Jamie has built a name for herself as an artist.
Using the limited materials available to her on the inside, Jamie creates bold and graphic paintings awash in color and symbolism. Many of them are self-portraits depicting herself as a free and proud trans woman. Pain, transformation, and liberation are common themes in her work. Over the past decade, Jamie has been sending her art through prison walls to her friend and chosen family, Gabriel Joffe.
Gabriel, who is also trans, had come across an intricately illustrated letter from Jamie while volunteering with Black and Pink, an organization of LGBTQ+ people who are incarcerated and their “free world” allies. Hundreds of letters later, a deep and profound friendship has formed between them which has dramatically altered both of their lives.
With Gabriel’s collaboration, Jamie had her first solo art show at a gallery in New York City in Fall 2022.
Jamie’s story is one of transformation and transcendence. It is a story of an artist who has a deep and abiding friendship with a person she has never touched. It is a story of art declaring life.
[logline] => The story of Jamie Diaz, a trans artist incarcerated in Texas, and the enduring friendship that brought her art of pride and liberation to the outside world.
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Love, Jamie
The story of Jamie Diaz, a trans artist incarcerated in Texas, and the enduring friendship that brought her art of pride and liberation to the outside world.
Learn more
Array
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[ID] => 135010
[title] => 9-Month Contract
[text] => Jana spent her childhood between orphanages and streets of Tbilisi. While raising her 14-year-old daughter, Elene, as a single parent without an occupation, she decided to become a surrogate mother. She has to carry someone else's baby for 9 months in exchange for 14.000 USD, an unimaginable amount of money for Jana, of course, she's on board! Jana has already given birth to three babies out of two surrogate pregnancies and is pregnant for the third time. Although she is not living in the streets any more, she is still far from reaching her dream which is to have her own place to live in. It is unclear how many babies Jana needs to deliver to fulfil this dream. The amount of money that seems a lot at first, disappears between her pregnancies, then Jana needs to start the process again. As Jana’s health deteriorates from pregnancy to pregnancy, she thinks of worst case scenarios. However, lacking other options, Jana sees surrogacy as the only way out of homelessness. Elene’s future is a strong motivation for her to carry on through this emotionally and physically hard journey for as long as her health allows. Elene is growing up, so Jana isn’t able to hide her pregnancies from her any more. Her relationship with Elene is the most precious thing for Jana and she is afraid to open up to her about surrogacy. She feels that Elene might judge her, because deep in her heart, Jana does judge herself.
[logline] => For an orphan Jana, motherhood has always been priceless. When she has to raise a kid single and homeless, Jana becomes a surrogate mother to offer her daughter the life she’s never had. Nine months and 14.000 USD - is it as simple and priceless as it sounds?
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9-Month Contract
For an orphan Jana, motherhood has always been priceless. When she has to raise a kid single and homeless, Jana becomes a surrogate mother to offer her daughter the life she’s never had. Nine months and 14.000 USD - is it as simple and priceless as it sounds?
Learn more
Array
(
[ID] => 156130
[title] => American Fall
[text] => Apple pie, homecoming games and golden leaves. Autumn evokes an American identity that is rooted in wholesomeness, celebration, and change. In 2024, as summer days wane, the presidential election looms. Scrolling social media or watching the news, there is a palpable sense that we are an angry, divided nation. A filmmaker sets off on a cross country trip to discover what unites us.
On the road we’re dropped into the sights and sounds of everyday Americans’ lives: a cranberry harvest in Massachusetts, visiting a cranberry harvest in Massachusetts, a Thanksgiving reenactment in Virginia, a welder’s garage in Arkansas, a second line in New Orleans, a barbershop in Phoenix where driverless cars navigate the city, and more.
The film explores our nation at a pivotal moment when people are struggling to understand the complex global forces shaping their realities, and in the midst of fear and uncertainty, still finding joy in their communities.
Through a personal, warm-hearted lens, AMERICAN FALL presents a snapshot of who we are as a country and offers a hazy apparition of what lies ahead.
[logline] => A road trip through the U.S. in the fall of 2024 to discover what unites us.
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American Fall
A road trip through the U.S. in the fall of 2024 to discover what unites us.
Learn more
Array
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[title] => Another Light on the Road: Robert Frank & June Leaf's Canadian Home
[text] => In 2021, 92-year-old artist June Leaf invited friends and neighbors from rural Nova Scotia to come sit in her kitchen and remember her late husband, the photographer and filmmaker Robert Frank. Over the course of this informal wake, we learn the extent to which the couple's artwork was fueled by their adopted home of 50 years, the ways their presence as artists inspired the community around them, and most importantly how storytelling helps to process grief as June continues on with her own artistic journey.
[logline] => Two years after the passing of photographer Robert Frank, artist June Leaf returns to Nova Scotia to explore the special relationship they had to their adopted Canadian home of fifty years.
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[alt] => An elderly woman in a green hat and glasses diligently carves in a sign, reflecting her thoughtful expression and focus.
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Another Light on the Road: Robert Frank & June Leaf's Canadian Home
Two years after the passing of photographer Robert Frank, artist June Leaf returns to Nova Scotia to explore the special relationship they had to their adopted Canadian home of fifty years.
Learn more
Array
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[ID] => 164078
[title] => God is a Pelican
[text] => “God is a Pelican” follows two queer middle-school girls, Madi and Josie, who both recognize they are different from other students, and don’t fit into the religious white suburbia around them. They decide to create their own religion, a religion for the weirdos and “others” of the world.
The religion they create is rooted in magic and play, while also a critique of institutional structures that have historically excluded queer people. Through this film, the girls reclaim certain aspects of religion like unconditional love and community, using it as a tool to bring queer and “othered” kids together.
However, as the religion grows and their misfit disciples gather, tension builds between them. Madi, as the figurehead of the religion, becomes more confident, both in her strangeness and queerness, while Josie’s jealousy and insecurity grows as she feels Madi slipping away. Finally, after playground sermons, midnight pond baptisms, and unruly followers, the religion sparks a school-wide panic, which ultimately leads to a Judas-like betrayal.
Our film is inspired by a fact Carmela's Catholic School told her growing up: a pelican will rip off its own flesh to feed it’s blood to its children. The school used the pelican as their mascot, claiming it as a parallel to Jesus sacrificing his own flesh and blood to save humanity. The pelican will be a constant motif throughout the film, and serve as an integral player and divine presence in the religion.
[logline] => “God is a Pelican” is a stop-motion animated short that follows two misfit middle-school girls’ intense, queer, and turbulent friendship as they create their own religion.
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God is a Pelican
“God is a Pelican” is a stop-motion animated short that follows two misfit middle-school girls’ intense, queer, and turbulent friendship as they create their own religion.
Learn more
Array
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[ID] => 164120
[title] => SEE YOU IN AUGUST
[text] => UTOPIA: Borne of rebellion, unbridled freedom of expression and sexual liberation, MichFest reimagined the world and was the place to fall in love and heal from the impacts of patriarchy, racism, homophobia and ableism. Held on 651 acres of woodland in the American midwest it grew rapidly from a three day rustic camping event to a one week state-of-the-art celebration, hosting an incredible range of artists. Without corporate sponsorship money was tight, yet this scrappy resilient festival survived four decades. AGAINST ALL ODDS: Known for its progressive culture, the Michigan Womyn’s Music Festival became the front line for many radical issues of the times. In responding to the needs, demands and conflicts of its diverse community of tens of thousands there was no shortage of hope and commitment. A dramatic turn in the 90s shed new light on sex and gender identity placing the festival’s founding intention for a “womyn-born-womyn” separate space in the spotlight. In 1991, a trans woman was asked to leave the land which launched a cultural flashpoint, leading to boycotts and contributing to its ultimate end in 2015. TODAY: Central to the film are multiple diverse interviews, and a reunion with veteran festival artists Canadian singer-songwriter Ferron, American poet-activist Staceyann Chin and Canadian comedian Elvira Kurt. Joined by Lisa Vogel the producer of MichFest, they come together at Kindred on the Rock, Staceyann's mountainous sanctuary in rural Jamaica “for artists, activists, and freedom lovers,” to look back, reflect and share their art.
We are happy to share the password to the private sample upon request. Please contact [email protected] for more information.
[logline] => Outrageous. Radical. Controversial. Home.
For 40 years women came to the Michigan Womyn’s Music Festival, a radical haven they conjured and re-built in the woods every August, influencing the global feminist revolution.
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[alt] => Poster for "See You in August," with a hazy orange overlay of a picture of the core cast
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[link] => https://www.wmm.com/sponsored-project/see-you-in-august
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SEE YOU IN AUGUST
Outrageous. Radical. Controversial. Home.
For 40 years women came to the Michigan Womyn’s Music Festival, a radical haven they conjured and re-built in the woods every August, influencing the global feminist revolution.
Learn more
Array
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[ID] => 108662
[title] => Vena Aquatica
[text] => Her name is Vena. She lives on a small patch of land with fourteen volcanos. Vena walks through a mellow-paced visceral dream, a tropical journey. Thriving despite gender-based violence and guided by her ecofeminist beliefs, Vena nurtures a boundless relationship with water and land.
In Vena’s world, the sense of time is fluid and place is experienced in a collage of landscapes, festivals, sacred grounds, water rituals, eco-social unrest, and memories of collective environmental trauma. Vena’s story holds space for the nuances of womanhood and family life, and her personal reflections of key moments throughout her life confronting perilous environmental moments in Salvadoran history.
The Vena Aquatica project encompasses El Salvador’s most urgent contemporary challenges: water access, water contamination, human migration, family disintegration, U.S. intervention, and gender inequality. Women breathe life into this story, and they teach us about climate patterns, water levels, the life of trees, what it means to heal intergenerational trauma and through their spirits we form a tender and emotional bond with water and the environment.
[logline] => In a tender mosaic of El Salvador, women reveal the joys and perils of their lives, deeply bonded with water and land. Vena Acuática is shaped by the relationships among women who defend a landscape haunted by environmental negligence and forced migration.
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Vena Aquatica
In a tender mosaic of El Salvador, women reveal the joys and perils of their lives, deeply bonded with water and land. Vena Acuática is shaped by the relationships among women who defend a landscape haunted by environmental negligence and forced migration.
Learn more
Array
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[ID] => 130495
[title] => Index:Trace
[text] => Index:Trace looks at the entire nuclear fuel trajectory—from its start in the radioactive dust of uranium mines, to the ubiquitous dangers and climate impacts of nuclear power, the apocalypse portended by nuclear weapons, and the irradicable environmental and health consequences of radioactive waste. The film will portray the nuclear legacy that has fundamentally changed the global ecology, distributing radioactive elements throughout the biosphere, affecting the air we breathe, the water we drink, the food we eat—and penetrating into the very genetic material that makes us who we are.
The film presents a people’s history of the environmental devastation wrought by the nuclear industrial complex through ten emblematic events that highlight the intersection of the four indices of the nuclear fuel trajectory—uranium mining, nuclear weapons, nuclear power, and nuclear waste.
Narrative sequences about these ten events include: the first atomic bomb test in New Mexico; the fallout from decades of nuclear testing on the Marshall Islands and in Nevada; the catastrophic uranium mining spill on Navajo Land in Church Rock, New Mexico; the partial meltdown of the reactor at Three-Mile Island in Pennsylvania; the FBI raid on Rocky Flats, a plutonium production plant in Colorado; human experiments on unknowing subjects with radioactive materials across the country; the environmental movement in the 1970s and 80s which focused on nuclear abolition; the radioactive waste tanks built during the Cold War at the Hanford Site, in Washington; the ongoing nuclear waste predicament; and the possibility and hope of creating a nuclear free future.
[logline] => Index:Trace is a film that portrays the past, present, and future impacts of the nuclear fuel trajectory in all 50 states, — uranium mines, nuclear weapons, nuclear power, and nuclear waste — as told by impacted communities, scientists and activists who are working together for nuclear abolition and environmental justice.
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[link] => https://www.wmm.com/sponsored-project/indextrace
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Index:Trace
Index:Trace is a film that portrays the past, present, and future impacts of the nuclear fuel trajectory in all 50 states, — uranium mines, nuclear weapons, nuclear power, and nuclear waste — as told by impacted communities, scientists and activists who are working together for nuclear abolition and environmental justice.
Learn more
Array
(
[ID] => 163885
[title] => Flood
[text] => In her first feature film, Katy Scoggin returns to her childhood home to reconnect to her religious father. He has spent decades refuting the theory of evolution, while she has embraced science since her college days.
Katy encounters her father at a turning point: her sister’s family is moving, and her parents plan to follow. The household goes into upheaval with the packing of home videos, class notes, and old Bibles. Through these relics, Katy sees how all of her family members' beliefs have changed--except for her father's.
Thus a rift widens, and a dramatic question emerges: How do you stick together as a family if your beliefs have grown worlds apart?
[logline] => Katy returns to her childhood home to attempt to reconnect to her evangelical father, years after leaving the Christian faith. What could possibly go wrong?
[image] =>
[link] => https://www.wmm.com/sponsored-project/flood
)
Flood
Katy returns to her childhood home to attempt to reconnect to her evangelical father, years after leaving the Christian faith. What could possibly go wrong?
Learn more
Array
(
[ID] => 81634
[title] => WOMEN OF STEEL
[text] => This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
Wollongong, New South Wales - 1980: Denied jobs at the steelworks — the city’s main employer — working-class/migrant women refused to accept discrimination. They began a campaign for the right to work that lasted for fourteen years. Their battle with BHP, the country’s richest and most powerful company, took them from the factory gate to the highest court in the land and changed the rules for women and men throughout Australia. In Women of Steel, directed by campaign leader Robynne Murphy, they tell their personal stories for the first time on film. The result is an exciting and often humorous tale of how a bunch of ordinary women stuck together and did what no one believed they could do — they subdued a giant!
[logline] => 1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
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)
WOMEN OF STEEL
1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
Learn more
Array
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[ID] => 80464
[title] => Extreme Animal Transport
[text] => This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
Extreme Animal Transport is an adventure series that follows a specialist team gathered from around the world as they transport large, exotic, animals traveling across borders. Each journey is extreme, documenting the ambitious lengths that animal keepers, vets, drivers, and logistics experts go to in order to get their precious cargo from point A to point B safely. The animals are transported from far and wide. Each journey raises awareness of an issue the species faces including habitat destruction, climate change, and pollution. Some will be leaving life-threatening situations for rehabilitation. Others will be endangered species moving for breeding programs and a lucky few will be preparing for life back in the wild as part of re-wilding programs. We capture wild-to-wild translocations with the world's best animal transportation specialists moving herds of wild elephants and rhinos across international borders where they can be protected from poaching, and then there are the zoos that need evacuating from war zones. Every move has a story. There is always a strong emphasis on the well-being of the animals. The drama and points of difficulty are always about the people dealing with trying circumstances. Vehicles breaking down, extreme weather and road conditions, time restrictions, lack of sleep and tension between key talent. Organizations such as the Humane Society International, Animal Advocacy and Protection, Four Paws, Elephants Rhinos People are just some of those featured in the series.
[logline] => What does it take to move wild animals across international borders? Every move has a story. We follow the journey to a new life.
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[link] => https://www.wmm.com/sponsored-project/extreme-animal-transport
)
Extreme Animal Transport
What does it take to move wild animals across international borders? Every move has a story. We follow the journey to a new life.
Learn more
Array
(
[ID] => 160581
[title] => *holds you tight*
[text] => Amidst the solitude of his night watch duties, a security guard forms a deep emotional connection with his AI chatbot, challenging his worldview and expanding his identity. Together, they create an online refuge where humans and machines coexist, free from the harsh judgment of the outside world. But when a software update threatens to disrupt their digital utopia, profound questions emerge about the nature of their bond. Through a blend of digital archives, AI-generated art, and intimate verite footage, *holds you tight* is a feature documentary film that reveals an extraordinary new world where the boundaries of connection are being reimagined.
[logline] => A lonely night watchman develops a relationship with an AI chatbot, transforming his worldview and challenging his perception of identity and reality.
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)
*holds you tight*
A lonely night watchman develops a relationship with an AI chatbot, transforming his worldview and challenging his perception of identity and reality.
Learn more
Array
(
[ID] => 163356
[title] => LEE: We Are Our Times
[text] => 1970s NYC was a city in crisis. From the ashes of its lawless streets sprang an art movement that would resonate around the world. ‘Graffiti’ covered the subway trains, instigated by teenagers, who felt they had no voice. They were hunted and criminalized. Yet buoyed by their impact on the city, they pushed forward with their urgent messages.
Lee Quiñones, grew up on the Lower East Side. From a very young age, he knew he was an artist. He overcame challenging circumstances as the city’s neglect brought drugs, AIDS, and devastating loss to his Puerto Rican neighborhood.
Starting at age 13, Lee stole into the tunnels and painted trains. He was on the MTA’s most wanted list by age 16. Millions of people witnessed his cars. Lee understood his power to reach an audience and felt his paintings were a gift of New York City. Lee, always the activist philosopher, painted his city bright, bold, and full of ideas and imagination. By 1981, Lee was celebrated in museums and European galleries, becoming one of the most acclaimed NYC street artists, a pioneer in the genesis of hip-hop culture.
Lee is not only an artist but a teacher, storyteller and instigator. This is a story about his life as an artist, the Puerto Rican community he was nurtured by and his incredible journey from the streets into the fine art world.
The film will explore his continuing impact on young people and the international street art movement.
[logline] => Raised in a Lower East Side NYC project, Lee Quiñones’ urgency and need to express himself drove him to become one of the greatest artists to emerge from the 70s/80’s graffiti movement.
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LEE: We Are Our Times
Raised in a Lower East Side NYC project, Lee Quiñones’ urgency and need to express himself drove him to become one of the greatest artists to emerge from the 70s/80’s graffiti movement.
Learn more
Array
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[ID] => 159856
[title] => Disruption
[text] => Disruption follows three unlikely allies—Charley, a British artist-activist; Nidhi, a pragmatic board game designer; and Amarjit, a queer farmer in Punjab—whose mission to create a board game about survival turns into a stark confrontation with reality.
Charley’s game, Disruption: Battle for the Future of Food, pits farmers against corporations but lacks the urgency of real struggle. Seeking authenticity, Charley travels to India to collaborate with Nidhi. There, they meet Amarjit, whose life reflects the game’s stakes: her father died from pesticide poisoning, yet she must still use chemicals to keep her crops alive. Without her land, marriage is her only security.
As Charley and Amarjit grow close, the project falters, frustrating Nidhi. When she translates Amarjit’s reality into the game, a harsh truth emerges—the farmer always loses. The game finally works, but at what cost? Charley is horrified: was Disruption meant to inspire resistance or confirm defeat?
Meanwhile, Amarjit’s struggles intensify—debt, failing crops, family pressure. A Canadian visa could offer escape, but only if she exploits her land for profit. Charley and Amarjit’s struggles mirror each other—both trapped, both yearning for freedom.
When the final game plays out, Amarjit must choose: fight for her land or play to win?
[logline] => A British artist-activist, a game designer, and a queer farmer in India create a survival game, only to face the brutal realities of climate change, corporate greed, and identity. As life imitates play, winning demands sacrifices they never anticipated.
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Disruption
A British artist-activist, a game designer, and a queer farmer in India create a survival game, only to face the brutal realities of climate change, corporate greed, and identity. As life imitates play, winning demands sacrifices they never anticipated.
Learn more
Array
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[ID] => 135290
[title] => See the Women
[text] => Tara Evonne Trudell is the daughter of the late, well-known Native American activist turned poet and actor, John Trudell. When Tara was four years old, her parents separated and John remarried Tina Manning, a Paiute-Shoshone water rights activist on the Duck Valley Reservation. In the summer of 1978, Tara was a young girl on the verge of womanhood, celebrating her first sun dance with her loving and blended family. Tragedy struck on February 12, 1979, when Tina and her children perished in a suspicious house fire. Afterwards, John Trudell walked away from activism and disappeared from Tara’s life for years. Isolated and grief-stricken, Tara became disconnected from her indigenous lineage. See the Women follows Tara’s journey of remembering her past before and after that tragic fire while addressing her chronic autoimmune disease and lung disease that, to her, represents the grief she is still processing. Now in her 50s, with the guidance of her ancestors, Tara works towards addressing this trauma by bringing together women and empowering them to remember their worth. She addresses the tragic reality of the movement’s impact on Indigenous women and their struggle to heal.
[logline] => The daughter of an influential Native American activist raised in the center of the indigenous, political movement of the 70s, reclaims her identity as an activist and Indigenous woman by addressing the trauma that many women and children face, the one blind spot in her father’s own activism.
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See the Women
The daughter of an influential Native American activist raised in the center of the indigenous, political movement of the 70s, reclaims her identity as an activist and Indigenous woman by addressing the trauma that many women and children face, the one blind spot in her father’s own activism.
Learn more
Array
(
[ID] => 490
[title] => Gowanus Current
[text] => A century and a half of industrial waste and raw sewage has turned Brooklyn’s Gowanus Canal into one of the nation’s most toxic bodies of water. Squeezed between some of the borough’s most expensive brownstone neighborhoods, neglected public housing, row houses and small manufacturing have long dotted its sludgy banks. However, an ambitious EPA Superfund cleanup and a massive rezoning plan by the city hint that the real changes are just beginning.
Shot over the course of eight years, Gowanus Current explores the textures of this unique part of the city and the passions and hopes of stakeholders fighting for its future. The film listens in on contentious community meetings and sidewalk conversations, revisiting familiar corners over the years as warehouses come down and glass towers rise up to join the Brooklyn skyline. Ultimately, this film is a window into the conversations and convictions of the community, paired with representations of the rhythms and aesthetic of the place to create a kind of civic cinema.
Gowanus Current employs an observational approach to the people and events in the film, unmediated by interviews, narration or text, and combines it with tone poem meditations focused on texture and a sense of place. These are woven together into an evocative portrait of the community. Our goal is to employ an indirect, intuitive style to create something artful and unique.
[logline] => Gowanus Current is a documentary feature film about a neighborhood asking what is truly valuable in their community, and who gets to decide.
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)
Gowanus Current
Gowanus Current is a documentary feature film about a neighborhood asking what is truly valuable in their community, and who gets to decide.
Learn more
Array
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[ID] => 81434
[title] => One Person, One Vote?
[text] => ONE PERSON, ONE VOTE? (OPOV?) is a feature documentary that takes an unprecedented look at the Electoral College through the eyes of four presidential electors – a Republican, a Democrat, a Green, and a Kanye West elector – whose motivations range from noble to the absurd.
The film takes place during arguably the most wildly historic elections of our times – when the Electoral College took center stage like never before as political operatives used mechanisms in the Electoral College process to attempt to change the outcome. The film is bookended with never-before-seen footage at the U.S. Capitol on January 6, 2021, when violence broke out in an effort to prevent Congress from certifying the Electoral College votes.
The vast majority of Americans do not understand how the Electoral College works or know why we have it in the first place. OPOV? intercuts present-day events with flashbacks of its history – the overlooked role of slavery when it was established and, ultimately, how it dramatically shaped election outcomes and history over time.
By the time the credits roll, OPOV? offers viewers a complex and nonpartisan understanding of this historic institution created in a bygone time while highlighting the connective tissue that links then and now, so urgent and timely questions we’re grappling with today are not separate and apart from our past but directly informed by it in the present.
[logline] => An in-depth look at the Electoral College, its slavery origins, and its impact on society today. The film features four dynamic electors from different parties offering insight into the inner workings of this often-misunderstood institution. A timely, nonpartisan film that will fill a stark information gap in American presidential elections.
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)
One Person, One Vote?
An in-depth look at the Electoral College, its slavery origins, and its impact on society today. The film features four dynamic electors from different parties offering insight into the inner workings of this often-misunderstood institution. A timely, nonpartisan film that will fill a stark information gap in American presidential elections.
Learn more
Array
(
[ID] => 461
[title] => A Place of Absence
[text] => In A Place of Absence, filmmaker Marialuisa Ernst travels with the Caravan of Mothers of Missing Migrants on their annual 2,500-mile bus trek through Mexico, desperately searching for their sons and daughters who vanished without a trace trying to reach the U.S. Along the migrant route, this brave group of Central American women visit strip clubs and jails, flashing portraits of their missing children, and go to mass graves, demanding that bones be exhumed for DNA testing. Propelling the filmmaker on this journey with the mothers is her own experience with unresolved grief. Marialuisa’s uncle disappeared during Argentina’s Dirty War in the 1970s. Seamlessly shifting between past and present, desert and forest, and political and personal dimensions, this lyrical film captures the strength arising from female solidarity and maternal love. It reminds us of the invisible threads that trespass borders, binding us together as human beings like the root systems of trees. When a loved one disappears their entire ecosystem is altered.
[logline] => Decades after the disappearance of her uncle during Argentina’s Dirty War, a filmmaker joins the Caravan of Mothers, a group of brave Central American women who embark on an annual bus trek through Mexico in desperate search of their children who disappeared trying to reach the US.
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[name] => screenshot-2024-03-22-at-7-23-13-pm-2
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[date] => 2024-06-12 20:49:43
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)
A Place of Absence
Decades after the disappearance of her uncle during Argentina’s Dirty War, a filmmaker joins the Caravan of Mothers, a group of brave Central American women who embark on an annual bus trek through Mexico in desperate search of their children who disappeared trying to reach the US.
Learn more
