While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
NO ACCIDENT Impact Campaign
An Unprecedented Case Against Hate
Our campaign will support a nationwide, grassroots screening campaign featuring in person conversations with leaders in the movement, virtual talks and screening guides to help different groups frame their own events. We will also develop educational guides for law schools and other institutions.
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256,000 Miles From Home
On July 1, 2019, four former unaccompanied child refugees, now between 83 and 92 years old, arrive in Vienna, Austria, to begin a trip retracing the route they took 80 years ago, as Kindertransport children, traveling alone, without parents, fleeing to save their lives.
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Little Sallie Walker
How did generations of Black women and girls across America, including the film's director, find themselves fighting for joy and healing? LITTLE SALLIE WALKER, an intimate documentary, explores how their precious worlds of play collide with a unique set of traumas and struggles from both the past and present.
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Most Dangerous Women: Women of the West
A documentary short featuring women changemakers working to create a more just world. In the film, contemporary leaders in the U.S. West reflect on the early legacy of visible women in the region, as well as the challenges they and their peers face today, and their hopes for the future.
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Barbara Forever
BARBARA FOREVER is an exclusive look at the iconic life, work, & legacy of pioneering lesbian experimental filmmaker, Barbara Hammer, tracing her prolific canon alongside never-before-seen documentations of her life and body, to reveal Hammer's unconventional attempts to live on forever.
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Bought/Broken
“Bought/Broken” is an interactive experience that examines the relationships and violence of abuse through the lens of objects bought, broken and repaired, evoking memories through objects and exploring the idea of gain and loss. I have been compositing the experiences and stories of domestic violence survivors.
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SORORITY STORY
SORORITY STORY tells the unexamined story of racial discrimination in one of the largest and most exclusive private clubs in America: white college sororities.
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Peace For Nina
Peace for Nina follows the journey of a Ukrainian mother as she seeks justice for the unlawful killing of her son by a Russian mercenary. A survivor’s tale of grief, courage and hope.
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The Island in Me
Homecoming follows two women Johnny Frisbie and Amelia Borofsky who, after decades away, return to their beloved childhood atoll of Pukapuka in the South Pacific. The film reveals a unique story of love, survival and indigenous resiliency in the midst of rising tides and migration.
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ARTIFACTS
The life of a successful yet isolated photographer changes as she learns how to cope with a rare visual disease.
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Being Olimpia
After creating a groundbreaking law against cyberviolence, Olimpia wages an internal battle to heal her wounds and reclaim her name.
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Myself When I Am Real
Set in the year 2000, MYSELF WHEN I AM REAL is an experimental short film about a working mother and her teenage daughter who struggle to make friends and find belonging in a small Wisconsin town. It explores otherness, identity, and assimilation from the contrasting perspectives of childhood and adulthood.
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Life After
A gripping personal investigation that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power as he amplifies the voices of the disability community and raises the alarm about the "right to die."
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Wittig, Yes!
More than 50 years ago, Monique Wittig, acclaimed writer, theorist, and lesbian feminist icon, dared to envision a world beyond gender. Told by her lifelong partner Sande Zeig, Wittig, Yes! unveils the synthesis of Wittig's public and private personas, tracing the origins of her groundbreaking theories.
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Good Fire
After more than one hundred years of fire suppression, Yurok people are returning Indigenous fire medicine to the land in order to heal the world.
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Jamaica Kincaid: Liberating the Daffodil (working title)
This riveting portrait of writer Jamaica Kincaid traces her life from growing up in colonial Antigua, to working as an au pair in Scarsdale, N.Y. as a teenager, to becoming a staff writer for The New Yorker at age 26.
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