While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
As Prescribed
“Benzo warriors” fight a grassroots battle to save others from the devastating consequences of the little pill they took as prescribed.
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Tell Me No Lies: The Real John Pilger
Tell Me No Lies will tell the inside story of John Pilger, Australia’s most famous journalist.
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After the Deluge
A year into the Covid-19 pandemic, Sharka, a scrappy expressionistic painter, finds respite from the isolation of her small apartment on a park bench. When Bridget, a self-possessed lone traveler dragging a suitcase, encroaches and sits down next to her, angry sparks fly until the two find unexpected common ground.
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KILLFACE
KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter.
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Hope of Escape
A true story that follows the incredible journey of an enslaved mother and daughter who must escape before they are sold and separated forever. Their only hope is to connect with their free relatives in the North and convince the most powerful abolitionists of their time to help them.
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Index:Trace
Index:Trace is a film that portrays the past, present, and future impacts of the nuclear fuel trajectory in all 50 states, — uranium mines, nuclear weapons, nuclear power, and nuclear waste — as told by impacted communities, scientists and activists who are working together for nuclear abolition and environmental justice.
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Hasta Siempre - Until Forever
Growing up in one of the most powerful nonviolent land-defense movements in the world, a young Indigenous girl, Estefanie, absorbs the struggle of her people to protect their territory in war-torn Colombia. As violence resurges and Estefanie witnesses the deaths of many of their leaders, her mom must teach her.
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Aftermath
AFTERMATH revisits the wrenching, highly-publicized hate crime documented in Emmy-nominated THE BRANDON TEENA STORY, 25 years later. Through the eyes of a community grappling with the impact of Brandon’s life and death, the film explores loss, growth and life for LGBTQ individuals in Heartland America.
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#WhileBlack
Witnesses who filmed the deaths of George Floyd, Philando Castile, and others, step forward in this ground-breaking documentary about the police brutality videos igniting global movements. Few realize how witnesses must battle online trolls, surveillance firms, and exploitative social media platforms turning their pain into profit.
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Libertad (Working Title)
Alejandra, an Indigenous, transgender woman from Oaxaca, Mexico prepares to visit her hometown to reunite with her mother for the first time after 28 years in the United States. Alejandra's homecoming journey is explored through the multiple communities she identifies with as she calls for solidarity and mutual liberation.
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ARTIFACTS
The life of a successful yet isolated photographer changes as she learns how to cope with a rare visual disease.
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Will They Ever Come Back?
Driving down a long Colombian road, Angela and her sister enter the indigenous land where their father, an Afro-descendant farmer, was forcibly disappeared years ago. In a dream, he asks to be found. The journey confronts them with mysticism and a violated community that resists.
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May It Be A Girl
MAY IT BE A GIRL is a film about the personal search for the identity of Kazakh women, who were named, according to an ancient tradition, by their parent’s wishes for them to be born as a son.
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Wittig, Yes!
More than 50 years ago, Monique Wittig, acclaimed writer, theorist, and lesbian feminist icon, dared to envision a world beyond gender. Told by her lifelong partner Sande Zeig, Wittig, Yes! unveils the synthesis of Wittig's public and private personas, tracing the origins of her groundbreaking theories.
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The Other Gaza
Gaza is a war zone. But it’s also the birthplace of Wafa Jamil, and the home of her family. The Other Gaza shows how daily life in Gaza really is, with sorrow and joy existing side-by side. For the audience to understand, as well as her young daughter Leia.
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Taking Venice
TAKING VENICE uncovers the true story behind rumors that the U.S. government and a team of high-placed insiders rigged the 1964 Venice Biennale – the Olympics of art – so their chosen artist, Robert Rauschenberg, could win the Grand Prize.
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Ever and the sharks
A female leading marine biologist and a teenage boy from a disadvantaged fishermen community in northern Peru will embark on a quest to tag whale sharks in a scientific discovery that aims to save the species (and the boy’s future).
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