While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Impossible Town
When her father dies unexpectedly, Dr. Ayne Amjad is thrust to the helm of a decades-long struggle to aid a southern West Virginia town beset by cancer-causing chemicals.
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How to Build a Library
Two tenacious Kenyan women are transforming a dilapidated, junk-filled library in downtown Nairobi. But first they must work with local government, raise several million dollars for the rebuild, and confront the ghosts of a problematic colonial history still trapped within the library walls.
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Will They Ever Come Back?
Driving down a long Colombian road, Angela and her sister enter the indigenous land where their father, an Afro-descendant farmer, was forcibly disappeared years ago. In a dream, he asks to be found. The journey confronts them with mysticism and a violated community that resists.
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Good Fire
After more than one hundred years of fire suppression, Yurok people are returning Indigenous fire medicine to the land in order to heal the world.
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Dis-Ease
For centuries, the “war on disease” has been a metaphor we live and die by. But what if it weren’t a war?
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Coded Bias
Merging cinema vérité and graphic visual elements, the film captures MIT researcher Joy Buolamwini’s startling discovery that most facial recognition software does not accurately see dark-skinned faces. Through Joy’s transformation from scientist to tireless advocate, Coded Bias sheds light on the impacts of AI on civil rights.
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SEEDS
SEEDS is an ethnographic portrait of a centennial African-American farm in Thomasville, Georgia. Using lyrical black and white imagery this meditative film examines the decline of generational black farmers and the significance of owning land.
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Jamaica Kincaid: Liberating the Daffodil (working title)
This riveting portrait of writer Jamaica Kincaid traces her life from growing up in colonial Antigua, to working as an au pair in Scarsdale, N.Y. as a teenager, to becoming a staff writer for The New Yorker at age 26.
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Milisuthando
‘Milisuthando’ is a coming-of-age personal essay film on love and what it means to be human in the context of race, explored through the memories of Milisuthando – who grew up during apartheid but didn’t know it was happening until it was over.
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Women of My Life
Born in the home of a Baghdad midwife, director Zahraa is a witness to violence against women from girlhood. In a cinematic journey she interrogates the past in search of her missing friend and confronts lifelong fears and nightmares as she works with other women to imagine a better future.
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As Prescribed
“Benzo warriors” fight a grassroots battle to save others from the devastating consequences of the little pill they took as prescribed.
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Love, Jamie
The story of Jamie Diaz, a trans artist incarcerated in Texas, and the enduring friendship that brought her art of pride and liberation to the outside world.
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Aftermath
AFTERMATH revisits the wrenching, highly-publicized hate crime documented in Emmy-nominated THE BRANDON TEENA STORY, 25 years later. Through the eyes of a community grappling with the impact of Brandon’s life and death, the film explores loss, growth and life for LGBTQ individuals in Heartland America.
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I Brought You Into This World
"I Brought You Into This World" is an intimate, character-driven documentary following three pregnant Black individuals of varying gender identities as they navigate pregnancy in a post-Roe America. The film exposes the profound impact of political and social conditions on maternal healthcare, revealing deep racial and gender disparities.
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The Boy and the Suit of Lights
Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
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Queer Futures
QUEER FUTURES transcends the rigidities and oppressions of the current moment to center queer connection, joy, and liberation. These four short documentaries locate, build, and inhabit speculative worlds that offer us new modes of being — in the present and the future.
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Qatar Stars
Qatar Stars presents a four-year story of girlhood in all its joys and growing pains, through intimate access to a multinational rhythmic gymnastics school in Doha Qatar, led by a former Russian gymnast.
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