While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
The Soldier's Journey
What does it take for Helena, a filmmaker to pick up a weapon in the most ruthless war the world has experienced since World War II and still try not to lose hope in humanity and the future?
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The Feeling of Being Watched
When journalist Assia Boundaoui investigates rumors of surveillance in her Arab-American neighborhood in Chicago, she uncovers one of the largest FBI terrorism probes conducted before 9/11 and reveals its enduring impact on the community.
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ISKRA (Spark!)
Before Silicon Valley, Apple and Google, before Microsoft and Bill Gates, there was Yugoslavia and ISKRA. Overlooked and underrated, the non-aligned Yugoslav tech giant allowed East to connect with West. It was pioneering and avant-garde. Then... it suddenly disappeared.
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Dépôt-Vente
After moving to a new country for love, a filmmaker creates a loving portrait of a Beirut thrift shop that embodies the spirit of her home in Lebanon.
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Family Treasures Lost and Found
Journalist Karen A. Frenkel is the daughter of Holocaust survivors. Her mother spoke of her wartime ordeal, but her father was silent. Karen embarked on a five-year quest to fill in the gaps, honor her parents and lost relatives, and ensure that memories would endure. This became an exciting detective story as she searched online and real-world archives and visited cities to better understand silence and loss.
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See the Women
The daughter of an influential Native American activist raised in the center of the indigenous, political movement of the 70s, reclaims her identity as an activist and Indigenous woman by addressing the trauma that many women and children face, the one blind spot in her father’s own activism.
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An Army of Women
Impact campaign for the upcoming feature documentary AN ARMY OF WOMEN (SXSW 2024), which tells the story of a group of women in Austin, Texas, who join forces to legally challenge the system that allowed their rapists to walk free.
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A Double Life
The filmmaker goes on a journey of discovery to unravel the mystery of her uncle’s past as a civil rights activist lawyer and political fugitive and his alleged involvement in an alleged prison escape attempt which left six people dead, his 13 years as a political fugitive and his return in 1984 to stand trial and gain his acquittal in 1986, returning to his legal aid work after 15 years. The film presents a multi-layered portrait of a turbulent era and the role of one individual seeking justice for others and later for himself.
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Hollywood Does Abortion
HOLLYWOOD DOES ABORTION reveals how depictions of abortion in film and television have both reflected and distorted this safe but controversial medical procedure. Exploring how abortion came into our living rooms and psyches, we see how these stories helped shape public discourse and today’s seismic shift in abortion access.
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Own It! Louis Kelso’s Macroeconomic Fix
Does capitalism work better if workers own capital? Lawyer Louis Kelso gave USA the opportunity to find out.
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Untitled Indigenous vs. White Supremacy Ideology Film
There is an EPIDEMIC occurring in the United States and no one knows about it. From 2016 through 2019, over 19,000 Native American women and teenage girls have vanished and/or were murdered. Most of these crimes are never solved.
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Joonam
Spurred by a provocative family memory and a lifetime of separation from the country her mother left behind, a young filmmaker delves into her mother and grandmother's complicated pasts, and her own fractured Iranian identity.
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INDÍGENA
To fulfill her mother’s dying wish, a filmmaker retraces her mother’s work as an activist and journalist during the Red Power Movement of the 1960’s and 70’s, bringing to light 500 years of Taino resistance and igniting her own journey of reclamation.
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KILLFACE
KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter.
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My Color
My Color is a fantastical documentary window into the lives and minds of loveable misfits using color to escape, heal, and empower.
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Coded Bias
Merging cinema vérité and graphic visual elements, the film captures MIT researcher Joy Buolamwini’s startling discovery that most facial recognition software does not accurately see dark-skinned faces. Through Joy’s transformation from scientist to tireless advocate, Coded Bias sheds light on the impacts of AI on civil rights.
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9-Month Contract
For an orphan Jana, motherhood has always been priceless. When she has to raise a kid single and homeless, Jana becomes a surrogate mother to offer her daughter the life she’s never had. Nine months and 14.000 USD - is it as simple and priceless as it sounds?
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