While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Bad Girl Marcia Tucker
After being fired from NYC's Whitney Museum for her radical exhibitions, feminist curator Marcia Tucker founded the New Museum in 1977 to champion marginalized artists. Through rare archive and insight from today's artworld rebels, BAD GIRL MARCIA TUCKER traces Marcia's defiant legacy – offering a blueprint for resistance in the face of contemporary threats to art, artists, and art institutions.
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MAILIN
Mailin tells her daughter a bedtime story, a metaphor unfolding the protagonists’ search to recover the memory of her past. Through a collage of archive and childhood drawings, emerges the story of a girl, who for 15 years suffered the abuses of a priest that Justice has just set free.
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Sundays at Café Tabac
Step into the electrifying realm of radical glamour, where Sundays at Café Tabac immortalizes the iconic lesbian night that lit up New York’s East Village from 1993 to 1995. A vibrant celebration of diversity and unapologetic self-expression, this unforgettable gathering not only transformed lives but also mirrored the surge of visibility that sent shockwaves through mainstream media—during a time when being seen was a matter of survival.
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We Arrive With Fire | Ne-kah Nuue'm Mehl Mech
Since time immemorial, Yurok people have placed fire on the land to maintain a balanced ecosystem. In the past century, settlers banned fire and the environment and people have suffered. Now, Yurok people are returning fire medicine to heal the land.
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9-Month Contract
For an orphan Jana, motherhood has always been priceless. When she has to raise a kid single and homeless, Jana becomes a surrogate mother to offer her daughter the life she’s never had. Nine months and 14.000 USD - is it as simple and priceless as it sounds?
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Two Things Are True
In an attempt to confront childhood sexual trauma, filmmaker Sarah Hanssen decides to revise the abstract expressionist paintings of her deceased father. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, the destruction of a devastating mythology,
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Sterilized
Sterilized follows the journeys of young women who have made a radical decision - to remove their tubes so they can never have children. The film explores autonomy, fear, and who gets to decide what a woman’s life should look like.
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Something Yellow
When Ani’s mother urges her to turn off the GPS, familiar Los Angeles streets fracture into surreal landscapes of memory and myth. Ani must find her way through them — only to realize she has to redefine home.
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House No.7
After escaping their conservative societies, three women, rent rooms in an old Damascene house in Damascus, Syria, where they manage to create a safe space isolated from the madness of the post-war era. But soon the girls start facing many threats, thus protecting their fragile space becomes a challenge.
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Flood
Katy returns to her childhood home to attempt to reconnect to her evangelical father, years after leaving the Christian faith. What could possibly go wrong?
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Life After
A gripping personal investigation that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power as he amplifies the voices of the disability community and raises the alarm about the "right to die."
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Anarchy in High Heels
Anarchy in High Heels tells the story of Les Nickelettes, a women’s satirical musical theater company from 1970s and ‘80s San Francisco. They turned the patriarchy upside down with feminist humor and a spirit of collaboration. The film is a reminder of the subversive power of satire and sisterhood.
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Untitled Rajie Cook documentary
Rajie Cook designed the visual symbols used to navigate our world, but had to find his own way through his Palestinian identity. As his pioneering designs achieved worldwide acclaim, his visual art confronted the often-ignored suffering of his lineage. Cook's life journey was the arc of a first generation American
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Fencing for the Edge
FENCING FOR THE EDGE follows the emotional and physical journeys of two girls’ teams as they compete in the world’s largest high school fencing league.
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YOU DESERVE TO DIE: The Story of Gamergate
YOU DESERVE TO DIE is the bizarre true story of how a group of misogynistic "Gamers" wrote the playbook for weaponizing social media as told by those they relentlessly targeted.
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Dépôt-Vente
After moving to a new country for love, a filmmaker creates a loving portrait of a Beirut thrift shop that embodies the spirit of her home in Lebanon.
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