While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
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[title] => Karuara, People of the River
[text] => Mariluz Canaquiri says her river is the “ɨa” (ee-ah)—the center, life force and mother. Her river deep in Peru’s Amazon provides her with fish to eat, water to drink, a transport route and a place to swim and relax. But it is also much more. Underneath the surface live the Karuara, which means “people of the river” in Kukama, Mariluz’s native tongue.
If a person disappears in the river and their body is never found, it means they have transformed into a Karuara. These spiritual beings live in underwater villages in a parallel universe. They lounge in hammocks made of boa constrictors, smoke sardines and wear crayfish watches, stingray hats and catfish shoes.
Behind their playfulness, the Karuara are powerful spirits. When their human relatives are ill or in trouble, the people of the river are called upon to heal and provide help.
But oil pipelines, hydroelectric dams and other mega development projects threaten the river and the spiritual world beneath the surface. The indigenous people’s survival depends on the Karuara spirits: they have co-existed for centuries. One cannot live without the other and both are guardians of the river and forest.
This film follows Mariluz, a remarkable Kukama grandmother, and her community, as they struggle to adapt to the modern world and save their river and culture.
[logline] => A film about spiritual beings that live in the Amazons’ rivers, and an indigenous community’s struggle to save these sacred water guardians.
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Karuara, People of the River
A film about spiritual beings that live in the Amazons’ rivers, and an indigenous community’s struggle to save these sacred water guardians.
Learn more
Array
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[ID] => 159263
[title] => Roots of Resilience
[text] => Set against a backdrop of climate disruption and forest loss, ROOTS OF RESILIENCE weaves two stories infused with hope and urgency, in Northern landscapes linked by salmon and historically vast forests.
An urgent race to protect remaining old growth is underway along the Pacific Coast shared by Canada and the US. The world’s largest temperate rainforest is under threat, with stakes made higher by recent American elections. In a region known for indigenous communities with deep cultural connections to the forest, logging continues on both sides of the border. The Tongass National Forest in Alaska is in peril as a new administration proposes to re-open areas to logging and development.
On the same latitude across the globe, rugged moors of the Northern British Isles offer a foretaste of former rainforest, in a landscape transformed by millennia of human impact. Long ago these isles were blanketed by the Caledonian woods to the North. The people of these forests, fierce protectors in their time, inspired Romans to construct Hadrian’s Wall near the boundary between England and Scotland. Today, Scotland and neighboring Ireland are among the most deforested places on earth. Less than 2% of ancient forest remains, yet rewilders dream of forests long lost to early colonization, industry and conflict.
The fate of temperate rainforests impacts us all, given their vital role in sequestering carbon and fostering biodiversity. Together these stories speak of resilience, loss, and renewal. Can we build a more sustainable relationship to the forests that sustain us?
[logline] => ROOTS OF RESILIENCE profiles two communities devoted to Northern temperate rainforests, linked by latitude. The film weaves an urgent race to protect the world’s largest temperate rainforest, with rewilders awakening long lost forests. From the Pacific to the Atlantic, these stories invite a new relationship with forests that sustain us.
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Roots of Resilience
ROOTS OF RESILIENCE profiles two communities devoted to Northern temperate rainforests, linked by latitude. The film weaves an urgent race to protect the world’s largest temperate rainforest, with rewilders awakening long lost forests. From the Pacific to the Atlantic, these stories invite a new relationship with forests that sustain us.
Learn more
Array
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[ID] => 103772
[title] => Presente!
[text] => PRESENTE! follows the journey of Magda Gomes, a young Black woman born in Rocinha, the second largest favela in Brazil. Actively organizing in her community since she was a teenager, Magda has worked as a volunteer for many social projects, has begun several of her own, and, today, after a brief period working as a parliamentary aid at the Rio de Janeiro City Council, is contemplating her next move. Should she enter the complex game of party politics and take the first steps on the path toward one day becoming a congresswoman, governor, or, who knows, the first Black woman to be president of the country? Or should she bring her focus back to community social projects, where her freedom to act is greater, and the impact of her actions would be more visible and immediate?
Seeking role models and inspirations, Magda looks to several other Black women, who have risen up in the world of Brazilian politics following the shocking murder of city councilwoman Marielle Franco, known for her human rights advocacy and fight against police brutality. These women include Anielle Franco, Marielle’s sister, founder of the Marielle Franco Institute, and the current Minister of Racial Equality in President Lula’s administration; Talíria Petrone, one of the main Black female political leaders of the country, who has served two terms as a city councilwoman and two terms as a federal congresswoman; and Mônica Francisco, a progressive Evangelical pastor who was unable to win reelection upon completing her first term as a state congresswoman.
Within a hostile political environment where they face frequent threats and their voices and bodies are under constant attack, these women continue fighting to keep Marielle’s legacy alive.
[logline] => Five years after the assassination of Marielle Franco, a young community leader born in the favela of Rocinha, Magda Gomes, follows the journeys of Black women in Brazilian politics as she contemplates which path to take toward her future.
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Presente!
Five years after the assassination of Marielle Franco, a young community leader born in the favela of Rocinha, Magda Gomes, follows the journeys of Black women in Brazilian politics as she contemplates which path to take toward her future.
Learn more
Array
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[ID] => 82795
[title] => 256,000 Miles From Home
[text] => 256,000 MILES FROM HOME follows these four children and fourteen members of the second generation, as they travel from Vienna and Berlin to Hook of Holland by train, cross the North Sea by ferry to Harwich, and by train on to London. This 14 day journey, punctuated by special events held in each city, marks the last time these Kindertransport survivors will return to their homelands. This journey leads back to the sites of their lost childhoods, to memorials for their murdered parents, and raises questions of today’s refugee crisis.
Twenty years after her first, successful creative cinematic engagement with the Kindertransports, the film My Knees Were Jumping, Remembering the Kindertransports, the first film made on the subject of the Kindertransports, Melissa revisits this history in her intimate, emotionally compelling style, enriched by years of experience as President of the Kindertransport Association, working intimately within with this community. As in My Knees Were Jumping, in this new film, Melissa will create a compelling, emotional, informative narrative, and a film rich with compassionate insight. As an organizer of and participant in the trip, Melissa will deftly interweave her personal voice and observations with those of the Kinder and kt2s on the Journey. In two weeks, a new community is formed.
[logline] => On July 1, 2019, four former unaccompanied child refugees, now between 83 and 92 years old, arrive in Vienna, Austria, to begin a trip retracing the route they took 80 years ago, as Kindertransport children, traveling alone, without parents, fleeing to save their lives.
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256,000 Miles From Home
On July 1, 2019, four former unaccompanied child refugees, now between 83 and 92 years old, arrive in Vienna, Austria, to begin a trip retracing the route they took 80 years ago, as Kindertransport children, traveling alone, without parents, fleeing to save their lives.
Learn more
Array
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[ID] => 490
[title] => Gowanus Current
[text] => A century and a half of industrial waste and raw sewage has turned Brooklyn’s Gowanus Canal into one of the nation’s most toxic bodies of water. Squeezed between some of the borough’s most expensive brownstone neighborhoods, neglected public housing, row houses and small manufacturing have long dotted its sludgy banks. However, an ambitious EPA Superfund cleanup and a massive rezoning plan by the city hint that the real changes are just beginning.
Shot over the course of eight years, Gowanus Current explores the textures of this unique part of the city and the passions and hopes of stakeholders fighting for its future. The film listens in on contentious community meetings and sidewalk conversations, revisiting familiar corners over the years as warehouses come down and glass towers rise up to join the Brooklyn skyline. Ultimately, this film is a window into the conversations and convictions of the community, paired with representations of the rhythms and aesthetic of the place to create a kind of civic cinema.
Gowanus Current employs an observational approach to the people and events in the film, unmediated by interviews, narration or text, and combines it with tone poem meditations focused on texture and a sense of place. These are woven together into an evocative portrait of the community. Our goal is to employ an indirect, intuitive style to create something artful and unique.
[logline] => Gowanus Current is a documentary feature film about a neighborhood asking what is truly valuable in their community, and who gets to decide.
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Gowanus Current
Gowanus Current is a documentary feature film about a neighborhood asking what is truly valuable in their community, and who gets to decide.
Learn more
Array
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[ID] => 129320
[title] => Eat Bitter
[text] => Thomas, a young local, who survived different armed conflicts, risks his life every day to bring sand to the water’s surface; sand that is used to build a new bank in the country. Thomas barely earns enough money to feed his children. His wife and girlfriend, tired of his immaturity, leave him for good; the city bulldozes the illegal sand market where he works clandestinely; a national curfew is declared by the authorities with rebels attempting to invade the capital during elections. He hits a new low. However, when Thomas discovers that his ex-girlfriend is pregnant, it is a shock. It propels him to turn his life around. Thomas wants to become a boss directly selling the sand he collects to Luan. Is shifting his whole life around already too late?
Suffering in silence for a better future: This is also Luan's choice. He left his family to triple his salary in Bangui three years ago. The bank is Luan’s first project he supervises at his newly joined company, but the work is delayed due to the rainy season, political instability, and labor shortage owing to the pandemic. By sheer force of will and persistence, Luan gets back on track to finish the bank on time. Meanwhile, in China, Luan’s family is falling apart as his wife, who he hasn’t seen for two years, attempts to commit suicide. Luan starts to wonder: Is saving his wife and family a bigger priority than making money? Where is his future?
[logline] => Against the backdrop of civil war in the poverty-stricken Central African Republic, a Chinese construction manager and a local African laborer work on opposite ends of the spectrum to construct a sparkling new bank. As deadlines loom, unexpected twists threaten their jobs, relationships, and plans for a better life.
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)
Eat Bitter
Against the backdrop of civil war in the poverty-stricken Central African Republic, a Chinese construction manager and a local African laborer work on opposite ends of the spectrum to construct a sparkling new bank. As deadlines loom, unexpected twists threaten their jobs, relationships, and plans for a better life.
Learn more
Array
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[ID] => 160658
[title] => We Arrive With Fire | Ne-kah Nuue'm Mehl Mech
[text] => WE ARRIVE WITH FIRE is an Indigenous telling of the complicated story of fire, fire suppression, and the reuniting of good fire and land. The Yurok people of the Klamath River region of California used fire as medicine for the land, and it thrived until settlers made it illegal for Native peoples to place fire on the land. The land languished and the recent spate of wildfires have demonstrated a land in crisis. WE ARRIVE WITH FIRE follows the Yurok people’s efforts to ensure that good fire and the land remain united now and into the future.
WE ARRIVE WITH FIRE features the Cultural Fire Management Council (CFMC), a first of its kind non-profit created and led by tribal members Margo Robbins, Elizabeth Azzuz, and Robert McConnell. The crew work with elders to protect homes, clear out invasive plant species, invite fire practitioners to Yurok lands to learn about cultural fire and educate the community about how to care for their land with fire. While colonizers train crews to extinguish fire, the CFMC teaches how to place fire to return the land to the balance not seen for nearly 150 years and educates the world about good fire.
[logline] => Since time immemorial, Yurok people have placed fire on the land to maintain a balanced ecosystem. In the past century, settlers banned fire and the environment and people have suffered. Now, Yurok people are returning fire medicine to heal the land.
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We Arrive With Fire | Ne-kah Nuue'm Mehl Mech
Since time immemorial, Yurok people have placed fire on the land to maintain a balanced ecosystem. In the past century, settlers banned fire and the environment and people have suffered. Now, Yurok people are returning fire medicine to heal the land.
Learn more
Array
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[ID] => 511
[title] => Ex Libris, A Life in Bookplates
[text] => Ex Libris is a hybrid non-fiction film incorporating animation, collage, and first person narrative to frame my grandfather’s story as he did: through his collection of exlibris, an art form now almost forgotten. Exlibris, or bookplates, are small limited edition prints, commissioned to commemorate the people, places and times of the collector. Those graphics marked and commemorated what was most meaningful to my grandfather. On the surface, he was an ordinary man caught in extraordinary circumstances – Vienna in the early 20th century, a time of cultural and political ferment; the collapse of the Austro-Hungarian Empire, and the Nazi occupation of Vienna. He was also an eccentric dreamer who created a personal iconography, a vibrant universe parallel to his everyday life as a neighborhood pharmacist.
The bookplates, which contain great visual beauty and narrative expressiveness, will be the center of the film. Through animation, hand-drawing, and collage they will be illuminated, manipulated, and re-imagined. The film will reconfigure my grandfather's world and refract it through high-definition video, super 8mm film, archival footage, family photographs, and cityscapes. Marco’s diaries provide a narrative spine; allowing his rich, observant voice to offer content and commentary.
A companion book and interactive website where collectors can upload images and stories of their exlibris will enlarge the scope of the film and support my intention to ignite a renewal of exlibris culture.
[logline] => EX LIBRIS is an animated documentary film tracing the intimate, intricate world my grandfather created and lost in Vienna between the two world wars, and the exploding universe he reflected in his diaries.
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)
Ex Libris, A Life in Bookplates
EX LIBRIS is an animated documentary film tracing the intimate, intricate world my grandfather created and lost in Vienna between the two world wars, and the exploding universe he reflected in his diaries.
Learn more
Array
(
[ID] => 127328
[title] => Fire Tender
[text] => FIRE TENDER tells the story of Yurok tribal members returning to traditional fire ways. Margo Robbins is a grandmother, cultural educator, healer, and Indigenous fire practitioner who is fighting for the Yurok Tribe’s return of fire sovereignty—the right to utilize fire for tribal land stewardship outlawed by settlers. Margo works to overturn one hundred years of environmentally devastating anti-fire policies that have put Yurok lands at risk and prevented access to the natural resources needed for clean water, foodstuff, and materials needed for traditional lifeways.
As the director of the Cultural Fire Management Council, Margo is among the first to restore cultural
burning practices in North America. Margo knew that to make regular cultural burning a reality she would have to straddle two worlds of fire: the ancient fire traditions of her ancestors and settler wildland fire.
Throughout the film, we come to understand that Margo’s commitment to fire runs much deeper than merely preventing catastrophic fires and is rooted in a commitment to tribal sovereignty, ceremony, and survivance.
Led by Yurok women, and told from the perspective of Margo’s multigenerational family, FIRE TENDER explores how the silencing of Indigenous voices has left a scar on the land and suppressed opportunities for new growth—both on the forest floor and for those committed to the protection of Mother Earth.
[logline] => Yurok Tribal Members return fire to the land toward cultural and ecological healing.
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[link] => https://www.wmm.com/sponsored-project/fire-tender
)
Fire Tender
Yurok Tribal Members return fire to the land toward cultural and ecological healing.
Learn more
Array
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[ID] => 534
[title] => A Towering Task
[text] => A TOWERING TASK: THE STORY OF THE PEACE CORPS is a feature documentary covering the almost 60-year history of the agency. From the Peace Corps' founding under JFK, through the eras of the Vietnam War and the Reagan administration when the agency was nearly undone, to today's existence at the forefront of some of the most pressing themes facing the global community while being nearly forgotten by the American public, A Towering Task takes viewers on a journey of what it means to be a global citizen. Historians, journalists, former staff and volunteers, and host country nationals come together to shine a light on this uniquely American agency as it has evolved through its history. Notable interviewees include President Jimmy Carter, President Ellen Johnson Sirleaf, Representatives Donna Shalala, Joe Kennedy, and John Garamendi, as well as Peace Corps founders Harris Wofford and Bill Josephson. National and international distribution is planned through community screenings, film festivals, college and university programming, public television broadcast, and, eventually, streaming.
[logline] => The Story of the Peace Corps
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[title] => A Towering Task
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Array
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[ID] => 148274
[title] => The Day Iceland Stood Still
[text] => When almost all the women of Iceland walked off the job and out of their homes one fall morning in 1975 refusing to work, cook, or take care of the children, they brought their country to its knees and catapulted the island nation to its status as one of the best places in the world today to be a woman. Told for the first time by the women themselves and timed for release in the lead-up to the strike’s 50th anniversary, the story is subversive and unexpectedly funny. “We loved our male chauvinist pigs,” recalls one of the activists, “We just wanted to change them a little!” This is the true story of one day that changed everything. The Day Iceland Stood Still is a collaboration between U.S. director Pamela Hogan, who campaigned as a high school student in the 1970s with her activist mother to pass the Equal Rights Amendment, and Icelandic producer Hrafnhildur Gunnarsdóttir, who at the age of 7 accompanied her mother to that very strike in 1975 and thought that when she woke up the next morning “everything would be perfect.” The E.R.A. never passed in the U.S., and Iceland still isn’t perfect – but it’s the only country to have closed over 90% of its gender gap, and committed to reaching full equality in the near future. There’s a famous saying: “The only thing new in the world is the history you do not know.” We hope this story will inspire viewers all over the world to reimagine the possible.
[logline] => When 90% of Iceland’s women walked off the job and out of their homes one morning in 1975 the country came to a standstill. Unexpectedly funny and told for the first time, this is the true story of one day that catapulted Iceland to the world’s superpower of gender equality.
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The Day Iceland Stood Still
When 90% of Iceland’s women walked off the job and out of their homes one morning in 1975 the country came to a standstill. Unexpectedly funny and told for the first time, this is the true story of one day that catapulted Iceland to the world’s superpower of gender equality.
Learn more
Array
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[ID] => 86240
[title] => Work While You Have the Light
[text] => In American culture, when women age, there is an antiquated expectation that they will eventually stop actively participating in culture and society. A working woman over seventy is rarely seen by society--unlike her male counterparts who are revered with age. This general societal assumption must be updated.
There are 76 million baby-boomers and over half of them are women who are in the process of creating a new model for being an older woman. We are in a new age, and the paradigm is shifting. Women are working into their nineties with tenacity and clear minds. Work While You Have the Light exposes the true narrative of aging women by following passionate, curious, fierce and courageous women who are not stopping because of their age.
Work While You Have the Light is for women of all ages to be inspired to not fear age, but rather welcome the opportunity to become fully themselves. The film follows eight women over seventy throughout a year’s time who are working in different capacities throughout the United States--an Artist, Writer, Doctor, Teacher, Television/Radio Producer, Singer, Museum Director, and CEO.
[logline] => Work While You Have the Light is a feature documentary by a multi-generational directing team that examines professional women who are over seventy-years-old and still working.
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Work While You Have the Light
Work While You Have the Light is a feature documentary by a multi-generational directing team that examines professional women who are over seventy-years-old and still working.
Learn more
Array
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[title] => Grassland
[text] => GRASSLAND is a topical and riveting social justice drama about the criminal justice system and marijuana incarceration rates. The narrative film, which is led by Mía Maestro, Quincy Isaiah, Jeff Kober and Ravi Cabot-Conyers, is set in 2008 and explores both the economic recession and the inequities of incarceration rates of the era. The story follows Leo, an inquisitive and sensitive Latino boy (Cabot-Conyers), who puts his single mother’s (Maestro) illegal marijuana business at risk when he befriends the new neighbors, a young white boy and his police officer grandfather (Kober).
[logline] => Exploring the failures of the criminal justice system from a unique angle, GRASSLAND follows a young Latino boy who puts his single mother's illegal marijuana business at risk when he befriends the new neighbors.
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Grassland
Exploring the failures of the criminal justice system from a unique angle, GRASSLAND follows a young Latino boy who puts his single mother's illegal marijuana business at risk when he befriends the new neighbors.
Learn more
Array
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[ID] => 548
[title] => Reproductive Choices: Revisiting La Operacion
[text] => In the early 20th century, propelled by a popular belief in eugenics, the U.S. proposed sterilization as a means of controlling the overpopulation in Puerto Rico. Over the years, it became a Puerto Rican woman’s preferred choice of contraception. It was so routine, it was called simply, la operación (the operation). Reproductive Choices: Revisiting La Operación takes a nuanced look at sterilization’s impact on 20th century Puerto Rico by exploring the factors that led women to choose it as a means of birth control.
[logline] => A documentary challenging the long-held belief that the U.S. government forced Puerto Rican women to be sterilized; the truth is more complex and examining the evidence from the women themselves casts a whole new light on this story.
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[title] => Reproductive Choices: Revisiting La Operacion
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Reproductive Choices: Revisiting La Operacion
A documentary challenging the long-held belief that the U.S. government forced Puerto Rican women to be sterilized; the truth is more complex and examining the evidence from the women themselves casts a whole new light on this story.
Learn more
Array
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[ID] => 101331
[title] => Paper City
[text] => This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
Just after midnight on March 10, 1945, the U.S. carried out a massive incendiary air attack on eastern Tokyo, unleashing a firestorm that devastated this densely urban area of wooden and paper houses. By sunrise, more than 100,000 people had been killed, and a quarter of the city wiped off the map—the most destructive air raid of any war in history. Yet it is barely spoken of in Japan or abroad.
For years the survivors have campaigned for a public memorial and museum, and for some token compensation for the loss of their homes, loved ones, and livelihoods. But the Japanese Government continues to ignore their appeals, and after seven decades, they find themselves cast aside—and on the verge of being effectively erased from historical narratives. In contrast, former soldiers have been treated generously by the state.
Paper City tells the story of three survivors as they launch one final campaign to leave behind a record of this forgotten tragedy—before the last of them passes away. Using paper as a central metaphor—a means of documenting the past that is as fragile as life itself—Paper City will explore the power and frailty of memory. And in giving a voice to the firebombing survivors, the film will shine a light on the devastating and lasting impact of civilian-targeted airstrikes, which continue around the world to this day.
[logline] => Paper City tells the story of three survivors of the 1945 fire-bombing of Tokyo as they launch one final campaign to leave behind a record of this forgotten tragedy—before the last of them passes away.
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)
Paper City
Paper City tells the story of three survivors of the 1945 fire-bombing of Tokyo as they launch one final campaign to leave behind a record of this forgotten tragedy—before the last of them passes away.
Learn more
Array
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[ID] => 160470
[title] => Ana Mendieta: Rebel by Nature
[text] => This documentary gives an intimate first look at the untold life story of artist Ana Mendieta who is admired by the art world and is now being discovered by the world at large. Sent from her homeland, Cuba, at the age of 12, Mendieta discovered art could become a tool to heal her feelings of loss and displacement. Her work explored themes of exile and a return to the land, in which she used her body and nature as a medium. She was a rising star in the art community of the late 1970's/early 80's for her pioneering and groundbreaking work, and received two NEA grants, a Guggenheim and the prestigious Prix de Rome Award.
On September 8, 1985, Ana Mendieta fell to her death from minimalist artist Carl Andre's apartment. The two had been married for only nine months. The scandal of this tragedy split the art world as people took sides when Andre was arrested for his wife's murder. After a bench trial, Andre was acquitted, and slowly disappeared from the public eye as Mendieta's rise in the art world continued to grow.
Ahead of its time, Mendieta's work resonates even stronger today. She has become an icon and considered by many to be today's Frida Kahlo. Her work is now in major museum art collections such as The Met, MoMA, The Guggenheim, The Whitney, The Tate, and Pompidou and her art and story is now being discovered by mainstream audiences.
[logline] => An intimate look at artist, Ana Mendieta, whose exile from her homeland Cuba inspired her pioneering art in the landscape. Family and friends speak out after more than 30 years, interwoven with newly discovered audio of the artist alongside her visually captivating Super 8 films.
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)
Ana Mendieta: Rebel by Nature
An intimate look at artist, Ana Mendieta, whose exile from her homeland Cuba inspired her pioneering art in the landscape. Family and friends speak out after more than 30 years, interwoven with newly discovered audio of the artist alongside her visually captivating Super 8 films.
Learn more
Array
(
[ID] => 136904
[title] => Take Me Home
[text] => The fictional story follows Anna, a cognitively disabled woman who is also a caretaker, striving for autonomy. The script does not overlook her disability and she never becomes a savant, a burden, nor is she objectified — she is simply one of us.
The story uplifts the many facets of Anna’s character: she is disabled, yes, but she’s also an Asian adoptee, a sister and a caregiver to her aging parents. The story touches on themes about the adopted family as its own unique balancing act without glorifying adoptee trauma or white saviorism. Take Me Home empowers the disabled character and highlights the ethical dilemma of caretaking in the impossible American Healthcare system. There are glimpses of privilege and capitalism - who can get caregiving and who can’t? Who gets to live a respectable life after they have limited abilities?
====
Following in the legacy of recent American social realist films such as Florida Project, The Rider, and Nomadland, TAKE ME HOME is a deeply personal story that will blend its fictional arc with the very real lived experience of its lead actor and other disabled and older adult members of the cast and community. While the script is carefully crafted as a narrative, the film blurs the line between documentary and fiction. The process is designed as almost a structured improv to offer a space for the actors to thrive rather than feel confined by a controlling traditional filmmaking process.
====
The script, the production, the edit and the mission are built around my love for my sister Anna. Like Sing Sing, these are the conversations I want to create about how we make films that are truly inclusive. For all the years of feeling helpless drowning in anxiety and doom around my love for my aging disabled family, this film is a way for me to try to change the fabric of this world. It’s a way to share my insight and perspective on the lives I see quietly suffer. Take Me Home ends in a grounded magical realism that offers the viewer hope with a call to action to create a world where everyone’s needs are met.
[logline] => Anna, a 38-year-old Korean adoptee with a cognitive disability, cares for her aging parents in a fragile balance of meeting each others’ needs. When a Florida heat wave shatters their family and Anna’s routine, her future is uncertain - until she creates a world where she can thrive.
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Take Me Home
Anna, a 38-year-old Korean adoptee with a cognitive disability, cares for her aging parents in a fragile balance of meeting each others’ needs. When a Florida heat wave shatters their family and Anna’s routine, her future is uncertain - until she creates a world where she can thrive.
Learn more
Array
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[ID] => 154735
[title] => Another Light on the Road: Robert Frank & June Leaf's Canadian Home
[text] => In 2021, 92-year-old artist June Leaf invited friends and neighbors from rural Nova Scotia to come sit in her kitchen and remember her late husband, the photographer and filmmaker Robert Frank. Over the course of this informal wake, we learn the extent to which the couple's artwork was fueled by their adopted home of 50 years, the ways their presence as artists inspired the community around them, and most importantly how storytelling helps to process grief as June continues on with her own artistic journey.
[logline] => Two years after the passing of photographer Robert Frank, artist June Leaf returns to Nova Scotia to explore the special relationship they had to their adopted Canadian home of fifty years.
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[link] => https://www.wmm.com/sponsored-project/another-light-on-the-road-robert-frank-june-leafs-canadian-home
)
Another Light on the Road: Robert Frank & June Leaf's Canadian Home
Two years after the passing of photographer Robert Frank, artist June Leaf returns to Nova Scotia to explore the special relationship they had to their adopted Canadian home of fifty years.
Learn more