While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
AKA Doris Wishman
In a world dominated by male filmmakers, delve into the enigmatic journey of a trailblazing American woman who redefined cinema through her groundbreaking contributions to the realm of sexploitation films.
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Vena Aquatica
In a tender mosaic of El Salvador, women reveal the joys and perils of their lives, deeply bonded with water and land. Vena Acuática is shaped by the relationships among women who defend a landscape haunted by environmental negligence and forced migration.
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River of Grass
A time-traveling guide channeled by the land recounts the Everglades’ violent past and warns of Florida's precarious future. Told through Miami journalist Marjory Stoneman Douglas's The Everglades: River of Grass (1947), the film explores how Florida’s vulnerability to climate change is historically rooted in the Everglades’ ongoing legacies of settler colonialism.
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The Art of Survival
The Art of Survival will follow a collection of artists around the globe, in their quest to come to terms with a history of sexual abuse, serving as an intimate study of the relation between art and catharsis in survivors of childhood trauma.
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Home Court
HOME COURT traces the ascent of Ashley Chea, a basketball prodigy whose life intensifies amid recruitment, injury, and triumph throughout her high school years.
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ARTIFACTS
The life of a successful yet isolated photographer changes as she learns how to cope with a rare visual disease.
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Girls of Tomorrow: Twenties (wt)
2015 - 2025 : From Obama, through Trump, and until Biden’s final presidential days, the Girls go through their twenties grappling with dreams of a fair, feminist, sustainable society in a patriarchal reality. While I have just become a mother and seek elevation, I follow them for a decade.
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Coming Home: Fight for a Legacy
A group of daring women challenge gender roles to become the first female military pilots during WWII, only to have their achievements buried by the lies of those who wished them to fail.
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SEEDS
SEEDS is an ethnographic portrait of a centennial African-American farm in Thomasville, Georgia. Using lyrical black and white imagery this meditative film examines the decline of generational black farmers and the significance of owning land.
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Anything You Lose
Realities of Assisted Reproduction test the strength of Eddie & Irina’s marriage, when the optimistic newlyweds set out to become new parents.
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The New York Love Songs
Millennial musicians journey from jazz school to adulthood as the aughts give way to a new digital frontier in this lyrical and intimate odyssey shot over 15 years.
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The Gender Project
What defines biological sex — science or society? Through immersion in the lives of people who defy simplistic gender labels, The Gender Project uses bold cinematic language to confront the dichotomy of gender, exploding binary myths with scientific, historical, and cultural revelations.
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Karuara, People of the River
A film about spiritual beings that live in the Amazons’ rivers, and an indigenous community’s struggle to save these sacred water guardians.
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Acting Like Women
In 1973, women artists flocked to the Woman’s Building in L.A. – a birthplace for innovative, fearless, and still-relevant feminist performance art that laid a foundation for today’s art and social justice movements. ACTING LIKE WOMEN is a journey into art, activism, and gender told by those who lived it.
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The Coma Club
THE COMA CLUB follows four matriarchs as their loved ones emerge from comas caused by injuries sustained during America's recent wars. Moving between an annual retreat and their lives back home, the film offers a rare, intimate portrait of caregiving and the resilience of families living in combat’s long shadow.
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Gregory & Veronique: From Paris to Hollywood
Gregory & Veronique: From Paris to Hollywood is an intimate look at Gregory Peck’s legendary life and career, exploring his challenges and triumphs, and the impact that he and his wife Veronique made on Hollywood, told through personal archives: letters, home movies, and stories from those who knew them best.
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Familiar Touch
Familiar Touch is a coming of (old) age film. It follows an octogenarian woman’s transition to life in assisted living as she contends with her conflicting desires and self-narratives amidst her shifting age identity and memory.
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