While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Tell Me No Lies: The Real John Pilger
Tell Me No Lies will tell the inside story of John Pilger, Australia’s most famous journalist.
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Ever and the sharks
A female leading marine biologist and a teenage boy from a disadvantaged fishermen community in northern Peru will embark on a quest to tag whale sharks in a scientific discovery that aims to save the species (and the boy’s future).
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INDÍGENA
To fulfill her mother’s dying wish, a filmmaker retraces her mother’s work as an activist and journalist during the Red Power Movement of the 1960’s and 70’s, bringing to light 500 years of Taino resistance and igniting her own journey of reclamation.
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Eat Bitter
Against the backdrop of civil war in the poverty-stricken Central African Republic, a Chinese construction manager and a local African laborer work on opposite ends of the spectrum to construct a sparkling new bank. As deadlines loom, unexpected twists threaten their jobs, relationships, and plans for a better life.
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Firelighters: Fire Is Medicine
Our relationship with fire is out of balance, leading to catastrophic wildfires. FIRELIGHTERS follows Yurok, Karuk, and Hoopa burning rights activists as they share their knowledge and provide solutions to this global problem.
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My Color
My Color is an intimate documentary portrait of three artists living entirely in one color — from their clothes to their homes — turning radical visibility into a means of survival.
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Erica Deuso: The Good Neighbor Mayor
When a trans mayor is elected in a swing state, the first 30 days in office reveal how quickly progress can be challenged—and defended.
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Girls for Tomorrow (formerly GIRLS OF TOMORROW)
2015 - 2025 : From Obama, through Trump, and until Biden’s final presidential days, the Girls go through their twenties grappling with dreams of a fair, feminist, sustainable society in a patriarchal reality. While I have just become a mother and seek elevation, I follow them for a decade.
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I AM NOT A SPY
I AM NOT A SPY is a first-person documentary exploring the Russian electoral process under Putin’s regime. A Russian-American filmmaker gains access to her local polling station during multiple elections to investigate their validity and understand the mindsets of voters as Russia becomes increasingly authoritarian and invades Ukraine.
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First We Bombed New Mexico
75 years after the world's first nuclear bomb - codename Trinity - is secretly detonated in southern New Mexico, a Latina cancer survivor catalyzes a movement demanding justice for a legacy of lethal radiation.
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Seeing Stars
In this genre bending solo musical film, a legally blind writer waits in her eye Doctor’s office suspecting her low but long stable vision may be changing. Fighting fear, she inhabits her own stories of women with limited sight and limitless vision, turning them into stars to light her way.
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WOMEN OF STEEL
1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
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Untitled Indigenous vs. White Supremacy Ideology Film
There is an EPIDEMIC occurring in the United States and no one knows about it. From 2016 through 2019, over 19,000 Native American women and teenage girls have vanished and/or were murdered. Most of these crimes are never solved.
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House No.7
After escaping their conservative societies, three women, rent rooms in an old Damascene house in Damascus, Syria, where they manage to create a safe space isolated from the madness of the post-war era. But soon the girls start facing many threats, thus protecting their fragile space becomes a challenge.
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Cancer: A Love Story (Working Title)
Cancer: A Love Story is an autobiographical documentary about my battle with cancer, confronting sexual assault, and the crazy things I did to heal myself. It’s a survival story, but also a story of mothers and daughters, and the intimacies of women’s bodies.
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Acting Like Women
In 1973, women artists flocked to the Woman’s Building in L.A. – a birthplace for innovative, fearless, and still-relevant feminist performance art that laid a foundation for today’s art and social justice movements. ACTING LIKE WOMEN is a journey into art, activism, and gender told by those who lived it.
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Sitting Still
Artist, scholar, architect, landscape architect, professor, author, urban visionary, and unparalleled designer of cities, Laurie Olin is a true Renaissance man who, along with world-renowned architect Frank Gehry, takes us on a visual, eye-opening journey through natural and built environments, revealing the connective tissue for creating healthy and humane societies.
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Coming Home: Fight for a Legacy
A group of daring women challenge gender roles to become the first female military pilots during WWII, only to have their achievements buried by the lies of those who wished them to fail.
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