While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Extreme Animal Transport
What does it take to move wild animals across international borders? Every move has a story. We follow the journey to a new life.
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YOU DESERVE TO DIE: The Story of Gamergate
YOU DESERVE TO DIE is the bizarre true story of how a group of misogynistic "Gamers" wrote the playbook for weaponizing social media as told by those they relentlessly targeted.
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Untitled Indigenous vs. White Supremacy Ideology Film
There is an EPIDEMIC occurring in the United States and no one knows about it. From 2016 through 2019, over 19,000 Native American women and teenage girls have vanished and/or were murdered. Most of these crimes are never solved.
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SORORITY STORY
SORORITY STORY tells the unexamined story of racial discrimination in one of the largest and most exclusive private clubs in America: white college sororities.
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Most Dangerous Women: Women of the West
A documentary short featuring women changemakers working to create a more just world. In the film, contemporary leaders in the U.S. West reflect on the early legacy of visible women in the region, as well as the challenges they and their peers face today, and their hopes for the future.
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As Slow As Possible
From the unhurried movements of Icelandic glaciers to a 639 year-long musical performance in Germany, stories of geological, human, and cosmic time intersect in a cinematic exploration of time and timelessness.
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Aftermath
AFTERMATH revisits the wrenching, highly-publicized hate crime documented in Emmy-nominated THE BRANDON TEENA STORY, 25 years later. Through the eyes of a community grappling with the impact of Brandon’s life and death, the film explores loss, growth and life for LGBTQ individuals in Heartland America.
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Hear, Eat, Home
A lyric portrait of how—through art, friendship, music, and food—New York immigrant musicians and artists understand the upheavals they faced in their home countries and answer new challenges that emerge as they make the US their home.
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Recovery City
Recovery City is an intimate, unflinching portrait of four bold women who refuse to let themselves or their community give in to the stigma and despair of addiction.
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In the Wake of Giants
As two conservationists travel across the Indo-Pacific in search of how best to protect the ocean they love, their beliefs are challenged in a village where whales are still hunted, forcing them to confront whether their own vision of saving the ocean is part of the problem.
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ISKRA (Spark!)
Before Silicon Valley, Apple and Google, before Microsoft and Bill Gates, there was Yugoslavia and ISKRA. Overlooked and underrated, the non-aligned Yugoslav tech giant allowed East to connect with West. It was pioneering and avant-garde. Then... it suddenly disappeared.
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American Fall
A road trip through the U.S. in the fall of 2024 to discover what unites us.
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Reproductive Choices: Revisiting La Operacion
A documentary challenging the long-held belief that the U.S. government forced Puerto Rican women to be sterilized; the truth is more complex and examining the evidence from the women themselves casts a whole new light on this story.
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Acting Like Women
In 1973, women artists flocked to the Woman’s Building in L.A. – a birthplace for innovative, fearless, and still-relevant feminist performance art that laid a foundation for today’s art and social justice movements. ACTING LIKE WOMEN is a journey into art, activism, and gender told by those who lived it.
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A Photographic Memory
A daughter attempts to piece together a portrait of her mother, a daring journalist, and a woman she never knew. Uncovering the vast archive Sheila Turner-Seed produced, including lost interviews with iconic photographers, the film explores memory, legacy and stories left untold.
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First We Bombed New Mexico
75 years after the world's first nuclear bomb - codename Trinity - is secretly detonated in southern New Mexico, a Latina cancer survivor catalyzes a movement demanding justice for a legacy of lethal radiation.
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the bomb
the bomb is a critically acclaimed immersive film, music, and art installation that puts viewers in the center of the story of nuclear weapons. It explores their immense power, their perverse allure, and the inherent danger at the very heart of them. An installation version of the bomb is currently touring museums, galleries, film festivals, and academic institutions.
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