While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
The Portal
A documentary and book with a global vision to shift humanity out of a state of crisis. The Portal follows six real-life stories that all overcome trauma, anxiety, depression and PTSD using a simple yet powerful technique. What does the planet look like if we all did this?
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JIMMY
JIMMY (w.t.) is a magical escape into the life and mind of celebrated sculptor, James Grashow, as he creates his magnum opus. The intricately carved work contrasts writhing demons with images of salvation, and mirrors Jimmy’s paradoxical struggle to reckon with the fragility of life and his zest for it.
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Flashing
How women around the world experience and address menopause - a critical and understudied realm of women's sexual health and reproduction.
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WOMEN OF STEEL
1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
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MACHTAT
The daily life chronicle of Fatma and her daughters Najeh and Waffeh, wedding musicians in a small town in Tunisia.
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*holds you tight*
A lonely night watchman develops a relationship with an AI chatbot, transforming his worldview and challenging his perception of identity and reality.
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Being BeBe | The BeBe Zahara Benet Documentary
An ambitious immigrant from homophobic Cameroon struggles to build a successful career as a drag performer in the US after winning the First Season of RuPaul’s Drag Race.
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This Body, Too/ Y Este Cuerpo Tambien
Face with the decision to replace my expired breast implants or have them removed, I grapple with the concepts of femininity and gender norms as a Dominican immigrant and an intersex-woman.
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999: The Extraordinary Young Women on the First Official Transport to Auschwitz
“66% of millennials cannot say what Auschwitz was” even fewer know that the first Jewish transport to Auschwitz was 999 teenage girls and young women. Discover the truth behind this historical #MeToo moment and meet three survivors of the first transport, who are in their 90s, and their families.
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Wittig, Yes!
More than 50 years ago, Monique Wittig, acclaimed writer, theorist, and lesbian feminist icon, dared to envision a world beyond gender. Told by her lifelong partner Sande Zeig, Wittig, Yes! unveils the synthesis of Wittig's public and private personas, tracing the origins of her groundbreaking theories.
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Sleep Training
When a new parent’s postpartum depression devolves into frightening hallucinations, an escape from motherhood is necessary to stay sane –but is abandoning the baby the only way out?
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MAILIN
Mailin tells her daughter a bedtime story, a metaphor unfolding the protagonists’ search to recover the memory of her past. Through a collage of archive and childhood drawings, emerges the story of a girl, who for 15 years suffered the abuses of a priest that Justice has just set free.
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The Woman Who Poked The Leopard
After a life of radical activism that lands her in jail, Ugandan Queer rights academic and poet Stella Nyanzi runs for parliament. Police brutality and tragedies that follow force her to choose between her children’s safety and the revolution.
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Big Rock Burning
A gripping documentary exploring the resilient spirit of Malibu's Big Rock community as they rebuild from the ashes of the devastating Palisades Fire, one of America's worst wildfires.
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Adios Amor - The Search for Maria Moreno
The discovery of lost photographs sparks the search for a hero that history forgot—Maria Moreno, a migrant mother who sacrificed everything but her twelve kids for farmworker justice. The first female farmworker in the U.S. hired as a union organizer, Maria’s story was silenced and her legacy buried—until now.
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256,000 Miles From Home
On July 1, 2019, four former unaccompanied child refugees, now between 83 and 92 years old, arrive in Vienna, Austria, to begin a trip retracing the route they took 80 years ago, as Kindertransport children, traveling alone, without parents, fleeing to save their lives.
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Taking Venice
TAKING VENICE uncovers the true story behind rumors that the U.S. government and a team of high-placed insiders rigged the 1964 Venice Biennale – the Olympics of art – so their chosen artist, Robert Rauschenberg, could win the Grand Prize.
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