While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
A Place of Absence
Decades after the disappearance of her uncle during Argentina’s dictatorship, filmmaker Marialuisa Ernst joins the Caravan of Mothers, a group of Central American women traveling the migrant trail in search of loved ones who have disappeared trying to reach the US.
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Familiar Touch
Familiar Touch is a coming of (old) age film. It follows an octogenarian woman’s transition to life in assisted living as she contends with her conflicting desires and self-narratives amidst her shifting age identity and memory.
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One Person, One Vote?
An in-depth look at the Electoral College, its slavery origins, and its impact on society today. The film features four dynamic electors from different parties offering insight into the inner workings of this often-misunderstood institution. A timely, nonpartisan film that will fill a stark information gap in American presidential elections.
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Rooting Souls
Sparked by Zivia Berkowitz’s ambitious vision and self-filmed footage, ROOTING SOULS explores three emerging alpinists, organizers, & educators preparing to summit Mt. Kenya. Intricate portraits of access, representation & healing within the Black diaspora & outdoor adventure worlds emerge in this feature documentary, inviting audiences to re-envision community and success.
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Little Sallie Walker
How did generations of Black women and girls across America, including the film's director, find themselves fighting for joy and healing? LITTLE SALLIE WALKER, an intimate documentary, explores how their precious worlds of play collide with a unique set of traumas and struggles from both the past and present.
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HOW MUCH AM I WORTH?
Upon moving to New York, freelancer and amputee Rachel Handler is saddled with insurance that says “1 prosthetic device per lifetime.” Determined to get a prosthesis without going bankrupt, she embarks on a quest to repeal this policy and unexpectedly becomes an advocate for people with disabilities along the way.
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Bad Girl Marcia Tucker
After being fired from NYC's Whitney Museum for her radical exhibitions, feminist curator Marcia Tucker founded the New Museum in 1977 to champion marginalized artists. Through rare archive and insight from today's artworld rebels, BAD GIRL MARCIA TUCKER traces Marcia's defiant legacy – offering a blueprint for resistance in the face of contemporary threats to art, artists, and art institutions.
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Presente!
Five years after the assassination of Marielle Franco, a young community leader born in the favela of Rocinha, Magda Gomes, follows the journeys of Black women in Brazilian politics as she contemplates which path to take toward her future.
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HYSTERIA
Three women discover that what happened to them wasn’t an accident. It was built into the system. Their stories open onto a haunting investigation into the enduring legacy of medical sexism. HYSTERIA is both a searing cry for help - and an urgent call for change.
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River of Grass
A time-traveling guide channeled by the land recounts the Everglades’ violent past and warns of Florida's precarious future. Told through Miami journalist Marjory Stoneman Douglas's The Everglades: River of Grass (1947), the film explores how Florida’s vulnerability to climate change is historically rooted in the Everglades’ ongoing legacies of settler colonialism.
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Emotions Revealed: The Life and Work of Dr. Paul Ekman
A personal portrait of the American psychologist whose groundbreaking scientific work investigating the facial expressions of human emotions silently permeates our modern world and the depths and significance of our humanity.
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SuperD!ville
We are creating a web series for public schools focusing on social and emotional learning for children with dyslexia and attention issues. Our mission is to help kids succeed in school and life because of, and not in spite of, their learning differences.
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The In Between
The in Between is a portrait of a unique community that follows the exceptional but very normal lives of the citizens of the sister cities of Eagle Pass, Texas and Piedras Negras, Coahuila along the U.S. / Mexico border, offering an intimate look into the heart of Mexican-American identity.
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Holloway
Six women return to the abandoned Holloway Prison to participate in a women’s circle. Sharing some of the most intimate experiences of their lives, they unravel what led each of them to prison, building an eye-opening portrait of repeatedly failing systems, and discovering their extraordinary capacity to heal through sisterhood.
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Terracotta Daughters
Terracotta Daughters is a feature-length documentary following eight Chinese girls from 2015 to 2030, whose portraits inspired Prune Nourry’s 2012 art installation of 108 sculptures modeled on the Terracotta Army of Xian. At once intimate and political, the film captures their journey from childhood to adulthood.
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Hands On
Two determined women engage in an extraordinary endurance contest to win a car by keeping their hands on it the longest. As years pass, their unwavering resolve leads to an unexpected bond.
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The Archives
The Archives tells the story of Holocaust archivists, quiet warriors who preserve and uncover the truth of history. Their domains are the archives, hallowed places of stored history that are the searching grounds for the victims’ descendants, family archivists excavating the trauma of the past to build a better future.
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Cancer: A Love Story (Working Title)
Cancer: A Love Story is an autobiographical documentary about my battle with cancer, confronting sexual assault, and the crazy things I did to heal myself. It’s a survival story, but also a story of mothers and daughters, and the intimacies of women’s bodies.
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